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James Van Der Beek
TV & Streaming

James Van Der Beek Replaced by Lin-Manuel Miranda in ‘Dawson’s Creek’ Event

by jummy84 September 22, 2025
written by jummy84

James Van Der Beek said Sunday night that he is dropping out of the live Dawson’s Creek reunion event due to “two stomach viruses.”

Lin-Manuel Miranda will replace him for the one-night-only live reading of the pilot script. 

The event, which will benefit the organization F Cancer, is set to feature original stars Michelle Williams, Katie Holmes, Joshua Jackson, Mary Beth Peil, John Wesley Shipp, Mary-Margaret Humes, Nina Repeta, Kerr Smith, Meredith Monroe and Busy Phillips. It will take place Monday in New York City at the Richard Rodgers Theatre. 

Van Der Beek, who revealed last year that he had been diagnosed with stage 3 colorectal cancer, shared the news on Instagram.

“This is the evening I’d been looking forward to MOST since my angel Michelle Williams said she was putting it together, way back in January…. So you can imagine how gutted I was when two stomach viruses conspired to knock me out of commission and keep me grounded at the worst possible moment,” he wrote. “Despite every effort…I won’t get to be there. I won’t get to stand on that stage and thank every soul in the theater for showing up for me, and against cancer, when I needed it most.”

He also expressed his admiration and incredulity that Hamilton mastermind Miranda would be taking over the role of Dawson Leery, whom Van Der Beek portrayed on the show from 1998 to 2003.

“But I DO have an understudy,” he wrote. “A ridiculously overqualified replacement who would have been #1 on my wishlist (had I ever dreamed he’d be available). Someone my kids would definitely consider an upgrade over me…. Plus, he already knows how to get to the theater. So that’s convenient.”

Van Der Beek learned of his cancer diagnosis in August 2023 and shared the news publicly in November 2024. He said his cancer was detected via colonoscopy.

Read his full Instagram post below.

September 22, 2025 0 comments
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Married at First Sight groom Keye grows emotional in first look clip
TV & Streaming

Married at First Sight groom Keye grows emotional in first look clip

by jummy84 September 22, 2025
written by jummy84

However fellow couple Keye and Davide couldn’t be more pleased with the experts’ choice. But the teaser for the next episode suggested trouble in paradise, as Davide appears to be growing annoyed with Keye’s innuendos and jokes.

In an exclusive clip shared with RadioTimes.com, Keye is brought to tears when he opens up about his brother and family life growing up, confessing that he used deflection as a coping mechanism.

“My brother was very disabled, he had cerebral palsy,” Keye explained. “So when he was born, he was only meant to live until he was one. Thankfully, he lived until he was nine, just turning 10. Obviously it was a lot to deal with, and it was the same time as my parents were getting divorced…”

He continued: “So I guess the reason why, in so many situations, I deflect [is] because it was a coping mechanism that I always had to get me through a really difficult period.”

You can watch the full clip above.

Keye and Davide. Ellie Merridale / Channel 4

Keye and Davide tied the knot in the very first episode, with both seemingly happy with the experts’ matching.

Prior to the show airing, Keye was described as a man on a journey of personal self-discovery who was searching for a more meaningful and fulfilling life.

As for Davide, he was looking for someone kind-hearted, handsome, romantic and someone who will share his love of cats.

We’ll have to wait and see if the pair work out long-term.

Married at First Sight UK continues on Monday 22nd September at 9pm on E4.

Add Married at First Sight UK to your watchlist on the Radio Times: What to Watch app – download now for daily TV recommendations, features and more.

Check out more of our Entertainment coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

September 22, 2025 0 comments
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Joan Vassos and Chock Chapple during
TV & Streaming

Will ‘Golden Bachelorette’s Joan Vassos & Chock Chapple Have a TV Wedding? Her New Update

by jummy84 September 22, 2025
written by jummy84


She shared an update on where they’re at in the planning process.

September 22, 2025 0 comments
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Jon Favreau Directs Pedro Pascal
TV & Streaming

Jon Favreau Directs Pedro Pascal

by jummy84 September 22, 2025
written by jummy84

The little green guy is back.

The “Star Wars” alien who launched a million gifs, Grogu, a.ka. “Baby Yoda,” is back in the first teaser for Jon Favreau‘s “The Mandalorian and Grogu,” hitting theaters May 22, 2026. Watch it below.

This’ll be a big moment for Lucasfilm, as it’ll be the first “Star Wars” theatrical release in six and a half years… and a big test for the staying power of its Disney+ streaming series. Will “The Mandalorian,” which streamed for two beloved, and one less beloved, seasons on the service that it helped launch successfully translate to the big screen?

A kind of “Star Wars” version of “Lone Wolf and Cub,” with the title character warrior (Pedro Pascal) taking in an infant from the same species as Yoda and eventually adopting him as his own, “The Mandalorian” was launch content for Disney+ in 2019 and created by this movie’s helmer, Jon Favreau. It’s been a pioneering series in many respects, especially for its breakthrough use of an LED Volume for creating realistic backgrounds on-set while actors are shooting as opposed to compositing in visual effects later. The tech has been adopted by many other series, including the whole suite of “Star Trek” shows on Paramount+.

'IT WAS JUST AN ACCIDENT', (aka YEK TASADEF SADEH, aka UN SIMPLE ACCIDENT), Vahid Mobasseri, 2025.

“The Mandalorian and Grogu” looks very faithful to the series, with the two characters wandering the galaxy and getting into adventures. If anything it may be a reset to the series’ status quo: Mando’s ship, the Razor Crest, was destroyed in Season 2, and yet here it is in the teaser seemingly restored to life. The Anzellans (like Babu Frik!), little mechanically-inclined aliens no bigger than Grogu who resented his hugs (“Bad baby! No squeezee!”) in Season 3, are back as well.

New this time around, though, is Sigourney Weaver as a New Republic military official. Given her jacket, it looks like she might be a starfighter pilot, but time will tell. It seems that our dynamic duo will run afoul of the ongoing conflict between the New Republic (what the Rebel alliance has turned into at this period five-plus years after “Return of the Jedi”) and the Imperial Remnant, which we know in the “Ahsoka” series is building toward a big conflict with Lars Mikkelsen’s baddie Grand Admiral Thrawn.

And also, we get a glimpse for the first time of a musclebound Hutt here, apparently leading his own version of galaxy far, far away UFC octagon, that has been widely reported to be voiced by Jeremy Allen White. From “The Iron Claw” to the Hutt clan.

Watch the teaser for “The Mandalorian and Grogu,” in theaters May 22, 2026, below.

September 22, 2025 0 comments
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Pedro Pascal, Sigourney Weaver Star Wars Film
TV & Streaming

Pedro Pascal, Sigourney Weaver Star Wars Film

by jummy84 September 22, 2025
written by jummy84

“Star Wars” fans are one step closer to returning to a galaxy far, far away.

The first trailer for director Jon Favreau’s “The Mandalorian and Grogu,” the upcoming “Star Wars” film starring Pedro Pascal from his “Mandalorian” Disney+ series, has been revealed.

“The Mandalorian and Grogu” was first announced in January 2024 as the next “Star Wars” movie in development, and it’s set to hit theaters on May 22, 2026. In addition to Pascal’s masked Mandalorian character and his adorable sidekick Grogu (better known as Baby Yoda), the cast also includes Sigourney Weaver as a fighter pilot, Jeremy Allen White as Jabba the Hutt’s son and Jonny Coyne as an imperial warlord.

“I have loved telling stories set in the rich world that George Lucas created,” Favreau said when the film was first revealed. “The prospect of bringing the Mandalorian and his apprentice Grogu to the big screen is extremely exciting.”

The “Mandalorian” series takes place after the fall of the Galactic Empire in “Star Wars: Return of the Jedi,” where a lone mercenary (a Mandalorian from the planet Mandalore) makes his way through the outer reaches of the lawless galaxy. Along the way, he meets Grogu (a force-sensitive creature from the same species as Jedi Master Yoda), and the two form an unlikely bond as they trek across the galaxy far, far away, avoiding the vestiges of the Empire and meeting characters from across the Star Wars canon.

Favreau is producing the film alongside Lucasfilm President Kathleen Kennedy and Filoni, Lucasfilm CCO and former supervising director of the beloved animated series “Star Wars: The Clone Wars.”

Watch the full trailer below.

September 22, 2025 0 comments
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'The Crown' Producer Andy Harries, Jeff Pope Plan Caroline Aherne Film
TV & Streaming

‘The Crown’ Producer Andy Harries, Jeff Pope Plan Caroline Aherne Film

by jummy84 September 22, 2025
written by jummy84

EXCLUSIVE: Caroline Aherne, the beloved British comedy star behind The Royle Family and The Mrs Merton Show, is to be the subject of a feature film.

Andy Harries, producer of The Crown and Left Bank Pictures‘ executive chairman, is collaborating with Oscar-nominated Philomena writer Jeff Pope on the project, which remains in its infancy.

Harries told Deadline that Pope has written a script that chronicles Aherne’s “peak creative years,” from her stand-up work in the early nineties to writing and starring in The Royle Family, the iconic comedy series about a TV-obsessed Manchester family.

Harries had front-row seats to Aherne’s talents, having executive-produced The Royle Family and Mrs Merton for the BBC. Pope also worked closely with Aherne on The Fattest Man in Britain, starring Timothy Spall, and comedy The Security Men.

Harries is on the hunt for a director for the picture, while a cast has yet to be attached. He said the script is “sad, funny, and very emotional.” As for the role of Aherne, “it’s a really challenging part for an actress in her early to mid-30s,” Harries added.

Craig Cash, the co-creator of The Royle Family, is involved as a consultant and executive producer. Cash is best known nowadays as the narrator of Gogglebox, a job he inherited from Aherne after she died from cancer in 2016. She was just 52.

Pope said: “I loved Caroline and I still think about her, or some funny line she came up with, almost every day. She was a true original, a working-class woman from Manchester who broke all the rules — every single one of them. I want more people to understand what a genius she was, and what drove her.”

Pope spoke movingly about her death in 2016, telling The Guardian that she “suffered appallingly” with depression, but that her interest in people was a hallmark of her writing. Aherne won four BAFTA Awards during her career, while her other work included appearing as a regular on sketch series The Fast Show.

September 22, 2025 0 comments
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John Oliver Defends Jimmy Kimmel in Wake of Suspension
TV & Streaming

John Oliver Defends Jimmy Kimmel in Wake of Suspension

by jummy84 September 22, 2025
written by jummy84

John Oliver used the main segment of his HBO show Sunday night addressing the suspension of Jimmy Kimmel.

Last week, Disney suspended the host of Jimmy Kimmel Live! following the ABC late-night host’s remarks about the assassination of conservative activist Charlie Kirk.

The dramatic move followed Federal Communications Commission chair Brendan Carr threatening to take action against ABC affiliates in the wake of a Kimmel comment that many took as suggesting the shooting suspect, Tyler Robinson, was a MAGA Republican during his Monday monologue.

“We hit some new lows over the weekend with the MAGA gang desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from it,” Kimmel said.

After station owners Nexstar and Sinclair said they would not be airing Jimmy Kimmel Live! in the wake of those comments, Disney made the decision to suspend Kimmel indefinitely. The company has faced backlash from Hollywood A-listers, current and veteran late-night hosts, politicians and the public for its decision, with many accusing Disney of bowing to pressure from the Trump administration.

On Sunday’s Last Week Tonight, Oliver started off his main segment by noting Kirk’s tragic death.

“A person getting shot is tragic and a person getting shot for their ideas is horrifying,” he said. “That is true no matter what those ideas are, and I also recognize that for many, especially those who are the targets of some of Kirk’s ideas, it has been hard to stay quiet as they see flags lowered to half staff, and claims that he debated things the right way. But setting all of that aside, it does seem like some are now willing to weaponize Kirk’s death to do things they’ve been wanting to do for years, whether it’s going after liberal groups, trans people, or their remaining critics in the media, and under some shamelessly flimsy pretext, all of which brings us back to Jimmy Kimmel.”

Oliver noted he appeared on Kimmel’s show the very night Kimmel made this comments. He defended Kimmel and said he was unclear about what was offensive about Kimmel’s remarks.

“While you may have seen headlines saying he got in trouble for remarks about Charlie Kirk himself, or even remarks about his death, that’s not strictly accurate,” Oliver noted. “The comments that got him in trouble weren’t about Kirk. In fact, Kimmel’s first comments after his murder were a post reading, ‘Can we just for one day agree that it is horrible and monstrous to shoot another human? On behalf of my family, we send love to the Kirks and to all the children, parents, and innocents who fall victim to senseless gun violence,’ ” Oliver added, quoting a social media post by Kimmel.

“What got Kimmel in trouble was a passing reference on Monday night. Now at the time there were still rumors flying around regarding the killer’s motivations, including that he was on the far right, something that Kimmel alluded to like this,” he said, showing a clip of Kimmel’s aforementioned remark.

“Yeah, that was it,” Oliver said. “Weirdly, I was actually a guest on his show that night and I didn’t even register that comment and that’s only partly because I wasn’t really paying attention,” he quipped. “And I’m not alone in that. After Kimmel’s suspension, many struggle to pick the offensive line out of his monologue, as YouTube is filled with comments under the video like, ‘I’m still waiting for the offensive part.’ And, ‘What did he say that got him fired? I’m rewatching the last week of episodes and have’et heard it yet.””

Oliver continued: “The point is, Kimmel didn’t denigrate Charlie Kirk or make light of his killing. The worst thing you could say is that he appears to have been wrong about the shooter’s ideology, which, OK. But he was also pointing out that many on the right seem desperate to weaponize Kirk’s death, an argument that’s aged pretty well, given, you know, everything that’s happened to Kimmel since. Because that one line set off a firestorm in some corners of conservative media.”

Oliver also noted that Nexstar has a motivation to keep the Trump administration happy, since it’s currently in the process of acquiring competitor Tegna and needs regulatory changes for that deal to be completed.

“Nexstar badly needs FCC approval, so it is hardly surprising that when Carr specifically said companies should pull Kimmel off the air or face consequences, it quickly complies,” Oliver said. “Basically, Brendon Carr said jump, and Nexstar took his dick out of their mouth for just long enough to say how high exactly.”

Oliver also called out Sinclair as another “major owner of TV stations who were also apparently exploring merger options that would require FCC approval [that] announced that they too would not air Kimmel’s show, and Sinclair even cited Carr’s remarks in their statement, saying, ‘We appreciate FCC Chairman Carr’s remarks today,’ and come on, Sinclair. As I believe Olandria once said to Huda on Love Island, ‘Don’t embarrass yourself going too hard for a man.’ Just solid advice for the islands of love and for business.”

Oliver went on to note that Carr wasn’t “trying to dissuade people from connecting the dots here as when one media reporter asked him for a comment, he sent back a smiley emoji” and sent a gif of The Office to CNN in response.

“It’s from The Office, and that’s, that was the actual response by the chairman of the FCC,” Oliver said, adding: “Look, I like The Office. Who doesn’t like The Office? Sure, I could have done without seasons 8 and 9, but if it’s on at a hotel, I’m not kicking it out of bed. That said, I want you to run through your friend list in your head right now and pick out the person most likely to text you a gif from The Office. Do you have them in your mind? They’re your least favorite friend, right? Just be honest. They’re the one you invite to stuff just because you’re afraid no one else will show up. They’re a third-string friend, they’re your backup’s backup, and if you’re thinking, ‘There’s nothing wrong with sending Office gifs,’ I’m afraid that person might be you.”

Oliver again emphasized that what went down was very easy to see.

“Look, the sequence of events here could not be clearer because it was all done in plain view,” he said. “Carr leaned on broadcasters to take down Kimmel. They did that, sometimes even directly citing Carr while doing so, and then Carr celebrated with a fun gif. That sure seems like a pretty clear case of the government pressuring companies to censor speech.”

Oliver went on to say that Kimmel’s suspension feels like a “turning point.”

“Not because comedians are important, but because we are not,” he said. “If the government can force a network to pull a late night show off the air and do so in plain view, it can do a fuck of a lot worse.”

He quipped that he and his show are in a “different situation” because he isn’t on broadcast TV and HBO parent company  Warner Bros. Discovery doesn’t own broadcast networks, meaning that it’s less susceptible to pressure from the FCC  than Disney, which owns ABC. Oliver then showed a news clip of Paramount Skydance reportedly prepping a bid to buy Warner Bros. Discovery.

Cut to Oliver shouting expletives. “It was fun while it lasted, guys. Whatever happens next, let me say now, it has been the honor of my life to age like a haunted painting before your very eyes,” he joked.

Oliver then noted the importance of free speech and the First Amending. 

“It should be clear to everyone that the First Amendment is absolutely critical in this country,” he said. ” That is something even Brendan Carr knows, given that he once tweeted, ‘Free speech is the counterweight. It is the check on government control. That is why censorship is the authoritarian’s dream.’ And I’m guessing that Trump is currently enjoying that dream so much he could break his bed sheets in half.”

Oliver then urged Disney to stand by Kimmel and his staff and shared ways in which viewers could “encourage” them to do that, including by canceling their subscriptions to Disney+ or Hulu. 

He then wrapped up his segment by addressing Disney CEO Bob Iger directly.

“Hi there, Bob, we haven’t met, but you probably know me as America’s third favorite Zazu,” the character Oliver voiced in The Lion King. “Congratulations on recasting that role, by the way, it was a fun thing to learn about after the fact,” he joked. 

“Anyway, one day, the history of the time we’re living through is going to be written, and when it is, I’m not sure it’s those in this administration who are even gonna come off the worst,” he continued. “Now don’t get me wrong, they’re going to come off terribly. But history’s also gonna remember the cowards who definitely knew better, but still let things happen, whether it was for money, convenience or just comfort. And I know, this is something of a tough sell, and it can be a bit of anathema to risk averse business leaders, but I will say this: If we’ve learned nothing else from this administration’s second term so far, and I don’t think we have, is that giving the bully your lunch money doesn’t make him go away, it just makes him come back hungrier each time. They are never going to stop.”

He continued: “At some point, you’re going to have to draw a line, so I’d argue why not draw it right here. And when they come to you with stupid, ridiculous demands, picking fights that you know you could win in court, Instead of rolling over, why not stand up and use four key words that they don’t tend to teach you in business school. Not ‘OK, you’re the boss.’ Not ‘whatever you say goes.’ But instead, the only phrase that can genuinely make a weak bully go away, and that is, ‘Fuck you, make me.’”

September 22, 2025 0 comments
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All Creatures Great and Small "furthers" Siegfried and Tristan dynamic
TV & Streaming

All Creatures Great and Small “furthers” Siegfried and Tristan dynamic

by jummy84 September 22, 2025
written by jummy84

“They bicker like that and then an hour later, they’re sharing a whiskey together in the front room and they’re talking about playing cricket or something.

“But I think ever since season 3, which was when Tristan and James both signed up, and then Tristan was subsequently conscripted, they had their moment of telling each other that they love each other. They vocalised it finally, and then they had the hug, which I think is something that people have been waiting three seasons for.

“So we still have those moments of the brothers connecting like that… through the help of certain other outside forces. They do come together as brothers and support each other in the way that only one another can.”

Woodhouse went on to praise those moments, teasing some particularly special moments in season 6.

“It’s always beautiful to read, the way that they get these brothers to interact,” he added. “I always just can’t wait to see how it comes to a head between them. It’s always my favourite stuff to read in the script.

“And this year has been some of my favourite I’ve ever read in six years, undercutting it [those heartfelt moments] beautifully with them bickering on either side of it. It’s just magic, the way that the writers structure this show. I think this series absolutely furthers the brothers’’relationship.”

Callum Woodhouse as Tristan Farnon and Samuel West as Siegfried Farnon in All Creatures Great and Small. Channel 5

Nicholas Ralph, who plays James, also discussed how the vet’s relationship with wife Helen has shifted in season 6 now that he’s a permanent fixture in Darrowby once again.

“They’ve managed to get back to… being on one another’s team,” he said. “The fun has been injected into the relationship once again, and especially with the addition of two little kids, because they’re now a family of four, little Jimmy and Rosie, who keep them on their toes as well.

“So it’s a different kind of fun. They have fun together, but they also have fun as this little family. So that was a real joy because obviously we saw a few series of difficulties, literal separation, James being away at the RAF, and then coming back and not being able to really process or share his feelings.

“But with the help of Helen, he managed to finally be able to do that, so it was great to come back to this.”

Read more:

While viewers can once again expect more “heartwarming human and animal tales” in the show’s latest instalment, the narrative is set in 1945, “just as the war in Europe is coming to a close”, which is a marked change from previous seasons.

“We arrive back in Darrowby to veterinary advancements, expanded families, and new faces as they all look ahead to a brighter and more peaceful future,” continues the official synopsis.

All Creatures Great and Small seasons 1-5 are available to watch on 5. You can order James Herriot’s All Creatures Great and Small from Amazon.

If you’re looking for something else to watch, visit our TV Guide or take a look at the rest of our Drama coverage. For more TV recommendations and reviews, listen to The Radio Times Podcast.

September 22, 2025 0 comments
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Chris Briney, Lola Tung, Gavin Casalegno, and Rain Spencer in
TV & Streaming

31 Book Changes Made in ‘The Summer I Turned Pretty’ Season 3

by jummy84 September 22, 2025
written by jummy84

[Warning: The below contains MAJOR spoilers for The Summer I Turned Pretty Season 3.]

The Summer I Turned Pretty has finally concluded its three-season run at Prime Video, and its most recent eleven-episode chapter delivered plenty of book-to-screen changes as the show adapted Jenny Han‘s novel, We’ll Always Have Summer, the third installment from her trilogy about Belly (Lola Tung) and her complicated dynamic with the Fisher brothers, Conrad (Christopher Briney) and Jeremiah (Gavin Casalegno).

While the season mostly followed Han’s book, which kicked off with Belly in college as she was deep in her relationship with Jeremiah, it ultimately ended with some big change-ups as she approached her endgame [Spoiler] with Conrady in Paris. Now that the full third season is complete, we’re reflecting on some of the biggest changes made between the book and show as we look ahead to the upcoming movie. Scroll down for a closer peek, but beware of book and show spoilers below.

The Summer I Turned Pretty, Seasons 1- 3, Streaming now, Prime Video

September 22, 2025 0 comments
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Nishijima Hidetoshi, Gwei Lun-Mei, Mariko Tetsuya Talk 'Dear Stranger'
TV & Streaming

Nishijima Hidetoshi, Gwei Lun-Mei, Mariko Tetsuya Talk ‘Dear Stranger’

by jummy84 September 22, 2025
written by jummy84

Following the explosive violence of “Destruction Babies,” Japanese filmmaker Mariko Tetsuya has pivoted to explore a different kind of devastation in “Dear Stranger” — the quiet collapse of a marriage under the weight of unspoken truths and cultural displacement.

The drama, which had its international premiere at the Busan International Film Festival, stars Nishijima Hidetoshi (Oscar-winning “Drive My Car”) and Gwei Lun-Mei (“Black Coal, Thin Ice”). Set against the backdrop of New York, the film follows Kenji (Nishijima), a Japanese professor desperately seeking tenure, and Jane (Gwei), a Taiwanese-American puppeteer struggling to balance motherhood with her artistic identity. When their young son Kai goes missing, the couple’s carefully constructed life begins to unravel.

For Mariko, whose previous work “Destruction Babies” earned him the Golden Leopard for Best Emerging Director at Locarno, the shift to emotional rather than physical violence was sparked by his return to Japan during the pandemic. “The starting point was on the plane returning to Japan after a year living in the U.S., when a national state of emergency was declared,” Mariko explains. “The world suddenly changed and was engulfed in uncertainty, and I began to think about the family — the smallest unit of society.”

The director deliberately moved away from the “absurd violence” of his earlier work to focus on “the tragedy of drifting apart precisely because they care for each other.”

Central to the film’s visual and thematic language is the motif of ruins, both literal and metaphorical. Kenji lectures on the difference between Japanese static views of ruins versus Western dynamic interpretations and carries the memory of past earthquakes. “For Kenji, who studies ruins, the collapse of his own family into ruins marked both a beautiful and fleeting beginning,” Mariko notes. “I set this as the backbone of the screenplay and built the themes of the story around it.”

The ruins metaphor extends to Jane’s puppet performances in abandoned theaters, where larger-than-life puppets become extensions of her suppressed emotions. Working with Blair Thomas, Mariko developed choreography that allowed the puppetry to serve as Jane’s emotional outlet. “For Jane’s character, it was essential to show both her passion for puppetry and her conflict in balancing it with family life,” the director explains.

The film represents a true international co-production between Japan, Taiwan and the U.S., with filming in New York, editing in Taiwan, and a multinational cast and crew. For Mariko, the experience reinforced cinema’s power as a universal language. “I approached filmmaking with that ambiguity in mind,” he says regarding the challenges of multilingual communication. “Since the staff and cast came from different languages and cultures, our ongoing communication naturally became reflected in the film itself.”

Nishijima brings his characteristic intensity to Kenji, a man whose academic arrogance masks deep insecurity and desperation. “I wanted to portray Kenji as someone who is doing his best to live though imperfect — a character that reflects most of us,” the actor explains. Nishijima, who has built a career spanning Japanese and international productions from “Drive My Car” to Apple TV+’s “Sunny,” filmed in New York with a small, multinational cast and crew.

“Through this experience, I was reminded that film itself is a kind of universal language, and when everyone shares a strong passion to create something meaningful, it can take shape in ways that don’t rely on language,” he reflects.

Gwei Lun-Mei delivers an equally nuanced performance as Jane, a woman caught between her artistic ambitions and maternal responsibilities. The Taiwanese actor, who has worked across multiple film industries, found particular resonance in Jane’s struggle with cultural displacement. “Having studied abroad myself, I’ve felt that truly settling and being recognized by people from another culture is very difficult,” she says.

The puppet sequences became crucial for expressing Jane’s interior life. “The puppet scenes were extremely important for Jane. On one hand, they represented her passion; on the other, they were like another soul,” Gwei explains.

At its core, “Dear Stranger” interrogates the nature of love itself — particularly the gap between feeling and expression, intention and understanding. For Mariko, the question was sparked by photographer Masafumi Sanai’s assessment that he had “no affection, but having love” when they worked together on “From Miyamoto to You.”

“For me, love exists in cinema,” Mariko says. “It’s not an easily understandable emotion — it accumulates quietly and surely, through countless human connections. It arises so naturally from passion that it feels almost embarrassing to put into words, yet it’s also fragile, as if it might disappear if left unspoken.”

September 22, 2025 0 comments
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