celebpeek
  • Home
  • Bollywood
  • Hollywood
  • Lifestyle
  • Fashion
celebpeek
  • Music
  • Celebrity News
  • Events
  • TV & Streaming
Home » TV & Streaming » Page 103
Category:

TV & Streaming

Jamie Lee Curtis reveals why her new film The Lost Bus is the most important one she will ever do
TV & Streaming

Jamie Lee Curtis reveals why her new film The Lost Bus is the most important one she will ever do

by jummy84 October 1, 2025
written by jummy84

One of the most striking of those stories was that of the heroic bus driver Kevin McKay and school teacher Mary Ludwig, who helped rescue 22 elementary students to safety from the fire.

The inspiring story has now been brought to life by Apple in new film The Lost Bus – directed by Paul Greengrass and led by Matthew McConaughey and America Ferrera, with Hollywood icon Jamie Lee Curtis serving as a producer.

“I first heard the story of Kevin McKay from the Washington Post, when they were doing a review of Lizzie Johnson’s book [Paradise: One Town’s Struggle to Survive an American Wildfire],” Curtis explained during an exclusive interview with RadioTimes.com.

“They highlighted his story, and I remember I said to my husband, kind of flippantly… ‘Well, there’s the movie.’ Because of course, you could tell that very interpersonal, human story amid this inferno that would be almost impossible to imagine filming.

“I didn’t do anything that day, and the next day, I was driving in my car in the mountains,” she continued. “And there was an NPR interview of Scott Simon interviewing Lizzie Johnson, the author of the book. And he said… ‘Lizzie, the story that got me was Kevin McKay and Mary Ludwig.’

“And I pulled my car over on the side of the road. I called Jason Blum, who’s my business partner, and I said, Jason, I want to buy this book. I’m sending you links. It’s going to be expensive to buy, but I believe it’ll be the most important thing either one of us do in the movie business.”

In the film, Kevin McKay is portrayed by one of the most celebrated actors of our generation – Matthew McConaughey. And the Oscar winner explained that playing a real hero was both a responsibility and an honour.

“I say there’s a responsibility because you’re not only dealing with the portrayal of those people, but also an entire communal experience where people died,” he said. “Brothers, sisters, mothers, fathers died – so how you tell that story [is important.]

He added: “Even though we made it a piece of entertainment and we took our dramatic license, it’s inspired by those events and it kept to the spirit of what happened and who these people were and where they ended up after this film.”

It was the job of acclaimed director and screenwriter Greengrass – known for his work on the Bourne films and a number of true story dramas including United 93 – to bring this true story of heroism to life, and Ferrera called the filmmaker’s approach “masterful”.

“As an actor, I wasn’t worried about my part in making a big movie,” she explained “My job and my lane was to tell the story of this character.

“What is so beautiful about how Paul works is that I felt I had everything I needed to be clear about what my character’s journey was and then what he asks is complete and utter trust, let it all go.

Paul Greengrass on the set of The Lost Bus. Apple

The trust that Greengrass required from his actors was crucial for telling the epic story, as he would immerse the actors in the drama with 30-minute-long takes that saw 6 to 10 cameras rolling simultaneously.

“At a certain point, you can’t keep track of what’s going on, you just have to know and trust that Paul and this incredible crew are making a big movie and my job is to be present and be in the moment and tell the character’s journey,” said Ferrera.

“It’s very easy with Paul to get out of your head,” added McConaughey. “It’s actually impossible to stay in your head because there’s so much going on and every time a camera is at a different spot. Okay, he’s corralling this thing; let me just handle what I’m doing. I don’t need to look for a mark, I don’t need to look for a light, I don’t have to be technical. Let me just behave.”

While preparing for the role, McConaughey was also faced with a pertinent question: what is the definition of a hero? Though there isn’t one definitive answer, he came to the conclusion that it was someone who consistently “runs towards the crisis, not away from it.”

The selfless acts of bravery that McKay and Ludwig exhibited were something that lingered with both McConaughey and Ferrera long after filming commenced as they tried to truly understand what these people were thinking in the moments of crisis.

“[When] someone who is doing the best to save their immediate family, what is it that makes someone [make that choice] when they get the call to take care of 22 kids that they’re not related to. Is it the right thing to do? What was it that made Kevin make that choice? He didn’t have to pick up, he could have got his mom and son,” said McConaughey.

America Ferrera and Matthew McConaughey in The Lost Bus

America Ferrera and Matthew McConaughey in The Lost Bus. Apple

Ferrera echoed this sentiment, explaining that it was something that would be hard for “many of us to imagine” and that being a parent was the only context that she had for this selfless bravery.

“[When you’re a parent], you don’t have a choice to run from the crisis, you have to run to the crisis. Both of these characters make such a counter-intuitive choice which is they choose to run towards dangers and away from their duty as parents,” she said.

“That moment for both of them is that they chose against their deepest instincts as parents to rescue their children and save what is most precious to them and instead, the selflessness of showing up for a community that you don’t know because that’s a sense of duty that you feel in that moment. That’s something that is hard for so many of us to imagine.”

The end of the movie shows the devastation caused by the fire and the impact it had on the Butte County community of Paradise. However, it also showed a potential for a brighter future and hope for a rebirth.

“The town of Paradise lost 85 members of their community and it burned the entire community,” said Curtis. “But today, it’s a thriving and surviving community. They are a robust and rebuilding group of people.”

Curtis added that she was most proud that the cast and crew of helped support the creation of a permanent memorial to the people of Paradise, which will “give significant support to that permanent memorial once the movie is done and gone”.

The Hope Plaza is a landmark dedicated to the memory of the Camp Fire and is a place of honour for the first responders and those who perished, as people come together to reflect and inspire hope for the future of the community.

The Lost Bus is on Apple TV+ from Friday 3rd October 2025 – sign up to Apple TV+ now.

Check out more of our Film coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

October 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Carol Burnett -
TV & Streaming

Carol Burnett Reveals ‘Misogynistic’ Reason She Never Hosted ‘SNL’

by jummy84 October 1, 2025
written by jummy84

In a new interview, comedy legend Carol Burnett opened up about never being invited to host Saturday Night Live and gave her insights on why she has been overlooked for decades. Burnett believes that it has something to do with show creator Lorne Michaels and wondered out loud if she has ever done anything to upset him.

October 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Marion Cotillard Casts a Spell
TV & Streaming

Marion Cotillard Casts a Spell

by jummy84 October 1, 2025
written by jummy84

Editor’s Note: This review originally ran during the 2025 Berlin Film Festival. “The Ice Tower” opens from Yellow Veil Pictures in select theaters on Friday, October 3, 2025.

Gorgeous and glacial in equally frosty measure, Lucile Hadžihalilović’s “The Ice Tower” is all art-film-only vibes, a wintry 1970s fairy tale about a screen actress who casts a potentially dangerous spell. It’s anchored by an actress, Marion Cotillard, who has one of the great faces, and a classical sophistication with a glamorous, out-of-reach noirish beauty that pairs wonderfully with a creature cut out of Hans Christian Andersen: amorous, elusive, but wounded.

NEW YORK, NEW YORK - SEPTEMBER 30: Stellan Skarsgård attends the "Sentimental Value" Red Carpet during the 63rd New York Film Festival at Alice Tully Hall, Lincoln Center on September 30, 2025 in New York City. (Photo by Theo Wargo/WireImage)
Pillion

Shot gorgeously in France and Northern Italy by cinematographer Jonathan Ricquebourg — this is truly the most visually astonishing movie so far to premiere at the 2025 Berlinale — “The Ice Tower” will prove an uneasy catch for commercially minded audiences looking for anything more than a mood in feature form. But those wanting to be hypnotized by cinema, as this film really does put you in a state of trance, will enjoy a unique experience from the director of “Innocence” and “Evolution,” and wife and creative partner of Gaspar Noé, who cameos in this film as a director running a ’70s film set production led by an enigmatic star.

Hadžihalilović and screenwriter Geoff Cox graft the basics of Hans Christian Andersen’s “The Snow Queen” into a less mythic but more contemporary story about the power and pull of artifice. Newcomer Clara Pacini stars as Jeanne, a 16-year-old orphaned after the death of her mother, the only memory of which exists in the form of a handful of beads she purloined from the mother’s dead body. She’s whisked off to an orphanage high away in the mountains — and where, exactly, “The Ice Tower” is set never really matters, as even though it’s set in the ’70s, the setting feels firmly out of time and place. Jeanne, though, ends up running away, first stumbling upon an ice rink where a woman named Bianca is skating to “It’s Five O’Clock” by Aphrodite’s Child. Or is it actually set in the ’70s, or just a cinematic space meant to evoke the time period?

‘The Ice Tower’

Jeanne, whom we are meant to understand as prudish and just a bit sheltered with a face whose inscrutability suggests she hasn’t seen much of life at all, is struck by the skater and the sexuality she potentially wields. Like Hadžihalilović’s 2004 “Innocence,” set at an all-girls boarding school where the new students are brought in inside coffins, “The Ice Tower” is at its heart (and not that it has much of one) a coming-of-age story about female sexuality and agency. So when Jeanne, who’s now going by Bianca, accidentally winds up in a film studio where a production of Hans Christian Andersen’s “The Snow Queen” is taking place, it’s hard to tell whether her fascination for Cristina (Cotillard) is more sexual or mother-daughter. Perhaps it can be both.

Cristina and Jeanne’s first introduction is an eerily staged scene that announces what a hall of mirrors “The Ice Tower” will be, and how appropriate given that the framing device of Hans Christian Andersen’s tale is in fact around a mirror, which here Hadžihalilović utilizes the camera in place of. Jeanne peers through an aperture in the wall where she’s fallen asleep to see a floating, ethereal Cristina as snow falls down upon her, only for that floating figure to be just an actress, that snowfall to be fake movie set stuff, as a director calls cut and what Jeanne was actually watching was a film take.

What follows is a perverse folie à deux between Cristina/The Snow Queen and Jeanne/Bianca, whose relationship borders on erotic but hovers closer somewhere to a mentorship, at first, once Cristina starts taking Jeanne under her wing, and Jeanne upstages another one of the young extras on set. Their relationship never crystallizes into anything concrete, which keeps “The Ice Tower” firmly in the realm of moody dream space rather than anything melodramatic that’s even slightly giving in terms of emotion.

At one point, Cristina tells Jeanne that they can be together forever, or leave tomorrow and never look back, but Jeanne chickens out on the offer while they stare off over a cliff, putting a sense of doom over where their dynamic is headed. At another, Cristina invites Jeanne to a drink only to ghost her on the promise entirely, leaving Jeanne standing alone in the cold and starting to sense the delusion she’s caught over how much this woman might actually be interested in her. That their relationship takes a turn towards sexual assault recalls an earlier moment in the film where Jeanne is picked up on the side of the road by a man in a van who promises to drop her off “after a brief detour.” The world of adults is a dangerous one.

In terms of mood and tone and its own artifices and surfaces, “The Ice Tower” is a stunner, shot with Cinemascope framing that brings a hugely dramatic power to many long, languid close-ups, especially as Cristina watches the dailies of her movie. A soundtrack created with the ondes Martenot, an electronic instrument that sounds much like a theremin, creates a dreamlike spell that only adds to the film’s trance-making allure. The understated performances and coolly detached, shivery hypnotic vibes of this film won’t be for anyone looking for a story, but “The Ice Tower” casts a creepy spell that lingers and even deepens in the mind long after it’s over. As only the best spells do.

Grade: B+

“The Ice Tower” premiered at the 2025 Berlin Film Festival. Yellow Veil Pictures releases it on October 3, 2025.

Want to stay up to date on IndieWire’s film reviews and critical thoughts? Subscribe here to our newly launched newsletter, In Review by David Ehrlich, in which our Chief Film Critic and Head Reviews Editor rounds up the best new reviews and streaming picks along with some exclusive musings — all only available to subscribers.

October 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Jacob Elordi's Monster Revealed in New Look
TV & Streaming

Jacob Elordi’s Monster Revealed in New Look

by jummy84 October 1, 2025
written by jummy84

As the calendar turns to the month of Halloween, Netflix has unleashed a new trailer for Guillermo del Toro‘s “Frankenstein,” including a closer look at (and plenty of voiceover from) Jacob Elordi‘s resurrected monster, who has been kept heavily cloaked in previously revealed footage.

Along with Elordi, the new trailer also features additional looks at Oscar Isaac as Victor Von Frankenstein and Mia Goth as Elizabeth Lavenza, the mad scientist’s bride to be, as well as the film’s various lavish fantasy sets, from a harbored ship in a frozen ocean to a well-attended ballroom party.

“Frankenstein” is coming off a warm reception on the fall festival circuit. The epic-length adaptation of the seminal Mary Shelley novel premiered at Venice Film Festival before enjoying surprise screenings at Telluride Film Festival and another red carpet at the Toronto International Film Festival. At TIFF, the film came in as the runner-up for the fest’s coveted people’s choice award — an accolade that’s traditionally a key bellwether for the Oscar race.

Guillermo del Toro had been developing a “Frankenstein” adaptation for decades before Netflix ultimately issued a greenlight. In Variety’s cover story for Venice Film Festival, the Oscar-winning director explained that, “The usual discourse of Frankenstein has to do with science gone awry. But for me, it’s about the human spirit. It’s not a cautionary tale: It’s about forgiveness, understanding and the importance of listening to each other.”

Netflix is giving “Frankenstein” a limited, awards-qualifying theatrical release on Oct. 17, with a streaming debut to follow on Nov. 7. Watch the new trailer below.

October 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Martin Scorsese Gets Real In Documentary Series
TV & Streaming

Martin Scorsese Gets Real In Documentary Series

by jummy84 October 1, 2025
written by jummy84

Apple TV+ on Wednesday released the trailer for Mr. Scorsese, its five-part documentary series from Rebecca Miller about 11-time Oscar-nominated director-writer-producer Martin Scorsese.

The docuseries is gearing up for its world premiere Saturday in the Spotlight section of Scorsese’s hometown New York Film Festival. That comes ahead of an October 17 release date on the streamer.

Mr. Scorsese features never-before-seen footage and in-depth interviews with those closest to Scorsese, with a talking-heads list that includes his frequent leading actors Robert De Niro, Daniel Day-Lewis and Leonardo DiCaprio along with Mick Jagger, Robbie Robertson, Thelma Schoonmaker, Steven Spielberg, Sharon Stone, Jodie Foster, Paul Schrader, Margot Robbie, Cate Blanchett, Jay Cocks and Rodrigo Prieto; his children; wife Helen Morris; and childhood friends.

Along with interviews with Scorsese, the interviewees and his own artistic output will help paint a picture of the man whose singular filmography grapples with the question of whether humans are intrinsically good or evil (“I struggle with that all the time,” he says in the trailer), beginning with 1967’s Who’s That Knocking at My Door starring Harvey Keitel and includes such wide-ranging titles as Mean Streets, Taxi Driver, Raging Bull, The Last Temptation of Christ, Goodfellas, Gangs of New York, The Aviator, The Departed (his only Oscar Best Director win so far), The Wolf of Wall Street and his last pic, 2023 Best Picture Oscar nominee Killers of the Flower Moon.

(Upcoming addition to the list: As Deadline broke earlier this month, Scorsese just locked in his next film, with DiCaprio and Jennifer Lawrence set to star in the ghost story thriller What Happens at Night.)

“I knew I could express myself with pictures,” Scorsese says. “But I had to find my own way.”

Executive producers of Mr. Scorsese include Miller and Damon Cardasis, Cindy Tolan, Rick Yorn, Christopher Donnelly and Julie Yorn. Ron Burkle is producer of the docuseries, which is presented by Expanded Media and Round Films in association with LBI Entertainment and Moxie Pictures.

Check out the trailer above.

October 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
All Scores, Lauren Jauregui Eliminated
TV & Streaming

All Scores, Lauren Jauregui Eliminated

by jummy84 October 1, 2025
written by jummy84

[This story contains spoilers from episode three of Dancing With the Stars season 34.]

Tuesday kicked off TikTok night on Dancing with the Stars, and luckily enough, there were quite a few social media stars in the ballroom. 

Lauren Jauregui and Brandon Armstrong were eliminated from the competition at the end of the night. When asked how she was feeling about the results, the Fifth Harmony star replied, “Pissed.”

Last week, couples danced to one-hit wonders, resulting in a four-way tie for the top of the leaderboard, comprised of celebrities Jordan Chiles, Jen Affleck, Robert Irwin and Whitney Leavitt. At the end of the third episode, Corey Feldman and Baron Davis were simultaneously sent home in a double elimination. 

Having a night’s worth of competition solely devoted to TikTok paired perfectly with the cast of season 34, which notably includes social media stars Affleck, Leavitt and Alix Earle. Not to mention, a large majority of the competitors have large presences online, including Irwin (with over 8 million Instagram followers), Olympic gymnast Chiles, author-influencer Hilaria Baldwin, season three winner of The Traitors Dylan Efron, Fifth Harmony’s Jauregui, actress Danielle Fishel and Pentatonix’s Scott Hoying. 

With growing online showings thanks to DWTS, Elaine Hendrix and Andy Richter round out the cast list.

Jauregui notably danced to Fifth Harmony’s “Work from Home,” with her fellow members of the girl group in the audience there to cheer her on. Chiles took an early lead on TikTok night with her tango to Doechii’s “Anxiety,” which was scored a 24/30, marking the first time three consecutive eights were handed out in season 34.

However, Leavitt swiftly tied the Olympian’s score, earning a 24/30 for her samba to “Shake Ya Ass” by Mystikal. Following close behind was Earle and Efron, who both scored a 23/30.

Aside from the celebrities, the slate of professional dancers are also social media stars in their own right. When reflecting on the newfound virality of DWTS, Rylee Arnold told The Hollywood Reporter she believes her tendency to post online during her first season as a pro in season 32 is where social media began to majorly change the show. 

“I feel like that really picked up and resonated with the rest of the pros, with the show, with people online, and we got together a younger demographic of people, and the people who go on TikTok every day, they [saw] the Dancing with the Stars content,” she said. “It only brought more young people to the show. And then the next season, Ezra [Sosa] came on [as a pro dancer] and did the same thing. He really got so engaged, and I think really just kind of showed that people love it. People love when we share stuff online.” 

During one-hit wonders night, Carrie Ann Inaba, Derek Hough and Bruno Tonioli all took to the judges panel for the first time during season 34 after Inaba missed the premiere due to an illness.

See the full list of scores for week three of DWTS season 34 (aka TikTok night) below.

Jen Affleck and Jan Ravnik: 19/30
Lauren Jauregui and Brandon Armstrong: 18/30 (ELIMINATED)
Danielle Fishel and Pasha Pashkov: 21/30
Jordan Chiles and Ezra Sosa: 24/30
Dylan Efron and Daniella Karagach: 23/30
Elaine Hendrix and Alan Bersten: 21/30
Whitney Leavitt and Mark Ballas: 24/30
Scott Hoying and Rylee Arnold: 22/30
Hilaria Baldwin and Gleb Savchenko: 22/30
Andy Richter and Emma Slater: 18/30
Robert Irwin and Witney Carson: 22/30
Alix Earle and Val Chmerkovskiy: 23/30

Season 34 of DWTS airs and streams simultaneously on ABC and Disney+ on Tuesdays, with new episodes available to stream on Wednesdays on Hulu. 

October 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Alan Partridge writers on "awful" Katherine Kelly role in How Are You?
TV & Streaming

Alan Partridge writers on “awful” Katherine Kelly role in How Are You?

by jummy84 October 1, 2025
written by jummy84

For Alan, life is something of a mixed bag at the moment, having lost his cushty BBC presenting gig (see This Time), but finding companionship with new girlfriend Katrina (Kelly).

Speaking at the press launch of the series, How Are You? co-writer Neil Gibbons explained that the team has moved on from the era of Alan as a “kicked puppy”, as seen in the travel tavern days of I’m Alan Partridge.

But they’ve found a “new flavour” of torment for the character from Katrina.

“On the face of it, he sort of has everything. He’s got quite a good house, he’s got quite a good car. He’s getting a lot of low-level, but quite lucrative work,” continued Neil, who co-writes with brother Rob Gibbons and Coogan himself.

Steve Coogan plays Alan Partridge in How Are You? It’s Alan (Partridge) BBC / Baby Cow / Ollie Upton

“And he’s got a girlfriend who’s younger than him, who’s beautiful, who’s quite a figure in the community. But [she’s] just an awful, awful woman. And as the series goes on, you do see Alan struggling with what – on paper – is clearly a good deal for him souring quite badly.”

Coogan added that they were looking to create a female character who would be able to easily deflect Alan’s misogynistic tendencies and challenge him in ways neither Lynn (Felicity Montagu) nor ex-girlfriend Sonja (Amelia Bullmore) ever could.

“Alan bullies Lynn quite a bit, although Lynn does actually get the better of Alan sometimes,” explained Coogan. “But we wanted someone who would have Alan on the back foot in a way he’s not with Lynn.

“We wanted someone who ‘wore the trousers’ and who he was obviously attracted to, but she was mercurial to him [and] he couldn’t quite understand who she was.”

Coogan went on to praise his modern Partridge collaborators, Neil and Rob Gibbons, for their work transforming Alan from a fairly broad comedy character to a more “three-dimensional” figure.

“Rob and Neil are really, totally comfortable with poignancy or pathos,” he concluded.

“Alan evolved under their stewardship to be more three-dimensional. So sometimes you can actually feel sorry for Alan, feel compassion for him and that is a much more humane execution of the character. That’s given it longevity.”

How Are You? It’s Alan (Partridge) premieres on BBC One and iPlayer on Friday 3rd October 2025.

Check out more of our Comedy coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

Add How Are You? It’s Alan (Partridge) to your watchlist on the Radio Times: What to Watch app – download now for daily TV recommendations, features and more.

October 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Dancing With the Stars Season 34
TV & Streaming

Lauren Jauregui Is Eliminated and Her Reaction Is Defended by Fans

by jummy84 October 1, 2025
written by jummy84

[WARNING: This post contains MAJOR spoilers from Dancing With the Stars, Season 34, Week 3.]

Just three weeks into the competition, Dancing With the Stars Season 34 has already had a shocking elimination. Lauren Jauregui and Brandon Armstrong were the couple eliminated during Week 3 of the competition.

Jauregui tied with Andy Richter at the bottom of the leaderboard with a score of 18/30 (they both danced the foxtrot this week). The judges were hard on Jauregui, noting that she needed to add more “pop” and “power” to her performances. Still, tying with Richter, who has done his best, but struggled with the dances so far, was quite a shock.

At the end of the day, Jauregui received less viewer votes than the comedian, and she was sent home. It came down to her, Richter, and Elaine Hendrix as the last three to learn their fate (although Richter and Hendrix were not necessarily in the bottom three, as the results are not called in order).

Lauren Jauregui could not be more right AND SHE SHOULD SAY THAT 👏🏽😤#DWTS pic.twitter.com/wdnUgwGeHq

— 𝙶𝚒𝚜𝚎𝚕𝚕𝚎//💥⏳ 💍💫 (@giselleb1234) October 1, 2025

When host Julianne Hough asked Jauregui how she was feeling afterwards, she had a one-word response: “Pissed.” It was extremely candid, and fans praised her for not holding back. “Lauren Jauregui could not be more right AND SHE SHOULD SAY THAT 👏🏽😤#DWTS,” one person wrote on X.

Someone else said, “And one thing about Lauren Jauregui is she will tell NO LIES. You could feel how upset she was just watching #DWTS #DWTS34.” Other fans expressed their frustrations at Jauregui being eliminated so early, with many noting that they felt Richter should have been the one to go home instead.

“lauren jauregui eliminated week THREE. Andy is STILL IN THE COMPETITION,” someone tweeted. “this is just as rigged as runext idc idc idc wtf was that #dwts.” Another fan wrote, “SERIOUSLY I’M DEVASTATED SHE DIDN’T DESERVE THIS THESE PEOPLE DON’T DESERVE YOU LAUREN JAUREGUI #LaurenOnDWTS,” and someone else said, “Im so devastated & so heartbroken that Lauren Jauregui got eliminated! I’m so pissed! Brandon Armstrong didn’t deserve this! I’m furious that Lauren was horribly robbed! Andy Richter should have went home instead of her! Hilaria Baldwin should not have been saved again! 💔 #DWTS.”

our honest reaction. pic.twitter.com/SkMzSw0jE6

— Lauren Jauregui Updates (@LMJUpdates) October 1, 2025

Despite her blunt and candid reaction to the elimination, Jauregui also made sure to gush over working with Armstrong. Meanwhile, the cameras also cut to Jauregui’s fellow Fifth Harmony members Ally Brooke, Normani Kordei, and Dinah Jane in the audience, and their reactions also looked disappointed and frustrated.

Do you think Jauregui should have been eliminated? What did you think of her reaction afterwards? Let us know your thoughts in the comments section below.

Dancing With the Stars, Season 34, Tuesdays, 8/7c, ABC and Disney+ (Streaming Next Day on Hulu)

For a more extended celebration of two decades of Dancing With the Stars, from exclusive interviews to retrospectives and must-see photos, pick up a copy of TV Guide Magazine’s Dancing With the Stars 20th Anniversary special issue, available for purchase online at DWTS.TVGM2025.com and on newsstands now.

October 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Vets PTSD Doc Makes Case for Psychedelics
TV & Streaming

Vets PTSD Doc Makes Case for Psychedelics

by jummy84 October 1, 2025
written by jummy84

Editor’s Note: “In Waves and War” originally debuted at the Telluride Film Festival in 2024. It opens at the Laemmle Monica in Los Angeles on Friday, October 3, 2025 before a Netflix debut on November 3.

Jon Shenk and Bonni Cohen‘s at times emotionally overwhelming documentary gets its title via a quote from “The Odyssey” that opens the film.

“By now, I am used to suffering. I have endured so much in waves and war. Let this next adventure follow.”

The Navy SEALs who are the subjects of “In Waves and War” aren’t just used to suffering. Many long thought that bearing the emotional cost of suffering was their only option. Multiple tours in Afghanistan and Iraq over years left unseen scars as wall as visible ones, and PTSD can be so intractable an enemy, despite multiple therapies and prescription drugs, that a lot are left to think that just “bearing it” is all they can do.

Tilly Norwood, a creation of AI studio Xicoia

Shenk and Cohen‘s film makes a powerful case that there may be another option: Psychedelic drugs, not approved for use in the U.S., may help break through these vets’ psychological barriers and offer a reset. It makes the case so forcefully that there are moments “In Waves and War” almost feels like a commercial: No downside to these drugs, ibogaine and 5-MeO-DMT, is mentioned other than that they may help “crack you open” and face your unresolved traumas and guilt and grief directly — and then it’s up to you lay a new foundation to live a different way after treatment, or you might revert to the way you were before. It’s unclear in the film just how advisable this treatment — which usually involves vets traveling to a clinic in Mexico to receive it — is for everyone. And maybe it isn’t for everyone. But the key is that it offers hope.

The SEALs we meet in “In Waves and War” had each reached a point where they’d given up on hope. Their stories of their years and years fighting overseas, being away from their families for 300+ days a year, and witnessing unspeakable horrors, makes up the spine of the film. These are riveting stories. There’s Marcus Capone, described a couple times as looking like an NFL linebacker, but whose wife says had become “a monster” upon his return from multiple tours of duty. He becomes the leading evangelist for psychedelic treatments for veterans through his foundation VETS (Veterans Exploring Treatment Solutions), and is a producer on the film. D.J. Shipley movingly talks about how he met his wife, Patsy, who had been widowed in her early 20s when her first husband, Danny Dietz, was killed in 2005 in the Operation Red Wings crash in Afghanistan. Shipley wanted to visit Dietz’s grave to “ask him permission” to court Patsy. But by the end of almost 20 years in the SEALs, he had nearly wrecked the life he had built with her.

And finally, there’s Matty Roberts, whose journey to Mexico to receive his first treatment is captured in “In Waves and War.” Matty suffered a major wound in his arm during one firefight and was convinced, initially, that his arm had been blown off altogether. With animations from London-based commercial animation company Studio AKA, each of these vets’ traumas come to life. The animation style is fluid and boundary-less, images just made out as they morph into something else: A helicopter hovering over a dusty landscape; a row of SEALs in nightvision goggles approaching a target; fire exchanged over a tractor tire. The images are as hazy as memory, and a very effective way of getting inside the heads of these vets — who otherwise tell their stories direct-to-camera, and are never less than compelling in doing so.

The animation particularly hammers home the individualized experiences of going through the psychedelic treatment: For Marcus, it felt like he was flying through a void with memories from his life floating like a swirl of Polaroids around him; for Matty, he ended up face to face staring down a version of himself, as if learning to confront and let go of his own ego.

It’s all very meaningful to watch and never less than engaging, even if “In Waves and War” comes across like a pharmaceutical infomercial at times as much as a film. Fundamentally, Shenk and Cohen are trying to argue for a particular solution here, and it might be promising indeed, but it’s also presented as a little too much of a silver-bullet for the issues they’ve identified. A truer, more valuable review of “In Waves and War” is one that hopefully will be written in a medical journal rather than IndieWire. At least it offers hope to these American heroes that there can be more to life than “being used to suffering.”

Grade: B-

“In Waves and War” world premiered at the 2024 Telluride Film Festival. It opens at the Laemmle Monica in Los Angeles on Friday, October 3, 2025 before a Netflix debut on November 3.

Want to stay up to date on IndieWire’s film reviews and critical thoughts? Subscribe here to our newly launched newsletter, In Review by David Ehrlich, in which our Chief Film Critic and Head Reviews Editor rounds up the best reviews, streaming picks, and offers some new musings, all only available to subscribers.

October 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
AI Practical Usage Unpacked by the Madrid Audiovisual Cluster
TV & Streaming

AI Practical Usage Unpacked by the Madrid Audiovisual Cluster

by jummy84 October 1, 2025
written by jummy84

The real-world application of Artificial Intelligence (AI) on the audiovisual industry – controversies aside – will take center stage at Madrid’s Iberseries & Platino Industria on Oct. 1. Organized by the Madrid Audiovisual Cluster, an economic interest group comprising over 100 Madrid-based companies, the workshop will study seven case studies, some from members of the Cluster.

The intent is to study how AI can be a useful tool rather than delve into how it could be replacing jobs, according to Iberseries director Samuel Castro.

Topics to be covered include:

  • Marketing strategy and distribution of audiovisual content;
  • Workflow management for scripted and unscripted audiovisual productions;
  • Artificial Intelligence applied to VFX and post-production in fiction and advertising;
  • Visibility of web content in the new ecosystem shaped by AI engines and large language models,
  • And creation of sports audiovisual content

Moderator Henar León, a technology expert specializing in the cultural sector, will guide the workshop and facilitate dialogue among the participants.

These are:

Brandominus – Víctor Guerra – CEO
A Spanish digital marketing agency specializing in data-driven strategies. Its methodology combines creativity, data and analytics to deliver marketing strategies that are 100% results-oriented. They serve as a strategic agency for the Spain Film Commission and the Madrid Audiovisual Cluster, among other organizations. “Our participation in the panel is about the importance of AI in the visibility of brands and audiovisual content on search AI engines and on how the AI boom has changed the way we show up in search results – and what we need to change to adapt to the new search-ranking paradigm,” says Victor Guerra, CEO.

El Ranchito – Manuel Ramírez – President
Leading Spanish VFX studio known for visual effects work in productions such as “Game of Thrones” and “Society of the Snow.” Founded in 2004 by Félix Bergés and a team of top VFX professionals, El Ranchito is a Madrid and Barcelona-based studio known for delivering world-class visual effects with creativity, precision and collaboration at its core. With over 200 artists, the studio tackles global projects across film, TV and advertising. El Ranchito is part of Pitch Black Company, alongside Folks and Rising Sun Pictures, forming a global network of 1,400+ artists across 14 cities including Los Angeles, London, Montréal, Mumbai and Bogotá. “El Ranchito was born from the dream of creating a space where experience, knowledge, and teamwork would be at the heart of everything we do,” says Ramírez.

Metropolitana de Muntatges – Ramón Arteman – Director
A Barcelona-based post-production studio founded in 1995, with additional facilities in Madrid. Specializing in visual effects, CGI, color grading, and compositing, the company serves the advertising, film, and television industries. Known for its technical precision and creative expertise, Metropolitana offers end-to-end post-production services, including on-set supervision and previsualization. With a team of 25–50 professionals and nearly 30 years of industry experience, the company has built a solid reputation in Spain’s audiovisual sector. Metropolitana is also part of a select group of high-end post-production studios trusted by major agencies and producers for complex visual storytelling.

Moments Lab – Sofía Schenone – Sales Manager
Platform that uses AI to turn information into clear, actionable summaries, streamlining audiovisual production. The leading AI-driven video discovery company will announce the launch of Discovery Agent, an AI-powered tool built to help producers, creatives and video teams swiftly locate key scenes and standout moments across their media libraries. “By reducing the time spent sourcing key moments, Moments Lab enables teams to scale workflows, boost creativity and generate new revenue. The company’s new Discovery Agent introduces chat-based search, advanced semantic understanding and contextual insights to fuel high-impact storytelling,” says Schenone.  

Pendular – Carlos Ballesteros – Co-Founder & CEO
Startup that applies AI to generate real-time statistics, analysis and visualizations for sports events. The Madrid-based AI company is transforming how sports content is created, distributed, and monetized, it notes. Its platform automates video production from live and archive footage, enabling rights holders to scale content delivery, engage fans and generate new revenue streams. Trusted by organizations such as the Australian Open and Premier Padel, Pendular combines cutting-edge technology with sports expertise to help clients maximize the value of their media assets efficiently and at scale. Says Ballesteros: “We’ll discuss how Pendular uses AI to generate real-time sports highlights using AI for broadcasters and leagues like the Australian Open.”

TBS – Telefónica Group – Óscar del Castillo (Head of Sports News) & Abel Muela Guerra (Head of Social Media for Sports)
Part of the Telefónica Group, one of Europe’s biggest telecoms, it specializes in entertainment and sports audiovisual content creation, production and distribution. The company offers a wide range of services including live sports broadcasting, streaming, technical production (studios, lighting, equipment), satellite and managed IP transmission and full production for specialized sports TV channels. In a joint presentation with Óscar del Castillo, Guerra will discuss the development of an AI-driven project for generating sports highlights on Movistar Plus+. “I will provide a practical demonstration showing how this AI tool automatically produces content for both the TV platform and Movistar Plus+ social media channels,” says Guerra.

The Film Agency – Sarah Calderón – CEO

An international marketing agency with over 12 years of experience in the audiovisual industry, working across films and series. It operates throughout the entire lifecycle of a project — from early development, through its Think Early department, to the launch phase, with the support of its Think Visual and Engagement departments. Its services include tailored marketing strategies, the creation of premium visual materials (such as trailers, posters, promos, digital assets, and pitch decks) and digital campaigns during festivals and releases. In addition, its Think Data department offers data-driven services designed to support decision-making processes. “I will be presenting some case studies about how we use AI in early stages marketing. It is becoming central for our audience-oriented strategies, data-driven solutions and pitch decks,” says Calderón.  

October 1, 2025 0 comments
0 FacebookTwitterPinterestEmail
Newer Posts
Older Posts

Social Connect

Facebook Twitter Instagram Pinterest Youtube Snapchat

Recent Posts

  • 2009 feels like a whole other world away

  • Watch Ariana Grande and Jimmy Fallon Perform a History of Duets

  • Spotify’s Joe Hadley Talks ARIA Awards Partnership

  • Nick Offerman Announces 2026 “Big Woodchuck” Book Tour Dates

  • Snapped: Above & Beyond (A Photo Essay)

Newsletter

Subscribe my Newsletter for new blog posts, tips & new photos. Let's stay updated!

Categories

  • Bollywood (1,929)
  • Celebrity News (2,000)
  • Events (267)
  • Fashion (1,605)
  • Hollywood (1,020)
  • Lifestyle (890)
  • Music (2,002)
  • TV & Streaming (1,857)

Recent Posts

  • Shushu/Tong Shanghai Fall 2026 Collection

  • Here’s What Model Taylor Hill Is Buying Now

  • Julietta Is Hiring An Assistant Office Coordinator In Dumbo, Brooklyn, NY (In-Office)

Editors’ Picks

  • 2009 feels like a whole other world away

  • Watch Ariana Grande and Jimmy Fallon Perform a History of Duets

  • Spotify’s Joe Hadley Talks ARIA Awards Partnership

Latest Style

  • ‘Steal This Story, Please’ Review: Amy Goodman Documentary

  • Hulu Passes on La LA Anthony, Kim Kardashian Pilot ‘Group Chat’

  • Hannah Einbinder Slams AI Creators As “Losers”

  • Facebook
  • Twitter

@2020 - celebpeek. Designed and Developed by Pro


Back To Top
celebpeek
  • Home
  • Bollywood
  • Hollywood
  • Lifestyle
  • Fashion
celebpeek
  • Music
  • Celebrity News
  • Events
  • TV & Streaming