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Morgan Wallen’s 2026 Stadium Tour: How to Get Tickets

by jummy84 November 8, 2025

written by jummy84

Country star Morgan Wallen has announced his 2026 “Still The Problem Tour,” featuring stadium shows across the United States.

The tour launches April 10th in Minneapolis and includes 21 shows across 11 cities, with stops at venues like Allegiant Stadium in Las Vegas, Lucas Oil Stadium in Indianapolis, Soldier Field in Chicago, and Michigan Stadium in Ann Arbor. The tour features rotating special guests including Brooks & Dunn, HARDY, Ella Langley, and Thomas Rhett, along with Gavin Adcock, Hudson Westbrook, Flatland Cavalry, Jason Scott & The High Heat, Zach John King, Vincent Mason, and Blake Whiten.

Get Morgan Wallen Tickets Here

Get tickets to Wallen’s sold-out tour here, and find more details on what to expect below.

How Can I Get Tickets for Morgan Wallen’s 2026 “Still The Problem Tour”?

Tickets for Morgan Wallen’s 2026 “Still The Problem Tour” went on sale Friday, November 7th and quickly sold out. Fns can still look for deals or get tickets to sold-out shows via StubHub, where orders are 110% guaranteed through StubHub’s FanProtect program. StubHub is a secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.

What is Morgan Wallen’s “Still The Problem Tour”?

Morgan Wallen’s “Still The Problem Tour” follows his 2025 “I’m The Problem Tour,” which wrapped in September. The 21-date stadium run spans April through August 2026, with most cities featuring two consecutive nights. Throughout the spring and summer run, Wallen will hit cities like Las Vegas, Indianapolis, Denver, Pittsburgh, Chicago, Baltimore, and more before wrapping in Philadelphia on July 31st-August 1st.

Who Is Opening for Morgan Wallen on His 2026 Tour?

The “Still The Problem Tour” features a rotating lineup of special guests varying by date:

Brooks & Dunn will serve as direct support on select dates including Las Vegas (May 1), Indianapolis (May 8), Denver (May 29), Pittsburgh (June 5), Chicago (June 19), Baltimore (July 17), and Philadelphia (July 31).

HARDY will support on April 11th in Minneapolis and July 25th in Ann Arbor.

Ella Langley will appear on multiple dates including Tuscaloosa (April 18), Indianapolis (May 9), Gainesville (May 16), Denver (May 30), Pittsburgh (June 6), Chicago (June 20), Baltimore (July 18), and Philadelphia (August 1).

Thomas Rhett will support on April 10th in Minneapolis, May 2nd in Las Vegas, and both Gainesville shows (May 15-16), as well as July 24th in Ann Arbor.

Additional support includes Gavin Adcock, Hudson Westbrook, Flatland Cavalry, Jason Scott & The High Heat, Zach John King, Vincent Mason, and Blake Whiten rotating throughout the tour.

What Are Morgan Wallen’s 2026 Tour Dates?

Check out Morgan Wallen’s 2026 “Still The Problem Tour” dates below and look for tickets here.

Morgan Wallen “Still The Problem Tour” 2026 Dates:

04/10 — Minneapolis, MN @ U.S. Bank Stadium * [Buy Tickets]
04/11 — Minneapolis, MN @ U.S. Bank Stadium † [Buy Tickets]
04/18 — Tuscaloosa, AL @ Saban Field at Bryant-Denny Stadium ‡ [Buy Tickets]
05/01 — Las Vegas, NV @ Allegiant Stadium § [Buy Tickets]
05/02 — Las Vegas, NV @ Allegiant Stadium * [Buy Tickets]
05/08 — Indianapolis, IN @ Lucas Oil Stadium § [Buy Tickets]
05/09 — Indianapolis, IN @ Lucas Oil Stadium + [Buy Tickets]
05/15 — Gainesville, FL @ Ben Hill Griffin Stadium * [Buy Tickets]
05/16 — Gainesville, FL @ Ben Hill Griffin Stadium ‡ [Buy Tickets]
05/29 — Denver, CO @ Empower Field at Mile High § [Buy Tickets]
05/30 — Denver, CO @ Empower Field at Mile High ‡ [Buy Tickets]
06/05 — Pittsburgh, PA @ Acrisure Stadium § [Buy Tickets]
06/06 — Pittsburgh, PA @ Acrisure Stadium ‡ [Buy Tickets]
06/19 — Chicago, IL @ Soldier Field § [Buy Tickets]
06/20 — Chicago, IL @ Soldier Field ‡ [Buy Tickets]
07/17 — Baltimore, MD @ M&T Bank Stadium § [Buy Tickets]
07/18 — Baltimore, MD @ M&T Bank Stadium ‡ [Buy Tickets]
07/24 — Ann Arbor, MI @ Michigan Stadium * [Buy Tickets]
07/25 — Ann Arbor, MI @ Michigan Stadium † [Buy Tickets]
07/31 — Philadelphia, PA @ Lincoln Financial Field § [Buy Tickets]
08/01 — Philadelphia, PA @ Lincoln Financial Field ‡ [Buy Tickets]

* = w/ Thomas Rhett + support
† = w/ HARDY + support
‡ = w/ Ella Langley + support
§ = w/ Brooks & Dunn + support
+ = w/ Flatland Cavalry + support

Support acts vary by date and include Gavin Adcock, Hudson Westbrook, Jason Scott & The High Heat, Zach John King, Vincent Mason, and Blake Whiten

November 8, 2025 0 comments

Music

Deep Cut Friday: ‘B Side Wins Again’ by Public Enemy

by jummy84 November 8, 2025

written by jummy84

Each week, SPIN digs into the catalogs of great artists and highlights songs you might not know for our Deep Cut Friday series.

Vinyl singles have historically featured the most accessible and radio-friendly song on the A side, but every now and again, DJs and music fans have flipped the record over and decided they preferred the B side, elevating classics like the Smiths’ “How Soon Is Now?” and Gloria Gaynor’s “I Will Survive.” Chuck D, who played records for groundbreaking hip-hop shows on the Adelphi University radio station WBAU and on WLIR, made that dynamic the basis of the Public Enemy track “B Side Wins Again.” In the song’s central metaphor, Black America is the overlooked flipside of the country’s white mainstream culture.

Appropriately, “B Side Wins Again” made its debut on the B side of Public Enemy’s 1989 single “Black Steel in the Hour of Chaos.” As with many of Public Enemy’s songs of the era, “B Side Wins Again” is a dense collage of samples, with the Bomb Squad assembling shards of songs by the Commodores, Kool & the Gang, and the Jazz Crusaders. A year later, a slightly remixed version of “B Side Wins Again” gained greater renown on Public Enemy’s third album Fear of a Black Planet, where it appropriately follows an instrumental titled “Leave This Off Your Fuckin’ Charts.”

Public Enemy revisited the song with “B Side Wins Again (Scattershot Remix)” on the 2002 album Revolverlution. Three years later, Chuck D guested on DJ Spooky and Slayer drummer Dave Lombardo’s version of “B Side Wins Again” for their album Drums of Death. In June 2025, Public Enemy began working the song into their concert setlists for the first time in over a decade, with Chuck D rapping just the fourth verse of “B Side Wins Again” during a show in Florence, Italy.

Three more essential Public Enemy deep cuts:

“Timebomb”

By the time Public Enemy’s debut album Yo! Bum Rush the Show was released in 1987, most hip-hop songs had adopted a structure of 16-bar verses in between choruses. “Timebomb,” however, was Chuck D’s old school tour de force, with 66 consecutive bars and no hook.

“Security of the First World”

Public Enemy never scored a Top Ten single, but they influenced a lot of popular music. “Security of the First World,” a brief instrumental from 1988’s It Takes a Nation of Millions to Hold Us Back, became the basis of a No. 1 pop hit when Lenny Kravitz sampled it for Madonna’s 1990 single “Justify My Love.”

“Move!”

Bronx rapper Sister Souljah replaced Professor Griff as Public Enemy’s ‘Minister of Information’ and made her on-record debut on “Move!” from Apocalypse 91… The Enemy Strikes Black. A year later, Sister Souljah released a solo album, and her comments to the Washington Post about the L.A. riots became a flashpoint of controversy during Bill Clinton’s presidential campaign.

November 8, 2025 0 comments

Music

Bob Dylan: Through the Open Window: The Bootleg Series Vol. 18 Album Review

by jummy84 November 8, 2025

written by jummy84

In one of the finest moments of sequencing on this set, the next song up is “Boots of Spanish Leather,” an outtake from the Freewheelin’ sessions with Tom Wilson (Dylan would eventually re-record it for The Times They Are A-Changin’ in 1964). The contrast between the rousing chorus of “Blowin’ in the Wind” and the stillness of “Boots” is jarring enough to bring out new aspects of each song, with “Boots” sounding even lonelier, even more despairing. Written during a trip to Italy as his relationship with Suze Rotolo appeared to be crumbling, it sounds intimate and unguarded, intensely private rather than public; he needs a quiet moment to himself in order to rouse an audience with his friends.

Though known in folk circles, Dylan was still struggling to find a larger audience and break through to the pop market. He signed with Columbia in late 1961, which is roughly where Act II begins. He recorded his self-titled debut with John Hammond producing, but it was not the breakout anyone expected. Here’s where you might want to place your bookmark and give that album another listen, just to get a feel for how this young man presented himself to the world; unexpectedly, Bob Dylan might work better as an addendum to this bulky novel than as a standalone release. Even Dylan considered it a failure, both commercially and creatively, and he was moving so fast that these traditional tunes and talking blues were old news by the time it was released.

His follow-up, The Freewheelin’ Bob Dylan, did not come easy. He worked through a series of aimless sessions over several months, finally piecemealing an album that wasn’t too dissimilar from his debut. At the last minute Columbia decided that “Talkin’ John Birch Society Paranoid Blues” was potentially libelous and removed it from the album. Dylan was irate, but it worked out in his favor, as it gave him a chance to quickly record several new songs and redo about half the album, including “Girl from the North Country” and “Masters of War”—two of his best compositions from the era. The new tracklist sharpened his Cold War fears while also introducing more intimate struggles, in particular his insecurities about Rotolo. The album toggles gracefully between the public and the private, each lending weight to the other, which contributes to its status as Dylan’s breakthrough as well as just one of the best folk albums ever made.

November 8, 2025 0 comments

Music

‘Slow Horses’ pays subtle tribute to Gary Oldman’s ‘The Dark Knight’ co-star Heath Ledger

by jummy84 November 8, 2025

written by jummy84

The writers of Slow Horses appear to have hidden a tribute to Heath Ledger in the fifth season of the show.

Gary Oldman plays the lead character Jackson Lamb in the Apple TV spy comedy series, and also starred as Lt. Gordon in Christopher Nolan’s beloved 2008 film The Dark Knight, and in episode five of the new season of Slow Horses, the two streams appeared to cross.

In a scene in which he becomes frustrated with his colleague, Oldman’s character snaps, “When you talk, I wanna stick a pencil in my eye and headbutt the table!”

Fans have speculated that this could be a sly reference to a memorable scene in The Dark Knight in which Ledger’s Joker intimidates a group of organised criminals by asking, “How about a magic trick?” before slamming a pencil into the table. “I’m going to make the pencil disappear,” he adds.

As one of the mob confronts him, the Joker smashed his head eye-first through the pencil. “Ta-da!” he exclaims. “It’s gone.”

Ledger passed away at the age of 28, before The Dark Knight was even released in 2008, and went on to pick up an Oscar for Best Supporting Actor for his iconic role in the film.

Many of Ledger’s co-stars have continued to express their sorrow at his loss in recent years, including Paul Bettany, who said last month that he continues to be unable to rewatch A Knight’s Tale because he misses his co-star so much.

Earlier this year, Michael Caine, who played the butler Alfred in The Dark Knight, said he was left “terrified” by Ledger’s performance. “The smeared makeup, the weird hair, the strange voice. It was chilling,” he wrote. “Absolutely floored me the first time I saw him in action – I was terrified”.

The Slow Horses season five final was on October 29, but it has already been commissioned for a sixth season.

November 8, 2025 0 comments

Music

Olivia Rodrigo Slams ICE Using Song for ‘Racist, Hateful Propaganda’

by jummy84 November 8, 2025

written by jummy84

Olivia Rodrigo is making it clear that she is not happy with the Trump administration (and his Department of Homeland Security) using her music to promote their policies. On Friday, the pop singer slammed the White House and DHS for posting a video about self-deportation using one of her songs.

A video posted to Instagram on Tuesday opened with the chaotic, rock part of her Guts favorite “All-American Bitch” showing clips of ICE agents detaining undocumented immigrants with the caption “If ICE finds you,” and then undocumented immigrants seemingly choosing to self-deport with the softer, more peaceful part of the song that follows.

“LEAVE NOW and self-deport using the CBP Home app,” read the DHS post’s caption. “If you don’t, you will face the consequences.”

In a comment that has since been deleted (although it’s unclear if by Rodrigo or DHS), Rodrigo wrote, “Don’t ever use my songs to promote your racist, hateful propaganda.” Since its deletion, fans of Rodrigo have been copy/pasting her original message to remind viewers of Rodrigo’s take.

In response to Rolling Stone‘s request for comment on the matter, a DHS spokesperson said, “America is grateful all the time for our federal law enforcement officers who keep us safe. We suggest Ms. Rodrigo thank them for their service, not belittle their sacrifice.”

Rodrigo has been a loud voice against Trump’s policies and racist approach to immigration enforcement. When ICE started targeting Angelenos in mass raids back in June, Rodrigo shared an Instagram story condemning deportations.

“I’ve lived in L.A. my whole life and I’m deeply upset about these violent deportations of my neighbors under the current administration,” Rodrigo wrote. “L.A. simply wouldn’t exist without immigrants. Treating hardworking community members with such little respect, empathy, and due process is awful.”

She continued: “I stand with the beautiful, diverse community of Los Angeles and with immigrants all across America. I stand for our right to freedom of speech and freedom to protest.”

A rep for Rodrigo did not immediately respond to Rolling Stone‘s request for additional comment.

November 8, 2025 0 comments

Music

Mod Sun Reflects on Avril Lavigne Split

by jummy84 November 8, 2025

written by jummy84

Mod Sun is looking back on his high-profile engagement to Avril Lavigne — and how the fallout helped him grow.

Appearing on the Nov. 6 episode of Bunnie Xo’s Dumb Blonde podcast, the multi-genre artist opened up about the relationship’s end with surprising clarity, saying: “We’re two different people, but I think I had a great influence on her.” He added that the “Sk8er Boi” singer helped him “grow up,” and that he’s now more secure in his identity than ever before.

The former couple met in early 2021 while collaborating on music, and their joint single “Flames” dropped just weeks later. A whirlwind romance followed, with Mod proposing in Paris in April 2022. Less than a year later, the pair called off the engagement in February 2023.

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Though Lavigne has remained publicly silent on the split, Mod has continued to speak openly. In July 2023, he released the breakup track “Strangers,” with lyrics detailing the rise and fall of their relationship. The Paris-shot music video — filmed in the same city where he proposed — added further emotional weight.

On the podcast, Mod said that his perspective on the breakup has shifted over time: “We’re two different people, but I think I had a great influence on her.”

He continued, “Like now, I’m very secure of who I am, because I’ve been lost in the last three years of wondering, ‘Where do I fit in?’”

He added later, “If we had done this talk three months ago, I might’ve been like, ‘F— that person,’ but now… If I run into you? It’s all love.”

He also spoke about developing greater empathy in the aftermath, saying, “When someone does you wrong, stop thinking, ‘You did me dirty, and I’m out for revenge.’ Step in their position.”

Lavigne was briefly linked to rapper Tyga following the split, but the pair separated in mid-2023. Mod, meanwhile, focused on his tour and healing. “Being surrounded by love every night on tour has been an absolute blessing,” he wrote on Instagram days after the breakup. “I just know there’s a plan for it all.”

November 8, 2025 0 comments

Music

Sessa Harnesses Soulful Sparks on Gorgeous LP » PopMatters

by jummy84 November 8, 2025

written by jummy84

As Sessa, singer-songwriter Sergio Sayeg has a particular knack for making sounds that are both cosmic and pastoral, gentle and awesome. His lyricism follows in this same vein, engaging in deeply poetic explorations of nature and the quotidian. It is not surprising that on luminous new album Pequena Vertigem de Amor, dedicated in large part to the birth of his and his partner’s first child, he continues to find beauty in the world and bring it forth in his typically gorgeous brand of languid funk. This record, like all of his music so far, is easy to enjoy, and more nuances emerge with each listen.

The album’s title is a fitting one: a little vertigo of love, a phrase that evokes the heady feeling of irrational and unconditional affection. It works in tandem with the wistful gauze of instrumentation that shifts and flows throughout the record. Sayeg’s acoustic guitar and lead vocals; an equally important backing chorus of singers Cecília Góes, Lau Ra, Ina, and Paloma Mecozzi; Biel Basile’s typically light-handed percussion; Marcelo Cabral’s grounding bass, and a handful of strings, synths, winds, and horns make for a substantial and versatile ensemble. They can (and do) drive as well as they drift.

Sessa – “Vale a Pena”

There’s no need to push, though, and Sessa and company know it. Every song feels as natural as breathing, albeit with quirkier rhythms. It’s remarkable how organic the wah effects sound on “Bicho Lento,” and how Filipe Nader’s alto sax on “Gestos Naturais” evokes the sensation of wind sweeping through leafy branches. To make something sound so effortless takes a tremendous amount of skill and care. These are here. This is art that springs from love.

That love is audible in the jaunty keys of “Nome de Deus” and the luscious string arrangements of the closing ballad “Revolução Interior” alike. In “Roupa dos Mortos”, the wordless quality shines through in the instrumental eloquence of pulsing bass and fluttering flutes. In “Dodói”, there is a childlike innocence in both its lexical content (“dodói” roughly translates to “boo-boo”) and the plaintive stomps of drums and synths. The affective layers of Pequena Vertigem de Amor are rich and multisensory.

Stylistically, Pequena Vertigem de Amor leans retro. Warm hues of 1970s samba and soul are foundational to the whole album, but are not so garish as to shoehorn it into the throwback realm. Instead, they are open, capacious enough to let Sayeg let loose with meditations on his present situation as lover, father, and human. It is an LP of sounds familiar enough to radiate comfort and original enough to feel fully realized.

Sessa – “Nome de Deus”

Sessa’s body of work thus far has been uniformly excellent, extending to this third full-length release. Refreshing musical subtleties and emotional complexities make Peqeuna Vertigem de Amor worth repeat listens. As Sessa, Sayeg makes magic. He knows how to harness the sublime in all things and translate it into song for us. Whether pondering the wonders of new life or simply standing in joy against inevitable struggles, Sessa finds sparks of inspiration everywhere and knows just what to do with them.

November 8, 2025 0 comments

Music

Hayley Williams “Leaks” 2026 Solo Tour Dates

by jummy84 November 8, 2025

written by jummy84

Earlier on Friday, Hayley Williams earned four Grammy nominations in recognition of her latest solo album, Ego Death at a Bachelorette Party. The news coincided with the album’s physical release; if you recall, the Paramore singer initially leaked the album on her website over the summer before giving it a proper digital release. In a similar fashion, Williams has now “leaked” dates for a supporting tour in support of Ego Death at a Bachelorette Party.

The 20-date North American leg kicks off on March 28th in Atlanta, and also includes stops in Toronto, Boston, Philadelphia, New York, Chicago, Nashville, Austin, Oakland, and Los Angeles, among other cities. Williams will then play shows in the UK and Europe in June. Water from Your Eyes will provide support for the majority of the dates.

As the dates were leaked via Williams’ website, on-sale ticket information has not been officially announced. Stay tuned for more details.

At the 2026 Grammys, Ego Death at a Bachelorette Party is nominated for Best Alternative Music Album, while her songs “Parachute” and “Mirtazapine” are up for Best Alternative Music Performance and Best Rock Performance, respectively. Additionally, “Glum” received a nomination for Best Rock Song.

Kendrick, Lady Gaga Top Grammy Nominee Field

by jummy84 November 8, 2025

written by jummy84

For the second year in a row, Kendrick Lamar is the top nominee for the Grammy Awards — this time in nine categories, including Album of the Year for GNX and both Song and Record of the Year for “luther” featuring SZA. The 68th annual edition of the awards will be held Feb. 1 at Crypto.com Arena in Los Angeles and broadcast live on CBS.

In Album of the Year, Lamar will compete against Lady Gaga’s MAYHEM, Bad Bunny’s DeBÍ TiRAR MáS FOToS, Justin Bieber’s SWAG, Clipse’s Let God Sort Em Out, Leon Thomas’ MUTT and Tyler, the Creator’s CHROMAKOPIA.

Thomas’ six nominations include Best New Artist, where he will battle Olivia Dean, sombr, Alex Warren, the Marías, Lola Young, Addison Rae and KATSEYE. Doechii earned five nods, including Record and Song of the Year for “Anxiety.” Producer Cirkut racked up seven nominations for his contributions to MAYHEM and ROSÉ & Bruno Mars’ “APT.,” which will vie for both Record and Song of the Year.

Tyler, the Creator, Clipse, SZA, producers Andrew Watt and Sounwave and rising underground rock band Turnstile all have five nominations. Bieber, Tyler Childers, Jesse Wells, Paramore’s Hayley Williams, Miranda Lambert and Chris Stapleton scored four a piece.

Although he wasn’t nominated for Producer of the Year — Non Classical, a category he’s won three times previously, Jack Antonoff becomes the first producer/songwriter to ever earn nominations in Album, Song and Record the Year with two different artists in the same year (Carpenter and Lamar).

In Best Rock Album, Deftones’ private music is nominated alongside Haim’s I Quit, Linkin Park’s From Zero, Turnstile’s Never Enough and Yungblud’s Idols. Best Rock Performance nominees include Amyl and the Sniffers (“U Should Not Be Doing That”), Linkin Park (“The Emptiness Machine”), Turnstile (“NEVER ENOUGH”), Hayley Williams (“Mirtazapine”) and Yungblud (“Changes” from the Black Sabbath farewell concert in July).

Bon Iver, the Cure, Wet Leg and Williams each also received multiple nominations in the Alternative categories, with Tyler, the Creator scoring an unusual Best Alternative Music Album nod for Don’t Tap the Glass, which was released just eight months after CHROMAKOPIA.

Elsewhere, Nine Inch Nails’ TRON: Ares banger “As Alive As You Need Me To Be” leads the Best Song Written for Visual Media field, which also features the inescapable “Golden” from KPop Demon Hunters and Elton John and Brandi Carlile’s documentary title track Never Too Late.

Visit Grammy.com for the complete list of nominees. See details for the big four categories below.

Album of the Year
DeBÍ TiRAR MáS FOToS, Bad Bunny
SWAG, Justin Bieber
Man’s Best Friend, Sabrina Carpenter
Let God Sort Em Out, Clipse
MAYHEM, Lady Gaga
GNX, Kendrick Lamar
MUTT, Leon Thomas
CHROMAKOPIA, Tyler, the Creator

Record of the Year
“DtMF,” Bad Bunny
“Manchild,” Sabrina Carpenter
“Anxiety,” Doechii
“WILDFLOWER,” Billie Eilish
“Abracadabra,” Lady Gaga
“luther,” Kendrick Lamar featuring SZA
“The Subway,” Chappell Roan
“APT.,” ROSÉ & Bruno Mars

Song of the Year
“Abracadabra,” Henry Walter, Lady Gaga and Andrew Watt, songwriters (Lady Gaga)
“Anxiety,” Jaylah Hickmon, songwriter (Doechii)
“APT.,” Amy Allen, Christopher Brody Brown, Rogét Chahayed, Henry Walter, Omer Fedi, Philip Lawrence, Bruno Mars, Chae Young Park & Theron Thomas, songwriters (ROSÉ & Bruno Mars)
“DtMF,” Benito Antonio Martínez Ocasio, Scott Dittrich, Benjamin Falik, Roberto José Rosado Torres, Marco Daniel Borrero, Hugo René Sención Sanabria and Tyler Thomas Spry, songwriters (Bad Bunny)
“Golden” (from KPop Demon Hunters), EJAE and Mark Sonnenblick, songwriters (HUNTR/X: EJAE, Audrey Nuna, REI AMI)
“luther,” Jack Antonoff, Roshwita Larisha Bacha, Matthew Bernard, Ink, Scott Bridgeway, Sam Dew, Kendrick Lamar, Mark Anthony Spears, Solána Rowe and Kamasi Washington, songwriters (Kendrick Lamar featuring SZA)
“Manchild,” Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter)
“WILDFLOWER,” Billie Eilish O’Connell and Finneas O’Connell, songwriters (Billie Eilish)

Best New Artist
Olivia Dean
KATSEYE
The Marías
Addison Rae
sombr
Leon Thomas
Alex Warren
Lola Young

November 8, 2025 0 comments

Music

Listen to Paramore’s Hayley Williams’ New Song “Showbiz”

by jummy84 November 8, 2025

written by jummy84

Today (November 7) is a big day for Hayley Williams. Physical editions of Ego Death at a Bachelorette Party, the Paramore leader’s third solo studio album, are out now, and they include two songs that were not initially released on digital streaming platforms. Williams shared one of them, “Good Ol’ Days,” online last month, and now she’s released the other. Check out “Showbiz,” produced by co-writer Daniel James, below.

Another reason today is a big day for Hayley Williams is that she got nominated for four Grammy Awards. Ego Death at a Bachelorette Party is up for Best Alternative Music Album, while “Parachute” will compete for Best Alternative Music Performance. Additionally, “Mirtazapine” is up for Best Rock Performance, and “Glum” scored her a nod for Best Rock Song.

Williams won her first Grammy in 2015, for Best Rock Song, for “Ain’t It Fun.” She won two more in 2024: Best Rock Album (This Is Why) and Alternative Music Performance (“This Is Why”). She has 11 career nominations.

Revisit the 2021 column “Paramore’s Influence Is All Around Us.”

November 8, 2025 0 comments

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How Can I Get Tickets for Morgan Wallen’s 2026 “Still The Problem Tour”?

What is Morgan Wallen’s “Still The Problem Tour”?

Who Is Opening for Morgan Wallen on His 2026 Tour?

What Are Morgan Wallen’s 2026 Tour Dates?

Three more essential Public Enemy deep cuts:

“Timebomb”

“Security of the First World”

“Move!”

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