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Kanye West ’In Whose Name?' Documentary Opens to Solid Box Office
Music

Kanye West ’In Whose Name?’ Documentary Opens to Solid Box Office

by jummy84 September 24, 2025
written by jummy84

The box office numbers have arrived for the documentary In Whose Name? from filmmaker Nico Ballesteros, who was granted unvarnished access to Kanye West — now known as just Ye — in the six tumultuous years following his public embrace of conservative politics. The film opened to a limited release, screening at around 494 theaters nationwide. In its opening weekend, the film grossed $776,000, a strong domestic box office performance for a documentary without significant marketing behind it.

For comparison, the Oscar-winning doc No Other Land logged a cumulative $420,000 a month after opening in January, on its way to earning $2.4 million to date. It’s Never Over, the doc about Jeff Buckley, also saw opening numbers in the $420,000 range. Becoming Led Zeppelin, released in February, is 2025’s top-earning doc opening to over $2 million, though it screened internationally.

Clips from In Whose Name?, including one in which Ye explosively lashes out at Kris Jenner, have been circulating around social media for several days, as the film’s unfettered level of access presents a view of Ye that many fans have never seen. The film offers a behind-the-scenes view of some of his most controversial moments in recent years, most notably the aftermath of his White Lives Matter T-shirt and subsequent antisemitic Twitter tirade.

While In Whose Name? comes short of offering any explanations as to how Ye went from a beloved musical icon to effectively a social pariah, it does provide a clear view into the world of celebrity in our highly digitized and politicized age. The team behind the film hopes to screen it in more theaters in the coming months, as well as make the movie available on streaming platforms. Its strong first-week performance suggests there is, in fact, an audience hoping to decipher the mind of Ye all these years later.

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The doc was executive produced by Patrick Hughes, Nick Jarjour, Amy Ann Singh, and Justin Staple. Attorney Simran Singh, who executive produced Selena: The Series, is also credited as a producer.

Editor’s note: A previous version of this article misstated the number of screens that carried the film.

September 24, 2025 0 comments
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Dates for All 4 Locations
Music

Dates for All 4 Locations

by jummy84 September 24, 2025
written by jummy84

The Grammy Museum continues its expansion of Grammy Camp, a program for high school students looking to pursue careers in the music industry. Starting in 2026, the camp will be held in Nashville, in addition to its Los Angeles, Miami and New York camps.

Here are details about the four Grammy Camp locations for 2026. All are non-residential camps, led by faculty or music industry professionals, as well as Grammy nominees and winners.

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Grammy Camp Nashville will be held at Belmont University’s Music Row facility at 34 Music Square East from May 31 to June 6, 2026. This immersive music industry program is designed for high school students who already have foundational skills and knowledge in music and are ready to expand their expertise toward career preparation. It offers instruction across multiple career tracks, including music business, instrumental performance, music production, songwriting and vocal performance.

Grammy Camp Miami will be held at Art House Studios from June 23 to June 27, 2026. This immersive, fast-paced program is designed to give high school students a hands-on introduction to the music industry and emphasizes active participation and learning in one of the three tracks: music production, singer-songwriter or music business.

Grammy Camp Los Angeles will be held from July 12 to July 18, 2026. It’s an intensive program for high school students with strong proficiency in multiple areas of music and the music industry, including music business, production, songwriting, and instrumental or vocal performance. Students are placed into cohorts where every subject area is represented, creating a collaborative environment that mirrors real-world music industry teams.

Grammy Camp New York will be held from Aug. 2 to Aug. 8, 2026. It’s an immersive music industry program designed for high school students who already have foundational skills and knowledge in music and are ready to expand their expertise toward career preparation. It offers instruction across multiple career tracks, including music business, instrumental performance, music production and singer-songwriter. Additional specialized tracks in musical theater and jazz are also offered.

Applications for Grammy Camp 2026 are now open to high school students across the country. Visit the Grammy Camp site for more details.


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September 24, 2025 0 comments
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Dua Lipa Denies Firing Agent Over Attempt to Ban Kneecap from Glastonbury
Music

Dua Lipa Denies Firing Agent Over Attempt to Ban Kneecap from Glastonbury

by jummy84 September 24, 2025
written by jummy84

Dua Lipa and her talent agency, William Morris Endeavor (WME), have responded to a report that she fired her European agent, David Levy, after he signed a leaked letter calling for pro-Palestinian rappers Kneecap to be banned from Glastonbury Festival.

Over the weekend, The Daily Mail reported that Levy was the first signatory among many Jewish music industry figures who sent a letter to Glastonbury founder Michael Eavis and his daughter Emily requesting Kneecap’s removal from this year’s festival.

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“Dua made sure through her people that David Levy wasn’t working on her music any more. She is very openly pro-Palestine and that doesn’t align with David,” a source told the Daily Mail. “She views him as being a supporter of Israel’s war in Gaza, and the terrible treatment of the Palestinians and that was made very clear through the letter that he signed and sent to Michael Eavis.”

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On Tuesday, September 23rd, Dua Lipa posted a statement on her Instagram Stories distancing herself from Levy while also clarifying the report. “I do not condone the actions of David Levy or other music executives toward an artist speaking their truth,” she wrote. “I also cannot ignore how this has been handled in the press. Not only was the story completely false, but the language used by The Daily Mail has been deliberately inflammatory, crafted purely for clickbait, clearly designed to fuel online division.”

The artist continued, “It is always Free Palestine but exploiting a global tragedy in order to sell newspapers is something I find deeply troubling.”

A spokesperson for WME also strongly rebuked the tabloid’s claims in a statement issued to NME: “Reports suggesting that Dua Lipa or her management dismissed one of our agents because of his political views are categorically false. David Levy played a role in Dua’s early career (2016-2019) and as is customary, is credited both internally and in industry journals as being a member of the team. When he moved out of London in 2019, he transitioned into an advisory role and has not been involved in Dua’s day-to-day business since. Levy fully removed himself from the project among others earlier this year.”

Dua Lipa has been open with her views about the Gaza conflict. In a 2024 interview with Rolling Stone, she called for a “humanitarian cease-fire” in Israel’s attack on the Palestinian people, adding that she “feel[s] so bad for every Israeli life lost and what happened on October 7th.”

“At the moment, what we have to look at is how many lives have been lost in Gaza, and the innocent civilians, and the lives that are just being lost,” she continued. “There are just not enough world leaders that are taking a stand and speaking up about the humanitarian crisis that’s happening, the humanitarian cease-fire that has to happen.”

Later that year, Dua Lipa reiterated her stance on Instagram after dozens of Palestinians were killed in attacks on Gaza displacement camps. “Burning children alive can never be justified,” she wrote. “The whole world is mobilising to stop the Israeli genocide. Please show your solidarity with Gaza.”

Kneecap’s Glastonbury appearance went on as planned, although their set was not livestreamed by the BBC. While the performance led to a criminal investigation, the case was dropped shortly after.

Since making pro-Palestine messaging central to their performance at Coachella 2025, Kneecap has faced a firestorm of backlash, including an investigation by UK authorities into resurfaced videos of the rap trio allegedly expressing support for Hamas and Hezbollah.

Although Kneecap issued a statement clarifying they “do not, and have never, supported Hamas or Hezbollah,” member Mo Chara was later charged with a terror offense for allegedly displaying a flag supporting Hezbollah. The case has been adjourned until later this month.

Most recently, the group was banned from Canada ahead of their scheduled October tour.

Dua Lipa is currently on the North American leg of her “Radical Optimism Tour.” Read our review of one of her recent New York City shows, and get tickets here.

Editor’s Note: This article was updated on September 23rd with statements from Dua Lipa and William Morris Endeavor.

September 24, 2025 0 comments
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Sam Prekop Stays Modular On New Synth LP
Music

Sam Prekop Stays Modular On New Synth LP

by jummy84 September 24, 2025
written by jummy84

Sam Prekop may be most familiar to astute listeners as the frontman of eclectic Chicago band the Sea & Cake, but he’s also built a robust catalog of modular synth-driven projects as a solo artist and in collaboration with Sea & Cake drummer John McEntire. The focus remains electronic on Open Close, due Friday (Sept. 26) from Thrill Jockey, many songs from which were written for recent live performances with ambient legend Laraaji.

“I felt it was a good idea to get this stuff recorded, because a lot of work had gone into it for it to just dissipate,” Prekop tells SPIN of Open Close, which revels in layered grooves and ever-morphing soundscapes. “The basic arc and flow of the record is there from the live set, but I added quite a bit as well that I couldn’t pull off live.” One example is the heavily overdubbed middle section of “Light Shadow,” while “Para” and “Opera” were written later “in response to what I felt was missing from the record.”

“The main sequence/body of ‘Light Shadow’ is very minimal — for sure not more than two chords. I find sequences that work like this fascinating in that for me, I just don’t get tired of listening to them, which I take as a good sign,” Prekop says by way of explaining what he loves so much about working with modular synths. “It has taken me a while to realize that a certain ‘musical’ complexity is not always the most interesting route to take. The sequence felt so malleable and seemed to work effortlessly with whatever I tried to layer above and around it.”

Prekop was initially drawn to the instruments during a period of frustration at his “somewhat limited guitar-playing abilities. Messing around with modular synths just opened a whole new approach and sound world for me. It did, however, take years to figure out how to make interesting music with this stuff, and, no surprise, it’s just as challenging as playing a guitar.”

Moving the music into a live setting has been part of that challenge, and Prekop admits he “wasn’t really that familiar with Laraaji’s work” beyond the beloved, Brian Eno-produced 1980 album Ambient 3: Day of Radiance before they teamed up. “I went into it having no idea if it would work or not,” he says. “I spoke with Laraaji before the first show to strategize a bit and basically pick a key to play in. The first time we played together was at soundcheck before the first show. I think we were both relieved within the first five minutes — we could tell it was going to be fine and I was really quite surprised that what we do works together so well. Our performances also evolved in surprising ways.”

Asked to compare Open Close to his 2020 solo LP Comma or his acclaimed 2022 McEntire collaboration Sons Of, Prekop sees a clear common thread. “Open Close is related to the Sons Of record with regard to process, as it was also developed from ‘live’ recordings, but John and I added a lot to it in the studio,” he says. “The long forms of the pieces are related as well. How they unfold over quite a bit of time, which references back to what happens live, is something I’ve been interested in taking on as a challenge for a few years now. Playing modular shows with John for some years now has been great and it was super exciting to make a record together, which is something we had thought about since the beginning. Comma is more a traditional collection of ‘songs’ and in a way felt like a departure and a bit more ‘pop’ than my previous synth records. I think a big differentiation is I felt I could have sang on many of the pieces on Comma. Maybe on the next one.”

Prekop will celebrate Open Close with a concert tonight at New York’s Public Records, and says “there are plans to do something with the recordings” made during the prior Laraaji concerts. As for fans of the Sea & Cake, which hasn’t released an album since 2018 and has only played live on a handful of occasions since then, future activity will likely hinge on the availability of McEntire and bassist Doug McCombs, who are both founding members of fellow Chicago experimentalists Tortoise. That group’s first album in nine years, Touch, is due Oct. 24 from International Anthem.

“I do really miss playing in a ‘rock band’ and I have been thinking about singing more these days as well,” Prekop concedes. “It’s looking like John and Doug will be pretty busy with Tortoise for a while, but I do need time to come up with new songs, so the timing might be just right. I’m sure at some point we’ll be getting something happening again.”

September 24, 2025 0 comments
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Future’s 'DS2' Brooklyn Ballet Celebration Was Hip-Hop In High Art
Music

Future’s ‘DS2’ Brooklyn Ballet Celebration Was Hip-Hop In High Art

by jummy84 September 23, 2025
written by jummy84

I watched history unfold at the Brooklyn Academy of Music (BAM) on Friday (Sept. 19), and let’s just say trap music never looked more regal. Grand Marnier and multi-platinum rapper, Future, transformed BAM’s historic Howard Gilman Opera House into a stage where Hip-Hop, ballet, and high fashion collided in celebration of his 2015 album Dirty Sprite 2.

DS2 Remixed: The Ballet was curated to perfection as a one-night-only spectacle reimagining Future’s triple-platinum album, through the lens of Emmy Award-winner Ebony Williams’ choreography and LaQuan Smith’s couture designs. As a Black woman who’s never stepped foot in a ballet recital — or could hardly name more than one Black ballerina beyond Misty Copeland — I felt emotional watching a stage filled with world-class Black and brown ballerinas breaking the invisible traditional barriers of classical dance.

The production saw album classics like “Real Sisters,” “Trap Ni**as,” and “I Serve the Bass” paired with pliés, pirouettes, and a few sophisticated twerks, as the ballerinas moved with much grit and grace. Backed by a live orchestra and Future’s right-hand man, DJ Esco, the night struck the perfect balance of elegance and bass.

When Future took the stage for hits like “Commas” and “Rich $ex,” the BAM transformed into a trap cathedral. His performance in the airy theater created an atmosphere that underscored the fact that Hip-Hop can be high art and worthy of existing beyond the clubs and charts — and in more opera houses.

“I was excited to be a part of this project because it represented everything I love about choreography—honoring tradition while breaking boundaries,” Williams told VIBE. “When Grand Marnier approached me, their vision immediately resonated with my own: blending a strong classical foundation with bold, unexpected layers.” Having worked with Beyoncé, Doja Cat, Rihanna, and countless others, Williams made it clear that her goal was “to honor the structure and discipline of ballet while infusing it with the energy and rhythm of Future’s music, the balance of respecting tradition without being confined by it.”

That truth was made clear by Misty Copeland, who sat front row, embodying the moment’s weight. The legendary and exceptional Black ballerina radiated pure joy and admiration as she witnessed more minority dancers furthering the evolution of classical dance.

Grand Marnier

Although The Ballet was a one-of-a-kind event, Hip-Hop’s flirtation with “classy” spaces didn’t start with ballet. Rappers have been claiming sophisticated stages for years, like when A Boogie wit da Hoodie flipped the script with Audiomack’s Trap Symphony series and Big Sean linked up with the Detroit Symphony Orchestra.

Even Chief Keef made headlines in 2018 with a viral performance accompanied by live strings. Common graced stages alongside orchestras from Chicago to Houston. Gucci Mane once transformed his Road to 1017 concert into a symphonic journey, while JAY-Z performed with full orchestras at Carnegie Hall and London’s Royal Albert Hall. Kendrick Lamar’s 2015 Kennedy Center performance remains a blueprint, with Jeezy, Killer Mike, and Rick Ross all venturing into orchestral territory since.

Most recently, Clipse took the stage at the Vatican. Yes, thee Vatican.

And the list doesn’t stop there. Nas, Cypress Hill, Pharrell, will.i.am, Nelly, Wyclef, Migos, Metro Boomin, Ye, and countless others have rightfully claimed space in classical realms, while collectives like The Illharmonic Orchestra and The Hip-Hop Orchestra Experience have been pushing this fusion forward for years.

Then there’s Trinity Joy, the Detroit native famously known as the “Trapperina,” who has taken TikTok by storm with her inventive “Trapllet,” a collision of ballet and trap music that has captivated millions. Her viral videos, including one where she pirouettes and krumps to GloRilla and Cardi B’s “Tomorrow 2,” prove that the next generation is already living at this intersection of Hip-Hop and classical dance.

A girl who once called herself a “ballerina from the ghetto who dances to Durk’s music” is now leading a movement that refuses to be boxed in by tradition.

The recent shift of rappers seeking visibility beyond Madison Square Garden and stadiums raises a deeper question: Why? Now, we’re not here to critique the answer, but it does spark a conversation about the desire to belong or the need to prove the genre’s worthiness in these traditionally “highbrow” spaces. One thing is clear, though: Hip-Hop is every bit as much high art as anything else gracing those stages.

What I witnessed at BAM wasn’t just entertainment or another marketing ploy (because there’s a lot of that happening), it was reclamation. The evening showed just how much Hip-Hop belongs in every corner of culture, from the block to the ballet. Seeing Future’s DS2 reimagined with pointe shoes and couture was proof that our music and our stories will always elevate and demand a place in spaces that once said “no.”

On this night in particular night, that “no” turned into a standing ovation.

Grand Marnier

September 23, 2025 0 comments
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Foxing to Go on Hiatus After Final 2025 Shows
Music

Foxing to Go on Hiatus After Final 2025 Shows

by jummy84 September 23, 2025
written by jummy84

St. Louis emo stalwarts Foxing have announced that they’re going on hiatus. “[It] has become clear to us that in our pursuit of our dreams and making the most honest and genuine art we can, our relationship with music, each other, and our sense of self without the band has eroded,” the band wrote in a statement posted to social media.

Foxing will play two farewell shows—one in Chicago and one in St. Louis—in December. See those dates and find the group’s full message below.

Foxing was formed in St. Louis, Missouri, in 2011, by bassist Josh Coll, drummer Jon Hellwig, and guitarist Matthew Piva. The band went through several lineup changes before the 2013 release of debut album The Albatross. By then, Foxing had settled into a five-piece of Coll, Hellwig, vocalist Conor Murphy, and guitarists Ricky Sampson and Eric Hudson. Foxing spent the next couple of years on the road, landing opening slots for fellow emo favorites like the Hotelier and Modern Baseball.

Coll left Foxing between the release of 2015’s Dealer and 2018’s Nearer My God. Produced by Death Cab for Cutie’s Chris Walla, Nearer My God marked the band’s leap to anthemic, festival-sized indie-rock. In his review of Nearer My God, Ian Cohen wrote that it “provides the incapacitating rush of watching a broken play develop into a Hail Mary, a half-court buzzer beater, a double steal that actually works—the thrill of its success amplified by palpable risk and an alternate, disastrous outcome that was narrowly avoided.”

After Nearer My God, Foxing released Draw Down the Moon, in 2021, and a 2024 self-titled album.

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Foxing With Special Guests


Foxing:

After 14 years as a band and 12 years of consistent touring, we’ve decided to take a hiatus from playing shows, writing or doing anything as Foxing.

It feels really scary to say that. This band has been completely inseparable from us as people for our entire adult lives up to this point. It is so much of our identity and our sense of self worth in the world. But it has become clear to us that in our pursuit of our dreams and making the most honest and genuine art we can, our relationship with music, each other, and our sense of self without the band has eroded. We have decided to prioritize these things and need to step away from the band to do so.

These shows in Chicago and St. Louis will be our last for the foreseeable future. Know that if you ever saw us at a show or listened to our records, you were getting the most from us that we could possibly give in that moment. We will come back if/when we feel that we have more to give.

September 23, 2025 0 comments
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Massive Attack correct "outright lies" of reports on facial recognition at live shows
Music

Massive Attack correct “outright lies” of reports on facial recognition at live shows

by jummy84 September 23, 2025
written by jummy84

Massive Attack have addressed reports regarding facial recognition at their live shows, denying that the technology was in use. 

Last week, reports about the trip-hop icons using the technology at their shows began to circulate online, leading them to explain that the live effects at their shows – comprising a face-detection effect and a fictional, randomly assigned ‘database’ – are satirical. 

In a statement titled ‘It Isn’t What It Isn’t”, shared on social media this evening, they began: “Last week, a number of platforms including ‘Somewhere.Media’, ‘Hidden’ and others ran stories relating to our live show & the apparent use of live facial recognition technology.

“Via the brainless duplication chambers of Al-generated IG accounts, the ‘story’ snowballed, & between entertainment platforms and Al clonethink, nobody and nothing bothered to factcheck. Inaccuracies and outright lies proliferated in tandem with likes & shares. ‘Somewhere Media’ went nowhere near any basic reporting standard, stating that show material was ‘pulled from public databases.’”

They explained that “no Massive Attack live show has ever recorded or stored personal data,” adding, “Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible.”

Massive Attack continued by highlighting the use of public facial recognition in the UK, writing that the government are “overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems.”

The slideshow with their statement included then finishes with an image of their live show’s fake facial recognition server.

Their announcement comes days after they introduced Kneecap to the stage for their huge show at the OVO Wembley Arena, describing them as a band “who refused to be silenced for their solidarity with the Palestinian people.”

Massive Attack have been consistent in their support for Palestine, among myriad progressive causes, recently vowing to boycott Spotify in response to reports that the platform’s CEO Daniel Ek has made significant investments “in a company producing military munition drones and AI technology integrated into fighter aircraft.”

And speaking to NME in December 2024 ahead of their headline set at the Act 1.5 “climate action accelerator” event in Liverpool, frontman Robert Del Naja, or 3D, said: “When I look at modern history, most of the solutions I love the most that’ve created social change come from science and the arts – seldom have come from centres of political power or civic bodies. It comes from people who slice things in a different way.”

He added: “We’ve got to find ways of unification through storytelling – leading by example and bringing that together through the creative industries. You’re looking at trying to find a standardisation within our own behaviour that we voluntarily accept. Otherwise, you’re looking at it all having to be regulated. Then it’s about control of power and sovereignty of the self. And then you’re dealing straight into the middle of the cultural battle about self-sovereignty and the role of The State and taxation – the whole fucking Elon Musk gig.

“I mean, it’s all a big joke for those guys. Fiscal anarchy is great for them because they’ve got so much money to move around the world, but the rest of us are fucked. That sovereign self bullshit is the thing I hate the most. Because really we have to work together. The human race doesn’t work as a species of individuals. Not many species on the planet do. Maybe a snow leopard does? Fucking great. But how many of those are out there?”

Also in the interview, he said they had plans to release new music in 2025. “We do have some new music which we’ve been sitting on for four years… dispute at the label – that’s a different article altogether,” he explained.

“I hate sitting on stuff for too long because I’m the first person to get bored of it. I deliberately don’t play it for months so that I can maintain some enthusiasm for it. It’s good – I’m looking forward to it!”

September 23, 2025 0 comments
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Priscilla Presley's Bombshell Memoir on MJ, Scientology, Lisa Marie
Music

Priscilla Presley’s Bombshell Memoir on MJ, Scientology, Lisa Marie

by jummy84 September 23, 2025
written by jummy84

Forty years after her first memoir, Elvis and Me, revolutionized the modern-day lore surrounding the King of Rock & Roll and his young bride, Priscilla Presley has released a new book that picks up where her last one left off.                                                  

In Softly, As I Leave You: Life After Elvis, the actress and author known mononymously as Priscilla delves into the life she forged for herself in the decades after she met Elvis at age 14, married him at age 21, and left the music legend in 1972. The new book, released Tuesday, is filled with heartache and loss. It follows the once deeply enigmatic first lady of Graceland from Memphis to Hollywood, through several subsequent relationships, and into the depths of her sorrow over the 2023 loss of her daughter Lisa Marie, her only child with Elvis.

While much of the book takes readers through the well-worn milestones of Priscilla’s highly scrutinized life, several passages give intimate new details. Here’s what we learned:

1. It was Elvis who first mentioned the possibility of abortion after Priscilla got pregnant

When Priscilla ended up getting pregnant on the couple’s wedding night, she was “stunned,” she writes. “Neither Elvis nor I was ready for a child. He worried about what fatherhood would do to his career. His fans were still adjusting to him being a married man,” she says.

Priscilla confesses she was concerned, too, worrying what parenthood would mean for her fledgling marriage. “There would be no traveling, no romantic interludes for us to focus on each other. For weeks, Elvis and I worried in silence about what was to come,” she writes. She even fantasized about how she’d feel if she miscarried. But, according to the book, “it was Elvis who finally brought things to a head.”

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“He looked at me one day and asked if I wanted to have an abortion,” she reveals. “He told me he’d support whatever I wanted. His words were a wake-up call. The enormity of it hit me head-on, and I began to cry. I told him, ‘No! We can’t do that. This is our baby!’” After Lisa Marie was born, “we fell hopelessly in love with her. We could not imagine our lives without her,” she writes.

2. Elvis once called while she was in bed with Robert Kardashian

Priscilla famously dated Robert Kardashian, father of reality star Kim Kardashian, in 1975, a few years after her divorce from Elvis. She writes that Elvis would have been jealous of the relationship, so she concealed the fact she was in bed with the telegenic lawyer when Elvis called one night at 2 a.m. to boast about a performance. She leapt out of the covers and tiptoed down the hall to take the call in private.

“Despite our divorce, he still couldn’t wrap his head around my being with someone else. He’d have gone ballistic, maybe literally, if he’d known Robert was in my bedroom,” she writes. “Elvis always carried a loaded gun, sometimes more than one. I put my hand over my mouth to stifle the sound of my yawn while Elvis continued to talk.”

3. She says Robert Kardashian wanted to marry, and Kim connected them before he died

Presley says Kardashian wanted to tie the knot, but they weren’t a good match. Twenty years later, when Kardashian defended O.J. Simpson in his murder case, Priscilla believed it was crushing for the famed attorney, who was incredibly loyal. “The realization that his friend had committed the murders nearly destroyed him,” she writes. (Simpson was acquitted at his criminal trial but later found liable for the deaths of his ex-wife, Nicole Brown Simpson, and her friend, Ronald Goldman, at a civil trial.)

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Priscilla claims that when Kardashian was in the hospital, dying from esophageal cancer in 2003, Kim Kardashian called to connect the two one last time. “Robert and I had one last conversation before he died. He was the kindest of men, and I remember him with great affection,” Priscilla writes.

4. She considered Michael Jackson a “manipulative man”

When Lisa Marie married Michael Jackson in a secret ceremony on May 26, 1994, Priscilla was “appalled,” she writes. She believed Jackson, who was 10 years older than Lisa Marie and a big fan of Elvis, was using her daughter for positive publicity as he battled allegations of child molestation.

“I knew in my bones that Michael wasn’t marrying Lisa Marie; he was marrying the Presley dynasty. The King of Pop was allying himself with the King of Rock & Roll. I didn’t believe he loved her,” Priscilla writes. “Michael was a manipulative man, and I think he had his sights set on her long before she realized it.”

5. Priscilla counseled Lisa Marie against having a baby with Jackson

During a walk on a beach in Hawaii, Lisa Marie allegedly turned to her mom and confided, “Michael wants us to have a child.” Priscilla immediately opposed the idea, recommending her daughter take things slow, she writes.

“I didn’t trust his motives. A child would be a proof of virility. And I couldn’t help wondering if he wanted to have Elvis’s grandchild,” she says, adding that Lisa Marie told her the newlyweds did indeed have a physical relationship, but that she “hardly” saw her new husband.

“Michael says that if I don’t want to have a baby, Debbie Rowe will have one with him,” Lisa Marie purportedly told her mom, according to the memoir. “Oh, boy. Big red flag. Thank God, Lisa agreed with me that it was better to wait,” Priscilla writes.

Lisa Marie filed for divorce from Jackson on Jan. 18, 1996, less than two years after the marriage. “She had begun to feel like the marriage was a setup. He didn’t want to be with her; he wanted to be with Elvis Presley’s daughter. If he’d wanted to be with her, he wouldn’t have been gone for most of their marriage.”

6. She says Lisa Marie’s bitter custody battle led to their estrangement

Priscilla writes that the year she had legal guardianship of her twin granddaughters, Harper and Finley, was one of “the best and most difficult” of her life. She cherished the time with the eight-year-old girls, but it only hardened Lisa Marie’s stance that she wanted sole custody of the twins amid a bitter divorce. In a “last-ditch” effort to fulfill her goal, Lisa Marie asked Priscilla to sign a deposition supporting her allegations that her estranged husband, Michael Lockwood, was unfit to be around them, Priscilla writes. (The memoir doesn’t specifically list the allegations, but Lockwood reportedly was investigated and cleared of claims that he had inappropriate photos of minors on his computer.)

According to Priscilla, her relationship with Lisa Marie suffered a devastating blow when she refused to sign the deposition. “I told her I couldn’t sign it, for I had never seen Michael behave in the harmful ways she was alleging. Signing it would be perjury,” Priscilla says. “In Lisa’s mind, I was the last hope to prove her charges. The court’s investigations of Michael had failed to reveal any wrongdoing or neglect on his part, so she had exhausted her legal options. Now I was refusing to back her up in court. To her, it was a betrayal.”

7. She suggests Scientology had a negative effect on Lisa Marie

In recounting Lisa Marie’s struggle with addiction, Presley says her daughter’s drug use climbed as high as 80 pills a day during her breakup with Lockwood. Lisa Marie was in a downward spiral, and she desperately needed professional help after stepping away from the Church of Scientology, Priscilla writes.

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“Though she had left the church, she retained some of its beliefs, including a distrust of psychologists,” Priscilla says. “She was still opposed to therapy, which would have given her a potential outlet for her feelings.”

Lisa Marie went into rehab in 2016. In a Today show interview in 2018, she recounted her struggles. “I was not happy,” she admitted in the interview. “I have a therapist, and she said, ‘You are a miracle, you really are.’ She said, ‘I don’t know how you’re still alive.’”

September 23, 2025 0 comments
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How to Watch WNBA Playoffs Online
Music

How to Watch WNBA Playoffs Online

by jummy84 September 23, 2025
written by jummy84

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

With the 2025 WNBA playoffs in full effect, you can watch the semifinals of the post-season with Sling TV.

For Game 2, the No. 4-seed Phoenix Mercury take on the No. 1-seed Minnesota Lynx at Target Center in Minneapolis on Tuesday, Sept. 23. In the semifinals, the Lynx lead 1-0, but the Mercury could tie it up 1-1, or Minnesota could extend its lead 2-0 in the best-of-five series.

When Does Phoenix Mercury vs. Minnesota Lynx Game Start?

Phoenix Mercury vs. Minnesota Lynx game broadcasts live, with tipoff at 7:30 p.m. ET/4:30 p.m. PT.

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Where to Watch Phoenix Mercury vs. Minnesota Lynx Online

Phoenix Mercury vs. Minnesota Lynx game broadcasts on ESPN, and it’s also livestreams on Sling Orange. Keep reading for more details on how cord-cutters can watch the Mercury-Lynx game online with Sling TV.

How to Watch Phoenix Mercury vs. Minnesota Lynx With Sling TV

A subscription to Sling Orange, which comes with ESPN, gets you access to live TV from popular cable channels.

You can watch cable networks, including ESPN2, ESPN3, Disney Channel, Freeform, MotorTrend, A&E, AMC, BBC America, BET, CNN, Comedy Central, Food Network, Fuse, HGTV, History Channel, IFC, Lifetime, Nick Jr., QVC, TBS, TNT, Travel Channel, Vice and many others.

Please note: Prices and channel availability depends on your local TV market. You can learn more about Sling TV here.

Which Celebrities Are Making Appearances During Mercury vs. Lynx?

It’s likely there would be a number of celebrities and recording artists — such as Minnesota Lynx fans Justin Vernon, Common, Justin Jefferson, Jesse Ventura, Kevin Garnett and others — in attendance during Tuesday night’s game. Tune in to Sling TV to find out who’s sitting courtside on celebrity row.

Starting at 7:30 p.m. ET/4:30 p.m. PT, Phoenix Mercury vs. Minnesota Lynx broadcast on ESPN, while it’s also available to livestream on Sling TV on Tuesday, Sept. 23.

Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.

September 23, 2025 0 comments
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Phoenix Team Up with Braxe + Falcon on New Song "UFO": Stream
Music

Phoenix Team Up with Braxe + Falcon on New Song “UFO”: Stream

by jummy84 September 23, 2025
written by jummy84

Phoenix have joined forces with their old friends, the French house duo Braxe + Falcon, to form a new supergroup called UFOs. The sextet has released their debut single, an uplifting track titled “UFO.” Stream it below.

“UFO” features warm synths that build to the fuzzy feelings expressed in the chorus: “I don’t believe in miracles/ But I do believe in UFOs/ So I do believe, I do believe you’re about to call.”

Get Phoenix Tickets Here

In a press statement, Phoenix and Braxe + Falcon put a new spin on the lyrics by elaborating on their new moniker: “I don’t believe in Miracles but I do believe in UFO: Six friends, one song, infinite memories.” A limited edition 12-inch vinyl of the track is now available at select independent record stores.

Related Video

Directed by Warren Fu (no relation), the music video mixes nostalgic childhood photos of all six members with UFO imagery. Watch the full clip below.

Phoenix released their most recent album, Alpha Zulu, in November 2022. Since then, they have recruited Clairo and Pusha T for remixes of tracks from the album and performed with Ezra Koenig and Air during the 2024 Paris Olympics closing ceremony. They also released a new remix of Kavinsky’s “Nightcall” last September, one month after debuting it in Paris.

September 23, 2025 0 comments
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