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TV Academy Sets AI Guidelines For Members As Hollywood On Edge About Tech
TV & Streaming

TV Academy Sets AI Guidelines For Members As Hollywood On Edge About Tech

by jummy84 September 11, 2025
written by jummy84

EXCLUSIVE: A Television Academy task force developing what it calls “responsible AI and production standards” has finalized a set of guidelines for members, Deadline has learned.

The three pillars of the guidelines, Academy officials say, are “creative integrity,” “permissions, licenses, legal and commercial viability”; and “accountability, transparency and sustainability.”

The document resulted from a survey of the organization’s 30,000-plus members. Plans call for rolling them out to the membership following Sunday’s Primetime Emmys.

Generative AI has been the third rail of Hollywood since the arrival of ChatGPT and the labor impasse of 2023, when SAG-AFTRA and the Writers Guild went on strike amid widespread anxiety about AI eliminating industry jobs. Anxiety over copyright protection continues to run high, with Disney, NBCUniversal and Warner Bros. Discovery filing lawsuits against AI image creator Midjourney, one of several legal cases being closely tracked across Hollywood.

The Academy’s task force was led by Christina Lee Storm, governor of the Academy’s Emerging Media Programming peer group, co-chair of the Advocacy Committee, and a member of the Innovation Advisory Committee. She is also a noted producer and co-founder of tech consultancy Playbook PLBK.

Speaking with Deadline this week during the Toronto Film Festival, Storm said the prevailing attitude toward GenAI in the creative community has changed significantly over the past 24 months.

“Two years ago, the Television Academy did an AI Summit [with] a lot of disgruntled folks,” she said, and participants were “not quite understanding the tools, or reading the headlines saying, ‘It’s going to take over everything.’

“This year, we had a lot more people come and be much more open to it, because what we’re seeing – as more and more people are using these tools – is that it’s advancing certain pieces [of the craft], but it’s not advancing everything,” Storm added.

“The need to have a filmmaking language, filmmaking understanding, and all of the [human] traits that are a part of the process – and have always been a part of the process – is crucial.”

According to Lee, the three board-approved ‘Key Principles’ at the heart of the task force’s findings are:

1) Creative integrity for professionals, creators, performers and craftspeople

How does my decision to use GenAI support and respect the work of the artists and collaborators on this project, including writers, performers, directors, producers, and craftspeople? Have they been informed and are properly credited or compensated for their contributions?

2) Permissions, licenses, legal and commercial viability

Is the AI model I’m using trained on ethically sourced, properly licensed and clean data, and not pirated or publicly available content without prior consent or permission from copyright owners? (Storm noted Anthropic’s $1.5 billion settlement, announced Monday, paid out to authors whose work was used without permission.)

3) Accountability, transparency and sustainability

How will I disclose transparency to the production team, distributors, clients, or stakeholders about when, where, and how GenAI was used in the project?

For now, the principles are just recommendations, Storm explained, and the Academy is “not necessarily mandating things per se.” However, the input process involved all 31 of the Academy’s peer groups, a wide spectrum including animators, casting directors, VFX artists and writers.

“The Television Academy recognizes the need for ethical, responsible rules of engagement for the use of Generative AI in television,” Maury McIntyre, president and CEO of the Television Academy, told Deadline. “We commend the Academy’s Innovation Advisory Committee for the development of these Key Considerations and we are committed to educating our members, our colleagues, and our elected representative on how to navigate, adapt and preserve creative integrity as the industry moves forward.”

The news from the TV industry follows a move by the Academy of Motion Picture Arts and Sciences last April to update its rules for Oscar consideration. That decision came after a contentious awards season featuring several AI scandals, including one that dogged Best Picture nominee The Brutalist. AMPAS stated, in somewhat vague terms, that the use of AI and other generative tools would “neither help nor harm the chances of achieving a nomination” going forward.

Storm joined a TIFF AI panel on Monday that also featured Nikola Todorovic, co-founder of Tye Sheridan’s AI, 3D and VFX platform Wonder Dynamics; and Ángel Manuel Soto, the Puerto Rican filmmaker whose credits include DC’s Blue Beetle and HBO Max’s Menudo: Forever Young. Also on the panel was Seungwoo Kim, creator of CJ ENM’s Cat Biggie, a fully GenAI-based 3D animated series; and Don Allen Stevenson III, the creative and AI research lead at Asteria and Moonvalley, which develops workflows for the emerging arena of “ethical” AI in filmmaking.

September 11, 2025 0 comments
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‘Not a Check Large Enough’
TV & Streaming

‘Not a Check Large Enough’

by jummy84 September 11, 2025
written by jummy84

BEST DRAMA SERIES

I’m not a Severance fan. I find it curiously cool, in the Marshall McLuhan sense — I don’t care about the people, and I’m kind of old-school in my William Goldman-like belief that I should. The Diplomat is a nice show, but it doesn’t deserve to be a nominee. Paradise has an unbelievably great concept, but once that was revealed, it felt soapy. The Last of Us, which I voted for the last time it was nominated, was not the same show this season. To be honest, it was a slog to get to the end. I was interested in Pedro Pascal, not in Bella Ramsey. The White Lotus I absolutely loved — the moment between the two brothers may be the moment of the year, and I’m so glad that Mike White reminded us what it’s like to have everyone watch a show on Sunday and then talk about it on Monday. Pretty much every year I could vote for Slow Horses; there’s nothing about that show that I don’t love. But this year, for me, it was between The Pitt and Andor, which was the toughest call on the entire ballot. From the first episode of The Pitt, I was in. For anybody to say it’s not a reboot of ER is hilarious — I’d like to have a piece of Mrs. Crichton’s lawsuit — but structuring it like 24, over one long night at the hospital, was brilliant, as was the casting, which did not miss on a single person. I’m happy Katherine LaNasa was nominated; I loved the nepo babies — Brad Dourif’s kid [Fiona Dourif] and Bryan Cranston’s kid [Taylor Dearden] — and I was blown away by Noah Wyle. I’ve watched other things he was in and never realized he had this depth. I can’t wait for the second season of The Pitt. But I didn’t vote for it because I’ve probably never enjoyed a show as much as I’ve enjoyed Andor. Tony Gilroy is a genius. I’ve loved everything that he’s done since Michael Clayton, but to do a story about how a rebellion against authoritarianism is born, and what it takes for someone to be willing to risk it all to fight authoritarianism, is pretty fucking current, and it was presented in an incredibly entertaining way, leading perfectly right up to Rogue One. If you get to the end of Andor and then don’t go and immediately watch Rogue One, you’re out of your mind because Rogue One is like season three of Andor. The casting is also unbelievable, and it blows my mind that voters overlooked Diego Luna and Genevieve O’Reilly. The whole industry should take a look at what Gilroy did: He took existing IP and made something wholly unique and watchable with it.

MY VOTE Andor (Disney+)

Illustration by Peter Arkle

BEST COMEDY SERIES

The Bear is brilliant, but it’s not a comedy. Only Murders in the Building is the same show every year. Shrinking wasn’t as good as it was last season. Hacks was better this season than last — the late night stuff was really good, and they went back to the two of them [Jean Smart and Hannah Einbinder’s characters] feuding, which was what was missing. Nobody Wants This was really cute — there’s some stereotypical stuff that felt a little cliché on both the Jewish and gentile sides, but the casting was perfect, especially Justine Lupe and Timothy Simons in the supporting parts. What We Do in the Shadows is absolutely hilarious and makes me laugh every week. I love Abbott Elementary, and every part of me would love to vote for a network comedy — I’ve voted for it in the past — because I think it’s good for our business if the networks survive. But I voted for The Studio. I know it’s inside baseball, but they nailed our business. Every one of those meetings that they were satirizing, I’ve been in. And the last two episodes, with Bryan Cranston? Classic.

MY VOTE The Studio (Apple TV+)

BEST LIMITED OR ANTHOLOGY SERIES

I love Michelle Williams, but I didn’t care for Dying for Sex. Black Mirror was hit-or-miss based on the episode; the Rashida Jones one was the standout for me this season. I don’t generally like Ryan Murphy shows, but Monsters: The Lyle and Erik Menendez Story was good. The Penguin was really well done — Cristin Milioti, for me, was the reason to watch. But this was the easiest vote of my entire life: Adolescence may be the best television show I’ve ever seen. It’s certainly in the top three. It is, by every possible metric, perfect television. It so upset me and so stayed with me. And it’s rare for me to do a very deep dive into how something was made because I make TV and I can usually figure it out, but I spent hours watching stuff about how they made it, why they made it, the backstory and Stephen Graham talking about his process. I was a huge Stephen Graham fan before this, but he’d almost always played a villain. Not in this one. He was remarkable. That last episode, where he goes into his kid’s room and apologizes to the pillow, and then to the mother? My God. And the kid [Owen Cooper] was a total find. Anyway, the difference between this show and every other show in the category is the difference between hamburgers at The Apple Pan and hamburgers at White Castle. And any parent that watches this show and isn’t rocked to their core is not paying attention.

MY VOTE Adolescence (Netflix)

BEST TALK SERIES

I only watch The Daily Show on Mondays [when Jon Stewart hosts]. If Jon was on every night, it might be a different conversation. I watch Jimmy Kimmel Live!‘s Jimmy Kimmel and The Late Show‘s Stephen Colbert every night. I love Kimmel and so admire the cojones he has to take on the Trump administration — he goes right after them — and he’s a terrific interviewer, the one that reminds me the most of Carson. I would’ve voted for him, but I’m voting for The Late Show because of what Paramount did to Colbert, just so he can get up and give a speech, and because it would be an absolute “fuck-you” to Trump. You saw that he Truth Social-ed the next day and took credit for Colbert getting fired? Fuck him.

MY VOTE The Late Show with Stephen Colbert (CBS)

Illustration by Peter Arkle

BEST SCRIPTED VARIETY SERIES

It’s ridiculous that there are only two nominees. I did not love the 50th season of Saturday Night Live and was disappointed by the reunion show, to be honest — Eddie Murphy was hilarious, but everything else was kind of weak. Last Week Tonight is so smart every week, and John Oliver is not afraid of any subject, including taking on the people that write his paycheck. I guess he has such a following and enough power that he, at least so far, gets away with it. I hope, God willing, that continues. This season’s pièce de résistance was when he convinced the owner of a minor league baseball team to rebrand it. He’s done these shticky things every season, but this was one of the best. A Nathan Fielder moment.

MY VOTE Last Week Tonight With John Oliver (HBO)

BEST TELEVISION MOVIE

I did not see Bridget Jones: Mad About the Boy — I do have Peacock, but only so I can watch Dateline — and there is not a check you could write that would be large enough to get me to watch that. I don’t understand how Nonnas got nominated — it has a great cast of senior citizen ladies, but it’s so slight, and there are better movies on Lifetime. The Gorge is a great concept with weak execution. Mountainhead was hugely disappointing: Succession creator/writer Jesse Armstrong obviously had something to say about tech bros, but somehow he forgot to actually have a story or a character that we care about. Rebel Ridge I absolutely loved. It was one of the best movies of the year, period.

MY VOTE Rebel Ridge (Netflix)

This story appeared in the Sept. 10 issue of The Hollywood Reporter magazine. Click here to subscribe.

September 11, 2025 0 comments
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Watch The Iris Affair before it hits TV at exclusive preview and Q&A
TV & Streaming

Watch The Iris Affair before it hits TV at exclusive preview and Q&A

by jummy84 September 11, 2025
written by jummy84

Sky’s gripping new thriller The Iris Affair is coming soon, but lucky Radio Times readers have the chance to catch it early – with a very special free screening.

Held at London’s Barbican Centre on Monday 6th October 2025, our exclusive screening in partnership with Sky will showcase the first two episodes of The Iris Affair ahead of their official release, followed by an exclusive Q&A with stars Niamh Algar and Tom Hollander, plus series creator Neil Cross, the mind behind Luther and The Mosquito Coast.

So, if you’re eager to hear what inspired Cross’s latest project, or simply want to quiz the cast about what lies in store, you can secure your place with tickets available on a first come, first served basis.

Tickets are available now – with a maximum of two per person.

The drama sees Algar take on the role of Iris, a brilliant mind who cracks cryptic online puzzles only to stumble upon a dangerous secret that puts her life in jeopardy.

Soon, she’s drawn into the world of charismatic entrepreneur Cameron Beck (Hollander) and a high-stakes chase across Italy, as a deadly game of cat and mouse begins to unfold.

Niamh Algar as Iris Nixon in The Iris Affair. Sky

Described as a sleek, sun-drenched thriller, The Iris Affair promises plenty of twists, intrigue and edge-of-your-seat tension when it launches on Sky and NOW this autumn.

So why not get ahead of the crowd and watch it before everyone else?

The show was first announced, with the working title Iris, in May 2024, with writer/creator Cross saying: “All I wanted to do was to make a show I wanted to watch.

“Iris is an unapologetically exciting, witty, chase-driven adventure show and features a lead character the like of which I don’t think we’ve ever met before on TV.

“With Niamh Algar and Tom Hollander bringing these complex characters to life, coupled with Terry McDonough’s direction, I couldn’t be more excited to share this world and these characters.”

The Iris Affair will launch this autumn on Sky and NOW – get tickets now to our exclusive preview event.

Check out more of our Drama coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

September 11, 2025 0 comments
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Iain Armitage
TV & Streaming

‘Young Sheldon’ Star Iain Armitage Shows Off His Surprising Hidden Talent

by jummy84 September 11, 2025
written by jummy84

Iain Armitage has as many talents as his famous onscreen counterparts.

The Young Sheldon star showed off a surprising — and impressive — skill of his in a Wednesday, September 10, Instagram video. “I would happily do this all day, every day- thank you to my friend at @lasvegascircuscenter!” he wrote alongside a clip of himself on the trapeze.

In the video, Armitage jumps off a platform and swings through the air. Looking like an actual circus performer, he proceeded to do a backflip and grab the hands of a fellow trapeze artist. Armitage hung on to the performer’s hands for several seconds before falling into a net below.

Fans shared their surprise over Armitage’s high-flying hobby in the post’s comments. “I wanna do this?!?!?” his former Young Sheldon costar Montana Jordan wrote, to which Armitage replied, “Let’s go!!!”

“Iain armitage has got some skills ❤️✨,” one fan remarked, while another commented, “That was fantastic, Iain! 👏🏻👏🏻👏🏻👏🏻.”

“WOW,” another posted, while a different user added, “Of course you’re flying through the air you are AMAZING!!”

Armitage practiced his trapeze skills during a recent trip to Las Vegas. He shared a fun family story while posting snaps of himself and his grandmother visiting a casino via his Instagram Story on Wednesday.

“Story time: 57 years ago my grandmother went to Vegas with my grandfather and placed one bet on roulette,” he explained. “She won, left her winnings on the table by accident and won again … Last week she did it again. She placed one bet and won!”

Posting a pic of his grandmother holding her cash winnings, Armitage wrote, “Las Vegas needs to watch out because in 57 more years, she’ll be back!”

Armitage has kept himself busy since wrapping up his iconic role as Sheldon Cooper on CBS’s Young Sheldon, which ran for seven seasons from 2017 to 2024. In addition to attending several Broadway shows, traveling around the world and advocating for arts funding in schools at Congress, Armitage also got his pilot’s license.

While Armitage also has some acting projects in the works, one of Armitage’s former costars revealed he likely won’t reprise his role as Sheldon on The Big Bang Theory spinoff, Georgie & Mandy’s First Marriage.

“That would be so much fun, but I feel like if, because they’re sticking to the Big Bang Theory lore and everything — because the whole thing in The Big Bang Theory is Georgie and Sheldon don’t talk, because they kind of have a rift between them after [their father] George dies,” Raegan Revord, who played Sheldon’s twin sister, Missy Cooper, on Young Sheldon recently told Entertainment Tonight.

“And so, if they’re sticking to that, I feel like it wouldn’t make sense for Sheldon to come back. But who knows?” they added. “Maybe they’ll find a loophole. They have found loopholes before. Maybe they’ll find one again.”

Georgie & Mandy’s First Marriage, which premiered in October 2024, follows the relationship of Sheldon’s older brother, Georgie (Jordan), and his wife, Mandy (Emily Osment).

September 11, 2025 0 comments
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The Band Gets Back Together
TV & Streaming

The Band Gets Back Together

by jummy84 September 11, 2025
written by jummy84

If you’re not already keen on “This Is Spinal Tap,” Rob Reiner’s 1984 mockumentary about a fake English rock band that effectively started the genre, there might not be much for you in “Spinal Tap II: The End Continues.” Reiner returns in front of the camera as documentary filmmaker Marty Di Bergi as well as behind it to direct this four-decades-in-waiting sequel, which reunites ex-bandmates David St. Hubbins (Michael McKean), Nigel Tufnel (Christopher Guest), and Derek Smalls (Harry Shearer).

The last film ended on a Druid-themed glam rock show that turned the band into a laughing stock; in “The End Continues,” well, the end continues because it turns out contractually there was a hidden clause in Spinal Tap’s contract that obligates them to put on one last show. The issue with “The End Continues” is not so much the movie’s quality as the band’s: Are they supposed to be bad, good, or good-bad?

'The Fence'

Candidly, I have not seen the original movie in more than 20 years, but “The End Continues” doesn’t exactly send you rushing back to your VHS or DVD copy of the original. Rather, you might be content to leave it on the shelf as it was.

As with the first film, “Spinal Tap II” is written by McKean, Guest, and Shearer, whose bewigged characters 40 years after their last tour — in which a stunt involving a miniaturized Stonehenge trilithon went disastrously awry, among other blunders — are now far-flung and out of the music business. Vocal frontman David (McKean) is now living in Morro Bay, writing music for murder podcasts and the score for a low-budget horror movie called “Night of the Assisted Living Dead.” Lead guitarist Nigel (Guest) is living in Berwick-Upon-Tweed as a cheesemonger and says, “I don’t miss the friction,” with regard to his globally touring past. Bass player Derek (Shearer), meanwhile, lives in London, where he’s running a glue museum. He’s also composed a symphony called “Hell Toupé.” Say that out loud, and it stirs up a minor chuckle.

A heart-on-its-sleeve, inoffensive, and amusing sequel about the legacies we run away from only to come crashing back into them in middle or later age, “Spinal Tap II: The End Continues” forcibly returns characters from the first movie played by Paul Shaffer and Fran Drescher, little more than fan-service padding. The film also finds the Spinal Tap metalheads contemplating their mortality once again, as famously they have long had terrible luck holding down a drummer (i.e., keeping them alive amid a string of mysterious deaths). Here, they hold a series of auditions on the road to their reunion tour set for New Orleans, talking to everyone from Questlove to a Blue Man Group drummer, and even Lars Ulrich of Metallica fame, before landing on lesbian drummer Didi Crockett (Valerie Franco, an actual IRL drummer).

Other music world celebrities float in and out of the movie, from Paul McCartney, who incites panic in the rehearsal room, to Elton John, who actually ends up onstage with Spinal Tap and in a slapstick pratfall (and blatant callback to the first movie) that intentionally or not reminds of the singer/songwriter’s own mortal fallibility. Country singers Garth Brooks and Trisha Yearwood also show up apropos of nada, perhaps just to show the band’s proximity to other music legends and where they’re slotted in a fictional music universe.

This is a movie that would probably be really funny if you were high. The laughs are mostly dry and deadpan, depending on your closeness to and fondness for the material — in other words, very much in line with the mockumentary world of producer Christopher Guest, from “Best in Show” to “A Mighty Wind.” Frequent guest collaborator John Michael Higgins steals his one scene in “The End Continues” as a flamboyant personal trainer hired to whip the band into shape.

Fans should be grateful to have “Spinal Tap II: The End Continues” as a totally uncynical reanimated ghost of I.P. past. After all, the original 1984 film nearly wasn’t made at all, with Reiner and the filmmakers knocking on the door of nearly every studio and mostly rejected. With its legacy nowadays, “The End Continues” must have been an easier sell. The legacy of the band itself, though? We’re not so sure.

Grade: C+

Bleecker Street will release “Spinal Tap II: The End Continues” in theaters Friday, September 12.

Want to stay up to date on IndieWire’s film reviews and critical thoughts? Subscribe here to our newly launched newsletter, In Review by David Ehrlich, in which our Chief Film Critic and Head Reviews Editor rounds up the best new reviews and streaming picks along with some exclusive musings — all only available to subscribers.

September 11, 2025 0 comments
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San Sebastian-Bound 'Dolores' from Brazil Picked Up by The Open Reel
TV & Streaming

San Sebastian-Bound ‘Dolores’ from Brazil Picked Up by The Open Reel

by jummy84 September 11, 2025
written by jummy84

Leading Italian sales agent and production company The Open Reel has seized international sales rights to San Sebastián-bound “Dolores” by Marcelo Gomes (“Cinema, Aspirins and Vultures”) and Maria Clara Escobar (“Desterro”), sharing its trailer in exclusivity with Variety.

Based on a screenplay by the late Chico Teixeira, “Dolores” focuses on three generations of women, led by the titular Dolores, a 65-year old widow and recovering gambling addict (played by Carla Ribas, “Alice’s House”), who has had a dream about starting up her own casino. While she’s close to her granddaughter Duda (Ariane Aparecida), who works at a gun shop and aspires to migrate to the U.S., her relationship with her daughter Deborah (Naruna Costa), who’s waiting for her boyfriend to be released from prison, is rather strained.

The family drama is produced by Sara Silveira of Dezenove Som e Imagens, one of Brazil’s most prominent producers, behind such acclaimed hits as Gomes’ breakout Cannes-selected debut “Cinema, Aspirins and Vultures,” which represented Brazil at the Oscars in 2007, Berlinale main competition entry “All the Dead Ones” by Caetano Gotardo and Marco Dutra and “Cidade; Campo.”

Said The Open Reel’s Cosimo Santoro: “I immersed myself in the stories of Dolores, her daughter Deborah, and her granddaughter Duda: three women fighting to realize their dream of a better life, no matter the cost.”

“I’ve been following Marcelo Gomes’s films for years; I really enjoy them. I’m also delighted to be working again with producer Sara Silveria, with whom we collaborated on the film ‘Cidade; Campo,’ directed by Juliana Rojas and awarded at the Berlinale,” he added.

The trailer opens on Dolores listening to her horoscope while powdering her face, then it cuts to scenes of her daughter and granddaughter, the latter as she hones her shooting skills.

“Dolores is a woman brimming with charms and contradictions, facing the challenges of old age and betting on an all-or-nothing gamble. Despite a harsh routine in São Paulo’s periphery, Dolores refuses to stop dreaming of a better life. That’s her act of rebellion,” explained Gomes, who co-wrote the final screenplay with Escobar.

“Over the years, we built a friendship and a partnership that was born, first and foremost, from the desire to make cinema. To talk about people, imagine feelings, invent other paths. It seems to me that when two really want to make a film together, the work becomes a space of creation, of nourishment—in spite of any differences—of learning. I think, before anything else, we have a lot of respect for each other, for our work, for Chico’s work, for cinema,” said Escobar.

“The three generations, however, must adjust their dreams to transform the world together. There’s no solitary transformation. That was very important for us—the idea of dialectics in the film,” they said, adding: “One of the most compelling aspects of ‘Dolores’ is how the film is directly tied to our present, addressing issues like gambling addiction, firearm sales and the dream of immigration to the U.S.”

The film is intended to complete Teixeira’s acclaimed “Trilogy of Affections,” which began with “Alice’s House” (2007), followed by “Absence” (“Ausência”) (2014).

The casting choices are also a tribute to Teixeria, featuring not only Ribas but also Gilda Nomacce as Dolores’s best friend and Matheus Fagundes as Duda’s boyfriend, both leads in “Absence.”

“Dolores” is backed by the internationalization program Brasil no Mundo, Projeto Paradiso and São Paulo film-TV entity, Spcine.

Production is led by Silveira, Eliane Bandeira and Maria Ionescu. Misti Filmes is an associate producer while GT Produções is a co-producer. California Filmes releases the film in Brazil.

The 73rd edition of the San Sebastián Festival runs over Sept. 19-27.

September 11, 2025 0 comments
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Jeremy Clarkson "Frightened" to Voice Views After Charlie Kirk Death
TV & Streaming

Jeremy Clarkson “Frightened” to Voice Views After Charlie Kirk Death

by jummy84 September 11, 2025
written by jummy84

Jeremy Clarkson has said he feels scared to be a newspaper columnist following the fatal shooting of Charlie Kirk, the influential right-wing activist.

In a comment shortly after Kirk’s death was confirmed, Clarkson wrote on X/Twitter: “For the first time in my life, I’m genuinely frightened about being a newspaper columnist.”

An X user implored the former Top Gear presenter to stick to writing about cars, to which Clarkson replied: “But what if someone disagrees with my view that, say, the new M5 is a bit dull. Everyone is so angry all the time these days.”

The Clarkson’s Farm star writes weekly op-eds for Rupert Murdoch’s The Sun and The Sunday Times newspapers, where he is known for being deliberately provocative.

After Clarkson’s remark about being frightened to voice his views, some people pointed out that the presenter has often turned to violent imagery in his own prose. Clarkson’s supporters have defended his darkly comic humor, but he has expressed regret about his language in the past.

Most notably, Clarkson apologized after he used a 2022 column in The Sun to imagine a Game of Thrones-inspired scenario in which Meghan Markle was paraded naked through British towns being pelted with excrement.

In 2011, Clarkson apologized after he appeared on BBC1’s The One Show and said that he would have striking public sector workers “shot.” He added: “I would take them outside and execute them in front of their families.”

Piers Morgan was among the other British media personalities to speak out after Kirk’s death on Wednesday in Utah. “An appalling assault on free speech and democracy. Charlie always welcomed debate, with anyone. This is disgusting, and heart-breaking,” Morgan said.

Morgan later added: “Seeing so many clips/posts of supposedly ‘kind tolerant’ liberals gleefully celebrating Charlie Kirk’s murder. They’re so utterly disgusting.”

The Turning Point USA founder was hailed by Donald Trump as being “loved and admired by all.” A manhunt is ongoing for Kirk’s killer.

September 11, 2025 0 comments
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Zendaya and Mads Mikkelsen as Hannibal
TV & Streaming

Hannibal Creator Wants Zendaya to Star in Silence of the Lambs Series

by jummy84 September 11, 2025
written by jummy84

The creator of Hannibal is envisioning a dream project that would star none other than Zendaya. 

Series creator Bryan Fuller revealed in an interview with ScreenRant that his “dream project” would see the Challengers star in the leading role of Clarice Starling opposite Mads Mikkelsen as Hannibal Lecter. 

“My dream project is to do a limited series of Silence of the Lambs with Mads and Zendaya as Clarice Starling,” he said. “If I could put anything out into the universe, I would put that into the universe.”

Both roles of Clarice and Hannibal were originated by Jodie Foster and Anthony Hopkins, respectively, in Jonathan Demme’s 1991 film The Silence of the Lambs, an adaptation of Thomas Harris’ 1988 book of the same name. 

The movie was a major winner at the 1992 Oscars, earning both Foster and Hopkins the Academy Awards for best leading actress and actor. Silence of the Lambs also won best picture, best director for Demme and best adapted screenplay. 

Zendaya has quite a few projects in the works, and is gearing up for quite a stacked 2026 slate of releases. She’ll next be seen in the highly anticipated third season of Euphoria, the third Dune installment, Christopher Nolan’s next feature The Odyssey and the fourth Tom Holland-led Spider-Man film, entitled Brand New Day.

Ridley Scott’s 2001 Hannibal film served as a sequel to the original Demme-directed movie. Hopkins returned to reprise his role while Julianne Moore joined to play Clarice. In Fuller’s 2013 Hannibal TV series, Mikkelsen took on the titular part while Clarice was absent from the storyline. 

Fuller recently made his directorial debut with his new thriller Dust Bunny at the 2025 Toronto International Film Festival.

September 11, 2025 0 comments
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Star Trek: Strange New Worlds season 4 release date speculation and news
TV & Streaming

Star Trek: Strange New Worlds season 4 release date speculation and news

by jummy84 September 11, 2025
written by jummy84

The zany idea follows an earlier musical episode as well as an unexpected crossover with animated series Lower Decks, which saw Jack Quaid (Brad Boimler) and Tawny Newsome (Beckett Mariner) bring their voice roles to live-action.

Clearly, this is a show that isn’t afraid to keep surprising fans, whether longtime Trekkies or newcomers to the constantly evolving franchise.

If you’re excited to see more, here’s everything we know so far about Star Trek: Strange New Worlds season 4 on Paramount Plus.

Star Trek: Strange New Worlds season 4 release date speculation

Anson Mount in Star Trek: Strange New Worlds season 3. Marni Grossman / Paramount Plus

Star Trek: Strange New Worlds season 4 does not yet have a confirmed release date, but the episodes are confirmed to be dropping in 2026 on Paramount Plus.

Production got underway in March of this year, meaning that it’s quite possible that season 4 will be ready by May or June 2026, thus returning it to the months that seasons 1 and 2 began in years’ past.

Of course, the third was severely delayed by the Hollywood strikes of 2023, which saw members of the Writers Guild of America (WGA) and Screen Actors Guild (SAG) withdraw their labour from numerous high-profile projects.

The rapid progress on season 4 and the advance renewal of Strange New Worlds for a fifth and final season seems designed to help the show recapture its lost momentum after that longer-than-planned hiatus.

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Star Trek: Strange New Worlds season 4 cast

(L-R) Carol Kane as Pelia and Rebecca Romijn as Una in Star Trek: Strange New Worlds season 3

(L-R) Carol Kane as Pelia and Rebecca Romijn as Una in Star Trek: Strange New Worlds season 3 Marni Grossman / Paramount+

Anson Mount, Ethan Peck and Celia Rose Gooding are confirmed to be reprising their roles in Star Trek: Strange New Worlds season 4, having been pictured on the set of the upcoming episodes.

Other key cast members, such as Rebecca Romijn and Babs Olusanmokun, are also returning, alongside repeat guest stars Paul Wesley (James T Kirk), Adrian Holmes (Robert April) and Dan Jeannotte (Sam Kirk).

Here’s a round-up of the Strange New Worlds season 4 cast announced so far:

  • Anson Mount as Christopher Pike
  • Rebecca Romijn as Una Chin-Riley / Number One
  • Ethan Peck as Spock
  • Jess Bush as Christine Chapel
  • Christina Chong as La’An Noonien-Singh
  • Celia Rose Gooding as Nyota Uhura
  • Melissa Navia as Erica Ortegas
  • Babs Olusanmokun as Joseph M’Benga
  • Martin Quinn as Montgomery ‘Scotty’ Scott
  • Paul Wesley as James T Kirk
  • Adrian Holmes as Robert April
  • Dan Jeannotte as Sam Kirk

Star Trek: Strange New Worlds season 4 plot speculation

(L-R) Babs Olusanmokun as Dr. M'Benga and Carol Kane as Pelia in Star Trek: Strange New Worlds season 3

(L-R) Babs Olusanmokun as Dr. M’Benga and Carol Kane as Pelia in Star Trek: Strange New Worlds season 3. Marni Grossman / Paramount Plus

Star Trek: Strange New Worlds will once again send its crew on a number of wild adventures, including another comical foray into surreal territory with a puppet-led episode.

The light-hearted sci-fi series has previously toyed with its format, producing both a musical episode and an animated crossover with Star Trek: Lower Decks.

This puppet edition marks one of their most ambitious efforts yet, with showrunner Henry Alonso Myers explaining that “a lot of time and care” went into it, estimating the work to have spanned “more than six months”.

Other episodes will no doubt be teased as we get closer to the release.

Is there a trailer for Star Trek: Strange New Worlds season 4?

Alas, there’s no full trailer for the next chapter just yet, but Paramount Plus did drop a sneak peek at a puppet-themed episode at San Diego Comic-Con 2025. Watch here:

Star Trek: Strange New Worlds is available to stream on Paramount Plus. Sign up to your seven-day Paramount Plus free trial.

Check out more of our Sci-fi coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

Add Star Trek: Strange New Worlds to your watchlist on the Radio Times: What to Watch app – download now for daily TV recommendations, features and more.

September 11, 2025 0 comments
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TJ Lavin The Challenge
TV & Streaming

T.J. Finally Explains the Season 41 Points Twist

by jummy84 September 11, 2025
written by jummy84

[Warning: The following post contains spoilers for The Challenge, Season 41 Episode 7, “At Least Someone’s Getting Laid!”]

Let’s get this out of the way first: Yes, the title of this episode is reflective of the fact that The Challenge house became hookup central for a pair of players: Nany González, who was coming out of a very serious relationship, and Will Gagnon, who was the sadboy who punched a wall at the beginning of the season over Dee Valladares hooking up with Johnny Bananas. Yes, the cameras captured a copious amount of the action and shared it with audiences. And yes, everyone talked about it and made crude jokes, with the parties involved laughing as much as anyone.

It’s typical Challenge fashion to have a few sultry showmances throughout the season — some that last, and some that, like this one, apparently, are just purely physical and temporary.

Moving on! The daily challenge was the show’s first-ever grand prix-style episode, fit with go-karts and a series of puzzles that the players had to take turns trying to solve. Called “Drive Me Crazy,” the game had 13 stations with one car and four stacked puzzles. One member of the pair had to drive laps, and the other had to figure out the puzzle, and they took turns until it was done. Chris “C.T.” Tamburello initially struggled with the car because of his size — “I feel like Bowser,” he joked at his own expense — but with Aneesa Ferreira at his side, the two managed to become true contenders in the challenge. They came this close to finishing first, but that honor went to Nany and her partner, Leo Dionici. The day’s losing pair was Tay Wilcoxson and Yeremi Hykel.

Nany and Leo had to choose who to save from the jury vote for the arena — with Tay automatically going in, since it was a women’s elimination day — and she picked her newest BFF Ashley Mitchell without much incident.

 

The jury then had to choose who to send in against Tay, and while others like Jonna Mannion and Dee also came into the mix, the vote ultimately went to Izzy Fairthorne (who was partnered with Will).

In the arena, titled “Pick It Up Again,” Tay and Izzy had to shoot hoops and build towers while their ball went through a giant gameboard, catching the ball before it got all the way through to the ground. Izzy struggled dearly with it, thanks in part to the fact that her platform was already leaning, but Tay stuck with it and emerged victorious. With that, Izzy went home, Will became the automatic hangnail, and new teams were chosen.

In the selection, the following new teams were made: Nany and Cedric Hodges; Leo and Olivia Kaiser; Aneesa and Jake Cornish; C.T. and Michaela Bradshaw; America Lopez and Gabe Wai; Derek Chavez and Aviv Melmed; Justin Hinson and Ashley; Sydney Segal and Yeremi; Jonna and Turabi “Turbo” Çamkıran; Dee and Theo Campbell; Leroy Garrett and Tay.

Then came some real excitement: Host T.J. Lavin finally, finally revealed what the points the players have been collecting all season will be good for. Whoever has the most points will get their first pick for their teammate for the rest of the season, he revealed. The only limitation is that they’ll have the same criteria as the prior selections: “Opposite stripe, opposite gender,” he said. He still didn’t reveal when exactly this ultra-selection ceremony will occur, but at least we now know what that tallyboard has in store for the remaining contestants.

The Challenge, Wednesdays, 8/7c, MTV

September 11, 2025 0 comments
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