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Dwayne Johnson On His 'Gritty' Role In 'The Smashing Machine'
TV & Streaming

Dwayne Johnson On His ‘Gritty’ Role In ‘The Smashing Machine’

by jummy84 August 26, 2025
written by jummy84

Dwayne Johnson, known for his onscreen fare in action tentpoles like Netflix’s Red Notice and Jumanji reboot films, posited he wasn’t getting the opportunity for more “raw and gritty” roles as he was “too scared” to explore more vulnerable themes.

In an interview with Vanity Fair promoting the forthcoming release of A24‘s The Smashing Machine, the professional wrestler-turned-performer noted he was nervous about portraying legendary MMA fighter and two-time UFC Heavyweight Tournament Champion Mark Kerr in the Benny Safdie-helmed biopic.

“It was very real. I had not experienced that in a very, very, very long time, where I was really scared and thinking, I don’t know if I can do this. Can I do this?” he said. “I realized that maybe these opportunities weren’t coming my way because I was too scared to explore this stuff.”

Johnson added, “I was so hungry for an opportunity to do something raw and gritty and rip myself open. And all of a sudden, Smashing Machine comes along.”

For the role, the Moana actor explained he had to don over a dozen prosthetics to portray the gentle giant known for his fighting prowess: “I just sat in front of that mirror for three to four hours and watched it all change. There were about 13 or 14 different prosthetics. Subtle, yet I think very impactful,” he said. “By the time I got to set, I was Mark Kerr and I felt it, from how he walked to how he talked and how he looked at life.”

The Smashing Machine, also starring Emily Blunt, will have its North American premiere at the Toronto International Film Festival Sept. 8, before debuting in theaters Oct. 3.

View the trailer for the movie here.

August 26, 2025 0 comments
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How to watch NFL games with NFL Season Pass online with Sling TV, livestream
TV & Streaming

Why Sling TV Offers Sports Fans the Best NFL Season Pass Online

by jummy84 August 26, 2025
written by jummy84

If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

This story was created in paid partnership with Sling.

The wait is finally over! The NFL returns for the 2025-26 regular season with hard-hitting action, high-flying thrills and exciting plays for 18 weeks of games.

If you want to livestream games online, the NFL is spread across broadcast and cable networks, including ABC, ESPN, NFL Network, NBC, Fox and more. The best way to watch these networks on one streaming service is with NFL Season Pass on Sling TV.

Starting at $199, you can prepay for Sling TV for five months during the NFL regular season of play. Choose from one of the streaming service’s three base plans (Sling Orange, Sling Blue or Sling Orange + Blue) and get even more access to your favorite teams and leagues when you add the Sling Sports Extra for $11 to $15 per month, depending on your base plan.

We recommend picking the Sling Orange + Blue plan because you get all networks available in the service’s base plans, such as ABC, NBC and Fox (all in select markets), as well as ESPN, ESPN2, ESPN3, Disney Channel, Freeform, MotorTrend, Bravo, Cartoon Network, Discovery Channel, E!, Fox Sports, FX, Fox News, MSNBC, National Geographic, SYFY, TLC, USA Network, truTV, A&E, AMC, BBC America, BET, CNN, Comedy Central, Food Network, Fuse, HGTV, History Channel, IFC, Lifetime, Nick Jr., QVC, TBS, TNT, Travel Channel, Vice and others.

Meanwhile, the Sports Extra add-on features top sports networks, like NFL RedZone, ESPNEWS, MLB Network, Tennis Channel, NBA TV, NHL Network, FS2, Golf Channel and more.

And if you’re a college fan, you can access NCAAF games with networks, like ACC Network, ESPNU, SEC Network, Pac-12 Network, Big Ten Network and others.

NFL Season Pass on Sling TV also comes with the streamer’s free on-demand library, which features movies, TV series (such as Rick and Morty, Heartland, Point Break, Kim’s Convenience, A Walk To Remember, Mad Men and others)m game shows, reality TV, news and more content to watch online at no additional cost.

With up to four device streams per account at the same time, Sling TV is compatible on a wide range of devices, including Apple iPhone, Apple iPad, Apple TV 4K, Android smartphones and tablets, Google TV, Roku, Amazon Fire TV, Google Chrome, FireFox, Apple Safari and Microsoft Edge web browsers, Windows and Mac laptop and desktop computers, smart TVs from Sony, Samsung, LG, Vizio, Hisense, TCL and much more.

Prices and channel availability depend on your local TV market. Learn more about Sling TV here.

August 26, 2025 0 comments
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EastEnders' Natalie Cassidy says leaving soap was “natural decision”
TV & Streaming

EastEnders’ Natalie Cassidy says leaving soap was “natural decision”

by jummy84 August 26, 2025
written by jummy84

What do you like about living in the countryside?
We go out for nice walks. Having the country pub and the village hall, it’s very Vicar of Dibley. There’s a sense of everybody looking out for each other, which is sometimes missing in a city.

What have you enjoyed watching?
The whole of Glastonbury. We had family over and it felt like our own mini festival at home. I like to switch off and just watch nice, easy things like Gardeners’ World, University Challenge or Grand Designs. The older I get, the more I just like gentle television.

If you’re a Gardeners’ World fan, does that mean you like gardening?
My other half, Marc [Humphreys, a cameraman] is more of the gardener. Having two kids and a full-time job, I feel like it’s something you do when you’ve got a bit more time. I do enjoy it when I can, though. It can be a very meditative thing – potting plants, looking at your seeds, even watering the garden in the evening when it’s been really hot.

You’re a contestant on Cooking with the Stars. Do you enjoy cooking?
I’d say cooking is probably my favourite hobby. Being in the kitchen, putting the radio on… it’s all about having the time to do it. That’s why I love Sundays – they’re all about making a roast dinner. It’s a bit like a religion for me.

It sounds as if food isn’t just fuel to you, as it is for some people.
I love food. I love cooking and going for meals. Cooking for people and watching them enjoy what you’ve cooked, it brings me joy. I just think it’s the heart of family and friendship.

Natalie Cassidy as Sonia in EastEnders BBC

You released weight-loss DVDs in 2007 and 2013. Is there a tension between loving food and the scrutiny your body is subject to as a woman?
The DVD wasn’t a good move for me – I did it for the money. I’m now 42, and to be honest, I could be doing a bit more exercise at the moment, but I just can’t be bothered. I think, “If this is the size I’m meant to be, then I need to be happy with that.” I don’t overeat. I enjoy my food. I like a glass of wine. I like a packet of crisps, but you can’t do it every day. I think everything in moderation. If I go the other way and want to lose a lot of weight, my days aren’t as good.

That sounds like sensible behaviour to be modelling for your children.
I think it really is. There’s so much pressure with image that I just try to put it into perspective and say to them, “You’re so lucky to be able to see, to be able to hear. As long as you’re not abusing yourself – drinking too much, overeating, you know – whatever shape we are, we’re just very lucky to be here.”

Was it difficult to leave EastEnders after 32 years of playing Sonia?
It was a really natural decision to make. Sometimes when you’re in something, you think that’s all there is, so when I had a break from EastEnders last year, I did The Masked Singer and a doc for Channel 4 [What’s the Big Deal: Britain’s Best Buys?]. Unless you’re free, you’ll never know what’s out there. So I thought I’d like to say goodbye to Sonia and see what else is going on.

What is out there?
My podcast [Life with Nat] is going really well, and I’ve got a book [Happy Days] coming out in October. I would love for a gritty or funny role to come up, but after being Sonia for such a long time, I’m really enjoying being myself.

Mitchell and Webb on Radio Times cover (week 36)

The latest issue of Radio Times is out now – subscribe here.

Check out more of our Entertainment coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more from the biggest stars in TV, listen to The Radio Times Podcast.

August 26, 2025 0 comments
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New Photos Tease Matt Walsh's Return as Elias, Romance for Alberta and Pete, and More
TV & Streaming

New Photos Tease Matt Walsh’s Return as Elias, Romance for Alberta and Pete, and More

by jummy84 August 25, 2025
written by jummy84

Ghosts Season 5 is quickly taking shape at CBS as the network unveiled its first look at Season 5’s premiere episode, “Soul Custody.”

As fans will recall, the spirits of Woodstone and their living cohabitants Jay (Utkarsh Ambudkar) and Sam (Rose McIver) were taken by surprise in Season 4’s finale. It turned out that Jay had accidentally signed a deal with the devil, promising his soul to hell in exchange for notoriety with his newly-opened restaurant, Mahesh, thanks to the devious Elias Woodstone (Matt Walsh).

And now, as they look ahead to the future, the Season 5 premiere finds Sam, Jay, and the ghosts attempting to extricate him from this deal with Elias as Walsh returns in the hilarious guest role. Meanwhile, the season premiere’s logline also teases that Isaac (Brandon Scott Jones) helps Puritan spirit, Patience (Mary Holland), through a crisis of confidence, and Pete (Richie Moriarty) and Alberta (Danielle Pinnock) navigate the fallout from their Season 4 finale kiss.

As seen in the various photos below, it is teased that Caroline Aaron is returning as Pete’s ex-wife Carol alongside cholera ghost, Nancy (Betsy Sodaro). Could she have something to do with the fallout surrounding Pete and Alberta’s kiss? Only time will tell for certain. Along with Ambudkar, McIver, Holland, Jones, Moriarty, Pinnock, Sodaro, and Aaron, Season 5 of Ghosts sees the return of fellow costars Asher Grodman as Trevor, Devan Chandler Long as Thorfinn, Roman Zaragoza as Sasappis, Sheila Carrasco as Flower, and Rebecca Wisocky as Hetty.

You won’t want to miss it! In the meantime, we’re pulling the curtain back on Ghosts‘ Season 5 premiere with a gallery of photos below. Scroll down for a closer look and stay tuned for more on Ghosts Season 5 in the weeks to come.

August 25, 2025 0 comments
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'Adolescence' Co-Creator Says Netflix Hit Started Off 'Impossible'
TV & Streaming

‘Adolescence’ Co-Creator Says Netflix Hit Started Off ‘Impossible’

by jummy84 August 25, 2025
written by jummy84

Welcome to It’s a Hit! In this series, IndieWire speaks to creators and showrunners behind a few of our favorite television programs about the moment they realized their show was breaking big.

So many things can go wrong on any given project. When they go right, it means that the creators in charge have made a series of decisions that support the story they want to tell. Netflix’s “Adolescence” broke out way bigger than anyone ever expected, and wound up scoring 13 Primetime Emmy nominations.

Decision 1: Actor and producer Stephen Graham approached his frequent collaborator Jack Thorne (“The Virtues,” “Help”) to write the show.

KPOP DEMON HUNTERS, (aka KPOP: DEMON HUNTERS), from left: Rumi (voice: Arden Cho), Zoey (voice: Ji-Young Yoo), Mira (voice: May Hong), 2025. © Netflix / Courtesy Everett Collection
'RuPaul's Drag Race' Season 17.

Decision 2: Thorne convinced Graham to write it with him. “I’ve always thought that he was an actor that had a writer within him,” said Thorne to IndieWire over Zoom. “He is instinctively a storyteller. And so I wanted to find a way to harness that side of his brain and use it. He’s nervous about writing, he’s dyslexic, he doesn’t see himself as a writer, but I thought we could find a way to work together that would allow that side of his brain to flower.”

They met on Zooms; as Graham and Thorne talked things through, Thorne finalized dialogue and typed the script into the computer.

Decision 3: They wrote the show to be shot in four episodes as single long takes. “I want this to be about knife crimes,” Graham told Thorne, “and I want this to be in a single take and four episodes.” During the writing process, Thorne realized that “the single take was changing the way I write. I could see the joy of the incomplete. Where, conventionally, I would tell a story was not possible. Writing this show I realized the damage of that rhythm. This kicked me halfway across the road, and I was seeing traffic come towards me. And Stephen was an army captain, he’s ruthless. It’s done with love, and it’s done with care.”

Decision 4: With a rapidly approaching window to shoot the show, Graham and Thorne did something risky. All they had written was Episode 1. “I didn’t want to lose that window, and I didn’t want the project to die,” said Thorne. “Let’s write episodes 2 and 3 on spec and and thankfully, it paid off for us.”

ADOLESCENCE, from left: Erin Doherty, Owen Cooper, (Season 1, ep. 103, aired March 13, 2025). photo: courtesy of Ben Blackall / ©Netflix/ Courtesy Everett Collection
‘Adolescence‘ ©Netflix/Courtesy Everett Collection

Decision 5: Amazon, the original home of the series, did not want to make the show they wanted to make. So they walked away. “We just didn’t suit what they wanted to do,” said Thorne.

Decision 6: This allowed the two creators to go to Netflix UK. Graham had starred in the Netflix political series “Bodies.” They met with Netflix in January 2024 and were shooting by the summer. “Adolescence” launched production in July 2024 with director Phil Barantini and cinematographer Matthew Lewis, who had both shot the one-take drama “Boiling Point” with Graham. “They knew how to do it,” said Thorne. “The difference was that was a single room, and we weren’t doing single rooms. We were throwing cameras out of trucks. One of my jobs was to write the impossible and let these technically brilliant people work out ways to solve it, because it is always in the impossible that the interesting things happen.”

Decision 7: They fixed Episode 3. The first episode to be filmed was the confrontation between the 13-year-old accused murderer Jamie (Owen Cooper) and his psychologist (Erin Doherty). But Netflix had notes. “We had rehearsal week, tech week, and shoot week,” said Thorne. “Particularly Thursday of tech week, there will be a lot of people around watching the take, because that would be a dress rehearsal for where we were going to go with it. And at that point, any problems with the script would be apparent, and we’d have to get the spanners and the screwdrivers out and fix it, because there was no edit. The script wasn’t a document which then would be taken into filming, which then would be taken into the edit. The script was the story. On Episode 3, Anne Mensah, our Netflix exec, felt like we were taking way too long to get into the room. We slashed the script, and that still felt too ponderous. And so we ended up with [the psychologist] being late. And she was then traveling through the center at triple speed. It was one of those golden processes that happened so rarely, where it felt like everyone wanted to be on the same team.”

NORTH HOLLYWOOD, CALIFORNIA - MAY 27: (L-R) Jack Thorne, Owen Cooper, Stephen Graham, Ashley Walters and Erin Doherty attend Netflix's "Adolescence" ATAS Event at Television Academy's Wolf Theatre at the Saban Media Center on May 27, 2025 in North Hollywood, California. (Photo by Amy Sussman/Getty Images)
Jack Thorne, Owen Cooper, Stephen Graham, Ashley Walters, and Erin Doherty attend Netflix’s ‘Adolescence’ ATAS Event at Television Academy’s Wolf Theatre at the Saban Media Center on May 27, 2025 in North Hollywood, CaliforniaGetty Images

Decision 8: Netflix got behind it. The show was screened for content chief Bela Bajaria, who showed it to Co-CEO Ted Sarandos. “They were helping us position it so that it did have an international life,” said Thorne. “They were on it from the start, and they were passionate about it, and they felt like they had something that people will want to see. But that’s not to say it wasn’t a massive surprise. Because we thought we’d made a little show that might have some international interest, but we didn’t think it would do what it did, no one would ever dare. It did well in countries that I wouldn’t expect to be interested in the story of a lad from Pontefract just outside of Doncaster. We weren’t trying to tell a story that would work in America. It was about knife crime, not gun crime. It was local, but when it is specific enough it does work internationally, if given the chance. And that’s not just true of ‘Adolescence,’ that’s true of a lot of stories.”

Once the show aired to raves, Thorne started getting messages from old school friends, people who aren’t in the business. “You became aware of how many people in different countries were watching it and having that response,” said Thorne. “It is partly down to the single shot, and people were interested in the technical prowess that Matt and Phil showed in making the show, and there is an element of the fear of ‘What’s going on with my teenager behind a closed door?’ But the main reason is there was something about the performances that was special. The actors weren’t being required to do Scene 13 from Episode 2, followed by Scene 16 from Episode 3, and then Scene 20 from Episode 6, because we only have the location for the single day. They were actually telling the story of an hour. And they were telling it on their faces.”

Next up: Thorne is working on Sam Mendes’ series of films about The Beatles. That’s all he can say. He also adapted William Golding’s “Lord of the Flies,” directed by Mark London and filmed with 42 boys off the coast of Malaysia.

All episodes of “Adolescence” are now streaming on Netflix.

August 25, 2025 0 comments
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Sophie Turner Defends Game of Thrones' Sansa Rape
TV & Streaming

Sophie Turner Defends Game of Thrones’ Sansa Rape

by jummy84 August 25, 2025
written by jummy84

Sophie Turner recently told Flaunt magazine as part of a cover story that “Game of Thrones” was “actually doing a lot of justice to women” despite generating constant backlash during its run for putting its female characters through violent and/or sexually gratuitous scenes. Turner starred on all eight seasons of the HBO series as Sansa Stark. She was at the center of one of the show’s biggest controversies when Sansa was brutally raped on her wedding night in Season 5. Turner stands by the horrific moment.

“I did feel — and still do — that ‘Game of Thrones’ shone a light on things that many people were like ‘Oh god, you can’t show that kind of thing’ — and I understand it can be triggering — I totally understand that point of view,” Turner told the publication. “But I did feel we were actually doing a lot of justice to women and the fight women have had to fight for hundreds of thousands of years — the patriarchy, being treated as objects and being constantly sexually assaulted — I don’t think there’s one woman I know who hasn’t had a form of that.”

Turner said that men still don’t believe her when she says that nearly every women she’s met has experienced some form of harassment, “and that’s because we don’t [talk about] it enough — we shy away from it.”

“I think if ‘Game of Thrones’ came out today, we’d definitely put some trigger warnings on there,” Turner added. “But I’m really proud to have been a part of ‘Game of Thrones’ where they didn’t shy away from showing atrocities that happened to women back then. I feel proud to have been part of the conversation.”

Sansa Stark endured a lot of physical and emotional violence at the hands of her sadistic husband, Ramsay Bolton (Iwan Rheon). The controversial Season 5 episode “Unbowed, Unbent, Unbroken” featured Ramsay sexually assaulting Sansa after their wedding as Sansa’s former childhood friend, Theon, was forced to watch. The scene prompted outrage as it was not a storyline Sansa had in the “Game of Thrones” books. Outraged viewers accused the show of going overboard when it came to depicting violence against women.

Tuner addressed the show’s female violence while at Comic-Con in 2015, saying: “The one thing that Sansa still is, despite what happened to her, is strong. She’s not to blame for that… Sansa, yes, has gone through a lot, but she’s developed some skills from Cersei and Margaery and others, and she’s still just as strong… she could have fought back [in the wedding night scene]. But she didn’t. She does her scheming in her mind rather than outwardly.”

“Thrones” producer Bryan Cogman told EW at the time that he stood by the wedding night assault scene, explaining: “This is ‘Game of Thrones.’ This isn’t a timid little girl walking into a wedding night with Joffrey. This is a hardened woman making a choice and she sees this as the way to get back her homeland.”

“We made the decision to not shy away from what would realistically would happen on that wedding night with these two characters, and the reality of the situation, and the reality of this particular world,” he later added.

Read Turner’s full interview on Flaunt magazine’s website.

August 25, 2025 0 comments
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'The Life Of A Showgirl'
TV & Streaming

‘The Life Of A Showgirl’

by jummy84 August 25, 2025
written by jummy84

UPDATED with the latest countdown and vinyl variant: Taylor Swift has returned from her post-Eras tour hiatus with the announcement of her twelfth album, The Life of a Showgirl, out Oct. 3. The album will have 12 tracks, because of course.

In the weeks after Swift started trickling out the album launch on Aug. 12, she has posted three countdowns to her website that lead to vinyl variant covers and discs from the original orange and mint green combination. The latest alternate cover shot features Swift cloacked in red feather plumes with a bejewled crown of two stacked stars over her hair. This is the “Tiny Bubbles in Champagne” edition, which comes in either a “Bright Lights Pearlescent” vinyl or a “Red Lipstick & Lace Transparent” vinyl.

RELATED: All Of Taylor Swift’s ‘Life Of A Showgirl’ Album Covers & Images

“The Shiny Bug Edition” vinyl variant came first, with one disk described as “an opaque violet vinyl with black and gold marbling and gold shimmer” and the other is the “wintergreen & onyx marbled vinyl.” Then came the “Baby, That’s Showbusiness For You” edition with the “Lovely Bouquet Golden” Vinyl and the “Lakeside Beach Blue Sparkle” vinyl.

‘The Life of a Showgirl: The Shiny Bug Vinyl Collection’

Mert Alas / Marcus Piggott

The only featured artist on The Life of a Showgirl is Sabrina Carpenter in the title track. The rest of the track titles are as follows:

  • “The Fate of Ophelia”
  • “Elizabeth Taylor”
  • “Opalite”
  • “Father Figure”
  • Eldest Daughter”
  • “Ruin the Friendship”
  • “Actually Romantic”
  • “Wi$h Li$t”
  • “Wood
  • “CANCELLED!”
  • “Honey”
  • “The Life of a Showgirl (feat. Sabrina Carpenter)”

The album cover, which features Swift mostly submerged in water in a silvery-white beaded dress arrived at the same time that the New Heights episode dropped Wednesday. Swift read out the tracks on the podcast episode after she revealed that she had been working on The Life of a Showgirl during the European leg of the Eras tour. She said she was “physically exhausted” but also “mentally stimulated” by the project.

In Swift’s caption and on the podcast, she confirmed that she had worked with former collaborators Max Martin and Shellback on the twelfth album. She emphasized that the three of them had never made an isolated album together. She also flew back and forth to Sweden to work with them.

“It meant the world to me to have this creative experience where we knew we had to bring the best ideas we’ve ever had. I know the pressure I’m putting on this record by saying that. I don’t care. This is the record I’ve been wanting to make for a very long time,” Swift said of The Life of a Showgirl. “There’s no other songs coming. It’s not like with The Tortured Poet’s Department, [where] I was like ‘Here’s a data dump of everything I thought in two or three years. Here’s 31 songs. This is 12. There’s not a 13th, there’s not a 14th.”

Swift posted another countdown to her website Wednesday that involved a wooden door — reminiscent of the door through which she left the stage in her last Eras tour concert — floating down to land between four squares — an orange, dark red, lilac or light blue and white one. These colors correspond to four different Deluxe CDs — which is not uncommon in a Swift album rollout. The orange is called the “Sweat and Vanilla Perfume” Edition, the red is called the “It’s Frightening” edition, the lilac is the “It’s Rapturous” edition and the white is the “It’s Beautiful” edition. The standard vinyl is a glittery orange color with a mint green sleeve over it. The deluxe versions correspond to colored squares hidden in the background on the podcast.

The songstress had a glittery orange background up on her website Monday night counting down to 12:12 ET or 9:12 PT. At 9 p.m. ET and 7 p.m. PT, Travis and Jason Kelce’s New Heights podcast announced that Swift would, indeed, be the special guest on Wednesday’s new episode, which drops at 7 p.m. ET. Fans had been speculating, some even going so far as to photoshop a picture of Swift into the mystery guest silhouette cutout on the promo shot for the episode.

Swift confirmed her brand new album, The Life of a Showgirl, in the promo video for the New Heights episode that arrived Wednesday, holding up a blurred out cover of the vinyl. A new clip with the artwork showing was then released.

“It’s everything that was going on behind the curtain,” Swift said of the theme of the album, referring to finishing an Eras tour concert and not getting to bed until 4 a.m., etc. “My main goals were melodies that were so infectious that you’re almost angry at it, and lyrics that are just as vivid byt crisp and focused and completely intentional.”

August 25, 2025 0 comments
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Jesse Tyler Ferguson on Pressure He Felt With 'Modern Family' Gay Role
TV & Streaming

Jesse Tyler Ferguson on Pressure He Felt With ‘Modern Family’ Gay Role

by jummy84 August 25, 2025
written by jummy84

Jesse Tyler Ferguson is getting candid about the “responsibility” he felt to the LGBTQ community to “get it right” with his portrayal of gay lawyer Mitchell Pritchett in Modern Family.

The actor, who played the character for 11 seasons from 2009 to 2020, recently shared on his Dinner’s on Me podcast that he believed there was “no way to please” everyone when it came to his role on the ABC sitcom.

“I was in the trenches fighting for marriage equality, and I felt so lucky to be part of a pop culture touchstone that was also part of that same issue,” Ferguson recalled, before later admitting he also “felt a responsibility from the [LGBTQ] community when I was given a role like the one I had on Modern Family to get it right and to do it with care and precision.”

He added, “It was tricky for me because I had to tune out that noise of a community wanting me to do it correctly and preciously and, you know, my desire to do it with nuance and levels and layers and also poignancy. I just felt like there was no way to please both camps.”

Now, 15 years after first deputing Mitchell on the small screen, Ferguson said he’s finally letting go of the pressure he once felt regarding the role.

“I’m 1756148762 in a place where I’m, as an actor, being given a role where I’m attracted to the messiness of that character,” he said. “I’m attracted to their flaws. Like, that’s what makes it interesting. And, honestly, that’s what makes the audience interested in watching me.”

Ferguson added, “No one wants to see perfect people. No one wants a sitcom or a movie where it’s like everything just happens neatly. And yet, I felt like, you know, at least in the first few seasons of Modern Family, being put on a pedestal in a way as far as like, OK, this is the gay couple that’s on network television on a huge show. They better get this right.”

Modern Family follows three different, but related, families as they face trials and tribulations in their own uniquely comedic ways. As for Ferguson’s character Mitchell in the series, he and his partner Cameron (Eric Stonestreet) raised their adopted daughter Lily (Frances Anderson).

August 25, 2025 0 comments
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Travis Ogletree Shares How to Get His Jennifer Aniston-Inspired California Highlights No Matter Your Location
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Travis Ogletree Shares How to Get His Jennifer Aniston-Inspired California Highlights No Matter Your Location

by jummy84 August 25, 2025
written by jummy84

California here we come! Travis Ogletree — whose star-studded client list includes Shay Mitchell, Miranda Kerr, and more Hollywood It-girls — sat down with ET to reveal how to achieve his signature California highlights from anywhere.

Before opening his chic Anti-Salon in (naturally) Los Angeles, California, the hairstylist perfected the technique that has made him the go-to for creating sun-drenched locks, influenced by none other than Jennifer Aniston.

Travis Ogletree/Instagram

“California highlights are effortless. They mimic how hair would lighten at the beach,” he explains. “It’s that golden, childlike color you get from living in the sun. The end result feels dimensional, air-dried, and a little nostalgic.”

As for how the Friends star played a role in shaping his vision: “Jen was doing dimensional highlights long before balayage entered the conversation. … There’s something to be said for finding what suits you and owning it for decades. That’s real style.”

It’s no surprise, then, that Aniston herself tapped Ogletree as an ambassador for her haircare line, LolaVie.  

Travis Ogletree/Instagram

“I love LolaVie because it’s uncomplicated, but so effective,” he says. I use the Glossing Detangler on every client, and the Restorative Shampoo and conditioner work across the board. They clean without stripping and hydrate without heaviness.”

Once your locks are prepped, the hairdresser works his magic for a soft, lived-in look.

“Placement is intuitive, custom to each person, and never overdone. … I want to create color that feels like it belongs to you — not like it was painted on. Similar to cosmetic work, clients want that ‘did she/didn’t she’ highlight.”

Travis Ogletree/Instagram

This understated method applies to brunettes and blondes — both of Ogletree’s specialties.

“My California brunette is dimensional, low-key, and kissed by light. My California blonde has the same ease, just with brighter ribbons through the face frame and ends.”

“We usually start conservatively and build towards brightness over time. I always tell people, ‘We’re just editing the photo, not reshooting it.’ … Neither ever looks forced. It’s about subtlety,” the hair guru notes.

Travis Ogletree/Instagram

Beyond his relaxed approach to color, Ogletree has cultivated a matching studio experience rooted in quiet luxury.

“It’s about slowing down and feeling at home. I wanted to create something intimate and calm, the opposite of an overstimulating salon floor. … My boyfriend and I are dreaming up the next version with Sarah Weichel of Swike Design. It’s going to be an extension of our ethos, but elevated even further, where you’re surrounded by vintage and collected pieces that reflect California living.”

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August 25, 2025 0 comments
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Upload season 4 ending explained: What happened to Nathan and Nora?
TV & Streaming

Upload season 4 ending explained: What happened to Nathan and Nora?

by jummy84 August 25, 2025
written by jummy84

At Lakeview, Nathan met his ‘Angel’, a customer service provider from the real world who he fell in love with, despite remaining in contact with his girlfriend Ingrid.

This hybrid of The Good Place and Black Mirror dipped a bit in season 3, but with just four episodes left to wrap everything up, Upload’s final season is much more focused, and all the better for it.

At the end of season 3, the Horizen company responsible for Lakeview rebranded as Betta in the wake of a courtroom scandal, so they went about destroying all of their illegal duplicate uploads. Unfortunately, that included Nathan, who had doubled up in season 3, splitting into a new digital copy as well as the human original.

One of these two versions called Nora and Ingrid up in the finale to reveal that the other Nathan had been destroyed. But which one? Who’s just lost the love of their life? That’s where we kick off at the start of the fourth and final season.

Upload season 4 ending explained: What happened to Nora and Nathan?

Season 4 begins with Nora mourning the loss of the original Nathan, but it turns out he’s actually still alive, trapped by scientists who are experimenting on him at Betta.

Three episodes in, Nathan finally escapes and arrives at Nora’s door, ready to kick off the end of Upload for one last chapter.

Lost in another wedding simulation, Nora is shocked and overjoyed when the real Nathan, not just a digital copy or holographic projection, appears and takes off her VR goggles. There are no words, just a kiss and tears (plus a whole lot more if the way they sheepishly leave their bedroom the next morning is anything to go by).

Meanwhile, Ingrid is pushing her version of Nathan to finally download into a new clone body so that they can be together in the real world. He’s a bit nervous though, because ageing and death are kind of a thing when you’re stuck with a human body.

Upload season 4. Prime Video

The conversation pauses suddenly, prompting Ingrid to pay more money to continue, and it’s all because of that weird AI guy with the black hair who’s been absorbing the other versions of him in Lakeview. Aleesha worries about what this means, but her boss is too obsessed with the money this rogue AI is making the company to care.

Human Nathan isn’t feeling so good, and a hospital visit with Nora reveals that his neurons have somehow been moved back and forth, inflaming his neural pathways to the point where he could soon die. That’s because of the 150+ uploads his kidnappers at Betta put Nathan through.

The doctor suggests uploading, but he’s scared to do that fully again in case he loses memories of Nora. Overhearing their conversation, a nurse nearby recommends they visit a guy known as the ‘Midtown Healer’ who has “been performing miracles”.

Virtual Nathan suggests to his bestie Luke that he join him and Ingrid in the real world because he can’t afford the costs to stay in Lakeview much longer. But their chat is soon interrupted when they spot the rogue AI guy throwing people into the torrent, erasing them completely because they’re no longer making money for the company.

Upload season 4 still showing two people hugging and smiling

Upload season 4. Prime Video

Aleesha tries pausing him so he can do no more harm, but he’s now strong enough to resist commands from the outside world. And it gets worse. Upon absorbing the last remaining AI in Lakeview, the ‘evil’ one manages to achieve singularity, which means that he’s fully sentient and in control. If he escapes into the real world, he can take over everything, potentially setting off a nuclear apocalypse.

While Nathan and Luke help survivors get away, an automatic failsafe switches off the torrent, cutting the rogue AI off from leaving Lakeview. And with that, the company plans to delete Lakeview entirely, which would also kill off the people inside. Aleesha’s boss doesn’t care though, referring to them all as “data” which can be easily expunged.

With help from a colleague, Aleesha gets a quick text through to Luke inside where she explains what’s happening and that she plans to rescue him at 6pm via the tubes.

Meanwhile, the ‘midtown healer’ who Nathan and Nora visit for help turns out to be another AI guy from Lakeview, the one who was downloaded to a real human body earlier on in the show. Ingrid and Aleesha show up too, asking the AI guy to return to Lakeview because he’s the only one who can stop the rogue AI, saving Luke and digital Nathan in the process.

Before he goes, AI guy explains that nothing can be done to save the real Nathan. His advice to Nora is to “be [Nathan’s] Angel one last time”. She hugs Aleesha and Ingrid with tears in her eyes, before taking Nathan home to spend his last moments on earth together.

Back at Lakeview, Luke tells digital Nathan that he loves him, and they hug. Together, they both start to leave via the tubes, but then when Luke spots the rogue AI heading towards the torrent, he races after him and sends him back to the Lakeview villa. It’s only a temporary solution though, because the rogue AI quickly returns and throws Luke into the torrent, taking his life in the process.

Luke’s sacrifice wasn’t in vain though, because it bought Aleesha and Ingrid just enough time to finish uploading their AI guy, the only being powerful enough to stop him. With help from Nathan, the nice AI guy rescues all the AI beings that the bad one absorbed and then deletes him completely. Using his power for good, the nice AI guy, now stronger than ever, turns the torrent back on from the inside. Aleesha rushes back into Lakeview, but it’s too late. Luke is gone.

While all that action was taking place, the finale intercut these scenes with Nora and the real Nathan making the most of the time they had left. And yes, it’s even sadder than you’d expect.

Nathan apologises to Nora for putting her through so much. Exhausted by his illness, the pair lie in bed and hold each other.

“I wish we had made it to Montreal,” says Nathan, reminiscing on their plans to get married. But then, using the VR simulation she retreated to so often in her mourning, Nora makes that a (virtual) reality for them both.

Wearing the goggles, Nora and Nathan marry in the simulation, and Nathan puts a ring on her finger for real too. They then head to Mile End in a new simulation, talking of plans Nathan had to open his own bakery.

As they walk through this virtual life together one last time, Nora asks Nathan what his favourite part of living was.

Upload season 4 still showing a man and two women walking down an aisle

Upload season 4. Prime Video

“I don’t think it’s over,” he replies. “I’m energy, right? Energy can’t be created or destroyed. It just changes… Whatever energy I change into, I’ll always love you.”

Sitting on a bench together, Nathan and Nora wish each other happy birthday, happy new year, and a good morning, sharing everything that they won’t be able to anymore when Nathan’s gone.

But before he goes, Nathan has one last thing to say: “Don’t wait for me… Don’t put your life on hold. Don’t stay in your room inside a headset. Be happy, OK? I’m happy. Because of you, I became who I wanted to be. I like who I am.”

“You don’t have to be sad,” Nathan continues, “or feel like I missed out on anything. I had everything. Everything I ever was, I saved it for you. You are my angel, Nora, the love of my life… This one and the next one and the one after.”

The camera pans closer to Nora’s face as she listens, and when it pans out again, we realise Nathan is gone. He’s died in real life, so he’s no longer present in the simulation either.

Despite all the back and forth between this and the action-driven scenes that took place at Lakeview, this really was the most beautiful way Nora and Nathan’s story could have come to an end. It’s painful, yes, but it’s also really well done, perhaps the best moment from this entire series.

With Nathan now dead, Nora takes off his VR goggles, kisses his forehead, and rests her head on his chest, hugging him tight as it rains outside. The song You and Me by Penny and the Quarters plays in the background.

Upload then abruptly (and unfortunately) cuts back to some infantile humour (literally) with clips of “Botox Babies” and an interview where Ingrid and her version of Nathan, now in a real cloned body, talk through where they’re at.

Ingrid is pregnant — “From pretty much the moment [Nathan] downloaded, he’s been inside of me” — and they’re planning to name the baby after Luke, who’s being recognised as the “hero who saved Lakeview, and possibly humanity”.

Upload season 4 still showing someone using VR goggles

Upload season 4. Prime Video

The AI guy is now running Lakeview as a non-profit company, Aleesha is randomly working as a spy, speaking Russian and kicking ass, while Nora’s roommate got married to Monique the hoover.

They don’t know what’s happened to Nora since her Nathan died, but we do, because Upload then cuts to her sitting outside a coffee shop at the real Mile End. It’s the same coffee shop we saw Nora and Nathan share those last few moments together in the simulation.

A cute guy asks for Nora’s number, but she declines, pointing to the ring Nathan gave her before he died. Nora sits and plays with the ring, presumably thinking about Nathan’s last words to her and whether it’s time to move on, when the ring’s drive suddenly attempts to pair with her tablet.

Upon accepting, the words “NATHAN BROWN SCAN 2” appear on the tablet’s screen. Yep, it seems a digital version of Nathan has survived. Why it took so long to appear to Nora, we have no idea, and we never will, because that’s where the show ends, with the promise of Nora reuniting again with at least some version of Nathan.

Is it nice to see Nora happy? Yes. But does this undo the beautiful end she shared with the real Nathan just a few scenes earlier? Yes, especially given how many times the show has tried to trick us into believing Nathan is gone for good.

But however you might feel about it, Upload is now gone for good too, ending with a short but sweet final season.

Upload seasons 1-4 are available to stream on Prime Video.

Add Upload to your watchlist on the Radio Times: What to Watch app – download now for daily TV recommendations, features and more.

Check out more of our Sci-fi coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

August 25, 2025 0 comments
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