As consumers’ relationships with technology and personal tastes change, brands must be ready to pivot their marketing strategies accordingly. While that’s always been true, these switch-ups are now more frequent due to a rapid, ever-shifting trend cycle and constantly evolving algorithms. Each …
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Let me set the scene—it’s a rainy day in New York, and I decided to go for a walk. Lost in thought and a half an hour later, I found myself at the Fifth Avenue J.Crew. My subconscious knew I needed some retail therapy. Now, this isn’t the first time; my hot girl walks always seem to end with a J.Crew bag in hand. You can’t blame me—J.Crew has been popping off lately, from major summer sales to the recent Rouje collaboration, and now the new fall arrivals. J.Crew, if it isn’t already, should be you’re first stop when shopping for a sophisticated fall closet.
My arms were overflowing with oversized knits, tailored denim, and fall-ready jackets. I quickly pulled everything I’ve been eyeing online (a perk of being a shopping editor) and secured a fitting room. From start to finish, I spent over three hours in J.Crew. So, let me give you the highlights. Here are the 21 fall J.Crew items I tried and loved.
Shop cerulean sweaters, polished blazers, quality cashmere, and not-so-basic basics, plus a modern take on the classic barn coat. J.Crew’s fall edit is smart and sophisticated, featuring just the right amount of preppy chic, with polka dots and pleats. The number one fall trend, suede, makes its appearance on slouchy boots, ballet flats, and loafers (which I regret leaving behind). Scroll on to shop J.Crew’s new arrivals and fall staples, and see what I ended up taking home with me.
J.Crew’s cashmere and knitwear line-up is off the charts. From merino wool cardigans to chunky rollover knits, here are the top five from my visit.
I am obsessed with this polka dot cardigan. I’m reentering my red nail phase, so this ruby red is right up my alley. I plan to pick this up on my next visit to J.Crew (if it doesn’t sell out before then).
j.crew
Carolyn Cardigan in Polka-Dot Merino Wool
It’s giving Ivy League. Although I graduated from college this year, that doesn’t mean I can’t continue to embrace the academic aesthetic. This was a piece I absolutely loved trying on. So soft and comfortable, perfect for the breezy autumn days ahead.
j.crew
2025 Rollneck Sweater in Rugby Stripe
It’s not blue, it’s cerulean. I’m absolutely loving the idea of cyan and cobalt hues for this fall. Something about going against the traditional auburns and terracottas feels so new. J.Crew is constantly leveling up its game.
jcrew
Ribbed Boatneck Sweater in Vintage Wool
You can’t feel blue when you wear such a chic sweater like this. I love the way the color brightens the look. Not to mention, it’s ultra soft. The Tencell and Lyocell blend is working wonders.
j.crew
Fitted Pullover Sweater in Tencel Lyocell Blend
Beautiful. Graceful. Elegant. The first three words that came to my mind when I tried this gorgeous cashmere sweater on were. The boat neckline perfectly frames my shoulder, as the knit effortlessly drapes around the waist.
j.crew
Cashmere Boatneck Sweater
J.Crew’s denim is underrated in my book. The quality is next level, but the fit is superb. Here are the five denim looks I loved on my recent visit to J.Crew.
j.crew
Pleated Denim Mini Skirt
I zipped this up and knew immediately they were coming home with me. From the sleek back pockets to the rich, dark wash, I’ve found my new favorite pair of jeans.
j.crew
Full-Length Slim-Wide Trouser Jean
I’m a sucker for a shift dress. While linen is excellent for the summer, this best-selling patchwork denim dress from J.Crew is ideal for fall. Imagine this and a pair of tall pull-on boots—pure perfection.
j.crew
Patch-Pocket Shift Dress in Denim
The same ‘fit as the other Full-Length Slim-Wide Trouser Jean, but in a paler blue. These look so great with a classic white tee and striped button down.
j.crew
Full-Length Slim-Wide Trouser Jean
Kickout jeans and flares all pickup come the ‘ber months. Something about the retro silhouette fits right in. This fits a little snug, so you might want to size up.
j.crew
Charley Kickout Cropped Jean
While I had my heart set on trying on the beige colorway of the Painter Pant, they unfortunately didn’t have them in my size. But the clay color was a pleasant surprise. I loved how they looked on.
j.crew
Painter Pant in Cotton Canvas
J.Crew is definitely known for its outerwear, particularly the barn coat. Shop three of my favorite styles below.
I didn’t want to take this off. It fit so beautifully. The tartan print was so intricate and well-made, I regret not taking it home with me.
j.crew
Barn Jacket in Plaid Double-Faced Cotton
Smart and sophisticated. This is a power blazer. The wool-blend was smooth to the touch and looked fabulous with a pair of dark jeans.
j.crew
Stand Collar Blazer in Wool-Blend Flannel
A modern take on the classic barn jacket. This shiny, cyan long coat draped beautifully over a pair of J.Crew jeans. As odd as this may sound, I’d call this seaside blue trench a fall neutral.
j.crew
Shiny Long Barn Jacket
If you’re bored with your classic, a good place to start is refreshing your basics. Scroll down to shop three must-have J.Crew basics for this fall.
This isn’t a J.Crew best seller for nothing. A red striped button can be as versatile and practical as its white counterpart. It is all in how you style it. I’ve paired this one with J.Crew’s slim-wide jeans from above for an everyday ensemble.
j.crew
Jules Classic-Fit Shirt in Striped Cotton Poplin
You can never go wrong with a classic white tee. While I’m not the biggest fan of a crewneck, this vintage-inspired t-shirt might just be the one to change my mind. It is incredibly versatile and, not to mention, incredibly comfortable.
j.crew
Vintage Jersey Classic-Fit Crewneck T-Shirt
You don’t need to push aside your summer’s lace-trim skirts just yet. Styling them with a cashmere sweater or oversized button-down makes them a new fall staple.
j.crew
Lace-Trim Slip Skirt in Matte Textured Satin
I might be partial because, clearly, I’m a J.Crew fan, but its shoe selection is often overlooked. Each style is on trend, well-made, and comfortable. From suede ballet flats to knee-high boots, check out J.Crew’s shoe game below.
Move over mesh flats, suede is this season’s fave. Taking notes from the french woman’s fall closet, red ballet flats are a staple. Plus, these are on sale.
j.crew
Quinn Ballet Flats in Suede
My dream boot shape. Scrunch them down for a slouchy style, or pull them up for a tall knee-high look. I also loved how sturdy they felt. They will definitely last for the fall seasons to come.
j.crew
New Stevie Knee-High Boots in Suede
Next J.Crew purchase, these T-Strap heels! No joke. I’m literally in love. While I prefer the eggplant to the black pair, these are an unusual neutral shoe for fall. The studs bring edge, but the retro silhouette makes them very versatile.
j.crew
Teagan T-Strap Wing Tip Heels in Patent Leather
It’s giving off an old-money meets NYC It girl vibe. They are beyond comfortable, but a little snug. So I recommend sizing up.
j.crew
Driving Loafers in Suede
For the past few seasons, Alejandra Alonso Rojas has flirted with the idea of being a fully-sustainable designer—often making use of organic materials like silks or laces with low environmental impacts. But this spring, Rojas felt it was time to fully commit to this design ethos, so she released her first entirely-eco conscious collection made up of responsible fabrications. (All of her regenerative cottons, laces, or viscoses feature various GOTS or GRS certifications, which ensure they were made with recycled or non-harmful production processes.) She said it’s an M.O. that’s here to stay in her business—and better yet, Rojas also wanted to prove that such an approach does not mean sacrificing elevated or luxurious touches. “I didn’t want to do a fully-sustainable line that was basic,” she said. “In fact, it’s the most elevated collection I’ve ever made.”
As usual, Rojas looked to a sense of wanderlust for the direction of her new feminine dresses. The collection was inspired by a recent trip she took to Pompeii, Italy, where she was struck by the raw beauty of the archeological sites she visited. “I saw these paintings on the walls, and the colors—we incorporated a lot of these motifs that I took pictures of,” she said. Many of the eco materials she used—like regenerative cottons, or flax linens, “one of the most sustainable fibers because it needs so little water,”—had roughened-up textures to mimic the walls of Pompeii. One of her standout frocks, a pink number with a fitted bodice and full pleated skirt, also had frayed trimming to embody this duality. “There was something really nice about that rawness,” said Rojas.
Given her Spanish heritage, Rojas also couldn’t resist paying homage to her native country. She was influenced by the archives of the Casa de Alba in Spain—finding delight in the Alba family’s ornate art collections and fashions. This resulted in Rojas creating regal torero jackets (in a black crochet), sheer floor-length gowns made of recycled lace, and voluminous skirt silhouettes featuring under-layers made of recycled tulle. These may feel fanciful for the every day, especially for a designer known for her extreme ease and wearability, but it was a deliberate move on her part. “I wanted it to feel elevated. Sustainability is the highest luxury—it’s couture,” she said.
But it wasn’t just a technically-conscious collection. In addition to her eco materials, Rojas also wanted to incorporate more human touches to the assortment, like including lace appliqués crafted by artisans in Camariñas, Spain. “I was thinking about the planet, but also communities,” she said. Many of the materials she used, for instance, were FSC-certified, ensuring they come from responsibly-managed forests without disrupting the biodiversity and Indigenous communities surrounding them. “It’s an important certification from a nature and human point of view,” she said. These thoughtful choices may be indiscernible to the eye when taking in one of her new refined spring pieces, but Rojas will make them easily discoverable to the customer. “Every piece in the collection will have a QR code with details for transparency,” she said. “I have nothing to hide!”
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justify-content: start;
align-items: center;
gap: 0;
}
.header__column {
width: 33.333%;
}
.header__column.is-two-column {
width: 66.6666%;
}
.header__column img {
width: 100%;
}
.intro__break {
display: block;
}
.tmp-hero-overlay {
position: absolute;
top: 26%;
left: 0;
width: 50%;
right: 0;
margin: 0 auto;
}
.tmp-hero-overlay img {
width: 100%;
}
@media only screen and (max-width: 968px) {
.header__container {
flex-direction: column;
}
.header__column {
width: 100%;
}
.header__column.is-two-column {
width: 100%;
}
.intro__break {
display: none;
}
}
.overlay__deaktop {
display: block;
}
.overlay__mobile {
display: none;
}
@media only screen and (max-width: 768px) {
.overlay__deaktop {
display: none;
}
.overlay__mobile {
display: block;
}
.tmp-hero-overlay {
top: 36%;
left: 0;
width: 89%;
}
h2.caro__header {
font-size: 2.0rem;
}
}
/* Hide broken ad */
.goku,
.bxc {
display: none !important;
}
const hasSubnav = true;
/* //////////////////////////////////////////////////////////////////// */
/* DO NOT ALTER */
function fixImageSizes() {
const w = setTimeout(function() {
clearTimeout(w);
let a = document.querySelectorAll(“.product_image-container img”);
let h;
for (let i = 0; i < a.length; i++) {
// Get image height
h = a[i].clientHeight;
// If height is less than 440px
if (h 760) {
c = document.getElementById(“video_desktop”);
c.pause();
}
a.style.position = “fixed”;
b.style.height = “58px”;
a.style.transform = “translateY(-50px)”;
const w = setTimeout(function() {
a.style.transform = “translateY(58px)”;
a.style.transition = “all 0.75s ease-in-out”;
a.style.webkitTransition = “all 0.75s ease-in-out”;
}, 500);
}
function subnavOff() {
const a = document.getElementById(“subnav”);
const b = document.getElementById(“subnav__marker”);
let c;
if (window.innerWidth > 760) {
c = document.getElementById(“video_desktop”);
c.play();
}
a.style.transform = “translateY(0)”;
a.style.transition = “all 0.75s ease-in-out”;
a.style.webkitTransition = “all 0.75s ease-in-out”;
const w = setTimeout(function() {
clearTimeout(w);
a.style.position = “relative”;
b.style.height = “1px”;
}, 10);
}
function setupSubnav() {
if (Waypoint) {
var waySticky = new Waypoint({
element: document.getElementById(‘subnav__marker’),
handler: function(direction) {
if (direction == ‘down’) {
subnavOn();
}
if (direction == ‘up’) {
subnavOff();
}
},
offset: 110
});
}
}
function initSubnav() {
const w = setTimeout(function() {
clearTimeout(w);
setupSubnav();
}, 1000);
}
function initAnchors() {
let a = document.querySelectorAll(“#below-the-fold-modules>div”);
let b,c,d,e,dv;
for (let i = 0; i {
const script = document.createElement(‘script’);
script.src = url;
script.onload = resolve;
script.onerror = reject;
document.head.appendChild(script);
});
}
function initLoad() {
loadScript(‘https://studio-assets.rf29.net/Assets/Site/JS/waypoints.min.js’)
.then(() => {
// Loaded
if (hasSubnav) {
initSubnav();
// initAnchors();
}
// fixImageSizes();
})
.catch(error => {
// Not loaded
console.error(‘Error loading script:’, error);
});
}
const checkInit = setTimeout(function() {
clearTimeout(checkInit);
const a = document.getElementById(“tmp-hero”);
// Make sure to do this just once in case of page re-render
if (a == undefined) {
let b = document.querySelectorAll(“.tmp-hero”)[0];
b.setAttribute(“id”,”tmp-hero”);
initLoad();
}
}, 50);
<!–
–>
<!–
–>
<!–
–>
let CaroMobile = false;
if (navigator.userAgent.match(/Android|BlackBerry|iPhone|iPad|iPod|Opera Mini|IEMobile/i)) {
CaroMobile = true;
}
function CaroLeft(id,crd) {
let w = (window.innerWidth)/2;
let i = [“CARO__scroller” + id];
let o = document.getElementById(i);
o.scrollLeft += -(w);
}
function CaroRight(id,crd) {
let w = (window.innerWidth)/2;
let i = [“CARO__scroller” + id];
let o = document.getElementById(i);
o.scrollLeft += w;
}
function CaroArrows(id,crd) {
const ar_l = “>”;
const ar_r = “>”;
// Arrows code, add id to the fucntion calls
const a = “
“;
// Target the carousel
let b = document.querySelectorAll(“.caro__arrows”)[id];
// Add arrows to carousel
b.innerHTML = a;
}
function CaroMonitor(id,wd,crd) {
let i = [“CARO__scroller” + id];
let o = document.getElementById(i);
let pos = o.scrollLeft;
// Get number of cards in scroller
let num = o.childElementCount;
// Get window width
let w = window.innerWidth;
// Calc scrolling sapce
let max = -((w – wd));
let gla = [“CARO__left” + id];
let gra = [“CARO__right” + id];
let la = document.getElementById(gla);
let ra = document.getElementById(gra);
// Left Arrow
if (pos > -20 && pos max) {
ra.style.display = “none”;
ra.style.opacity = “0.0”;
} else {
ra.style.display = “block”;
ra.style.opacity = “1.0”;
}
}
function CaroDevice(id) {
let i = [“CARO__scroller” + id];
let o = document.getElementById(i);
let pos = o.scrollLeft;
if (pos > 100) {
let gra = [“CARO__right” + id];
let ra = document.getElementById(gra);
ra.style.opacity = “0.0”;
ra.style.transition = “all 0.7s”;
ra.style.WebkitTransition = “all 0.7s”;
let wait = setTimeout(function() {
ra.style.display = “none”;
clearTimeout(wait);
}, 200);
}
}
function CaroCount(id) {
let a = [“CARO__scroller” + id];
let b = document.getElementById(a).children;
return b.length;
}
function CaroWidthCheck(id,wd,count) {
let w = window.innerWidth;
let a = [“CARO__scroller” + id];
let b = document.getElementById(a);
let gla = [“CARO__left” + id];
let gra = [“CARO__right” + id];
let la = document.getElementById(gla);
let ra = document.getElementById(gra);
console.log(id + “browser ” + w);
console.log(id + “scroller ” + wd);
if (wd < w) {
b.style.justifyContent = "center";
la.style.visibility = "hidden";
ra.style.visibility = "hidden";
} else {
b.style.justifyContent = "start";
la.style.visibility = "visible";
ra.style.visibility = "visible";
}
}
function CaroSetup(id) {
// Assemble carousel id attribute
let a = ["CARO" + id];
let aa = ["CARO__scroller" + id];
// Target the carousel
let b = document.querySelectorAll(".caro")[id];
let bb = document.querySelectorAll(".caro__scroller-list")[id];
// Get width of cards
let crd = bb.querySelectorAll(".caro__card")[1].clientWidth; // Get width from the second card
// Set the attribute of the carousel
b.setAttribute("id",a);
bb.setAttribute("id",aa);
// Get width of the scroller element
let wd = bb.scrollWidth;
let count = CaroCount(id);
// Watch the carousel scolling
bb.addEventListener("scroll", function() {
if (CaroMobile == false) {
CaroMonitor(id,wd,crd);
} else {
CaroDevice(id);
}
}, false);
// Add the arrows
CaroArrows(id,crd);
// Check width of cards, if not wider than browser, center and turn off arrows
CaroWidthCheck(id,wd,count);
}
function CaroResize() {
let a = document.querySelectorAll(".caro");
let b,c,d,wd;
for (let i = 0; i < a.length; i++) {
b = ["CARO__scroller" + i];
c = document.getElementById(b);
d = b.childElementCount;
wd = c.scrollWidth;
CaroWidthCheck(i,wd,d);
}
}
function CaroInit() {
// Look for Carousels
let a = document.querySelectorAll(".caro");
// Run setup for each carousel found
for (let i = 0; i < a.length; i++) {
CaroSetup(i);
}
// If browser resize, recheck if carousels need centering and arrows
window.onresize = function() {
CaroResize();
};
}
const CaroWait = setTimeout(function() {
clearTimeout(CaroWait);
let a = document.querySelectorAll(".caro")[0].id;
if (a != "CARO0") {
CaroInit();
}
}, 500);
.gallery {
width: 100%;
margin-top: -20px;
font-size: 0;
}
.gallery__container {
width: 100%;
display: flex;
flex-direction: row;
flex-wrap: wrap;
gap: 0;
}
.gallery__item {
width: 25%;
}
.gallery__image {
width: 100%;
height: 100%;
z-index: 98;
position: relative;
}
.gallery__image img {
width: auto;
position: relative;
height: 80vh;
}
.gallery__details {
padding: 15px 0 0;
z-index: 99;
position: relative;
}
.gallery__item-title {
font-family: ‘Brown Regular’, sans-serif;
font-size: 0.85rem;
color: #54374C;
text-align: left;
margin: 5px 0;
display: flex;
flex-direction: row;
justify-content: start;
align-items: center;
gap: 12px;
}
.gallery__item-credit {
font-family: ‘Roboto Mono’, monospace;
font-size: 0.65rem;
text-transform: uppercase;
text-align: left;
display: flex;
flex-direction: row;
justify-content: start;
align-items: center;
gap: 12px;
}
.gallery__item-credit a:hover {
background-color: #54374C;
color: #F1EDDB;
}
h5 {
font-family: ‘Brown Regular’, sans-serif;
font-size: 0.85rem;
color: #54374C;
}
.footnote {
font-family: ‘Brown Regular’, sans-serif;
font-size: 0.65rem;
color: #54374C;
}
.person__overlay-set {
font-family: ‘Brown Regular’, sans-serif;
font-size: 1rem;
line-height: 1.65;
}
.person__image-container {
font-size: 0;
}
.is-double {
width: 50%;
}
.caro.is-gallery
.caro__card {
width: fit-content;
min-width: fit-content;
max-width: fit-content;
height: fit-content;
height: fit-content;
}
.gallery__image.gallery__image-group {
display: flex;
flex-direction: column;
gap: 20px;
height: 80vh;
}
.gallery__image.gallery__image-group img {
height: 50%;
}
.gallery__image {
overflow: hidden;
}
.gallery__image a img {
transform: scale(1.0);
transition: all 0.5s ease-in;
-webkit-transition: all 0.5s ease-in;
}
.gallery__image a:hover img {
transform: scale(1.1);
transition: all 0.5s ease-in;
-webkit-transition: all 0.5s ease-in;
}
@media only screen and (max-width: 1400px) {
.gallery__image img,
.gallery__image.gallery__image-group {
height: 70vh;
}
}
@media only screen and (max-width: 1200px) {
.gallery__image img,
.gallery__image.gallery__image-group {
height: 60vh;
}
}
.is-quote-bg {
background: #f7e5ba;
background: -webkit-linear-gradient(180deg, rgba(247, 229, 186, 1) 0%, rgba(247, 231, 244, 0.85) 100%);
background: -moz-linear-gradient(180deg, rgba(247, 229, 186, 1) 0%, rgba(247, 231, 244, 0.85) 100%);
background: linear-gradient(180deg, rgba(247, 229, 186, 1) 0%, rgba(247, 231, 244, 0.85) 100%);
filter: progid:DXImageTransform.Microsoft.gradient(startColorstr=”#F7E5BA”, endColorstr=”#F7E7F4″, GradientType=0);
}
@media only screen and (max-width: 600px) {
.gallery__image img, .gallery__image.gallery__image-group {
height: auto;
width: 100%;
max-width: 87vw;
}
}
.gallery__item.is-quote {
width: 100%;
}
.is-quote
.gallery__image {
margin: 0 auto;
text-align: center;
}
.is-quote
.gallery__image img {
height: auto;
width: 100%;
max-width: 1100px;
margin: 0 auto;
}
.quote__credit {
width: fit-content;
margin: 0 auto 20px;
}
.quote__credit .gallery__image img {
width: 100%;
max-width: 150px;
border-radius: 400px;
margin: 0 auto;
}
.quote__name {
font-family: Brown Bold, sans-serif;
font-size: 1.75rem;
letter-spacing: 0.01em;
line-height: 1.2;
word-spacing: normal;
font-weight: 400;
color: #54374C;
text-align: center;
padding: 8px 20px 7px;
}
.quote__role {
font-family: Brown Regular, sans-serif;
font-size: 0.9rem;
letter-spacing: 0.2em;
line-height: 1.2;
word-spacing: normal;
font-weight: 400;
color: #54374C;
text-align: center;
}
.quote__desktop {
display: block;
}
.quote__mobile {
display: none;
}
@media only screen and (max-width: 760px) {
.quote__credit .gallery__image img {
max-width: 100px;
}
.quote__name {
font-size: 1.25rem;
}
.quote__desktop {
display: none;
}
.quote__mobile {
display: block;
}
}
.quote__credit a .gallery__image {
transform: scale(1.0);
transition: all 0.5s ease-in;
-webkit-transition: all 0.3s ease-in;
}
.quote__credit a:hover .gallery__image {
transform: scale(1.1);
transition: all 0.5s ease-in;
-webkit-transition: all 0.3s ease-in;
}
.quote__credit a .quote__name span {
border-bottom: 2px solid transparent;
transition: all 0.5s ease-in;
-webkit-transition: all 0.3s ease-in;
}
.quote__credit a:hover .quote__name span {
border-bottom: 2px solid #54374C;
transition: all 0.5s ease-in;
-webkit-transition: all 0.3s ease-in;
}
.gallery__item {
width: 30%;
}
.is-double {
width: 66%;
}
.gallery__detail-group {
display: flex;
flex-direction: row;
gap: 0;
height: 60vh;
background: #e8e0cc;
background: -webkit-linear-gradient(180deg, rgba(232, 224, 204, 1) 0%, rgba(230, 202, 225, 1) 100%);
background: -moz-linear-gradient(180deg, rgba(232, 224, 204, 1) 0%, rgba(230, 202, 225, 1) 100%);
background: linear-gradient(180deg, rgba(232, 224, 204, 1) 0%, rgba(230, 202, 225, 1) 100%);
filter: progid:DXImageTransform.Microsoft.gradient(startColorstr=”#E8E0CC”, endColorstr=”#E6CAE1″, GradientType=0);
}
.gallery__detail-card {
display: flex;
flex-direction: column;
gap: 0;
justify-content: center;
align-content: center;
white-space: normal;
padding: 40px;
}
.detail__header {
font-family: ‘Brown Bold’, sans-serif;
font-weight: 400;
font-size: 3rem;
color: #54374C;
text-align: left;
}
.detail__title {
font-family: ‘Brown Regular’, sans-serif;
font-weight: 400;
font-size: 2.1rem;
color: #54374C;
text-align: left;
padding-bottom: 20px;
}
.detail__blurb {
font-family: ‘Brown Regular’, sans-serif;
font-weight: 400;
font-size: 1.1rem;
text-transform: none;
text-align: left;
line-height: 1.5;
margin-bottom: 25px;
color: #54374C;
}
.detail__label {
font-family: ‘Roboto Mono’, monospace;
font-weight: 400;
font-size: 0.75rem;
text-transform: uppercase;
text-align: left;
color: #54374C;
}
a.detail__link {
font-family: ‘Brown Regular’, sans-serif;
font-weight: 400;
font-size: 1.3rem;
text-transform: none;
text-align: left;
margin: 8px 0 15px;
color: #54374C;
text-decoration: none;
line-height: 1.32;
transition: all 0.3s ease-in-out;
-webkit-transition: all 0.3s ease-in-out;
}
@media only screen and (max-width: 1200px) {
a.detail__link {
font-size: 1.15rem;
}
}
a.detail__link span {
border-bottom: 1px solid #54374C;
transition: all 0.15s ease-in-out;
-webkit-transition: all 0.15s ease-in-out;
}
a.detail__link:hover {
color: #FFEEEE;
transition: all 0.15s ease-in-out;
-webkit-transition: all 0.15s ease-in-out;
}
a.detail__link:hover span {
border-bottom: 1px solid transparent;
background: #54374C;
transition: all 0.15s ease-in-out;
-webkit-transition: all 0.15s ease-in-out;
}
.is-smaller img {
height: 60vh;
}
.is-smaller.gallery__image-group {
display: flex;
flex-direction: column;
gap: 20px;
height: 60vh;
}
.is-smaller.gallery__image-group img {
height: 48%;
}
.gallery__container {
gap: 20px;
padding: 0 20px;
}
.special {
width: 100%;
margin: 0 auto;
display: flex;
flex-direction: column;
justify-content: center;
align-items: center;
gap: 40px;
margin: 0;
padding: 0 20px;
}
.special__container {
width: 100%;
max-width: 1100px;
display: flex;
flex-direction: row;
justify-content: center;
align-items: center;
gap: 0;
flex-wrap: wrap;
padding: 0;
margin: 0 auto;
}
.special__column {
width: 50%;
display: flex;
flex-direction: column;
justify-content: stretch;
align-items: start;
}
.special__column img {
width: 100%;
}
.is-details {
padding: 40px;
}
.special__grid {
width: 100%;
display: flex;
flex-direction: row;
flex-wrap: wrap;
gap: 0;
font-size: 0;
padding: 0;
margin: 0;
overflow: hidden;
}
.special__grid>img {
width: 50%;
}
.detail__instagram {
margin-bottom: 20px;
}
.detail__instagram a {
padding: 0 0 0 0;
}
.detail__instagram a svg {
width: 30px;
height: 30px;
padding: 0;
background-color: transparent;
transition: all 0.15s ease-in-out;
-webkit-transition: all 0.15s ease-in-out;
border-radius: 6px;
}
.detail__instagram a:hover svg {
background-color: #54374C;
transition: all 0.15s ease-in-out;
-webkit-transition: all 0.15s ease-in-out;
}
.detail__instagram a svg path {
fill: #54374C;
transition: all 0.15s ease-in-out;
-webkit-transition: all 0.15s ease-in-out;
}
.detail__instagram a:hover svg path {
fill: #FFEEEE;
transition: all 0.15s ease-in-out;
-webkit-transition: all 0.15s ease-in-out;
}
.artist__products {
width: 100%;
max-width: 1100px;
}
.artist__products .caro__card {
width: 23% !important;
}
/* Updates */
.special {
gap: 20px;
margin-bottom: 80px;
}
.special__grid {
gap: 20px;
flex-direction: column;
}
.special__grid-image {
width: 100%;
}
.is-taller {
width: 25%;
padding: 0 0 0 20px;
}
.is-taller:last-of-type {
width: 25%;
padding: 0 0 0 20px;
}
.special__grid {
column-gap: 20px;
flex-direction: column;
justify-content: start;
align-items: end;
}
.special__container {
align-items: start;
}
.is-bigger {
padding-right: 0;
overflow: hidden;
justify-content: start;
align-items: start;
}
.is-bigger img {
margin-top: -30px;
}
.is-break {
display: block;
}
.special a img {
transform: scale(1.0);
transition: all 0.5s ease-in;
-webkit-transition: all 0.5s ease-in;
}
.special a:hover img {
transform: scale(1.1);
transition: all 0.5s ease-in;
-webkit-transition: all 0.5s ease-in;
}
.special__column,
.special__grid-image {
overflow: hidden;
}
@media only screen and (max-width: 1100px) {
.is-details {
padding: 20px;
}
.detail__header {
font-size: 2.3rem;
}
.detail__title {
font-size: 1.65rem;
}
}
@media only screen and (max-width: 960px) {
.special__container {
width: 100%;
max-width: 600px;
display: flex;
flex-direction: column;
justify-content: center;
align-items: center;
gap: 0;
row-gap: 20px;
flex-wrap: wrap;
padding: 0;
margin: 0 auto;
}
.special__container.is-grids {
flex-direction: row;
}
.special__column {
width: 100%;
}
.is-details {
padding: 0 25px 40px;
}
.detail__header {
font-size: 2.3em;
}
.detail__title {
font-size: 1.4rem;
}
.is-taller {
width: 50%;
padding: 0 10px 0 0;
}
.is-taller:last-of-type {
width: 50%;
padding: 0 0 0 10px;
}
}
@media only screen and (max-width: 760px) {
.is-break {
display: none;
}
}
.is-footnote {
justify-content: center;
margin-top: -10px;
}
.detail__instagram {
display: none !important;
}
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.stories {
width: 100%;
padding-bottom: 80px;
}
.stories__container {
width: 100%;
display: flex;
flex-direction: row;
flex-wrap: wrap;
justify-content: center;
align-items: center;
gap: 20px;
padding: 0 40px;
margin: 0 auto;
}
.stories__card {
height: 600px;
position: relative;
width: 340px;
margin: 0;
display: inline-block;
background-color: #291824;
text-align: center;
color: #F1EDDB;
min-width: 140px;
-webkit-transition: box-shadow .2s ease-in-out;
transition: box-shadow .2s ease-in-out;
vertical-align: top;
}
.stories__opener-image {
min-height: 405px;
z-index: 40;
position: relative;
}
.stories__opener-image img {
position: static;
width: 100%;
z-index: 60;
}
.stories__story-content {
text-align: left;
margin: 20px;
}
.stories__section {
font-family: Brown Regular, sans-serif;
font-size: 12px;
letter-spacing: .1em;
line-height: 1.2em;
word-spacing: normal;
font-weight: 400;
color: #E6CAE1;
text-transform: uppercase;
margin-bottom: 15px;
}
.stories__title {
font-family: Brown Bold, sans-serif;
font-size: 25px;
font-weight: 400;
word-spacing: normal;
letter-spacing: 0em;
line-height: 1.3em;
text-transform: none;
font-size: 20px;
text-align: left;
}
.stories__card a
.stories__title>span {
-webkit-transition: border-bottom 0.1s ease-in;
transition: border-bottom 0.1s ease-in;
border-bottom: 1px solid transparent;
}
.stories__card a:hover
.stories__title>span {
-webkit-transition: border-bottom 0.1s ease-in;
transition: border-bottom 0.1s ease-in;
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CREDITS:
Chief Content Officer: Brooke DeVard;
Featured Artist: Makeup: Sir John;
Featured Artist: Nails: Brittney Boyce;
Featured Artist: Stylist: Zerina Akers;
Featured Artist: Hair: Coree Moreno;
Photographer: Steven Simione;
Director of Photography: Alli Gooch;
Director of Photography: Yasmine Diba;
Director of Photography: Amalia Irons;
Hair and Makeup: Alexis De La Isla;
Wardrobe: Tabitha Sanchez;
Producer: Alexa Rhodes;
Line Producer: Megan Boal;
Production Coordinator: Dawnie Jefferson;
Production Assistant: Chelsea Triana;
Art Production Assistant: Charlotte Lethbridge;
Editor: Christianne Jackson;
Editor: David Rho;
Photographer Assistant: Marco Roman;
Photo Retouching: Daniele Iachella;
Stylist Assistant: Owen McQueeney;
Wardrobe Assistant: Abigail Depose;
Wardrobe Assistant: AmyClaire Mugno;
Wardrobe Assistant: Elijah Scott;
Hair and Makeup Assistant: Lisa Dempsey;
Makeup Artist Assistant: Kasha Lassien;
Makeup Artist Assistant: Leyla Hayauri;
Makeup Representative: Queen White;
Senior Social Manager: Lia Tabackman;
Supervising Social Producer: Jordan Bogigian;
Social Producer: Breanna Davis;
VP, Creative: Praise Paige;
Creative Director: Madeleine Mogul;
Creative Director: Hayley Champoux;
Senior Creative: Elizabeth Therese Parker;
Creative Strategist: Tamar Willis;
Nails Model: Dyani Norwood;
Nails Model: Fatma Dabo;
Stylist Model: Ellen Byun;
Stylist Model: Amber Jones;
Stylist Model: Brenna Monet;
Makeup Model: Jessie Mesa;
Makeup Model: Mary Stoker;
Hair Model: Catherine Pham;
Hair and Makeup Model: Nyawuta Chol;
Hair Model: Mercedes Enriqueta;
VP, Talent Partnerships & Influencer Strategy: Gabriela Zarmakoupis;
Talent Campaign Manager: Anne Marie Andrews;
Creative & Sales Strategist: Alissa Maggiacomo
Senior Writer: Karina Hoshikawa;
Product Design: Lee Misenheimer;
Like what you see? How about some more R29 goodness, right here?
“I’ve struggled hair thinning around the crown of my head for the past year now, so I’m always looking to level up my hair growth routine with just about anything. I’ve been using this device for a couple of months now and am pleased to report that I’ve noticed a difference in the growth in this area— I actually have a handful of baby hairs cropping up. I’m excited to keep using this one,” says Glamour’s Kilkeary.
Original video from Brigitt Early testing Silkn Titan MultiPlatform
For those who really want to target hyperpigmentation and dark spots, Silk’n makes a handheld device that combines three technologies: bipolar radiofrequency, which heats up the deeper layers of the skin and helps increase collagen and elastin production; near-infrared, which also penetrates the skin to boost collagen and elastin; and red light to improve blood circulation and enhance tone and texture. It comes with two treatments heads: one smaller and more precise for hard-to-reach areas such crow’s feet, eye bags, mouth wrinkles, nasolabial lines, and tear troughs; and a larger magnetic one that lets you cover more surface area in places like the cheeks, forehead, neck, or other areas of the body.
“You do have to use a conductor gel (the brand sells its own, but you can use any clear water-based gel) and treatment time is rather lengthy at 15 minutes per area, but I love the warm and slightly tingly sensation you get while using the device. I noticed an immediate lift to my face, particularly around my eyes,” says Earley.
Original video from Lian Brooks testing CurrentBody LED Hair Growth Helmet
This helmet-style device stood out for its smart, user-friendly design and full-coverage LED treatment. It delivers 660nm red light across the entire scalp, working to stimulate follicles, boost circulation, and support thicker, stronger hair over time—without the need to keep moving a device around.
It is on the bulkier side, which makes the helmet harder to store than handheld units, but its ergonomic fit and soft silicone lining make it surprisingly easy to wear. “Even the full 10-minute sessions felt manageable, since I could walk around and multitask without any slipping or shifting,” says Earley. “After a month of consistent use, I’ve noticed a slight boost in hair density and even an improvement in my scalp’s overall health. It doesn’t get oily as quickly, and I’ve had fewer bumps and clogged follicles than normal.”
Original video from Alanna Martine Kilkeary testing Foreo FAQ 301 LED Hair Strengthening Scalp Massager
If you’re dealing with hair thinning or shedding—or just want to show your scalp a little extra love—this waterproof, palm-size massager uses a combination of red LED light and Foreo’s signature T-Sonic massage to boost circulation, break up buildup, and enhance the absorption of hair serums or oils. We love that it’s entirely cordless, rechargeable, and designed to fit comfortably in your hand. It’s also waterproof, so you can use it in or out of the shower.
“I’ve never used an LED tool for my scalp before, so I was a little apprehensive before testing this out, but I ended up loving it,” says Glamour commerce writer Alanna Martine Kilkeary. “It has a powerful vibration that’s almost like a massage for your scalp. You can make it a little more or less intense as you please. The red light is superbright and feels warm upon contact. I didn’t find that my hair and scalp were irritated during use, which I appreciated. As to whether it made my hair grow over the past couple weeks? The jury is still out. I haven’t noticed a huge difference, though my hair is a little bit thicker around my crown and I am seeing some baby hair growth.” PS: Before purchase, check out our Foreo coupon code for up to 50% off.
Original photo from Brigitt Earley testing Helight Sleep
This month, Maison de Sabré introduces its most ambitious design to date: The Palais, a flagship handbag eight years in the making. Launching Sept. 10 exclusively at maisondesabre.com, the silhouette represents both the culmination of the brand’s journey and the beginning of a new …
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One of the easiest ways to make an outfit look polished is through colour and which you choose to wear together. The right combination can instantly elevate simple pieces, taking them from ordinary to expensive-looking without the need for flashy logos or excessive detail. Autumn, in particular, lends itself to rich, refined palettes—shades that feel grounded but can be styled in ways that look effortlessly elegant in the process.
I’ve always been fascinated by how colour trends can change the entire mood of an outfit, and this season I’ve found myself paying even closer attention. I’ve been quietly observing how fashion people are putting their everyday outfits together right now and it didn’t take long for a handful of colour combinations to stand out to me. They’re not overly complicated or trend-led (at least, not to the point they won’t feel relevant next autumn)—instead, each pairing feels elevated and timeless, the kind of colour pairings that will always look chic.
Below, I’ve broken down the expensive-looking colour combinations I think are defining autumn 2025, along with some handpicked shopping options you might want to consider, too.
Style Notes: Pale yellow tones were one of the biggest trends (not just colour but across the board) of the last few months, and I’m pleased to see that fashion people haven’t disregarded it for autumn. In fact, by switching out white and cream accents for more structured and directional black, it creates a contrast that feels relevant to now and will always earn you a complimentary second glance.
Massimo Dutti
Long Suede Leather Coat
This colour looks even more high end in suede.
ALAÏA
Click E/w Small Leather Shoulder Bag
A chic addition to any handbag collection.
ZARA
Wide-Leg Darted Trousers
Pair these with black boots and a charcoal grey knit for a sleek pairing.
The glossy patent finish lifts any look.
Style Notes: The prettiest pairing by far, the sheer volume of brown and pink, (specifically dusty pinks) looks out there right now surprised even me at first, but now I understand why. Akin to yin and yang, they offset one another perfectly; the brown giving an outfit instant polish, while muted pink makes it feel instantly more fashionable.
COS
Oversized Fluid Blazer
I’d find any excuse to wear this blazer, it’s that beautiful.
The White Company
Cashmere Roll Neck Jumper
Chocolate-brown cashmere is the ultimate luxury.
STELLA MCCARTNEY
Lace-Trimmed Satin Midi Wrap Skirt
This also comes in a cream and black colourway.
H&M
Heeled Leather Ankle Boots
The calf length of this boot makes it ideal for wearing with cropped jeans and midi skirts.
Style Notes: Hands down, this is one of the most sophisticated combinations I’ve seen this season. Burgundy brings with it a depth of tone that always looks expensive, while charcoal grey makes it feel less high end and more integrated to daily looks. I love how it feels powerful but not overly commanding; exactly what I want from my palette this season.
MANGO
Double-Breasted Wool Coat
This will work with just about any outfit you throw it on with.
& Other Stories
Draped Short-Sleeve Midi Dress
A draped dress always makes a statement.
Boden
Belgravia Ponte Trousers
A trouser you can dress up or down.
NILI LOTAN
Gaia Silk Crepe De Chine Shirt
Picture this with gold jewellery and, well, the above charcoal trousers.
Style Notes: Olive is set to be one of the biggest colour trends of the season but, admittedly, it’s one shade that throws me. Black can sometimes be too harsh while the brown tones, which look very sleek elsewhere, can look a touch earthy and makeshift hippy costume. With fresh ecru tones, however, olive feels much more luxurious.
LE KASHA
Fraga Organic Cashmere Cardigan
The collar gives this cardigan an on-trend, preppy feel.
Ecru jeans work well for autumn as they go with every trending shade. See: every one on this list.
ZARA
Heeled Sandals With Straps and Metal Detail
Clash these olive sandals with a burgundy pedicure.
THE FRANKIE SHOP
Gaia Double-Breasted Wool-Blend Coat
Style Notes: This is a pairing I (and so many others) come back to every autumn. Navy, whether it’s in the form of dark indigo jeans or other separates, feels sharp and polished, while tan adds the warmth and richness that are so synonymous with the season. Together, they create a timeless balance that works for a multitude of occasions.
Mint Velvet
Tan Suede Blazer
Tan + suede = a classic wardrobe investment.
M&S Collection
Crepe Elasticated Waist Wide Leg Trousers
I really rate M&S’s tailoring.
DeMellier
The Midi New York in Tan
If you’re going to invest in a tan bag, I’d seriously consider this DeMellier style.
COS
Chunky Cashmere Crew-Neck Jumper
No need to size up—this knit is designed to be roomy.
Cinq à Sept Spring 2026 Ready-to-Wear
“Sudanese women have been on the frontlines of every revolution in Sudan—2019 was even called a women’s revolution. I’m inspired by their resilience and determination, and wanted to pay tribute to them and help give their stories a platform for recognition,” Michaela Coel told Vogue on Monday after the Toronto International Film Festival (TIFF) premiere of The Christophers. On TIFF’s international stage, where the industry converges on Hollywood North and kicks off the unofficial start of awards season, Coel wasn’t vying for awards recognition or trying to drum up Oscar buzz. She was using her platform to shed light on the devastating atrocities in Sudan, in which 12 million people have been displaced, 150,000 (likely many more) have been killed, and the region is facing mass starvation caused by the ongoing civil war.
Joined by a team of Sudanese women, hand-picked by Coel and her friend, Ebaa Elmelik, co-founder of Media for Justice in Sudan, the multi-hyphenate pulled off the ultimate GRWM with intention. And Toronto-based Sudanese photographer Nabra Badr was there to document it all. Badr’s work is rooted in her Sudanese heritage, and as her bio reads, her “work goes beyond aesthetics, creating visuals that not only look beautiful but also resonate deeply.” Two days after Coel’s TIFF premiere look did exactly what she had hoped — make people stop scrolling and dedicate their timelines to learning more about what’s happening in Sudan — Badr and I got on the phone to talk about how the moment came together, what it was like to be in the room with Coel as she honored Sudanese women, and why the team was adamant that the photos had to be exceptional. Coel wanted them to be so good that Vogue would have no choice but to splash them everywhere. Featuring never-before-seen outtakes from the day, here’s how they pulled it off.
Tell me how this moment at TIFF with Michaela came to be.
Nabra Badr: It was a really quick turnover. I got a DM from the agency that’s working with her on the movie, The Christophers; they messaged me on Saturday and said that Michaela [had] requested to have me shoot this project that she’s working on.
Did you know Michaela before this?
NB: I’ve never had any contact with her. When I saw the DM, I was kind of taken aback. And I’m a huge fan of her work so I was like I don’t know if this is a real DM [laughs]. I was at work as well so I was like, okay, let me get my bearings together. I told them that I was interested and they were like, ‘Okay, great. We’ll get back to you with the details.’ Then they followed up and said that it was actually [Michaela] herself trying to push for [the shoot] to become a Vogue article. It just was surprise after surprise. They let me know that they needed it for the next day. So I got the DM Saturday and ended up meeting up with them on Sunday.
Did you know ahead of time that she was going to tribute Sudanese women and how did that inform your storytelling as you were taking pictures throughout the day?
NB: I wasn’t aware that she was even interested in showcasing the story of Sudan. It was more so that I always knew that she was socially conscious and she utilizes her platform to talk about things that she really cares about. And actually it wasn’t until I met her in person that I learned she was really, really passionate about it. She actually told me that she’s worn a traditional Sudanese garment, the toub, to the White House, and that gained some traction previously. After that happened, she said she wanted to do it again. With TIFF and her premiere, she had a lot more time to make it happen. I’m always willing to do anything in connection to Sudan. It informs my personal work. Even if this wasn’t someone in the public eye, but it was going to get eyes on it, period, I would do it. I was ready to take that on.
I just kept telling [Michaela], ‘this is so important.’ So many people would shy away and feel uncomfortable… but she’s willing to go above and beyond.
Nabra Badr on michaela coel
When you say Sudan informs your personal work, how so?
NB: Sudanese storytelling is often neglected, and the issues that happen in Sudan are kind of placed on the back burner, mainly because people think the problems that are arising in the country are insular and that there’s no way they can help. In reality, it’s not complicated. The people of Sudan just want to be able to live in a democratic environment and not risk their lives every single day, and especially back in 2019 when the revolution first started, it was spearheaded by a lot of Sudanese women. We saw a lot of Sudanese imagery featuring women at the forefront. Since then, anytime I have an opportunity to shoot with Sudanese women, especially my elders, I take it.
Unfortunately, during COVID, I had a lot of female figures in my family pass away, and it just made me realize that time is of the essence, and I only have this opportunity to be around my elders and my ancestors for so long that I want to be able to document it and share their stories and share how they feel about Sudan and what their aspirations are. I have spent more time outside of the beauty and the fashion stuff that I usually do to be able to just document the people around me and my community members. It informs me by me picking up the camera more often when I can.
That’s really beautiful. And I’m so sorry about your family. So when you found out the story that Michaela wanted to tell and and knowing that she wanted to put it in Vogue, did that knowledge inform the way that you approached the shoot?
NB: Michaela’s friend Ebaa [Elmelik, co-founder of Media for Justice in Sudan], was also the person who put everybody together. They were pretty adamant about trying to feature as many Sudanese women as possible. Her henna artist was Sudanese, the jewelry designer was Sudanese. They even got an older Sudanese lady to come in and teach her how to tie the toub. I communicated with Ebaa and what we wanted was really just capturing Michaela while she was getting dressed, but also making sure that I’m capturing details of the [Sudanese] aunt putting the garments on and the details of how she’s passing on this information to Michaela and everybody in the room, just making sure that we’re doing everything correctly.
[Michaela’s] henna artist was Sudanese, the jewelry designer was Sudanese… an older Sudanese lady came in to teach her how to tie the toub… everybody in the room [was] making sure we were doing everything correctly.
nabra badr
There were a lot of conversations around, oh, is this appropriate for this particular instance? There were a few jewelry pieces that are typically reserved for certain situations, like bridal wear [in Sudan]. And we were going back and forth. Maybe Michaela puts it on, maybe she doesn’t. But then it just came to a consensus from both her and everybody else in the room that if it’s not authentic to what the day is, then we’re not going to do it. So if it’s something that would be reserved for brides, then we’re going to take that away. It was a lot of having really authentic conversations and bouncing off of each other — what works and what doesn’t work — and making sure that I’m capturing every aspect of the outfit. It’s not just the toub but the hair piece, the jewelry, the henna that she had done before she even came to Toronto for the festival, by a South Sudanese artist in London. And there was just so much attention to detail about how that henna looked on her hands, and how the henna looked on her feet, and making sure that I was also getting those aspects of it. Because each detail is really important to the outfit as a whole.
It all seemed so intentional. And I love what Michaela said in the Vogue piece about how the color of the traditional toub was dark brown, because she wanted to bring attention to how dark-skinned women are treated specifically.
NB: I didn’t have as much conversation around the color choice of the garment, but I could definitely see why that was intentionally done. She did have a lot of conversations around the fact she was making sure to include [certain pieces] because West Sudan is the is currently the one in the most crisis, or she would say, ‘I want to make sure I’m amplifying these specific voices’ so I could definitely see why she made that particular choice, especially because a lot of traditional Sudanese toubs that are worn on an everyday basis, or to a special gathering, are usually super colorful and bright. So for her to choose something that’s not shimmery and not super textured, and go with something that’s very plain and a very specific color, it was a more modern take on the toub, from my perspective. It’s like bringing the toub to the everyday person.
Did Michaela say why she wanted to showcase this look in Vogue specifically? Was it that she wanted it on the biggest platform possible?
NB: Not specifically. But there was so much conversation [around], ‘Guys, we have to get these pictures done as well as possible and get as much traction as possible, because we don’t want them to pull the photos. When I was approached, I was told that Vogue was okay with iPhone photos, and [Michaela] wanted to reach out to me on her own accord, like, no, let’s get a Sudanese photographer in. Let’s make these pictures as amazing as possible, so that they don’t have any reason to not use them, or to not go ahead with this article. Let’s push them to like the pictures so much that they’ll put them on their social feed and they’ll put them on their story, just pushing to get eyes on Sudan and just making sure we’re utilizing our platform to the best of our abilities. From my understanding, she just wanted to utilize Vogue in particular because she knows how big of a platform it is.
The shots are stunning and you did make it undeniable. These are just so good that they had to run them. Can you talk to me about using art, fashion, and beauty as a way to make political and social statements? Why do you think that’s so effective?
NB: I would say that it’s kind of threaded through all my work., I’m a Black Muslim girl who doesn’t have any links to the fashion industry, doesn’t have any links to the photography industry, it’s really been a breaking of the wall, like the glass ceiling at every single stage possible. And I have always been pretty vocal about my personal beliefs and that I’m not willing to conform just so I can get the job, because at the end of the day my belief system and my moral system just says, Oh, this is just not worth it. I feel like the ability to be able to use fashion and art and all these things is just a more digestible way for people to understand and maybe get connected to it. I’ve grown up with the Teen Vogues [and], I remember reading these stories that were super impactful, but then they were always complimented by beautiful images. I was like, oh, okay, it’s possible for us to have these nuanced conversations, but then at the same time, we’re utilizing art to make a statement.
Is there anything you want to say to or about Michaela after having this experience with her?
NB: My respect for her has gone up tenfold. I truly did not get a sense that it was a performative act. She genuinely wants to learn about Sudan. When I first came into the room, she greeted me with a Sudanese greeting. She’s like, ‘I know it. I know how to do it!’ And it was just so charming. And she had a whole Sudanese playlist. Ebaa, who put everything together, is also her friend, and has been informing her on a lot of the issues, and she genuinely cares. When I first got introduced to this project, I thought maybe the movie was about Sudan, and so that’s how we were trying to relate. None of this has anything to do with Sudan. She just saw an opportunity to be able to be like, ‘Oh, I’m going to this big, huge premiere that I’m doing, and at the same time, I can do this activism at the same time.’ People will see it and they want to do more research so now they know.
We’re utilizing art to make a statement.
nabra badr
I think that was really exciting. I just kept telling her, ‘this is so important.’ So many people would shy away and feel uncomfortable because they don’t want to burn any bridges or ruin any relationships, but she’s willing to go above and beyond. That’s someone I really respect. I would say that she’s great at what she does in her artistry, but she also just has this incredible ability to empathize with other people, be compassionate, and utilize her platform for good, which you don’t always see nowadays because a lot of people fear backlash.
Like what you see? How about some more R29 goodness, right here?
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“Vince Camuto has remained a mainstay in my footwear collection since I was in high school. Now, in my early 30s, I still like to keep a reliable pair of the brand’s boots in my core rotation, and this block-heel style is my choice,” says Glamour contributor Shelby Ying Hyde. “This knee-high style has a classic silhouette and a round toe that looks especially great peeking out from underneath maxiskirts or flared jeans.” Online reviewers are also smitten: “I have really big feet, so it’s hard to find a less expensive boot that still looks good and has structure,” one reviewer shares on TikTok. “I tried on over ten pairs of knee-high boots…and these are doing the job really well.”
Sizes: 5–12 in narrow, standard, wide, and extra-wide-calf / Colors: 3 options / Material: Leather / Heel height: 2 in.
