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Oklou: “viscus” [ft. FKA twigs] Track Review
Music

Oklou: “viscus” [ft. FKA twigs] Track Review

by jummy84 October 12, 2025
written by jummy84

Pregnancy changed Oklou’s mind as well as her body. “I feel like my consciousness has naturally, without me even trying, gotten rid of any source of stress and anxiety,” she told FKA twigs when the two artists spoke for Highsnobiety earlier this year. On “viscus,” from the forthcoming deluxe edition of Oklou’s debut album, choke enough, the French electronic pop star-in-the-making meets one of her direct influences in the ether. At first, the track sounds right at home among the album’s filigreed miniatures, but then the tinny percussion, vaporwave synthesisers, and chamber orchestration begin to interlock at new angles, forming a glittering exoskeleton.

As she told Pitchfork in our cover story, Oklou’s creative process runs on late-night Logic sessions and long periods of isolation. “viscus” yearns to swap digital ideas for real bodies. “I get lost so deep inside me,” Oklou intones—perhaps a characteristically oblique nod to the chronic stomachaches that she and twigs had bonded over. “The body is a temple/Am I worshipping too hard?” When twigs’ voice enters, it’s from the other side of the stereo mix, beckoning us from the cloud down to the club. Oklou has said that she used to dance far more than she does today; on “viscus,” we hear those muscles start to engage again.

October 12, 2025 0 comments
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Every song on 'The Last Frontier' soundtrack 
Music

Every song on ‘The Last Frontier’ soundtrack 

by jummy84 October 12, 2025
written by jummy84

The Last Frontier is the latest thriller lighting up Apple TV+, but what songs are on the soundtrack? Find out below.

The first two episodes of the 10-episode run debuted on the streaming service on Friday (October 10), with remaining instalment set to arrive every week until the season finale on December 5.

It stars Jason Clarke (Zero Dark Thirty, Brotherhood) as Frank Remnick, the deputy U.S. Marshal for Alaska and a former pilot who must protect his town while he investigates the plane crash that set free multiple fugitives who are now on the loose.

Dominic Cooper (Mamma Mia, Preacher) plays Levi ‘Havlock’ Hartman, a CIA asset who is among those to have escaped, with Haley Bennett (The Equalizer, Cyrano) as Sidney Scofield, the CIA agent tasked with tracking him down.

The Last Frontier was created by Jon Bokenkamp, also known for NBC series The Blacklist and the films Taking Lives and The Call, alongside Richard D’Ovidio.

The show has been met with mixed reviews from critics so far, with the review aggregator site Rotten Tomatoes currently listing a 57 per cent rating.

Every song on The Last Frontier soundtrack

The show includes an original score from the composer Ariel Marx, also known for their work on episodes of Black Mirror, Dying For Sex and Happy Face.

In addition, it features a number of needle drop moments, with the first two episodes alone including songs by Elvis Presley, Scorpions, Willie Nelson and Leonard Cohen.

The full list of songs to appear in The Last Frontier so far is:

EPISODE ONE
Elvis Presley – ‘Unchained Melody’
Willie Nelson & Dyan Cannon – ‘Blue Skies’
Tony Joe White – ‘I’ve Got A Thing About You’
Irma Thomas – ‘I Haven’t Got Time To Cry’
Leonard Cohen – ’Avalanche’

EPISODE TWO
Colter Wall – ‘Sleeping On The Blacktop’
Scorpions – ‘Wind Of Change’

October 12, 2025 0 comments
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Tommy Lee, Bill Cosby Assault Accusers Await New Law to Revive Lawsuits
Music

Tommy Lee, Bill Cosby Assault Accusers Await New Law to Revive Lawsuits

by jummy84 October 12, 2025
written by jummy84


I
n 2003, Heather Evans Taylor agreed to take a helicopter sightseeing tour with a pilot friend she’d met through her bank teller job in San Diego. When she arrived at Montgomery Field Airport, she was surprised to see that Tommy Lee, the lanky and colorfully tattooed Mötley Crüe drummer, was already waiting to join them, she says.

What allegedly happened next was described in excruciating detail in a sexual assault lawsuit Taylor filed against Lee in December 2023. She claimed Lee and the pilot, David Martz, started drinking and snorting cocaine immediately after takeoff. She alleged Lee forcibly kissed, groped, digitally penetrated her, and tried to force her to give him oral sex – all while Martz looked on, smiling. (Through his lawyer, Sasha Frid, Lee has previously “vehemently and categorically” denied the allegations. Frid declined to comment for this article.)

“It was a horrific experience. I felt like they made a mockery out of me,” Taylor tells Rolling Stone, revealing her full identity in her first media interview after originally filing her complaint as a Jane Doe. Sitting at her dining room table, her eyes welling with tears, Taylor says she flew back in stunned silence with Martz after they allegedly dropped Lee off at the Van Nuys Airport in Los Angeles. “I never would have thought something like that would happen to me,” she says. “I felt so abandoned and alone.”

Taylor, 52, says the alleged incident left her with post-traumatic stress disorder, panic attacks, and anxiety. She was too afraid to report the alleged incident to police, she says, so she barely talked about it for years and tried to move on. Eventually, she went on medication, started rescuing dogs, and began intensive psychotherapy. She thought her chance to seek legal redress had long since lapsed, until the California legislature passed the Sexual Abuse and Cover-Up Accountability Act in late 2022. The act opened two retroactive filing windows for otherwise expired claims of adult sexual abuse. Claims for incidents prior to 2009, like Taylor’s, had to meet two specific criteria: First, plaintiffs had to establish that a private business was legally responsible for damages arising from the assault. Second, they had to allege that the business covered up a previous claim of sexual assault.

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The new law, known as AB 2777, was part of a wave of legislation across the country recognizing that many survivors of sexual assault take years or even decades to step forward due to lasting trauma, social stigma, or fear of retribution. Unlike New York’s Adult Survivors Act, which functioned as a catch-all that allowed plaintiffs to sue virtually any individual or institution, the California statute was more tailored. Beyond requiring a cover-up for decades-old claims, it also barred cases against public institutions such as schools and law enforcement agencies. The vague wording also made it difficult to go after the alleged perpetrators themselves as individual defendants.

But back in 2023, the law seemed to offer Taylor a real chance to sue Lee and maybe even Martz, though Martz had died in a single-engine Cessna crash in 2015. (According to the Los Angeles Times, which reported on Martz’s death, the pilot had a lengthy disciplinary record that included multiple license suspensions. One revocation in 2009 came after Martz was filmed receiving oral sex from a Swedish porn star while hovering over San Diego. Martz also faced misdemeanor charges for landing a helicopter on a public road in the Hollywood Hills in 2006 to collect Lee for a Nine Inch Nails concert. He received three years of probation.)

Taylor says she initially considered the law “promising,” so she got her records in order, linked with a law firm, and filed her lawsuit in December 2023. She was still in a “vulnerable” place, she says, but she felt incredible relief when she signed the papers, got a stamped copy, and talked about it with her husband.

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“I was terrified yet excited at the moment I filed,” Taylor says. She recalls thinking to herself, “I get to reclaim who I am as a person. I get to take control. I’m in control, nobody else is now.”

Less than four months later, though, a California judge stopped her in her tracks, dismissing her entire complaint on a technicality. The judge said she failed to give enough detail in her complaint to support the allegation of a cover-up. Taylor says she broke down and cried.

“It was very, very frustrating,” she says. “It felt like the judge and the law were punishing the wrong person. I’m not the one who committed the crime. But it felt like I was the one being held accountable.”

Taylor’s shock turned to outrage when Lee’s lawyer publicly praised the judge’s decision, saying it proved Taylor had no case. The attorney called her allegations “false and bogus.” For Taylor, the provisional dismissal proved something else – that AB 2777 had led many hopeful plaintiffs to a “brick wall.” It allowed the judge to reject her lawsuit before even considering the merits of her abuse claim.

A judge gave Taylor 20 days to try again with an amended lawsuit. But 11 days later, in a surprise move, Taylor and her lawyers made the strategic decision to voluntarily withdraw her entire lawsuit. In a statement to Rolling Stone at the time, they said a second round of proposed legislation, if successful, would likely give Taylor a better shot at success. In the meantime, they didn’t want to risk another adverse ruling from the judge that could permanently terminate Taylor’s right to sue Lee.

Through his lawyer, Lee again claimed victory. “This dismissal is a complete vindication for Tommy Lee,” Frid said in a statement to Rolling Stone in May 2024. Taylor says it was painful to go online in the immediate aftermath. Some online were calling her a “fraud,” she says. As a Jane Doe plaintiff at the time, she felt powerless to speak up. She desperately wanted to show people the handwritten letter she says she received from Martz, inviting her to lunch just weeks before the alleged assault, but she felt cast aside.

Heather Evans Taylor in her San Diego home this month.

Nancy Dillon

“Everybody came for me,” she says. “I felt silenced. I wanted people to know I’m real. I’m not this ghost.”

Through it all, Taylor says she never considered giving up. “I dismissed the case so I could resume it later,” she explains. “I’m still planning on going full force into this so I can get some type of justice.” 

Taylor says she’s hopeful she’ll get that chance with a version of the legislation that her lawyers cited last year. The bill, AB 250, is now sitting on Gov. Gavin Newsom’s desk, awaiting a decision by Monday. If made into law, AB 250 would give Taylor and other plaintiffs like her, including Bill Cosby accuser Victoria Valentino, a fully retroactive filing window for any claim of adult sexual abuse against an individual perpetrator, no matter how old, for a new two-year period ending Dec. 31, 2027. In what legal experts are calling a potentially seismic shift for plaintiffs like Taylor, the law would allow suits against alleged individual perpetrators without the need to prove a cover-up. (Claims against businesses would still require evidence of a cover-up.)

An Uphill Battle

Taylor says she filed her initial lawsuit with the belief that AB 2777 allowed her to sue Lee as an individual and then use the discovery process to find enough facts to meet the law’s other requirements. She, and other plaintiffs like her, faced an uphill battle. In court filings, their lawyers said AB 2777 included language that plaintiffs could revive “any claim,” including against an individual, so long as the overall lawsuit also alleged a business defendant engaged in a previous cover-up. But lawyers representing the accused countered that the law, as written, only mentioned liability on the part of businesses and never explicitly stated that perpetrators could be sued. 

The law’s ambiguity became an immediate battleground as defendants like Lee sought early dismissals on procedural grounds. Before long, judges started interpreting AB 2777 to completely exclude individual defendants. In one sexual assault lawsuit filed against Nigel Lythgoe, a judge rejected all the claims against the American Idol producer as an individual, saying they could never be filed again. The judge otherwise allowed the case to proceed against the TV production company Lythgoe was leading at the time, though the plaintiffs later filed a dismissal. (At a nearby courthouse, however, a different judge made a completely opposite ruling in a similar case, allowing a music industry CEO accused of sexual assault to remain on the hook as an individual defendant, despite his denials.)

While AB 2777 was clearly intended to rein in powerful institutions and employers with cultures of silence that condoned abuse, it seemed to toss out hurdles for plaintiffs suing less conventional defendants. The bar appeared particularly high for lawsuits involving the entertainment industry, where alleged perpetrators might work for an obscure, closely guarded company in which they’re the sole employee.

“Before speaking up, I felt like I was lying to myself … The silence was eating me alive.”

Heather Evans Taylor

In the case of Lee, Taylor argued that she needed more time to conduct discovery to identify a company she suspected Lee had at the time of her alleged assault. She had also sued his touring company, Mayhem, but Lee claimed the corporation was suspended in February 2023. Taylor argued it was merely delinquent.

AB 2777 also raised questions about what exactly qualified as a cover-up. Its text described a cover-up as a “concerted effort to hide evidence” and incentivize silence, and it pointed to the use of nondisclosure agreements or confidentiality agreements as examples. But legal experts say the wording was murky, making judicial interpretation a moving target. The judge who provisionally dismissed Taylor’s claim said during one court hearing that Lee’s lifestyle leading up to the alleged assault, described as “salacious and hedonistic” in Taylor’s original complaint, had the court questioning Taylor’s ability to allege a prior cover-up at all. The judge also found fault with Taylor’s claims that Lee “must” have had a loan-out company in 2003 because it was “industry standard.” 

Taylor and her lawyers could have forged ahead, trying to address the court’s concerns, but it would have been a gamble. And it could have ended with a ruling barring her from ever bringing her claims again.

Victoria Valentino at Bill Cosby’s sexual assault trail in Norristown, Pennsylvania in 2017.

Bastiaan Slabbers/NurPhoto/Getty Images

Valentino, the former Playboy model who claims Cosby drugged and raped her in 1969, ended up in a similar situation. She filed a lawsuit against Cosby using AB 2777 in June 2023, alleging the disgraced comedian convinced her to swallow two pills during a meeting at a restaurant while she was grieving the drowning death of her six-year-old son. Valentino, 82, alleged Cosby drove her to a nearby office and raped her while she was too immobilized to fight back. (Cosby has denied the allegations through his spokesman.)

A judge provisionally dismissed Valentino’s lawsuit in 2024, ruling she hadn’t pleaded “any facts” establishing liability on the part of the three Cosby-linked companies she was also suing. The judge ruled she also failed to show any “concerted effort” to stage a cover-up. Though Valentino claimed Cosby sexually assaulted six different women “before or around the same time,” possibly drugging them in what she claimed amounted to a “cover-up,” the judge pushed back. “The statute requires a cover-up by the entity,” the judge wrote. (​​In 2018, Cosby was convicted of three counts of aggravated assault on Andrea Constand, a woman he had mentored at Temple University. The comedian, 88, was released from prison in 2021 after serving only part of his three-to-10-year sentence after the Pennsylvania Supreme Court overturned his jury conviction, finding that a “non-prosecution agreement” with a former district attorney should have protected Cosby from criminal liability. He has denied allegations of sexual assault from dozens of accusers.)

“Waiting for Justice”

With AB 250, California Assembly Majority Leader Cecilia Aguiar-Curry set out to fix what her office described as the “problem” with AB 2777. In a fact sheet published online, the office said AB 2777 “applied only to claims against entities that covered up a sexual assault, not the individuals who perpetrated sexual assault.” The office said AB 250 also was needed to extend the statute of limitations until December 31, 2027, thereby reviving important related claims such as wrongful termination and sexual harassment. The bill also ditches the burdensome cover-up requirement for claims against individuals.

“We provide more clarity that allegations of sexual assault against a perpetrator do not require proof of a cover-up by an entity,” John Ferrera, the chief of staff to Aguiar-Curry, tells Rolling Stone. “The survivor can sue the perpetrator alone, without having to prove there was a cover-up.”

Aguiar-Curry says the legislation is critical to protect survivors who fell through the cracks of AB 2777. “These survivors are frozen right now, and they’re just waiting for justice. The governor’s action [signing the bill] will help make justice possible for all of them,” she tells Rolling Stone. “It would send a clear message that California will stand up for our survivors.” Without the bill, she says, “many survivors would lose their last chance to seek accountability and closure.”

Taylor and Valentino both say they plan to re-file their lawsuits in the new year if the bill becomes law. For his part, Newsom hasn’t signaled how he’ll proceed. He can sign AB 250, veto it, or do nothing, which would allow it to become law on Jan. 1 without his stated approval. “The Governor has until October 13 to act on legislation currently on his desk,” a Newsom spokesperson says. “Our office does not typically comment on pending legislation.”

“He Suggests I Call the Police”

As she awaits the fate of AB 250, Taylor says she’s eager to tell her story, regardless of whether she’ll be able to file again. She opens a manila folder and fishes out the handwritten letter that she says Martz sent to her before the alleged assault. The postmark reads Dec. 20, 2002. “I would love to go to lunch. Give me a call or email me,” Martz allegedly wrote.

Taylor says she first met Martz in February 2002. He opened a business banking account with her, and they struck up a friendship. He repeatedly invited her to join him for a sightseeing ride in his helicopter, she says, and while she was hesitant at first, she eventually agreed.

In her lawsuit, Taylor said that when she arrived at the airfield that day, Martz informed her there was a last-minute change of plans. They walked toward the hangar, and Lee was already waiting by the chopper, she claimed.

“Within a matter of minutes of being airborne, Martz pulled out alcohol he had stored in the helicopter and began to mix drinks,” the lawsuit alleged. Taylor said Martz and Lee drank, smoked marijuana, and snorted cocaine during the flight. Martz purportedly asked Taylor through the headphone system why she wasn’t drinking and said she should “just relax.”

Taylor claimed Martz urged her to join them in the cockpit to get the best view. Feeling “immense pressure” to meet Martz’s demands while captive in the tiny aircraft, she acquiesced, the filing said. Almost immediately, Lee began groping and kissing her, she claimed. When she attempted to pull away, he allegedly “became more forceful.”

“At one point, Lee penetrated plaintiff with his fingers while fondling her breasts. Lee then pulled down his pants and attempted to force plaintiff’s head toward his genitals. By this point, plaintiff was in tears, but she had nowhere to go — she was trapped with little mobility to leave the cockpit,” the lawsuit said.

“Our trauma needs to be honored and valued for what it was.”

Victoria Valentino

As she recounts that day to Rolling Stone, Taylor says she feels foolish for ever believing Martz was her friend. “He wasn’t who I thought he was,” she says. “I trusted him, and he took advantage of the situation.” 

She then pulls out a tiny diary with a rainbow-colored unicorn on its tattered cover. She flips through several loose pages filled with cursive writing. She penned them in the days after the alleged assault, she says.

“So embarrassed. Feel awful, feel violated. Never did I expect to be used and taken advantage of,” she wrote on a page dated Feb. 23, 2003. “Tommy Lee hurt me. I never told anyone. I should have went to the police,” she scrawled on another page dated March 7, 2003. “Asking myself how Tommy Lee could sexually assault me and I didn’t tell. I’m scared,” she purportedly wrote on March 18, 2003.

The diary is so old, she says, the binding fell apart. She’s not sure it would be admissible at a possible trial, but she’s adamant it’s a true record of her life at the time, filled with daily observations, many having nothing to do with Lee. One page dated April 8, 2003, reads, “Told my friend Ed what happened to me. He suggests I call the police.”

The friend, Ed Banda, confirms to Rolling Stone that he remembers Taylor telling him in 2003 that she’d been assaulted by a celebrity. “We had a friendship, but she was very hesitant,” he says. “She didn’t know what to do. She was figuring stuff out. She was just worried about being ostracized.” 

Banda, 62, says they later reconnected when they worked together at a grocery store in 2014. She told him she was still considering the possibility of “pursuing it,” he says. He told her she should, he recalls. “It does affect you,” he says, recalling that her voice would quiver. Ultimately, she wasn’t ready, he says. “She wanted to keep tight-lipped about it.”

Taylor says her trauma from the alleged assault turned her into a virtual recluse. She started taking anti-anxiety medication, which helped. Then she started rescuing animals around 2010, and found it therapeutic. When one of her therapists moved out of state, she started seeing Dr. Neenah Amaral in September 2022. “I can corroborate that [the alleged incident with Lee] was part of the reason she came in. It was for the PTSD and the anxiety based around that story,” Amaral tells Rolling Stone. “That was the primary topic. In my professional opinion, I believe her.”

“I Probably Blamed Myself”

Like Taylor, Valentino is hopeful AB 250 will become law. Last January, she lost her home and a lifetime’s worth of memorabilia in the wildfire that swept through her neighborhood in Altadena. She says having a chance to sue Cosby again would give her a “purpose” amid so much loss.

Speaking by phone earlier this month, Valentino recalls the night Cosby allegedly assaulted her. She was still reeling from the drowning death of her son in 1969, she says, and the purported assault plunged her into an even deeper depression. She had no idea Cosby had other accusers at the time, and going to the police never crossed her mind.

“I probably blamed myself. I didn’t feel good enough, powerful enough, and this was the sixties. I had been out marching against Vietnam and for civil rights. Back in the day, we smoked pot, it was a felony,” she recalls. “It never occurred to me that the police were  safe to go [to]. It never occurred to me that I would ever find justice with them, or protection. So I just sucked it up.”

But after Constand first sued Cosby in 2005 and comedian Hannibal Buress reignited interest in the Cosby allegations with a viral joke in 2014, she stepped forward with her allegations and became an outspoken critic of Cosby. She attended the Santa Monica civil trial where a jury found Cosby liable for the sexual assault of a 16-year-old girl, Judy Huth, at the Playboy Mansion in 1975. Speaking with Rolling Stone after that verdict in June 2022, Valentino said the statute of limitations for her alleged assault was “so far gone,” there was “no hope” she could ever bring a lawsuit, but she was “thrilled to death” for Huth’s victory. Three months later, on Sept. 19, 2022, Gov. Newsom approved AB 2777, setting the stage for her own lawsuit.

She says “an opportunity to seek tangible justice” would be deeply meaningful. “I’m not looking forward to being lacerated by his attorney,” she says, “but I want him to face the consequences of his actions. Women are not expendable.” She argues there’s no statute of limitations on murder, “yet this is a murder of a woman’s spirit, a murder of a woman’s career.”

Valentino says Newsom signing AB 250 would send a clear message of support. “We need some kind of recourse. Our trauma needs to be honored and valued for what it was. Our lives need to be respected,” she says. “My assault changed the entire trajectory of my life.” (Cosby’s spokesman, Andrew Wyatt, declined to comment for this piece.)

“I Let It Consume Me”

Legal experts interviewed by Rolling Stone agree that AB 250, if made law, would address many of the roadblocks plaintiffs faced with AB 2777. The new legislation still keeps public entities off-limits, but it closes the loophole surrounding perpetrator defendants.

“It’s huge,” says Karen Barth Menzies, a partner at the Justice Law Collaborative law firm who’s helped plaintiffs use California revival statutes to sue celebrity defendants including Backstreet Boys singer Nick Carter and Mexican superstar Gloria Trevi. She said AB 2777 “confused” a lot of plaintiffs and lawyers alike, leaving many unwilling to take on the high cost and risk of litigation, especially against wealthy opponents. 

“When they passed AB 2777, it was retroactive without limitation and we expected the floodgates to open, in a way, because, unfortunately, sexual abuse is so prevalent, especially in the music and entertainment industries,” she says. “While the legislative history and intent seem clear, the language of AB 2777 wasn’t, which has caused confusion and contentious fights in court.” AB 250 “is much clearer,” she says. She expects the longer, two-year window will also help victims seek justice, especially coming after AB 2777, which itself increased awareness of revival laws.

Jessica Ramey Stender, deputy legal director at Equal Rights Advocates, says beyond the bill’s clear stance on perpetrator defendants, she’s also impressed with its more liberal, two-year filing window, saying it would offer potential plaintiffs a much broader chance to go after private businesses purportedly engaging in cover-ups.

“Sexual assault is one of the most traumatic experiences a person can endure, so sexual assault survivors often take a lot of time to even be able to come forward and speak out about what happened to them, let alone take action to hold the perpetrator or any other entity accountable,” she says. The new window proposed by AB 250 could be life-changing for survivors, she says, even as it helps “expose patterns of abuse to help prevent future harm by creating accountability within institutions,” she says.

Taylor says she decided to reveal her identity as AB 250 sits on Newsom’s desk in the hope it might encourage others to step forward as well. She says her silence over the last two decades left her feeling physically and mentally drained. “I feel like I missed out on 20 years of my life because I let it consume me,” she says.

“This is not a money grab stunt. I’m speaking out on my behalf because nobody else will. This is not to gain attention. I don’t want that,” she says. “There’s a person here. And I want everybody to know that it’s okay to come out and speak. It’s okay to talk about it.”

As she sits in her tidy San Diego-area home next to a framed cover of San Diego magazine that named her pet-sitting business a top local pick, Taylor admits she still prefers animals to most humans. But she feels herself getting stronger. She expects to be attacked again online now that she’s going public. She is ready, she says. “Dedicating my life to animals really helped me heal,” she says.

“Before speaking up, I felt like I was lying to myself. Not facing it led to more panic attacks and more anxiety,” she says. “The silence was eating me alive.”

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October 12, 2025 0 comments
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Argentine Singer Fatally Shot in Mexico
Music

Argentine Singer Fatally Shot in Mexico

by jummy84 October 12, 2025
written by jummy84

Argentine singer Fede Dorcaz was shot and killed in Mexico City just days before he was set to appear on a popular Mexican television dance competition.

The 29-year-old, who was also an actor and model, was fatally shot on Thursday (Oct. 9) in what authorities believe was an attempted robbery, according to The Guardian. Dorcaz was attacked shortly after leaving a dance rehearsal and was reportedly on his way home when the incident occurred.

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The singer, who was in a relationship with Mexican actress and singer Mariana Ávila, had been scheduled to appear in the upcoming season of Mexican dance competition Las Estrellas Bailan en Hoy. The show paid tribute to him on Instagram, writing in Spanish, “Fede leaves a big void in our team. His memory and passion will continue to inspire us forever.”

According to the Mexico City Secretariat of Public Safety, Dorcaz was shot in the neck while attempting to exit a road and died instantly at the scene, TMZ reports.

Authorities are reviewing CCTV footage and have identified four male suspects seen fleeing the scene on motorcycles. No arrests had been reported at press time.

Born and raised in Argentina, Dorcaz moved to Spain with his family at age 13. He began his career in modeling before moving into Latin pop music, releasing tracks such as “No Eres Tú” and “Cara Bonita.” His debut album, Instinto, arrived in 2024.

“I want to be more than just a musician,” Dorcaz told Rolling Stone Australia in May 2025. “I want to show people that you can build something amazing from nothing and inspire others to chase their dreams.”

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Tina Fey and Amy Poehler Play Kristi Noem and Pam Bondi in SNL's Cold Open
Music

Tina Fey and Amy Poehler Play Kristi Noem and Pam Bondi in SNL’s Cold Open

by jummy84 October 12, 2025
written by jummy84

Saturday Night Live opened its latest episode with a cold open spoofing Pam Bondi’s recent congressional hearing, in which the attorney general clashed with senators through evasive answers and sharp personal jabs. This week’s host, Amy Poehler, played the role of Bondi, while her longtime friend and fellow SNL alum Tina Fey made a surprise cameo as Secretary of Department of Homeland Security, Kristi Noem — hair extensions, Botox, and AR-15 included.

“This Democrat government shutdown needs to end now,” declared Fey’s Noem. After being informed that Democratic senators were eager to reach a resolution, she respond: “Ha, that makes me laugh more than Old Yeller…. Dogs don’t just get shot, heroes shoot them.”

“Speaking of heroes, our government agents are working without pay. Luckily, our boys at ICE don’t mind, they’re in it for the love of the game.”

October 12, 2025 0 comments
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(Credit: Durrell Hospedale MAKE WONDERS, IG @makewondersworldwide)
Music

Fueling the Tank – SPIN

by jummy84 October 12, 2025
written by jummy84

Walking up to DJ Jazzy Jeff’s Delaware home, it’s nearly impossible not to recall a scene in the “Fresh Prince of Bel-Air” where his character, Jazz, gets tossed out of Uncle Phil’s house—by Uncle Phil. More than three decades have passed since the beloved ’90s sitcom’s debut and in that time, Jazzy Jeff has established himself as a leader in the hip-hop community with not just his esteemed career and Grammy Award-winning classics but also his Playlist Retreat. 

Established in 2015, the private, invite-only event brings together both established and up-and-coming producers, DJs, emcees, and other creatives for five days of community building. The vast property allows for a gaggle of artist trailers, outdoor hubs for sponsors like Pioneer, Splice, Roland, TIDAL, and Ableton as well as two large tents for catered meals and discussion panels. Despite intermittent rain, everyone appears to be in good spirits. 

Outside, Skratch Bastid shoots hoops, drummer Daru Jones lines up for a catered lunch, De La Soul’s Maseo mans the 1s and 2s, Mannie Fresh speeds by in a golf cart, and Kool DJ Red Alert stops for photos, while Jazzy Jeff’s wife and Playlist Retreat co-founder, Lynette C. Townes, runs around making sure everyone is taken care of. It’s almost surreal. For anyone who’s immersed in hip-hop culture—and music, in general—the word “heaven” might come to mind. 

(Credit: Durrell Hospedale MAKE WONDERS, IG @makewondersworldwide)

On September 24, the day the world was supposedly coming to an end (Google “Rapture 2025” for a good laugh), the first panel of the day kicked off shortly after 2:00 p.m. Titled “Dope Sets, Detours, Dead Ends and Navigating What’s Next,” it featured panelists DJ Jazzy Jeff (real name, Jeff Townes), Natasha Diggs, and Aktive, who dove headfirst into how their careers were affected by the pandemic and how they were forced to pivot when live shows simply weren’t a thing. 

A producers panel found DJ Premier, Jimmy Jam (of famed production duo Jimmy Jam & Terry Lewis), No I.D., and Don Cannon swapping stories about memorable moments from their careers, including the time Public Enemy’s Flavor Flav told DJ Premier’s father he had “super sperm.”

The “A.I.W.T.F.2” panel (a very polite way of saying “A.I. What the Fuck”) boasted JAY-Z’s longtime engineer and producer Young Guru, Mark Thomas (Splice’s vice president of product marketing), the Recording Industry Association of America’s Dr. Moiya McTier (an actual astrophysicist), and a virtual appearance by Paul McCabe, Roland’s senior vice president of research and innovation. 

Young Guru, dressed in a white T-shirt with a pink crewneck loosely draped around his shoulders, spoke passionately about his contrarian views on AI, calling it a “buzzword.” He brought up Timbaland, who controversially launched an AI company in June, as he bantered back and forth with members of the audience about the dangers of AI, inadvertently illustrating what the Playlist Retreat is all about: community. The ability to have spirited conversations without judgement. A place to let your guard down and strip away egos. A chance to unwind, have a few laughs with like-minded people who are just as exhilarated about connecting as you are. A way to de-stress.

DJ Mell Starr. (Credit: Durrell Hospedale MAKE WONDERS (IG @makewondersworldwide)
DJ Mell Starr. (Credit: Durrell Hospedale MAKE WONDERS, IG @makewondersworldwide)

For Jazzy Jeff, that was one of the initial intentions behind the Playlist Retreat. Attention to mental health is an integral component to the entire event. Each morning, the Playlist Retreat “Sweat Captain,” Jacy Cunningham, provided early birds with a “wellness reset,” which included cold plunges, fitness classes, and meditation sessions. Having the bandwidth to really get into meaningful conversations was also paramount to its success. 

“I feel like our job is to give joy through what we do to everybody in the world,” Jazzy Jeff told SPIN from his living room. “What I started to realize just from going out on the road and bumping into artists like Maseo, it’s all surface-level conversations because we don’t have enough time. When you spend three, four, five days together, the conversation starts to change into therapy conversations. 

“I wanted to figure out a way to get us all together for therapy, for healing, for creative energy. I look at it like we are the gas and we want to fill your tank. You can go service all the people in the world and when your gas tank gets a little low, hopefully it’s retreat time again and you can come back and fill up the tank.”

The closing night of the retreat saw it all come into focus. Toward the beginning of the week, creatives were split into 20 teams, chosen by Jazzy Jeff, for the Playlist Challenge. Each team was given a mere 12 hours to write, execute, and record a two-minute (or less) song, not knowing who their collaborators would be. Once the teams were laid out, with names like Ben & Jerry, Fish & Chips, Boom Bap, and Needles & Thread, some stayed up into the wee hours of the morning finishing their compositions. No sleep—just pure grit and determination. 

DJ Perly, a member of the Bread & Butter team, stayed up until 6:00 a.m. trying to hit the deadline. The Bronx-born turntablist and first woman to win the DMC US Finals DJ Battle marveled at the dedication of those involved. 

Jazzy Jeff, center, with his wife Lynette Townes, to his right. (Credit: Durrell Hospedale MAKE WONDERS (IG @makewondersworldwide)
Jazzy Jeff, center, with his wife Lynette Townes, to his right. (Credit: Durrell Hospedale MAKE WONDERS, IG @makewondersworldwide)

“I’m really proud of everyone and what we all created in such a short time,” she says. “I’m truly inspired by everyone’s musical gifts and talent. The whole experience is an incredible whirlwind of memories and moments in such a short amount of time. I already feel a little homesick being away from the retreat.” 

Jazzy Jeff admitted he wanted the songwriting challenge to be “slightly uncomfortable.” 

“The Challenge is one of those things where I’m trying to get creatives out of their own heads,” he explained. “You have all of that [creativity] inside, but you haven’t used those things in so long because you’ve been in a comfort zone. I want you to tap into your potential and when you hear the end result, you realize like, ‘Oh man, I had that in me all along.’” 

As everyone gathered under the tent for the big reveal, the excitement in the air was palpable. People applauded, cheered, and danced to the eclectic rhythms and sounds blaring from the speakers as each song played. It was transcendent for the participants and the people hearing the music for the first time. With that, the conversations around collaboration, creativity, and celebration carried on well into the night. 

(Credit: Durrell Hospedale MAKE WONDERS, IG @makewondersworldwide)

The following morning, as cleanup began, several attendees waited for their rides to the airport. In the kitchen, Maseo and the Roots’ Stro Elliot dined on waffles and eggs (OK, and maybe a cupcake or two), the Beat Junkies’ DJ Shortkut made his way to the shuttle while saying his goodbyes, and Lynette worked with the Playlist staff to return the house to normalcy. 

It will be months before Jeff can fully digest what transpired at this year’s retreat. From an outsider’s perspective, it was seamless. Jeff, Lynette, Playlist Chief of Staff Dayne Jordan, the Playlist organizers, Siempre Security, Dana Herbert of Desserts by Dana, vegan chef Lisa Smith and even the family dog Champ, whose whole body wiggled when he wagged his tail, made the retreat feel like a second home. 

“Over time, you start to get a reminder of how special all of this stuff is,” Jeff concludes. “So much is happening at the same time, you’re never going to see everything, but what you do see is amazing.” 
(We are happy to report SPIN did not get thrown out of Jazzy Jeff’s home—even though we kinda wanted to for comedic value.)

October 12, 2025 0 comments
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JayDon, India Shawn, Khalid, And More New R&B
Music

JayDon, India Shawn, Khalid, And More New R&B

by jummy84 October 12, 2025
written by jummy84

These artists are making R&B fun again.

Courtesy of mega/gamma.; Jacq Justice; Sophie Jones

This week in R&B puts the fun back in the genre as well as the emotions it soundtracks. From love and heartbreak to introspection and exploration, artists and fans alike are ready to get their groove on while feeling all their feels.

Some acts including India Shawn, Amirah, Kaash Paige, BLK ODYSSY, and Khalid are bending the genre with new albeit familiar sounds while others like JayDon, Amber Mark, Josh Levi, Ebony Riley, Jordyn Simone, and Kent Jamz are cementing their blossoming legacies with riveting releases.

Check out VIBE’s top new R&B selections below.

  • JayDon – ‘Me My Songs & I’

    JayDon Me My Songs & IJayDon Me My Songs & I
    Image Credit: Courtesy of mega/gamma.

    Usher’s protégé, JayDon, is craving out his own lane in R&B and his debut EP, Me My Songs and I, is concrete proof of that.

    As an 18-year-old triple threat, fans of the child star see him as a young man navigating the ebb and flow of love, heartbreak, growth, and self-discovery. Whether he’s pleading on “Lullaby,” confronting guilt on “Don’t Hate Me Now,” or searching for a fresh start on “Brand New,” JayDon is riffing into the heavens and bringing back that good ol’ R&B that earned his mentor his longevity. It’s clear he has the same goal.

    There are no skips on this EP, so get ready to have this on repeat for the foreseeable future.

  • India Shawn – “Gone”

    India Shawn GoneIndia Shawn Gone
    Image Credit: Jacq Justice

    India Shawn, following the success of “Kill Switch” and “Cotton Candy Blvd,” is continuing to thrive in her new musical era with “Gone.”

    Produced by D’Mile and John Kercy and written by Shawn, D’Mile, Bianca “Blush” Atterbery, and Jean Baptiste Kouame, the record is reminiscent of southern soul with a western spin on contemporary R&B.

    When speaking on the record’s meaning, Shawn explained, “‘Gone’ isn’t just about someone leaving, it’s about what I gain in their absence. Peace. Clarity. Strength. This song is about being more than okay alone—it’s about finally feeling powerful in it.”

    She noted that ‘Gone’ “is about releasing what doesn’t serve you—not in bitterness, but in clarity. It’s me learning that being alone isn’t lonely when you’re finally honest about what you deserve. I wrote it from that moment where you stop fighting to fix something that keeps breaking you, and instead, you choose yourself. Sonically, I wanted to break out of my own box with this song. D’Mile and I kept pushing until it felt bigger than just a pretty track—it had to feel like an anthem for finally walking away and not looking back.”

    All three records are a different vibe from her last full project, BEFORE WE GO (DEEPER) and we can’t wait to see how it all comes together on her next album.

  • Khalid – ‘after the sun goes down’

    Khalid after the sun goes downKhalid after the sun goes down
    Image Credit: Courtesy of RCA

    After being outed on social media and reclaiming the power of his truth, Khalid returns with his freest album to date, after the sun goes down.

    Khalid said in a statement, “This chapter is about taking my power back, living in my truth, and being able to express myself freely. I’m excited for my fans to experience this new era with me, not just musically, but personally.”

    From the infectious “in plain sight” and enthralling “medicine” to the authoritative “please don’t call (333) and mesmerizing “momentary lovers,” the LP explores a new look from Khalid as it relates to love and freedom.

  • Josh Levi – ‘HYDRAULIC’

    Josh Levi HydraulicJosh Levi Hydraulic
    Image Credit: Blair Caldwell

    From the moment we first heard Josh Levi, we’ve been hooked and through his debut album, HYDRAULIC, our obsession only skyrocketed.

    With production from London On Da Track, MNEK, Poo Bear, Troy Taylor, Camper and more, Josh has set himself up to succeed in this saturated industry. Through pulsating melodies and lyrics that will live rent-free in your mind, this LP is a knockout for the crooner.

    When speaking on his debut, Josh expressed, “Love, like hydraulics, is a system that lifts, dips, and demands care and maintenance. It reflects the ups and downs in life. Love can also be seen as a finely tuned system of emotions, like a hydraulic car. It soars in moments of joy and dips in the lows, but it takes constant effort to maintain. Similar to a mechanic, I continue to keep myself functional even when the system – my heart/mind – breaks down so that I can always keep moving.”

    Standout tracks include “DON’T GO” —which is his spin on the Destiny’s Child classic, “No, No, No”—, the reflective “CARE 4 ME,” the declarative “THE ROOM,” and the definitive “RNB.”

  • Amber Mark – ‘Pretty Idea’

    Amber Mark Pretty IdeaAmber Mark Pretty Idea
    Image Credit: Wendy Ngala

    Amber Mark‘s sophomore album, Pretty Idea, is all-consuming and epically intoxicating.

    Described as a “love letter to the smooth sounds of old-school soul that explores the heartache, chaos, and heady highs of love,” each track carries its own musical weight that lures you in with its unique charisma.

    “I’d like to thank me… my insecurities, my accomplishments, and my failures. Every emotion, Every experience a lesson… A chance to grow. Every achievement and every dream thats come true started with a pretty idea… This is mine, and now it’s yours,” said Amber of her new album.

    From the Motown-inspired “Sweet Serotonin” and the nostalgic “Too Much” —which interpolates Usher and Alicia Keys’ 2004 classic, “My Boo”— to the unapologetic “Doin’ Me,” the charming “Don’t Remind Me” with Anderson .Paak, and the emotive “The Best Of You,” this LP exudes joy and gratitude.

  • Chase Shakur – ‘WONDERLOVE +’

    Chase Shakur WONDERLOVE +Chase Shakur WONDERLOVE +
    Image Credit: Courtesy of Def Jam

    If you thought Chase Shakur‘s debut album, WONDERLOVE couldn’t get better, you were wrong. With the deluxe installment, he evolved the listening experience with seven previously unreleased songs.

    The album art teases, “Audio includes extreme levels of dopamine, listen carefully. Listen at extreme volume for max play. Listening experience with drugs may vary. Please be aware. Side effects may include: crying, horniness, and mellowness. Thank you for your participation; please enjoy.”

    The new standouts include the airy “hide & seek,” the anthemic “decatur baby,” the dreamy “i’m ready” with Odeal, the vibrant fan-favorite, “tell me why.”

  • Ebony Riley – “Only You”

    Ebony Riley Only YouEbony Riley Only You
    Image Credit: Courtesy of Riley Montana, Inc./Interscope Records

    Ebony Riley doesn’t miss and her long-awaited return doesn’t disappoint.

    With “Only You,”she delivers a sensual slow burn that has her relinquishing control to an intoxicating love. “Celebrate a motherf**ker if you doing right,” she softly repeats with a chilling intensity during the outro that feels both like a dare and a command.

    If this is the energy she’s ending her hiatus with, we’re eager to see how she continues the momentum.

  • BLK ODYSSY -“HEARTBREAK”

    BLK ODYSSY HEARTBREAKBLK ODYSSY HEARTBREAK
    Image Credit: Courtesy of EMPIRE

    BLK ODYSSY‘s new single, “HEARTBREAK,” is a groovy good time. Don’t get too lost into the hypnotizing melody though because this offering is an earnest display of the genre-bending artist speaking the love he longs for into existence.

    Written by the artist alongside Paramore’s Mikky Ekko and Zac Farro, BLK ODYSSY explained that the record isn’t just about love and loss.

    “When we wrote it, I was thinking about something much bigger,” he noted. “I was feeling this heavy sense of division in the world, like everyone had lost empathy, compassion, and patience for one another. It felt like our whole country had a broken heart. This song became a way for me to let go of all that noise, to reconnect with what makes us human, and to find unity in the things that bring us together instead of our differences.”

    “HEARTBREAK” follows its moodier predecessor, “WAVES.”

  • Kent Jamz – ‘fear’

    Kent Jamz fearKent Jamz fear
    Image Credit: Courtesy of Epic Records

    Kent Jamz has ended his three-year hiatus with a riveting R&B-lead reintroduction titled fear.

    “This EP taught me there’s no one way to work. I used to feel pressure to finish songs in one sitting, but now I know I can let a song breathe and come back to it. I can be efficient when I need to be, and free when I need to be. Beyond grateful to all of the creatives that helped me bring this art to life in a time of evolution & growth for me,” Kent noted in a statement.

    The entire EP oozes patience, growth, yearning, and desire creating a sonic refresher that fits right into the current pocket of R&B.

    fear marks Kent’s first solo project since his 2022 debut, Fanclub.

  • Jordyn Simone – ‘NO DEMO LEFT UNHEARD VOL. 2’

    Jordyn Simone NO DEMO LEFT UNHEARD VOL. 2Jordyn Simone NO DEMO LEFT UNHEARD VOL. 2
    Image Credit: Courtesy of Jordyn Simone

    Viral sensation Jordyn Simone has released her long-awaited EP, No Demo Left Unheard, Vol. 2.

    She jokingly described it as her “3piece spicy lemon pepper project” that’s all about the process as opposed to perfectionism.

    Of the release, she shared on Instagram, “I used to think everything had to be perfect before I shared it. But honestly? Perfection was just me hiding. If it wasn’t flawless, I didn’t have to risk being seen, or judged, or falling flat on my face. What I’ve learned is this: you cannot fail when you’re pursuing what you’re called to. Yeah, it’s vulnerable. Yeah, it’s uncomfortable. Borderline embarrassing lol, but I’d rather take the risk of trying over the regret of wondering what if. That’s the heart of NO DEMO LEFT UNHEARD—it’s about showing the process, not just perfection. The real magic is in the becoming.”

    Enjoy the grooviness of “butterflies,” the softness of “say u luv me,” and the desirable confessional that is “tmwtd.”

  • Amirah – “brain”

    Amirah brainAmirah brain
    Image Credit: Breyona Holt

    Amirah returns with “brain,” the second look into her sophomore EP, all the things i didn’t say.

    While the lead single, “i can’t” juggled with the woes of young love, “brain” is a tune of surrender with a sultry melody. “You got one job/ Make me not want to leave you alone/ Take me back when I want some more,” she sings.

    For those eager to hear Amirah’s next drop, it differs from 2024’s Wish It Wasn’t You both sonically and lyrically as she explores and experiments. The aforementioned debut EP was described as “innocent yet insightful,” but all the things i didn’t say is more assertive and audacious in all the best ways.

  • Kaash Paige – ‘2 Late To Be Toxic’

    Kaash Paige 2 Late To Be ToxicKaash Paige 2 Late To Be Toxic
    Image Credit: Jacob Norman

    Kaash Paige has released her most vulnerable project to date.

    2 Late To Be Toxic marks the official return of the sentimental rawness fans grew to love when she first hit the scene. As she delves into themes of “heartbreak, temptation, growth, and everything that exists in between,” listeners feel every lyric and melody.

    “This isn’t just an album about healing. It’s about surviving the in-between-the part where you’re spiraling, chasing thrills, and haunted by the ‘what if.’ There’s no resolution. It’s just real,” Kaash explained.

    From the emotional “GOD SAVE ME” and the reflective nature of “What Happened 2 Us” to the soundtrack of escapism on “MAKE LUV” and the “unfiltered emotional purge” on “Kaash’s Thoughts,” the album goes from asking questions to gaining clarity on relationships, but most importantly, self when it comes to battling insecurities and pushing past the former need to chase toxicity. With this, she boldly reclaims her voice and her truth.

  • GIGI – ‘Between Us’

    GIGI Between UsGIGI Between Us
    Image Credit: Courtesy of GIGI

    GIGI is truly one of those artists you don’t want to sleep on. With her second EP, Between Us, the Detroit-bred songbird effortlessly blends the nostalgia of 2000s R&B with a daring yet sexy and raw contemporary flair.

    Through records like “Make Up,” “Exception,” and “Let Me Know,” the project feels like it was written for those lovers who know exactly who they are and what they want— even in the “highs, lows, and complicated middle spaces of love.”

    “This EP feels like my diary,” said GIGI in a statement. “Every song comes from a moment in my past love journeys… the good, the painful, and everything in between. Writing these songs was my way of processing those experiences, and now sharing them feels like letting the world read a part of my story.”

    The EP was produced by Tricky Stewart, OG Parker & Romano, GRY, and Bizness Boi cementing her place as a R&B starlet on the rise.

  • Ty Dolla $ign, Tory Lanez – “Show Me Love”

    Ty Dolla $ign Tory Lanez Show Me LoveTy Dolla $ign Tory Lanez Show Me Love
    Image Credit: Courtesy of Atlantic Records

    Ahead of Ty Dolla $ign‘s new album, TYCOON, he dropped his new single, “SHOW ME LOVE” with controversial artist, Tory Lanez.

    Lanez recorded his verse while in prison and Dolla praised his “brother” over the new music. Produced by Hitmaka and SkipOnDaBeat, the uptempo record aligns with that signature sound from Dolla.

    The collab comes on the heels of “SMILE BODY PRETTY FACE” featuring Kodak Black and YG and the proclaimed “summer smash,” “ALL IN.” This November marks the 10-year anniversary of his critically acclaimed debut studio album, Free TC.

    His fourth solo LP arrives on Oct. 17.

  • Moonchild, Astyn Turr – “Ride The Wave”

    Moonchild Ride The WaveMoonchild Ride The Wave
    Image Credit: Courtesy of Moonchild

    In honor of World Mental Health Day, alt-R&B trio Moonchild partnered with Astyn Turr to release their soothing new offering, “Ride The Wave.” It’s the second single off their forthcoming album and comes on the heels of “Not Sorry” featuring Jill Scott and Rapsody.

    “Ride The Wave” is described as a “deeply human meditation on mental health — an acknowledgment of pain, healing, and the grace it takes to keep moving forward.” It also exudes the need for grace and surrender.

    Moonchild explained, “‘Ride The Wave’ is about accepting that emotions — even the hard ones — are part of being alive. It’s about giving yourself permission to feel it all and still move through it. We wanted it to feel like a breath — a small act of self-kindness in song form and Astyn Turr brought a beautiful softness to it. We released it on World Mental Health Day as a reminder that healing isn’t linear — it comes in waves, and all you can do is ride them.”

    The album is set for a 2026 release.

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October 12, 2025 0 comments
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Life’s a Gas
Music

Life’s a Gas

by jummy84 October 12, 2025
written by jummy84

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the electronic pioneer Wolfgang Voigt’s 1996 debut, a pivotal album that deconstructed rock and dance music into a singular, inspirational new sound.

October 12, 2025 0 comments
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Two men arrested after Lostprophets' Ian Watkins killed in prison attack
Music

Two men arrested after Lostprophets’ Ian Watkins killed in prison attack

by jummy84 October 12, 2025
written by jummy84

Two men have been arrested following the prison attack that killed the convicted sex offender and former Lostprophets singer Ian Watkins.

Yesterday (October 11), West Yorkshire Police confirmed that Watkins was attacked by a fellow inmate at HMP Wakefield and died from his injuries at the age of 48.

“At 9.39am this morning (Saturday), police were called by staff at HMP Wakefield reporting an assault on a prisoner,” a police statement said. “Emergency services attended and the man was pronounced dead at the scene a short time later. Detectives from the Homicide and Major Enquiry Team are investigating and inquiries remain ongoing at the scene.”

Now, police have confirmed that two men aged 25 and 43 have been arrested on suspicion of murder and are currently being held in police custody. A spokesperson for the Prison Service said they could not comment while the investigation is ongoing.

We’ve launched a murder investigation after the death of a man in HMP Wakefield.

Two men have been arrested.

Read more here: https://t.co/7yjCQHtKaT pic.twitter.com/EeHdPSIqjR

— West Yorkshire Police (@WestYorksPolice) October 11, 2025

Watkins was serving a 29-year sentence, with a further six years on licence. He pleaded guilty to 13 sex offences in 2013, including the attempted rape of a baby, conspiring to rape a child, three counts of sexual assault involving children, seven involving taking, making or possessing indecent images of children and one of possessing an extreme pornographic image involving a sex act on an animal.

In 2023, he was attacked and taken hostage by three other inmates, before being found and freed by officers and taken to hospital. It was later reported that Watkins had been stabbed with a “sharpened toilet brush” over a drug debt.

A 2024 book titled Life Behind Bars In The Monster Mansion by Jonathan Levi and Emma French claimed that Watkins had “spent thousands on protection” while in prison, explaining that rough justice is “particularly likely” to be “meted out” to paedophiles in jail.

In 2017, Watkins was reported to have been grooming a mother from his prison cell. The 21-year-old’s child was subsequently taken into care after social services were alerted of her contact with the disgraced singer.

‘We’re sickened,” said a spokesman from the NSPCC at the time. “It’s utterly bewildering that he could carry on grooming. It shows contempt for children he abused, and raises serious questions about supervision.”

At the time, it was said that prison officials in Wakefield reportedly found “nothing untoward” in their exchanges via letters and emails. A spokesman from Lincolnshire police meanwhile added: “We will always take action to safeguard vulnerable adults and children.”

October 12, 2025 0 comments
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NBC/SNL
Music

Watch Role Model Bring Out Charli XCX for ‘Sally, When the Wine Runs Out’

by jummy84 October 12, 2025
written by jummy84

Role Model debuts on the late night show performing his viral hit with help from the British pop star, plus another song from his latest album

Singer-songwriter Role Model debuted as Saturday Night Live musical guest with two songs from the deluxe edition of Kansas Anymore, his second studio album, which he released in February.

After an introduction from SNL host Amy Poehler, the 28-year-old Maine native opened with “Sally, When the Wine Runs Out.” In live performances of the indie pop hit, Role Model has often invited a fan, another musician, or some other special guest to play the part of Sally. Here, it was Charli XCX.

The British pop singer—SNL‘s musical guest last November—received wild screams of approval from the audience. After dancing and swirling her hair to the song’s bridge, she slid her sunglasses onto Role Model’s face, blew him a kiss, then strutted away.

Role Model’s second performance was of the more mellow “Some Protector.”

The artist, whose real name is Tucker Pillsbury, has said his latest album, which follows 2022’s Rx, is a big step forward.

“I think the one thing I wanted to prove when I first put it out was my growth — my songwriting and my taste in music had matured, and I had also matured as a person,” he told Rolling Stone in a revealing April interview. “It felt like a big shift in the way I would talk about things and write about them, and a big part of that was just me getting to a place on guitar where I could play well enough that I could write songs by myself on it.”

Trending Stories

Role Model, who opened for Gracie Abrams last year and then headlined his No Place Like Tour this spring, will be one of the four artists at Rolling Stone‘s Musicians on Musicians live event Oct. 23 at New York’s Beacon Theatre. He will be paired with María Zardoya of the Marias, while Jack Antonoff will join Hayley Williams with Bleachers, for conversations and collaborative performances on stage. SNL‘s James Austin Johnson will host.

Role Model begins a stretch of European shows next month.

October 12, 2025 0 comments
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