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Adam Scott as Mark S in the Apple TV+ sci-fi psychological thriller.
TV & Streaming

Dan Erickson Answers (Most of) Our ‘Severance’ Questions

by jummy84 August 20, 2025
written by jummy84

It’s hard to refute the greatness of Severance, which leads the Emmys race with 27 nominations, but few shows raise as many questions — or spark as many fan theories — as the retro-futuristic Apple TV+ series. THR posed many of ours to creator and showrunner Dan Erickson, who was game to answer (most of) them, including where the show’s deepest, darkest secrets are virtually buried.

***

Congrats on an insane number of Emmy noms. I wrote a story in which I said season one deserved the more accolades of the two — but that’s more about how much I think season one was under-appreciated. What’s your reaction to all of that?

I think that however people perceive it is certainly fair. I also think that there is something about the first season of any show and coming in and discovering that world and having all of those intriguing questions raised. You know, there’s certainly nothing easy about making TV at any stage, but I do think it’s easier to raise those intriguing questions than to continue the story and answer those questions — or some of them in a way that is satisfying to people. And so for me as a fan, I often find myself feeling affection or nostalgia for that first season. But I think that the response we’ve got on the second (season) is really the best that I could have asked for. And I do think that people are becoming more familiar with the show and starting to really appreciate the work of a lot of the actors who weren’t nominated in the first season. I love so much that a lot of those people are now being recognized. There was a lot of stuff that sort of flew under the radar, I think, in that first run.

I don’t know how this got in my head at some point, but did you or Ben (Stiller) ever say Severance would be three seasons and done?

No. We still haven’t to this day said what exactly it’s going to be in terms of length. So, no.

Do you know how many seasons you’re gonna do?

We are pretty sure. We’re pretty sure, but we’re keeping that internal at the moment.

I asked this to Britt (Lower) as well, but do you 100 percent promise that was Helly R. in the season two finale and not Helena Egan? Like, you’re not screwing with us.

Yeah, we’ll screw with you on some things, but on this we’re being as open as possible. Yeah, that was Helly.

I recall you telling me you had a physical bible that contained all of the show’s mythology. Do you still have that?

Well, I think that that physical binder may have gone in the shredder at some point in the transition between seasons. But we’ve still got the document that contains sort of all of the lore and the history of the company and of the characters. So, yeah, it may not be physical, it may be digital at this point, but it still exists.

Who has access to it?

So yeah, I’m working with two EPs, and so they’ve got access to it. And Ben has access to it — basically all the executive producers. And then we share that stuff with Apple and others, sort of on a case-by-case basis.

It’s not like a leather-bound thing where we blow dust off of it. It’s on a hard drive somewhere.

Is it fair to assume that Mark S. leaves the Lumon building and becomes Mark Scout again at some point (in season three)?

I think at this point you kind of can’t assume anything. I think what we wanted to do was dramatically change the format of the show in a way so that we’re not seeing the same thing we’ve seen before. So I think at this point, anything could happen.

Zach Cherry, Adam Scott, Britt Lower and John Turturro in ‘Severance’ season two, episode four.

Apple

Did you write a version where Mark S. leaves (the severed floor) with Gemma (in the season two finale)?

I like to think there’s an alternate universe, but our plan was always— we basically had that ending for the season pretty well-established when we started conceiving it. That was one of the first things that we came up with. And the reason for that was just, I really love the idea that he starts— you know, the first thing you see (in the season three premiere) is [Mark S.] running to go find not Helly and Irving and Dylan, but Miss Casey, because at that starting point of the season, he feels very much like indebted to his Outtie, or like he’s sort of an appendage of his Outtie. And so at the end, it was like, “What if we get him all the way there and he gets her out, but then he doesn’t follow?”

Explain the mechanics of why a door to the stairwell on the MDR floor turns a severed employee into their Outtie, but the same person has to go down several flights in the elevator shaft for the same change?

So, yeah, this is actually also— this is a whole section (in the show bible) of how exactly that the severance threshold works. And basically the company can build it however they want. And the idea is that there sort of is just a section— if you were to dig through the wall of the severed floor, you would eventually reach a point where you’re beyond the threshold and you’re no longer within that space where your Innie is being activated. And so, they would have basically just designed it where that doorway is, where the cutoff point is.

I will go to my grave believing that major plot points in Lost were changed in response to fan theories on message boards. Do you read the Severance Reddit thread, and would you change something if it was “spoiled” by a fan theory?

Yeah, I really enjoy looking at the Reddit, but I’ve had to pull back from it a little bit because I get in my head at a certain point. There’s so many good ideas on there, and part of you wants to do all of them. I will say that…I think, inevitably, there are little pivots that you do. That’s the nature of TV — I think it’s always been, even before message boards. As you go multiple seasons, you listen to people’s responses, and you find out what people are loving and what they’re not. And so, yeah, I think there have been pivots, but I will say like the big plan has not changed — and I don’t think it would change, even if someone were to guess it exactly, which I haven’t seen thus far.

Even if that were to happen, I don’t think that that would be grounds to change it — unless it was like a consensus, like everybody called it — because I actually think that it’s OK when…Helena was pretending to be Helly, you know, for a number of episodes. People called that from the jump. And that actually didn’t bother me. I didn’t think that it detracted from the experience, because people like being right and they like sort of being part of the show and thinking through it. If nobody ever guessed anything, I think it would mean that we weren’t setting things up properly. So, yeah, all that is to say that I love people speculating, and I don’t find it to be a problem if people are guessing certain things, because I think that’s part of the fun.

Do you feel pressure for your next show to have as much lore and mythology as this one?

I mean, the truth is — and I’m not just saying this — but I don’t think about it that much just because of bandwidth, because Severance is very much the only thing in my field of vision right now. But when I do think about sort of a post-Severance landscape for myself, I would be really interested in doing something very different — doing a totally different genre. I got my start in comedy. I always thought I would be more of a comedy writer, and I would be interested to explore that space.

I think that everything you do is really a result of of the specific collaboration and the specific people that you’re working with.I think that Severance is something that sort of had to pass through both me and Ben before it could become what it is, and all of our department heads and designers and actors. And so I think whatever I do next — you know, assuming I’m lucky enough to work again — is probably going to feel really different. And so I think we lean into that.

What you’re saying is you’re doing Survivor with (The White Lotus) creator Mike White.

That’s what I’m going to do. I’ll be— yeah, I’ll be on Love Island.

I know you won’t tell us who, but can you tell us if any other major character that we’ve already met has or had been severed (and we don’t about it yet)?

I don’t know that I can confirm nor deny that.

That feels like the right way to end an interview about Severance.

Yeah.

This interview has been lightly edited and condensed for clarity.

August 20, 2025 0 comments
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Good Omens star Michael Sheen still gets "very moved" by show's fans
TV & Streaming

Good Omens star Michael Sheen still gets “very moved” by show’s fans

by jummy84 August 20, 2025
written by jummy84

While discussing his career, Sheen specifically referenced his working relationship with Tennant and how they had previously often competed for the same parts before working closely together.

Sheen revealed: “Well, David and I, for many years, we knew each other, socially or whatever, and we’d been in one film together – a film called Bright Young Things that Stephen Fry did – but we had no scenes together, so we didn’t really know each other. And maybe that’s because we were often up for the same parts. So there was usually one role that David and I would both be up for.”

The actor noted how their similarities actually made it easier for them to play “light and shade”, also reminding us they almost played each other’s characters in Good Omens.

Sheen noted that the “dance” of them working together often meant that things quickly “clicked” and they developed their characters “off each other”.

Michael Sheen has spoken about how the Good Omens fandom has moved him over the years. Eamonn M. McCormack/Getty Images

Discussing fans of the series, Sheen revealed that he still gets “very moved” by how much it means to them and how it has brought people together, too.

The show has filmed a 90-minute finale, which currently has no set release date, and on which Sheen had no more details to offer during his appearance at the festival.

Neil Gaiman, co-author of Good Omens, exited the TV series after he was accused of sexual assault, which he has strongly denied. He contributed to writing the Good Omens finale but he did not work on the production and his production company Blank Corporation was not involved.

A total of nine women have spoken out against the writer, with their accusations being detailed in a Vulture article published in January 2025, and in a Tortoise Media podcast released in July 2024.

Allegations included claims that Gaiman engaged them in “rough” sex and BDSM without their consent. The novelist has firmly denied any non-consensual or illegal conduct in a statement.

He said: “As I read through this latest collection of accounts, there are moments I half-recognise and moments I don’t, descriptions of things that happened sitting beside things that emphatically did not happen.

“I’m far from a perfect person, but I have never engaged in non-consensual sexual activity with anyone. Ever.”

Good Omens seasons 1 and 2 are available to stream now on Prime Video. Plus, read our guides to the best Amazon Prime series and the best movies on Amazon Prime.

Check out more of our Fantasy coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more from the biggest stars in TV, listen to The Radio Times Podcast.

August 20, 2025 0 comments
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NATIONAL LAMPOON
TV & Streaming

Chevy Chase Reunites With His ‘Vacation’ Families in New Video

by jummy84 August 20, 2025
written by jummy84

Over the weekend of August 15 at Fan Expo Chicago, a little family reunion took place for the beloved Griswolds as cast members from the original National Lampoon’s Vacation films, along with friends and fans, gathered in the Windy City to celebrate the 1983 comedy classic.

Clark Griswold and #1 Wally World himself, Chevy Chase, took to Instagram to mark the occasion, sharing a short video with the caption, “Great time this past weekend in Chicago at @fanexpochicago with old friends and new ones.”

August 20, 2025 0 comments
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'Sly Lives!' Questlove Interview — Music Nerd Easter Eggs
TV & Streaming

‘Sly Lives!’ Questlove Interview — Music Nerd Easter Eggs

by jummy84 August 20, 2025
written by jummy84

“Sly Lives! (aka The Burden of Black Genius)” road tests a theory that its director, Ahmir Questlove Thompson, has had for a while, and that’s articulated in the Hulu documentary by Dream Hampton: There can be a comfort in failure; it’s often what we expect to happen when we try. Success, on the other hand, is probably more frightening. It’s certainly more isolating. The struggle of grappling with success, particularly among Black artists, is a grueling one. Questlove reckons the first person to have to fight the modern version of that struggle was Sly Stone. 

So “Sly Lives!” is a few different things at once. It is an excellent primer on Stone’s life and career, as told through interviews by his bandmates, family members, and musicians and producers who were inspired by his work. It is also a vehicle to explore its subtitle, the burden of Black genius. And it is a visual dive into the groundbreaking music Stone made, as a solo artist and with the band Sly and the Family Stone.  

Slap Shot

The documentary required striking a very fine balance between all three of these storylines, so that both complete novices would get the story and the most invested and lore-steeped Sly Stone supernerds would get something out of the film. 

Questlove’s favorite part of the filmmaking process is “The Clarice, ‘Silence of the Lambs’ storage unit” deep-dive into archival material, as he termed it on an episode of the Filmmaker Toolkit podcast with the film’s producer, Joseph Patel. But maybe the most vital part of the filmmaking work for “Sly Lives!” was the interview process itself. Speaking to contemporary musicians willing to make themselves vulnerable about art and success opens up a window into Sly’s world in a way that no concert footage ever can. 

“I knew there was a level of art imitating life, but getting people to really talk about how the sausage is made and what’s under the hood, I didn’t realize how hard, how triggering that would be,” Questlove said. “We kind of went overboard in our requests, as far as getting people to speak, of which probably, realistically, maybe 30 percent lined up to speak to us. And even then, that 30 percent was a shocker.” 

Questlove was floored that Sly and the Family Stone bandmember Larry Graham would be willing to go on record, in particular, but Patel credits that and many of the other voices in the documentary — Chaka Khan, Andre 3000, George Clinton, D’Angelo, and Nile Rodgers, among others — to the experience and empathy that Questlove brought to the project. 

“I think a lot of that comes from the fact that the request came from another artist,” Patel told IndieWire. “If it were just a journalist asking about some of these artists’ most vulnerable moments, I don’t know if they’d be so open.” 

SLY LIVES! (AKA THE BURDEN OF BLACK GENIUS), director Ahmir Questlove' Thompson, on set, 2025. ph: Cara Howe / © Hulu / Courtesy Everett Collection
‘Sly Lives!’ ©Hulu/Courtesy Everett Collection

The documentary team did everything that it could in order to foster an openness and intimacy in the interview process, from using an Interrotron to allow subjects to see the interviewer while looking directly into the camera lens to doing everything possible to black out or block off an awareness of crew in the room. “They’re not seeing the crew and all the bustling, and so psychologically, it’s just a conversation,” Patel said. “We’re stealing techniques from great documentary filmmakers of generations before us, but I just want people to appreciate that there’s a lot of work that goes into this.” 

There’s also a level of expertise that Questlove and Patel, by being so steeped in the music industry, were able to bring to the interview process. When the chance came to interview Jimmy Jam and Terry Lewis, a lot of documentarians might have gone for a paired interview of the legendary producing and songwriting team. But Questlove knew not to, and magic happened as a result. 

“As a producer, and mindful of the budget, I was like, ‘Well, obviously we’re going to do this together.’ And he’s like, ‘You can’t do them together.’ And I said, ‘Why pay for two interviewers when we can do one?’ And he said, ‘If you get Jimmy and Terry together, Jimmy will do all the talking and Terry will be quiet. But I’ve talked to Terry one-on-one and he’s very insightful. He just doesn’t like to talk in a duo setup. So we interviewed them separately in two different cities at two different times. And Terry’s great in the doc.” 

“They complete each other’s sentences,” Questlove added. “So the fact that when they’re talking about making ‘Rhythm Nation,’ it’s almost as if you could run them together and literally they finished each other’s sentences. It almost felt like the intro to RunDMC’s ‘Peter Piper,’ — sorry, bad reference — but just the way that they finished each other’s sentences was incredible.” 

“Sly Lives!” was shaped by the level of trust for the filmmakers’ intentions that Patel and Questlove were able to convey to their interview subjects and build into the structure of the film, sometimes doing test screenings of sequences in order to lure other people to be talking heads in the film. 

Sly Stone appears in SLY LIVES! (aka The Burden of Black Genius) by Ahmir “Questlove” Thompson, an official selection of the 2025 Sundance Film Festival. Courtesy of Sundance Institute | photo by Stephen Paley.
‘Sly Lives!’ Stephen Paley

“We wanted to tell this story, Sly’s story, with empathy, but also the story of the burden of bBack genius with empathy, too. [There is] a montage at the end of the film that shows, historically, all these Black artists, who are his friends — the point of the film, what we want people to walk away with, is these artists give us so much that we have to show them some grace as they deal with success,” Patel said.  

The documentary is designed, then for that filmmaking empathy to translate into a sympathetic curiosity from the audience, which allows Questlove and Patel to do a little bit more inside baseball exploration of exactly what Sly Stone’s genius looked like and has meant to other artists. 

“ I literally said, ‘OK, let’s make the audience feel smart.Like, in my DJ gigs, I’ll play the original sample of the song and then when the eureka movement comes, everyone goes, ‘Oh my God!’ People feel smart. It’s the same thing for movies,” Questlove said. “The technical aspect of why he’s a genius and the way we speak of the Stones and the Beatles and all the innovations they’ve done… Sly has a list longer than everyone.” 

“Sly Lives! (Aka The Burden of Black Genius)” is available to stream on Hulu. 

To hear Questlove and Joseph Patel’s full interview, subscribe to the Filmmaker Toolkit podcast on Apple, Spotify, or your favorite podcast platform.

August 20, 2025 0 comments
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'Salaam Bombay' Writer Sooni Taraporevala to Pen Vicky Roy Biopic
TV & Streaming

‘Salaam Bombay’ Writer Sooni Taraporevala to Pen Vicky Roy Biopic

by jummy84 August 20, 2025
written by jummy84

Award-winning Indian screenwriter Sooni Taraporevala has been tapped to write “Street Dreams,” a biopic based on the remarkable true story of Vicky Roy, a former street child who rose to international acclaim as a photographer.

Taraporevala, whose credits include Mira Nair‘s “Salaam Bombay,” Venice best screenplay winner “Mississippi Masala,” “The Namesake,” Netflix’s “Yeh Ballet” and Prime Video’s “Waack Girls,” will pen the script for Nirvana Films founder Mauktik Kulkarni, who is producing the project. Indian-American filmmaker Ben Rekhi (“The Reunited States”) is attached as consulting producer.

Roy’s story begins in poverty-stricken rural East India, where desperation drove him to theft and ultimately to flee his home village. He found himself among Delhi’s street children, surviving by collecting rags on train platforms before the Salaam Baalak Trust — a rehabilitation organization established following the success of the Oscar-nominated “Salaam Bombay” — stepped in to change his trajectory. The intervention launched an ascent that would see Roy photograph the 9/11 Memorial construction and secure an MIT Media Labs fellowship. He currently oversees photojournalism initiatives for India’s nationwide Everyone Is Good at Something program, dedicated to empowering individuals with disabilities.

“This is truly a full-circle moment for me. ‘Salaam Bombay’ was made in 1987, the year Vicky Roy was born. I was the writer and still photographer on the film, which launched my careers in both fields. I had no idea then that the film would be so successful and would birth Salaam Baalak Trust that would help so many street children like Vicky find purpose and meaning in life,” Taraporevala said. “As a photographer myself I have followed Vicky’s incredible journey and seen his work since 2009. Now, after the film I initially wrote might have changed his life, to have the opportunity to write a film about his life is quite surreal and wonderful.”

Producer Kulkarni, who transitioned from neuroscience to filmmaking, brings experience from his previous work on travel documentary “Riding on a Sunbeam” and maintains an active Los Angeles-based development slate.

“India is known as a land of myths and fantasies. When I first heard about Vicky’s unbelievable story, I was inclined to believe that it was a bit of both. It has been inspiring to get to know him since then and I couldn’t be more thrilled to bring his story to the screen. Given Sooni’s mastery at crafting India-centric narratives for global audiences and her brilliant work as a photographer, she is the ideal writer to bring this script to life,” Kulkarni said.

The Salaam Baalak Trust’s founder Sanjoy Roy is supporting the film’s development, viewing it as an extension of the organization’s three-decade mission to secure basic rights for India’s street children. The timing follows another success story from the Trust’s network — last year’s Oscar-nominated short “Anuja” featured one of their alumni in a starring role.

“We began in 1988 with the singular mission of ensuring street children in India have access to their basic rights. With the help of our patrons, we are glad that we have gone beyond that mission and spawned thousands of success stories. And Vicky is no exception to it,” Sanjoy Roy said. “Coming on the heels of last year’s Oscar-nominated short film ‘Anuja,’ in which another stellar fellow of our Trust played a leading role, I am hoping ‘Street Dreams’ inspires audiences to believe that it is not where you come from, but rather what you do with your life that matters.”

August 20, 2025 0 comments
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'Ku’damm 77' Drama Sets MIPCOM Cannes World Premiere
TV & Streaming

‘Ku’damm 77’ Drama Sets MIPCOM Cannes World Premiere

by jummy84 August 20, 2025
written by jummy84

The latest instalment of the Ku’damm drama series will have its world premiere at MIPCOM Cannes. German historical drama Ku’damm 77 picks up from the earlier Ku’damm 56, Ku’damm 59 and Ku’damm 63 series.

Set and filmed in Berlin, the family drama is centered around a dance school. It was created by Annette Hess, the first-ever recipient of Deadline’s German TV Disruptor Award in 2024. Maurice Hübner directs the UFA Fiction-produced series, which is for pubcaster ZDF on home turf. ZDF Studios is across sales with the earlier chapters selling into over 30 territories and scoring an International Emmy nom.

The world premiere will take place on October 14, the Tuesday of MIPCOM, which remains the biggest gathering for the international TV crowd. The screening will be in the famed Grand Auditorium of the Palais des Festivals and followed by a Q+A with cast, showrunner and director.

“The selection of Ku’damm 77 for a World Premiere Screening in Cannes proves the importance of German drama series in this top-class international arena,” said Dr. Markus Schäfer, President and CEO of ZDF Studios. “We are confident that this programme will enjoy the same success with worldwide audiences as previous Ku’damm editions.”

“The Ku’damm collection has truly resonated around the world.” added Lucy Smith, Director of MIPCOM Cannes. “Its authentic, universal, and compelling storytelling has struck a chord with audiences, and we are thrilled that the international television community will get the chance to catch the first look in Cannes of its much anticipated 70’s era.”

MIPCOM runs October 13 through 16. The organizers have already announced Blue Bloods offshoot Boston Blue will have its world premiere at the event.

August 20, 2025 0 comments
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Johnny Carson posed with Emmy in a promotional photo in 1972; two years later, he hosted the ceremony for the last time.
TV & Streaming

Host, Nominee, Critic — A Look Back

by jummy84 August 20, 2025
written by jummy84

When the Emmys go live Sept. 14 from the Peacock Theater, Nate Bargatze will take the stage in the dual role of first-time host and first-time nominee, for his Netflix special Your Friend, Nate Bargatze. He will be following in the footsteps of Johnny Carson, who hosted the Emmys from 1971 to 1974 and was nominated three of those years, for The Tonight Show.

Back then, THR‘s reviews of the awards broadcast were unsurprisingly effusive about the king of late night TV, calling him a “wonderful host” who “presided over the show with his usual charm and humor.” After the 1974 ceremony — the last one he’d ever MC — Carson went on the record calling to abolish competitive Emmys as they existed at the time, to be replaced with a more selective system akin to the Peabody Awards. “You don’t say there’s a category for drama, a category for comedy,” Carson told THR. “If Mary Tyler Moore deserves an Emmy, and she does, for her consistent quality, you give it to her. But you don’t make her compete against Carol Burnett. If Carol Burnett also deserves one, you give one to her, also.”

Carson went on to win four competitive Emmys, and in 1980, the Television Academy honored him with its third-ever Governors Award. Much like what he had advocated, the special award is given to those who have “made a profound, transformational and long-lasting contribution” to television.

This story first appeared in an August stand-alone issue of The Hollywood Reporter magazine. To receive the magazine, click here to subscribe.

August 20, 2025 0 comments
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