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Sheridan Smith and Ann Ming
TV & Streaming

Ann Ming Who Changed UK Law

by jummy84 August 27, 2025
written by jummy84

800 years of British legal history. 15 years of campaigning to change it. Decades of suffering after the murder of her daughter. England’s Ann Ming, 79, is a force of nature. Now, the four-part ITV drama series I Fought the Law will tell her story and bring it to a broader audience, starting on Sunday, when the show hits U.K. screens.

Written by Jamie Crichton (All Creatures Great and Small, The Last Kingdom, Grantchester), starring English actress and singer Sheridan Smith (Cilla, Mrs Biggs, Gavin & Stacey) as Ming and produced by Hera Pictures (What It Feels Like for A Girl, Mary & George, Hamnet), in association with All3Media International, the series is based on Ming’s book For the Love of Julie, which details her long campaign to overturn the 800-year-old British double jeopardy law following the murder of her 22-year-old daughter and the ruling of a mistrial that, she kept emphasizing, kept justice from being served.

After all, the double jeopardy rule prevented people from being tried twice for the same offense. But thanks to her campaign, the Criminal Justice Act 2003 created an exception, allowing an acquitted defendant to be tried a second time for a serious offense.

That opened the way for a retrial and 2006 conviction in the case of Julie’s murder. The man was sentenced to a life term.

“I Fought the Law is the powerful true story of a mother’s relentless fight for justice following the disappearance of her beloved daughter Julie,” reads a Hera Pictures series summary. “This groundbreaking campaign led to a historic legal reform and, ultimately, to a life sentence for Julie’s killer nearly two decades after her murder.”

An ITV synopsis also highlights: “The drama follows the tragic, moving, and deeply inspiring journey of the Ming family after the murder … In the wake of multiple police failings, Ann relentlessly pressures the authorities to uncover the truth and ensure the man responsible is brought to justice – despite initially seeming he will get away with murder. In her steadfast and indomitable style, Ann takes on the entire justice system – challenging the Crown Prosecution Service, the Law Commission, prominent defence barristers in television debates, the government, the Lord Chancellor, the Attorney General, and two Home Secretaries.”

You may wonder how Ming kept up her campaign for so long. “I am quite a strong person, but I mean, I never had the challenge of changing the law, but I’m glad I did it now,” she tells THR.

Asked about the heavy weight of tradition and history that kept her from pushing through her proposal for a change for a long time, Ming explains: “I don’t know why they were so frightened to change it, because it’s common sense. If there is a proven wrongful conviction, the person should be freed. And in the case of wrongful acquittal, such as ours, the same principle should apply. This man killed my daughter and was bragging in a local pub that he got away with the perfect murder.”

So, how did the series come about? “[Hera] got in touch and said they were interested” to make a series, she recalls. “I’ve got an agent in London. He advised me to meet and go with them.”

Shares Hera founder Liza Marshall: “Yes, we wanted to option her amazing book. We were just so drawn to her.”

The long creative journey was worth it, she feels. “We first started talking about it during the pandemic, which was a time when we were all, certainly in the U.K., complaining a lot about the government,” the executive shares.

Of course, her team also felt a burden to tell the story in the best possible way. “It’s a huge responsibility,” Marshall tells THR. “Ann was right at the heart of the process all the way through, from the moment we took it to ITV to start off and develop the script with them. And then Sheridan became attached, and that was absolutely integral to the greenlighting of the show.”

Ming enjoyed working with Crichton and the rest of the creative team. “When he did the script, he sent it to me to have a look at it, and if I felt there was anything to alter, we altered it,” she tells THR. “I’m really pleased with the script and everything, the whole process and the whole drama.”

And Ming loves that Sheridan portrays her. “They couldn’t have picked anybody better than Sheridan Smith,” she tells THR. “She is really the best actress.”

So, she was a Smith fan before her casting? “Oh, yeah, definitely,” Ming says. “I’ve seen everything she’s ever done. It’s so nice for her to play me.”

Does Ming expect I Fought the Law to change people’s awareness of her work much? “I’ve lived and breathed this for so long. I think people in my local area all know that it was me who campaigned to change the law,” she says. “But a lot of people don’t know it was me, even though I did the book in 2006. Now, more people will realize who did it.”

Indeed, highlights Marshall, “in a wider U.K. context, people actually don’t know the story and the incredible bravery she showed and the resilience to get the law overturned. I think Ann is a complete shining example of what you can do if you put your mind to something, and how, even if the doors close in your face, you just keep pushing through. That just felt incredibly inspiring.”

Adds Hera executive producer Charlotte Webber: “Ann was going up against the establishment and various different organizations. How many things have we seen that we want to change and don’t? And Ann has spoken to every single level of authority on a human level. And whoever she came across, she looked them in the eye and, as a mother, told them how this happened.”

She describes Ming as a role model for women everywhere. But Ming herself remains modest. Does she feel like a role model? “No, not really,” she tells THR. She feels she just followed her heart and common sense. “If you think something’s wrong and you think that it should be changed, well, you do it,” she concludes. “Keep that thought for the day: If it’s wrong, change it to right.”

I Fought the Law launches on ITV and STV on Sunday, Aug. 31, with the series streaming on ITVX and STV Player, followed by a documentary about Ming’s historic campaign called I Fought The Law: The Ann Ming Story.

August 27, 2025 0 comments
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Helldivers 2 Halo Warbond: What's included and how to get it
TV & Streaming

Helldivers 2 Halo Warbond: What’s included and how to get it

by jummy84 August 27, 2025
written by jummy84

One of gaming’s new kids on the block is collaborating with an industry-defining series in Helldivers 2 Halo ODST Warbond.

Celebrating Helldivers 2 coming to Xbox consoles for the very first time, Arrowhead Game Studio has added in a brand-new Legendary Warbond themed around Xbox’s pride and joy.

So, alongside the new wave of Helldivers fighting for the fate of Super Earth, here’s everything you need to know about the Helldivers 2 Halo Warbond.

How to get the Helldivers 2 Halo Warbond: Price explained

The Helldivers 2 Halo ODST Warbond costs a total of 1,500 Super Credits from the in-game Acquisitions menu.

This means that, assuming you’re starting from zero, you’ll need to purchase 2,100 Super Credits to buy it for £15.99 / $19.99.

As this is a special Warbond, the price is slightly higher than most regular Warbonds and is not available via the Premium Warbond Token – you’re going to have to shell out the Super Credits if you want to get your hands on it.

What’s included in the Helldivers 2 Halo Warbond: Full list of rewards

The Halo Warbond includes three pages of 17 rewards, requiring a total of 630 Medals to unlock everything.

Here’s the full list of rewards from the Helldivers 2 Halo Warbond in unlock order:

Page 1

  • Honored Heirloom (Player Card) – 2 Medals
  • A-9 Helljumper (Body Armour) – 45 Medals
  • A-9 Helljumper (Helmet) – 30 Medals
  • Honored Heirloom (Cape) – 8 Medals
  • MA5C Assault Rifle (Assault Rifle) – 35 Medals
  • Mean Green Hellpod Pattern (Hellpod Pattern) – 20 Medals

Page 2

  • M7S SMG (Submachine Gun) – 50 Medals
  • Mean Green Shuttle Pattern (Shuttle Pattern) – 50 Medals
  • Eye of the Clandestine (Player Card) – 7 Medals
  • A-35 Recon (Body Armour) – 55 Medals
  • A-35 Recon (Helmet) – 45 Medals
  • Eye of the Clandestine (Cape) – 25 Medals

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Page 3

  • Rookie (Title) – 20 Medals
  • M90A Shotgun (Shotgun) – 65 Medals
  • Mean Green Vehicle Pattern (Vehicle Pattern) – 55 Medals
  • M6C/SOCOM Pistol (Pistol) – 75 Medals
  • Mean Green Exosuit Pattern (Exosuit Pattern) – 50 Medals

Check out more of our Gaming coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

August 27, 2025 0 comments
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Lydia Plath and Zac Wyse
TV & Streaming

Are Lydia Plath and Zac Wyse Still Together? Relationship Updates

by jummy84 August 27, 2025
written by jummy84

Lydia Plath and Zac Wyse tied the knot just six months into their relationship. They wed in February at her family’s farm in Georgia, just two months after Wyse popped the question in December 2024.

Of the decision to get married so quickly, Wyse explained on an episode of Welcome to Plathville that Plath was planning to go to Germany on a mission trip and told him to come with her. “Then we kind of got to the conversation of, ‘OK, are we going to Germany married or engaged?’” he explained. “And as we asked that question, everything kind of came together to happen before we went to Germany.”

August 27, 2025 0 comments
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Russell Crowe, Rami Malek Historical Drama
TV & Streaming

Russell Crowe, Rami Malek Historical Drama

by jummy84 August 27, 2025
written by jummy84

The aftermath of World War II will be on full display this fall in “Nuremberg,” a new historical thriller from writer/director James Vanderbilt. The film, which stars Rami Malek and Russell Crowe, is about an American psychiatrist (Malek) tasked with probing the mind of infamous Nazi leader Hermann Göring (Crowe) before he is prosecuted for his war crimes in the Nuremberg Trials, is set to premiere at the Toronto International Film Festival before Sony Pictures Classics gives it an awards-friendly November release date. IndieWire can exclusively debut the film’s second teaser, which shows the mental warfare taking place between the two men as they prepare for a trial that would shape the post-war international order for the rest of the 20th century.

Caught Stealing

An official synopsis of the film reads, “The Allies, led by the unyielding chief prosecutor, Robert H. Jackson (Michael Shannon), have the task of ensuring the Nazi regime answers for the unveiled horrors of the Holocaust while a US Army psychiatrist (Rami Malek) is locked in a dramatic psychological duel with former Reichsmarschall Herman Göring (Russell Crowe).”

“Nuremberg” is the second film directed by Vanderbilt (after 2015’s “Truth”), whose screenwriting credits include “Zodiac,” “The Amazing Spider-Man,” and three “Scream” movies. Vanderbilt also wrote the script, which is adapted from Jack El-Hai’s nonfiction book “The Nazi and the Psychiatrist.” In addition to Malek, Crowe, and Shannon, the film stars Richard E. Grant, Leo Woodall, John Slattery, Mark O’Brien, Colin Hanks, Lydia Peckham, Wrenn Schmidt and Andreas Pietschmann.

“Nuremberg” was filmed in Budapest in 2024, with frequent Ridley Scott collaborator Dariusz Wolski serving as cinematographer.

Richard Saperstein, Bradley J. Fischer, James Vanderbilt, William Sherak, and Walden Media’s Frank Smith, Benjamin Tappan, and Cherilyn Hawrysh, István Major, and George Freeman produced the film. Jack El-Hai, Brooke Saperstein, Annie Saperstein, Beau Turpin, W. Porter Payne, Jr., Paul Neinstein, and Széchenyi Funds Géza Deme and Tamás Hajnal also serve as executive producers.

Sony Pictures Classics will release “Nuremberg” in theaters on Friday, November 7 following its world premiere in the Gala Presentations section of the Toronto International Film Festival. You can watch the second teaser, an IndieWire exclusive, below.

August 27, 2025 0 comments
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CW, Pac-12 Extend Rights Deal Through 2030-31 Season
TV & Streaming

CW, Pac-12 Extend Rights Deal Through 2030-31 Season

by jummy84 August 27, 2025
written by jummy84

Nexstar’s CW Network and the Pac-12 Conference are continuing their team-up –even if some of the teams associated with the group are no longer present

The broadcast network and the collegiate-sports league have extended their current rights deal through the 2030-31 season. Under terms of the pact, the CW will televise 13 regular-season football games next year, during the 2026-27 season, along with regular-season telecasts of 35 men’s basketball games and 15 women’s basketball games. CW will also get to telecast the semifinal and championship games for the new Pac-12 women’s basketball tournament. Pac-12 Enterprises, the broadcast production arm of the conference, will produce all football, men’s basketball, and women’s basketball games, totaling 66 events annually.

The original Pac-12 fell apart last year when USC and UCLA, and then others, exited for other groups. Those maneuvers left Oregon State and Washington State as the group’s only members. The new grouping, which launches in 2026, will also feature Boise State, Colorado State, Fresno State, San Diego State, and Utah State. Gonzaga will join for sports not tied to football and Texas State will serve as an joins as the eighth football member. Pac-12 has already struck a deal with CBS Sports to show some of its games.

“The Pac-12 has been a key partner in the success of CW Sports, and we are thrilled to solidify our relationship with the conference for an additional five years,” said Brad Schwartz, president of The CW Network, in a statement. “We have experienced firsthand the passion of the Oregon State and Washington State football programs and their dedicated fans and we are eager to introduce an additional seven schools in the new Pac-12 to our nationwide CW Sports audience. We are also excited to bring Pac-12 men’s and women’s basketball to our viewers featuring some of the most dynamic and celebrated collegiate programs in the country.”

Pac-12 has been on CW since the 2024 football season, and will be telecast by the network in 2025. The CW’s most-watched college football game of the year was the matchup between Washington State and Oregon State in Corvallis.

“The Pac-12’s partnership with The CW has been one of mutual growth and transformation, from the development of our Pac-12 Enterprises’ broadcast production business to the significant added value and positive impact to our current and future members via true national reach across 100% of U.S. television households,” said Teresa Gould, the Pac-12 commissioner, in a statement.

August 27, 2025 0 comments
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Steinþór Hróar Steinþórsson & Saga Garðarsdóttir To Lead 'Hot Stuff'
TV & Streaming

Steinþór Hróar Steinþórsson & Saga Garðarsdóttir To Lead ‘Hot Stuff’

by jummy84 August 27, 2025
written by jummy84

EXCLUSIVE: Steinþór Hróar Steinþórsson (Under the Tree, Out of Thin Air) and Saga Garðarsdóttir (The Love That Remains, Stella Blómkvist) have landed the lead roles in SÝN’s Icelandic-Romanian rom-com series Hot Stuff.

Steinþórsson will play Halli and Garðarsdóttir plays Karen in the series, which is set in 1979 and follows a group of Icelanders on holiday in Spain. We broke the news on the show, which is from Iceland’s Glassriver and Romania’s Idea Film, back in April. Further members of the ensemble cast will be announced in coming months.

Ragnar Bragason, who made the likes of The Shift TV trilogy and the widely-sold Prisoners, is the creator and co-writer of the series, with screenwriter and stand-up comedian Snjolaug Ludviksdottir his co-writer. SÝN was the commissioner and France’s Oble has international distribution rights.

Though a romcom, Hot Stuff will blend morality-driven drama with satire to play with the genre and provide a more thought-provoking watch. Per the producers, the show blends “humor, romance, and sharp social commentary” to tackle themes of gender inequality, consumerism, and xenophobia.

“Through playful ridicule and authentic storytelling, it explores the pitfalls of insular thinking, toxic masculinity, and performative activism and the ongoing struggle for identity, equality, and purpose across age groups and cultures,” they add.

“We are delighted to introduce audiences to our Hot Stuff leads Halli and Karen, brought to life by wonderful local Icelandic talents Steinþór Hróar Steinþórsson and Saga Garðarsdóttir,” said Andri Ómarsson, co-owner and producer at Glassriver. Hot Stuff is exactly the kind of bold, character-driven storytelling we champion at Glassriver, for audiences around the world. We look forward to sharing more Hot Stuff news soon.”

We recently reported Glassriver, which is behind the likes of As Long As We Live, Black Sands and Cold Haven, had launched a film division. The first title in development at the unit is Dark Ocean from Matthías Tryggvi Haraldsson.

August 27, 2025 0 comments
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FX's Alien: Earth; Sheep.
TV & Streaming

Earth’ Boss Noah Hawley on That Creepy Eye-Sheep Alien

by jummy84 August 27, 2025
written by jummy84

It’s not easy to create an alien that can compete for your interest with a Xenomorph — which is arguably the greatest cinematic monster of all time.

But Alien: Earth writer-director-producer Noah Hawley hit a home run with at least one of his four original alien creations for his FX series with The Eye — an highly intelligent ever-starring eyeball with sucker-tipped tentacles that burrow’s into a victim’s head and then uses its body like a puppet.

And in the fourth episode of the show’s first season, “Observation,” Hawley managed to make the creature even more unsettling by having a scene where Boy Kavalier (Samuel Blenkin) and Kirsh (Timothy Olyphant) conduct an experiment by letting The Eye infect a sheep — which now has a highly creepy all-knowing stare.

The sheep, by the way, was partly played by an actual sheep (which, of course, was not harmed).

We asked Hawley about his inspiration for the creature and the sequence.

“It’s one of the more disturbing things you’ll watch all year, I think,” he says of the sheep attack. “Every 5 percent improvement in visual effects made that sequence a 100 percent ‘worse’ in terms of its effectiveness — and by ‘worse,’ I mean better. I told director Ugla Hauksdóttir in London, ‘For me, the fact that you got the live sheep to back away from the camera [in seeming fear of The Eye], that made the whole sequence right. Because if that had been a CG sheep, there’s something about sheep — being like — us going ‘uh-huh!’ and backing away from camera really sold the gag.”

As for the creature’s design, The Eye was originally just the eye with little legs, until a visual effects supervisor suggested adding these suckers that it could shoot out and pull itself across a room.

“To me, there’s a relentlessness to this that is similar to the face hugger,” he says. “Certainly in James Cameron’s movie [Aliens] where Ripley [Sigourney Weaver] and Newt [Rebecca Jorden] are trying to get away from these things, and they just keep coming, and they’re fast, and they’re scrambling, and they’re spider like a crab. [The suckers] was a really great upgrade for the original conceit where before, it just had to run as fast as it could at you. Now it can fly. And here in Austin, we have the Palmetto bugs fly. A giant roach that flies is always worse than a giant roach that doesn’t. So the fact that it can propel itself, that it can stick to you, and you’re basically trying to fight it off, and it has all these arms and it’s relentlessly trying to get in.”

“Plus, it enters your face,” he adds. “The face hugger literally goes into your mouth, and there’s something really disturbing about that. But everyone has issues with eyeballs. It just felt like it’s designed just to play into that genetic revulsion.”

Speaking of Cameron, while Hawley has communicated with Alien director Ridley Scott about his project, the Aliens director hasn’t weighed in, even though Alien: Earth includes plenty of inspiration from the 1986 sequel, as well as the 1979 original. (Cameron called the franchise “trampled ground at this point” during an interview last year — though clearly the box office success of Alien: Romulus, and now the critical acclaim of Alien: Earth, has suggested a lot more life is still left.)

“I did not have any contact with James Cameron,” Hawley says. “Not because I didn’t want to, but I don’t know where James Cameron is or what he’s doing. And there’s certainly no obligation for him to talk to me about a movie he made 40 years ago.” (Cameron is likely jamming to finish post production on the upcoming release of Avatar: Fire and Ash, which is released Dec. 19.)

Alien: Earth airs Tuesdays on FX and streams on Hulu. Next week’s episode, titled In “Space, No One…” is directed by Hawley and one you won’t want to miss.

August 27, 2025 0 comments
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Coldplay last-minute UK tour tickets are still available
TV & Streaming

Coldplay last-minute UK tour tickets are still available

by jummy84 August 27, 2025
written by jummy84

Frontman Chris Martin, guitarist Jonny Buckland, bassist Guy Berryman, and drummer Will Champion played two shows in Hull before heading to Wembley Stadium in London for 10 nights.

Amazingly, Coldplay’s Wembley dates are powered entirely by solar, wind and kinetic energy – a world-first for any stadium show. Plus, 10% of the proceeds will be sent to Music Venue Trust, a UK charity which supports grassroots music venues and prevents them from closing.

Buy Coldplay hospitality tickets from £349 at Seat Unique

Jump to:

When and where can I see Coldplay in the UK?

Coldplay. Samir Hussein/WireImage/ Getty

Coldplay’s UK tour will stop at just two cities in the UK: Hull and London. With the Hull concerts wrapped-up, Coldplay now has seven shows left at London’s Wembley Stadium.

Full list of Coldplay UK tour dates and venues:

How much are Coldplay 2025 tickets?

At the time of writing (Wednesday 27th August), there are only hospitality tickets left for Coldplay. However, they’re not as pricey as you might expect.

Reputable VIP ticketing site Seat Unique has hospitality tickets available for three Wembley Stadium concerts; tickets for tonight’s (Wednesday 27th August) show will set you back from £349, tickets for the Saturday 30th August concert cost from £799, and tickets for the Wednesday 3rd September show cost from £699.

Buy Coldplay hospitality tickets from £349 at Seat Unique

Can I still buy Coldplay UK tour 2025 tickets?

Yes!

Avoid the feeling of missing out and head over to Seat Unique to secure Coldplay tickets for the band’s Wembley shows.

Buy Coldplay hospitality tickets from £349 at Seat Unique

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For the latest ticketing releases, take a look at My Chemical Romance tickets, Olivia Dean tickets and Biffy Clyro tickets. Plus, here are the best immersive experiences.

August 27, 2025 0 comments
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Sydney Chandler on Episode 4's Shocking Xenomorph Conversation Scene
TV & Streaming

Sydney Chandler on Episode 4’s Shocking Xenomorph Conversation Scene

by jummy84 August 27, 2025
written by jummy84

[Warning: The following post contains MAJOR spoilers for Alien: Earth Episode 4, “Observation.”]

The Alien universe has changed forever thanks to what just happened in Tuesday’s (August 26) episode of Alien: Earth. In it, synth Wendy (Sydney Chandler) communicated with a baby xenomorph in its own extraterrestrial language. She even patted the delighted little creature on the head… without losing her hand.

The development was not in the original script, and the actress revealed her reaction to it to TV Insider. “It shocked me at first. I was like, ‘Did I read this right, or have I gone insane?’” Chandler remembered of the first time she read the scene. “But it was interesting after exploring it and playing it and seeing where that takes Wendy. It was nice for her to have something fully her own that no one else is connected to. It gives her autonomy and a connection to something else that may or may not feel alien or alone. One of a kind.”

A newborn extraterrestrial on a strange planet might just sense that it is in the company of an equally singular creature in Wendy. Her extraordinary abilities, even when compared to her fellow smart-but-childlike fellow synths known as the Lost Boys, have made her the favorite of Boy Cavalier (Samuel Blenkin), the tech bro inventor who made her existence possible. Chandler says, “She is like the Lost Boys, but not fully them. She is a sister, but not fully a sister.”

Patrick Brown / FX

When speaking the alien language, Chandler didn’t lip synch to pre-recorded audio but made the sounds herself (the final audio was finessed in post-production). “I don’t know how you guys didn’t laugh at me the entire time,” she says to Alex Lawther, who plays Wendy’s brother Hermit, in our interview above.

There had been hints Wendy was connected to the extraterrestrials — she experienced a painful buzzing in her head when they suffered — but the ability to communicate could be the first step in a peaceful existence between them and humans. But don’t hand Wendy the Nobel Peace Prize just yet. Chandler reminds us, “[The xenomorph] is a killing machine, but Wendy in her own way is also a weapon.”

Check out the full video interview above to see more of what they had to say about this episode and to see both Chandler and Lawther try out a few alien phrases.

Alien: Earth, Tuesdays, 8/7c, Hulu and FX

August 27, 2025 0 comments
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Get It Made Wants to Change Pay-to-Play in Hollywood
TV & Streaming

Get It Made Wants to Change Pay-to-Play in Hollywood

by jummy84 August 27, 2025
written by jummy84

Even in a world where self-made creators build empires before Hollywood comes begging, pay-for-play institutions have their place. Not everyone has the entrepreneurial spirit needed to build a YouTube channel; some crave infrastructure that lets them know they’re not alone. 

Leaving aside outright frauds, pay-for-play exists on a spectrum of cost and legitimacy. High-legit, lower cost is submitting a feature to the Sundance Film Festival ($125) or a screenplay to the Nicholls Fellowship ($130). High-legit, high-cost is a degree from USC Film School ($40,000 and up). 

And then there’s the casting director workshops, the screenplay contest upsells for “guaranteed reads,” the minor-minor film festivals. Judging their value becomes an exercise in YMMV, but here’s one metric: Does it provide support that keeps you going, at a price you can afford? 

'The Chronology of Water'

Enter Matt Boda and Sylvie Dang Boda. They’re co-founders of Get It Made, where members pay to access an online platform and development pipeline. Beyond its collection of former and current production executives who walk screenwriters through the three-act structure, story beats, and line-by-line workshopping, Get It Made also offers a network of financiers — people that Matt describes as “the dentists, the doctors, the people that made a zillion dollars in finance.” 

Matt was an IATSE grip and electrician before he began producing brand content with aspirations to make movies and TV. He said Get It Made came out of his dismay with many screenplay contests: “There’s millions of people that are submitting to this thing, and I don’t see a single movie coming out of this.” That inspired the creation of a platform offering screenwriters both development support and access to funding. 

Samantha Quan and Sean Baker interview “Plight” writer Ron Sandoval at the film’s premiere.

Writers apply ($59) and upon acceptance (Get It Made doesn’t accept everyone, more on that later) they pay $99 per month. That buys access to a development process of meetings with story producers and packaging (led by Sylvie, a marketing exec who came out of Samsung, Disney, and Beats by Dre) with pitch decks, letters of intent, and market strategies. 

Until then, the writer retains and can leave with all rights. They also can sign an option agreement that allows Get It Made to sell the script and take a finder’s fee — or, to finance and produce a proof-of-concept short or feature. If Get It Made brings capital, it takes a project stake of 10%-30%. 

Get It Made won’t accept everyone’s money — namely, people who don’t show patience for the process. “We can tell that they just don’t have the time or the dedication to do what it takes to actually make something,” he said. “Or they tell us, ’Hey, I thought you were going to make my feature film for $59.’” 

Matt said members span “the guy that’s packing boxes at Walmart in Ohio all the way to a radiologist who’s making lots of money. Our youngest guy right now is 19.” 

However, the demographic that keeps showing up are midlife professionals circling back to a dream. “We do see a lot of older folks that are coming up against their mortality, and they’re like, it’s now or never,” he said. 

Get It Made recently completed its first feature, “Plight.” The script came from member Ronald Sandoval, who owns Tesla Solar in Miami. Boda, who directed, described it as a dystopian “Stand By Me” with an all-autistic cast. It was shot in 11 days on a $170,000 budget; 60% came from Get It Made, the rest from Sandoval. 

By any definition, that’s a scrappy movie. But, true to the name and with no shortage of favors from Boda’s IATSE days, they got it made. Oscar-winning filmmakers Sean Baker and Samantha Quan, whom Boda met when he was a key grip on Baker’s 2012 “Starlet,” even showed up at the “Plight” premiere to moderate the Q&A. 

The company is now raising $500,000 for “She Who Walks Between,” a modern Native American drama written by Get It Made member David Rasch and directed by Native American filmmaker James Bird. It’s in a fundraising round; Get It Made currently has about 100 members and hopes to scale to accommodate up to 500. It’s also prepping a proof-of-concept initiative that provides production services to The Writer’s Lab, the nonprofit backed by Meryl Streep, Nicole Kidman, and Natalie Portman. 

So where does Get It Made fall on the pay-to-play spectrum? It’s no surprise that the membership skews toward retirees; most young and struggling screenwriters don’t have $1,200 a year to spend. But for value, you could do worse than access a community of members and mentors who want to support your work. As for financing, the same advice always applies: Talk to a lawyer. 

Pay-for-play is never a guarantee. Best-case scenario is it sparks progress, which leads to people who want to pay you. Second-best case: Using it as long as your ROI is real, and not a moment longer. 

✉️ Have an idea, compliment, or complaint? 
[email protected];  (323) 435-7690.

Weekly recommendations for your career mindset, curated by IndieWire Senior Editor Christian Zilko.

A clever essay about why you often shouldn’t listen to the advice of your heroes that every rising filmmaker should take to heart. The entertainment industry evolves so quickly that, even if you’re just as talented as the people who inspire you, the infrastructure that they climbed to the top has already been replaced by the time they’re in the position to give advice.

Cea explores the future of the indie film ecosystem — which will almost certainly be dominated by a community of filmmakers supporting each other, not gatekeepers with the power to make stars overnight — and the new methods that might emerge to ensure that smaller films can continue to find an audience.

Thomson’s Between Cuts Substack has been publishing an excellent series breaking down the softwares and tools that go into the creative process. If you’re dipping your toes into post-production for the first time, this rundown of industry standard programs will give you a strong foundation.

A thorough look into the current state of the definitive indie film brand of our time, and how its bigger bets may leave smaller filmmakers looking for a new home. 

Writing for the Film Frontline Substack, Dariz explores the symbiotic relationship between large productions and indie film, explaining how even the smallest projects often need to be close to larger production hubs in order to secure access to equipment and other resources at competitive prices. The story is told through the lens of keeping independent film in Los Angeles, but could just as easily be interpreted as an argument to make more indie films in cities where TV production is on the rise. 

August 27, 2025 0 comments
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