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jummy84

jummy84

R Madhavan says white women once avoided Indian men but not anymore: ‘Now they think we are entrepreneurs, say hello'
Bollywood

R Madhavan says white women once avoided Indian men but not anymore: ‘Now they think we are entrepreneurs, say hello’

by jummy84 November 13, 2025
written by jummy84

Actor R Madhavan recently recalled that a few years ago, when Indian men travelled abroad, white women would often be cautious around them, assuming they were trying to flirt. He added that this perception has completely changed now.

Madhavan will soon be seen in Anshul Sharma’s De De Pyaar De 2

Madhavan reveals

Madhavan spoke about how the perception of male characters on screen has evolved during his appearance on BookMyShow’s Unscripted show on YouTube. He was joined by his De De Pyaar De 2 co-stars Ajay Devgn, Rakul Preet Singh and Meezan Jafri for the candid conversation.

Madhavan recalled that a few years ago, when Indian men travelled abroad, gori ladkiyan (white women) would often be cautious around them, assuming they wanted to flirt with. He added that this perception has completely changed now. In fact, he joked that white women today are more likely to approach Indian men, believing they’re entrepreneurs.

“Sari gori ladkiyan aise dekhti thi jaise unko line marne aaye hain (When we used to go abroad and go to a bar, all the white women would look at us like we were there to hit on them). Now, it is such that when an Indian enters a space, four white women walk towards us thinking we are some entrepreneur and they want to say hello. I have not seen that Indian in the movies yet,” he said, adding that he wants to see this version of Indian men in the movies.

Speaking about his desire to collaborate with new directors, Madhavan said that with years of experience behind him, he now wants to blend his learnings with a filmmaker’s fresh and refined storytelling approach. “The thing that is getting in my way right now is the filmyness of the industry in terms of the way they think. They all are making stories to please their mentors,” he said.

About Madhavan’s work

Madhavan will soon be seen in Anshul Sharma’s De De Pyaar De 2, the sequel to Akiv Ali’s 2019 film De De Pyaar De. The sequel also stars Ajay Devgn, Rakul Preet Singh, Gautami Kapoor, and Meezaan Jafri. The sequel appears to pick up where the first film left off. De De Pyaar De 2 is produced by T-Series Films and Luv Films. It will be released in theatres on 14 November.

He will also be seen in Dhurandhar. Some days back, Ranveer Singh unveiled the first poster featuring actor R Madhavan from Dhurandhar. Taking to Instagram, Ranveer shared the poster and called Madhavan’s character “Charioteer of Karma.” Directed by Aditya Dhar, Dhurandhar also stars Ranveer, Arjun, Akshaye Khanna, and Sanjay Dutt. The movie is jointly produced by Aditya Dhar, Jyoti Deshpande and Lokesh Dhar. Dhurandhar is slated to release in cinemas on December 5, 2025, followed by a premiere on Netflix.

November 13, 2025 0 comments
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Radiohead, Dua Lipa Petition UK Government to Cap Ticket Resale Prices
Music

Radiohead, Dua Lipa Petition UK Government to Cap Ticket Resale Prices

by jummy84 November 13, 2025
written by jummy84

A group of more than 40 British musicians, including Radiohead, Dua Lipa, and Coldplay, have signed a statement to the U.K. government asking Prime Minister Keir Starmer to honor his pledge to tackle “extortionate and pernicious” websites that resell concert tickets.

In the statement, artists like Sam Fender, PJ Harvey, The Cure’s Robert Smith, Iron Maiden, New Order, and Nick Cave asked the government to take action against “secondary ticketing” platforms like Viagogo and StubHub.

“For too long certain resale platforms have allowed touts to bulk buy and then resell tickets at inflated prices, forcing fans to either pay above the odds or miss out entirely,” they wrote. “This erodes trust in the live events sector and undermines the efforts of artists and organizers to make shows accessible and affordable.”

The statement asks for a hard cap on on resale prices to “help fix elements of the extortionate and pernicious secondary ticketing market that serve the interests of touts, whose exploitative practices are preventing genuine fans from accessing the music, theatre and sports they love.”

Other signees include organizations like UK Music, FanFair Alliance, and the Football Supporters’ Association. The letter, created in tandem with a study from consumer group Which?, notes that the end of for-profit resale would make it “easier for fans to spot illegal behavior” and would not encourage fans to seek resale tickets on less regulated sites.

“Today’s joint statement makes clear that artists, fan organizations and consumers reject the broken ticketing market that has allowed touts to thrive for too long,” Lisa Webb, Which? consumer law expert, said in a statement alongside the letter. “The Prime Minister pledged to protect fans and a price cap on resold tickets will be a critical step towards fixing this industry, but he must commit to this legislation by including it in the next King’s Speech. Further reforms are also needed to ensure sellers actually own the tickets they advertise before listing them, that resale platforms ensure the identities of sellers and key information about a ticket are verified and that the new rules are effectively enforced.”

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Starmer’s Labour government promised during the last general election to cap ticket resale prices, however hasn’t taken the necessary action yet. In January, the government launched a consultation on a cap amount that would limit the price increase to between zero and a 30 percent on the face value of a ticket.

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A government spokesperson told the BBC, “This government is fully committed to clamping down on touts and is going further to put fans back at the heart of live events. We have carefully considered evidence provided in response to our consultation earlier this year and will set out our plans shortly.”

Which? also released the results of a consumer study that took place in August and September. The organization looked into traders selling tickets for some of the biggest U.K. events on Stubhub and Viagogo. It found that many resale tickets were aggressively inflated in price. For instance, Oasis tickets for the band’s Wembley Stadium shows were listed for £3,498.85 on Stubhub and £4,442 on Viagogo. A ticket for the All Points East festival in London’s Victoria Park, headlined by Raye, was listed for £114,666 on Viagogo.

November 13, 2025 0 comments
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Taylor Frankie Paul on
TV & Streaming

2026 Premiere Date, Cast and More Updates

by jummy84 November 13, 2025
written by jummy84

The Bachelorette is about to enter its Taylor Frankie Paul era. During the November 12 finale of The Golden Bachelor Season 2, Bachelor Nation fans got a first glimpse of Taylor’s season of The Bachelorette Season 22.

The footage featured a conversation between host Jesse Palmer and the 31-year-old single mom of three after a group date with her contestants. Jesse candidly admitted that Taylor’s men “got lashed” by her on the outing. “I think some of these guys are still licking their wounds, actually,” Jesse told Taylor.

November 13, 2025 0 comments
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Isla Fisher & Rosamund Pike Are As Obsessed With Their Now You See Me: Now You Don’t Co-Star Ariana Greenblatt As We All Are
Fashion

Isla Fisher & Rosamund Pike Are As Obsessed With Their Now You See Me: Now You Don’t Co-Star Ariana Greenblatt As We All Are

by jummy84 November 13, 2025
written by jummy84

The Louvre heist was not just an elaborate stunt dreamed up by the Now You See Me: Now You Don’t marketing team to promote the third instalment of the franchise. Well, we’re pretty sure it wasn’t. “No comment,” the film’s stars Rosamund Pike, Ariana Greenblatt, and Isla Fisher respond in unison when I ask them to clear up the rumors once and for all. The trio is sitting side by side (by side) in New York City during the movie’s press junket and their easy rapport and deadpan comedic timing is as pitch perfect offscreen as it is on the big screen. 

Now You See Me: Now You Don’t reunites Fisher with original cast members Jesse Eisenberg, Dave Franco, and Woody Harrelson as the OG four horsemen, a team of magicians who also do heists. In this sequel, they reunite to recruit three new illusionists (Greenblatt, Dominic Sessa and Justice Smith) for their toughest job yet: the theft of the world’s biggest diamond. The timing of the release has made for some hilarious memes as the internet continues to revel in the absurdity and fantasy of the real-life Louvre heist. In a time when unemployment is on the rise and the rich are running amok and wreaking havoc on the poor — and the social services in place to support them — who doesn’t love the idea of rogue rascals sticking it to a bougie institution by running off with its crown jewels? That’s exactly what you see, and get, with Now You See Me: Now You Don’t. 

Fittingly, the movie’s big bad villain is a white South African named Veronika Vanderberg (played by Pike who is having the time of her life as the delightfully devilish foe) and it’s full of the escapist eat-the-rich energy that seems to be permeating the zeitgeist now more than ever (recession indicator). Plus, the movie is about as anti-capitalist and anti-billionaire as a popcorn flick about magicians can be. 

“Everyone needs a little bit of magic right now,” Fisher says when I ask about the film’s anarchist spirit. She’s right. This instalment is just as silly and entertaining as the previous two (with another twist you won’t see coming), which is exactly the vibe it feels like audiences are craving. And these three women from different generations who occupy three very different spaces in Hollywood — the Gen Z rising star (Greenblatt), the comedy queen primed for a comeback (Fisher), and the Oscar-nominated powerhouse (Pike) — are the perfect trio to pull off the impossible: sprinkling a little joy onto our timelines. 

Here, along with gushing over Greenblatt, the stars talk about bonding with the stacked cast, the illusion of Hollywood, and decide which pop stars would make the best magicians. 

Refinery29: Isla, you are returning to this franchise after a decade while Rosamund and Ariana are new to it. How did you welcome the new cast to this world and did you give them any advice? 

Isla Fisher: At the beginning, it was quite interesting. There was a bit of a divide. There were the old horsemen and we would go to set on time, no offense. Oh, we’d stand on our marks waiting, and we’d wait for the new ponies to show up, and they would be very suspicious of us and use words like “rizz” and “slay,” which we didn’t understand [laughs]. Then, finally, I think it was the time that actually Morgan Freeman showed up on set that we were able to join together, and then we became the best of friends. All of us get on so well and it suddenly went from being two organisms to one loving family.

She’s so forward thinking, she’s so progressive, she’s such a feminist…. Who is this magical unicorn that exists?

isla fisher on ariana greenblatt

Rosamund Pike: That’s the first day I showed up on set and I didn’t know [what to expect]. 

IF: I knew, and have always been a massive fan of [Rosamund’s] so I was so excited that she was joining us, because obviously she’s the most brilliant actor. I felt very comfortable right away with her.

Ariana Greenblatt: Justice [Smith] and I were so excited the day [Rosamund] showed up. So excited [and] so nervous. It was the queen arriving. Justice and I have this ongoing competition for your love that you don’t know about. 

RP: Well, you came to my play so you’re winning.

AG: I supported her when I was in London, and it was the best thing ever. But yeah, I feel like Dominic [Sessa], Justice, and I were equally nervous to join this already existing family. And they really welcomed us with open arms. And it was a quick bond. 

Rosamund Pike as Veronika in Now You See Me: Now You Don’t. Photo Credit: Katalin Vermes

Rosamund, your character Veronika Vanderberg is such a good villain. You’re very good at playing characters we love to hate like in I Care A Lot and Gone Girl, for example. What is it about those roles that you are drawn to? 

RP: I hesitated to do this because I thought, maybe nobody needs to see me do that again. And then I realized it wasn’t exactly again, because Veronica is different. I mean, basically because she’s got a different accent, which is good enough for me [laughs]. Once I decided that she could sound different, I thought, yeah, I’m going to do this. Ruben [Fleischer], our director, promised that I would have a great time on this film and people say that, but he was absolutely right. We had a great time. I was sad to leave it behind. These guys need a good adversary, don’t they? And with Veronica, I was interested in whipping her character into a shape where she was having fun, and then I hoped that an audience would have fun watching her demise, because the more arrogant she can be, and the more pleasure she’s taking in herself for the longest time, then the greater the glee when you know she falls apart if she does. 

Ariana, your character June has this great, dry, dark sense of humor. She’s really smart but constantly underestimated because of her size and she’s a young girl. Why do you think teen girls are consistently underestimated and what did you enjoy about getting to explore that? 

AG: Yeah, absolutely. It’s an unfortunate male-dominated world and they see a five-foot girl and they’re like, you can do nothing. June is the definition of underestimated. She doesn’t flaunt what she can do, and she doesn’t really have to prove anything loudly to people. She just kind of lets it speak for herself when needed. And I think that was the most fun for me with June. When the time comes and when there’s danger ahead, she’s good. She doesn’t need anybody else. That was really fun.

It’s an unfortunate male-dominated world and they see a five-foot girl and they’re like, you can do nothing.

ariana greenblatt

IF: And she did a lot of stunts. I’m just gonna, like, blow her up for a minute. [Ariana] is the most precise stunt person. [Ariana laughs]. You don’t laugh at this! This is genuine. What she can physically do — her prowess in the fight sequences that she does in this movie were amazing. I’ve seen her do it in other films, but seeing you do it on set, and watching you, particularly when you climb the wall and just you’re deeply athletic, which is, of course, impressive, but it translates into her stunts being another level. It was so cool to watch. You could be like Tomb Raider! 

RP: It’s precision and power and accuracy. 

IF: Yeah! And it’s control. It’s also bravery. You have to silence that inner voice to really perform it. And she does it perfectly.

AG: Thank you. 

RP:  And you look cool doing it, whereas I think I can do stuff like that but when I do it, I just don’t look cool. 

IF: Yeah, it’s a wedgie for mom, it doesn’t go well for us. It’s just bingo wings and wedgies [laughs]. No one wants that.

AG:  Thank you. I appreciate it. 

Dominic Sessa as Bosco, Justice Smith as Charlie, and Ariana Greenblatt as June in Now You See Me: Now You Don’t. Photo Credit: Courtesy of Lionsgate

Isla and Rosamund, listening to you talk and hype up Ariana, I want to know if there’s something you wish you knew at Ariana’s age that you would go back and tell your younger selves?

RP: Everything. 

AG: Everything. But she already knows it. And I knew that about her before I even met her, because I have daughters. And they would give me Ariana quotes and I’d say, “Who said that?” And they’re like “Mommy, the actress from Barbie. She’s so forward thinking, she’s so progressive, she’s such a feminist.” And I was like, “Who is this magical unicorn that exists?” Back in our day, we used to talk about which boys liked us, and it was just so brilliant to meet her and have the wealth of her very unique perspective. She’s such an original thinker. She lives her life authentically. I’m sorry, this has turned into a talk show about you [laughs]. 

RP: I didn’t have any of that sort of smarts or eloquence or ideas that were beyond my knowledge. I feel like Arianna is such a much more global citizen than I was at that age. Here we are in New York and I remember the first time I came to New York. I just didn’t know what to do with the city or how to be in this city. You’re so well traveled. And I just remember looking at a bowl of berries, which didn’t even exist in London, and thinking, “America!”

Ariana, what does it mean to you to hear these two talk about you like that?

AG: It’s amazing. It’s so validating, especially from women like these two, and they’re so talented and they’re so intelligent, and I just love being in their presence and being able to work with them. I kind of just soaked up everything and more. It’s incredible. I feel like I never know what I’m saying or doing at all. So from an outsider’s perspective, knowing that I could be on the right path or that I’m doing something correct is really, really nice. I tend to be an overthinker, so it’s nice to be validated by people I would dream to be validated by. 

Now You See Me is all about illusion, nothing is as it seems. You could say the same about Hollywood. Was there something in this industry that maybe isn’t as it appears from the outside looking in that surprised you to find out once you were in it? 

RP: Yeah, men take way longer in makeup than women! 

IF: And then they act like they’re really alpha, but they’ve got mascara on. It’s like, honey, I would listen to your opinion, but you have a foundation line that ends at your chin. 

AG: [laughs] Absolutely! They need their snacks and their massages. And it’s like we’re wearing a corset. For me, obviously, [you’re shooting] for months, so there’s the time of the month when you’re a woman and you have heels on and a corset and you just have to live life like that’s normal. And I just remember being like Ow, it hurts. And no one understood, except my fellow girls. 

IF: We get it. We get it! I feel like the biggest surprise for me was the red carpet piece being so corporate. I always thought it was a moment to express yourself and just wear something that you like, but it’s a lot. It’s a business. It’s more of a business than maybe it appears from the outside.

AG: For me, what was shocking was how many like stories that I’ve heard about how people mistreat other people, like they think that they are better than everyone else that’s making them who they are. I’ve been getting my hair and makeup done and I hear stories. It’s not in my nature to even think that that’s acceptable or okay. But the people that seem super gracious, unfortunately they mistreat people.

IF: Are you looking at me? [laughs] Where’s my coffee! 

Woody Harrelson as Merrit McKinney, Jesse Eisenberg as Daniel Atlas, Dominic Sessa as Bosco, Dave Franco as Jack Wilder, Justice Smith as Charlie, Isla Fisher as Henley Reeves, and Ariana Greenblatt as June in Now You See Me, Now You Don’t. Photo Credit: Katalin Vermes

OK, we’re going to end on some rapid fire questions. Who’s most likely to pull off a heist?

IF: Rosamund, obviously!

RP: Ariana.

AG: [laughs] The duo! 

RP: I’ll tell you how to do it and she’ll execute. 

Which one of you is driving the getaway car?

RP: Isla’s driving the getaway car.

AG: Isla, you’ve got the car. 

IF: Correct. I’m very good with a minivan. I know, it’s sexy. 

If you could have any magic ability, which one would you pick?

IF: Getting my kids to eat vegetables! 

RP: Oh god, invisibility.

AG: Yes! 

Which pop star would make the best magician? 

IF: Dua Lipa because she sings that song “Levitating.”

RP: Eminem.

AG: I was gonna say Charlie XCX. Or Billie [Eilish], because she’s a siren so she’ll lure your brain like Merritt [McKinney, played by Woody Harrelson]. She’ll do some mentalism. 

RP: That’s four horsemen right there. 

That’s a good lineup. The Louvre heist was pulled off in seven minutes. What could you pull off in seven  minutes? 

RP: I couldn’t even get out of bed in seven minutes.

IF: You know what’s weird about this? I do a seven- minute workout. There’s this thing that you can Google, and it’s called a seven-minute workout. 

RP: I told you you have the legs of a teenager. 

AG: Nothing’s getting done in seven minutes. 

Which star sign would make the best horsemen illusionist?

IF: Scorpio! Cunning, manipulative. 

AG: Gemini, because don’t you have to be like two different people?

RP: Yeah, Gemini. 

What’s something that you would rant about for 29 seconds? What’s the thing you want to go off on?

RP: Okay, I’m ranting about those little foil things that you get at the end of a tube of toothpaste when you really need to brush your teeth and you need to be really fast, and then you get the cap off, and there’s one of those funny foil things, and you’ve got to get your nail under it. Those things really piss me off. 

IF: I’m going to go with parent chat groups. I’m on one right now that’s done my head in. If somebody just writes, “Thanks,” your phone just vibrates for hours and hours. You don’t need to thank anyone. Just stop texting. And then when you ask something real, like, “What day is book week?” and “Is it like pajama day?” it’s silence, crickets. You can’t get anyone on there. 

RP: And we should never say thanks to an AI either. It’s apparently using up loads and loads of energy just to say thanks to people. 

AG: Or using it in general. 

RP: Being polite costs masses and masses of wattage. 

IF: I thought if you weren’t polite, then when [AI] comes to take over us, they’ll just pick all the rude ones first.

RP: [laughs]

AG: I want to rant about mean people on the internet and in real life. You’re not better than anybody. Seriously, like, learn some manners. I can’t stand it. 

RP: This is what we’re talking about. I’m talking about the silver foil at the end of a toothpaste and she’s talking about something global and relevant. I’m utterly selfish. 

IF: You’ve just highlighted the generational difference [laughs].

AG: There’s so much hatred. It’s so useless, it’s so annoying. It’s so much easier to just be chill. 

IF: Take the silver thing off the toothpaste! 

AG: And don’t say thank you to AI! And AI actresses don’t exist! 

This interview has been edited and condensed for clarity. 

Now You See Me: Now You Don’t is in theaters this Friday, November 14th.

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November 13, 2025 0 comments
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Kim Kardashian says dating is 'less and less appealing' after her divorce
Celebrity News

Kim Kardashian says dating is ‘less and less appealing’ after her divorce

by jummy84 November 13, 2025
written by jummy84

13 November 2025

Kim Kardashian says dating has become “less and less appealing” after her divorce.

Kim Kardashian has become more ‘comfortable’ on her own

The 45-year-old star – who split from ex-husband Kanye ‘Ye’ West almost five years ago – has admitted she has become “really comfortable” without a man in her life.

Speaking in a confessional on The Kardashians this week, she said: “You get really comfortable the longer you’re single.

“You get really comfortable being single and the thought of you sharing a bed or your TV shows with someone else becomes less and less appealing because you get set in your ways.”

Following her split from Kanye, Kim had a romance with Saturday Night Live comedian Pete Davidson, before being linked to NFL star Odell Beckham Jr for a few months until April 2024.

She and Kanye have children North, 12, Saint, nine, Chicago, seven, and five-year-old Pslam together.

Her All’s Fair co-star Sarah Paulson admitted on the reality show that she’s noticed Kim needing to “protect” herself from the outside world.

She added: “Even think about the amount of times you’re trying to keep everything little and tight around your kids.

“I’m actually wanting more for you of whatever the great romance of your life is, for that to be able to bloom.”

Kim acknowledged the front she’s put on since the divorce at times, but insisted she’s making the right decisions for herself.

In a confessional, she said: “I know Sarah feels like I have put up this wall to overprotect myself so that I just may be don’t open up to love.

“But it’s OK to close down a bit and focus on the things that I want in life.”

However, she remains open to embracing love in her life when she finds the “right person” to share it all with.

She added: “I’m the biggest hopeless romantic. When the right person comes along, I’ll be so ready and everything will be fine.”




November 13, 2025 0 comments
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Prayer meet of Sulakshana pandit
Bollywood

Raveen Tandon to Play PM Modi’s Mother in Maa Vande

by jummy84 November 13, 2025
written by jummy84

Maa Vande, an upcoming multilingual film based on the life of PM Narendra Modi, was officially announced to coincide with his birthday on September 17. Starring Unni Mukundan, the film is directed by Kranthi Kumar Ch and produced by Veer Reddy under Silver Cast Creations. The biographical drama is presently in pre-production.

Raveena Tandon to play Heeraben

While Unni Mukundan is reprising Narendra Modi, we have learnt that Raveena Tandon has been finalized to play Modi’s mother late Heeraben. Apparently, when the actress was approached to play the part, she was so moved by the principles of Heeraben. The strength, depth and the arc of the layered character resonated with Raveena. The actress reportedly green lit the character 45 minutes into the narration. Heeraben’s life has been committed to values, and she has been like a teacher to Modi. On several occasions earlier, Modi spoke highly of her. Heeraben’s early struggle – losing her mother early in her childhood – how she held the family together with calm and fortitude, and her strong principles which stood the test of time have inspired Raveena to take on the challenging character.

Raveen Tandon Modi Maa Vande

Sacrifice and symbol of resilience

Heeraben was a source of inspiration and strength for Modi. The principles by which she raised him shaped his personality. Far beyond her story deprivation, is the glorious story of a mother. “Maa Vande is a film that predominantly focuses on mother-son relationship. The film majorly chronicles the sacrifices, resilience and the contributions she made to better his life. And Raveena Tandon was fascinated at this element and wanted to be part of the story,” informs a source from the unit. The actress would soon commence preparation for her role. She will undergo a complete makeover for the character. The film is being mounted on a massive scale with cutting-edge VFX technology

Also Read: Chikiri Chikiri: RGV Says, Ram Charan Is Raw, Real, and Explosive

November 13, 2025 0 comments
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AC/DC Shook Melbourne All Night Long, Scientists Confirm
Music

AC/DC Shook Melbourne All Night Long, Scientists Confirm

by jummy84 November 13, 2025
written by jummy84

AC/DC came to rock the Melbourne Cricket Ground on Wednesday night, Nov. 12 and the city felt it.

The opening date of AC/DC’s Power Up tour of Australia made waves that were detected by earthquake monitoring equipment, and could be felt, and heard, deep into this former Olympic City.

According to Adam Pascale, chief scientist at the Seismology Research Centre, the concert registered in the 2-5 hertz range at their office in Richmond, some 2 miles from the concert at the towering MCG.

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That’s enough force for people to feel the ground move.

“The sound waves that people were experiencing nearby and feeling something through their bodies, that’s the equivalent to what our seismographs feel,” Pascale told the Australian Broadcasting Corporation. A resident some 6 miles away told the ABC they could hear the concert.

“We’re picking up the ground motion, we’re not picking up the sound from the air,” Pascale added.

“So, you’ve got speakers on the ground pumping out vibrations and that gets transmitted through the ground, but also the crowd jumping up and down is feeding energy into the ground.”

Although AC/DC came to rock, the largest signals received by the Seismology Research Centre were generated by Taylor Swift’s record-busting three-night stand at the MCG in 2024, Pascale remarked.

Stadium rock can move us, literally. Oasis’s now-completed tour of Live ’25 tour of Australia (via Live Nation) generated a “clear uptick in seismic signal” when fans “started pounding the ground” at Marvel Stadium during a show earlier in the month, the center confirmed earlier.

AC/DC doesn’t do things by halves. These latest round of shows require 300 tons of steel to build the production, with 28 tons of PA and speakers pumping out the sound. A crew of 155 are working each show, which consumes 500kw of power every night.

With Angus Young on lead guitar, vocalist Brian Johnson, rhythm guitarist Stevie Young, drummer Matt Laug and bass player Chris Chaney, the Rock Hall-inducted legends ripped out the classics at the MCG, including “Back In Black,” “Thunderstruck,” “Hells Bells,” “Riff Raff” and much more.

AC/DC last toured Australia and New Zealand in 2015, the domestic leg of their Rock or Bust world tour. On that visit, Young and Co. shifted more than 520,000 tickets across 11 coast-to-coast dates, including shows in Auckland and Wellington.

Next up, the second of two shows this Sunday (Nov. 16) at the MCG, followed by dates in Sydney, Adelaide, Perth and Brisbane.

TEG Van Egmond, a division of TEG, is producing AC/DC’s nine-date national tour, with special guests Amyl & The Sniffers.

AC/DC 2025 “Power Up” Australia Tour Dates:

Nov. 12 — Melbourne Cricket Ground (completed)

Nov. 16 — Melbourne Cricket Ground

Nov. 21 — Accor Stadium, Sydney

Nov. 25 — Accor Stadium, Sydney

Nov. 30 – Adelaide bp Adelaide Grand Final

Dec. 4 — Optus Stadium, Perth

Dec. 8 — Optus Stadium, Perth

Dec. 14 – Suncorp Stadium, Brisbane

Dec. 18 – Suncorp Stadium, Brisbane

November 13, 2025 0 comments
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'Sirat' Director Oliver Laxe on His Stealth Oscar Entry
TV & Streaming

‘Sirat’ Director Oliver Laxe on His Stealth Oscar Entry

by jummy84 November 13, 2025
written by jummy84

Just as “Sirāt” is a twisty thriller that takes you unexpected places on its tragic journey into the dystopian desert unknown, the heady filmmaker behind it, Oliver Laxe, is not your average interview. His fourth European feature, “Sirāt” is his breakout: It wowed critics at Cannes, shared the Jury prize, and won the Cannes Soundtrack Award for Best Composer for Kangding Ray.

Neon picked up “Sirāt” as one of the company’s five international features vying for a slot in the final Oscar five. I’ll wager the movie will wow the stateside arthouse box office as it has France and Spain and four other countries (worldwide gross: $9 million). Audiences have never seen anything like it. (IndieWire’s critics poll voted “Sirāt” the best film in Cannes.)

THE ALABAMA SOLUTION 2025. © HBO Max / Courtesy Ev,erett Collection

This shocking piece of cinema is best left undiscussed. The less you know about it going in, the better. The French-Spanish-Galician filmmaker is begging folks not to share its secrets.

For context, the movie starts at a rave in North Africa: Huge speakers amplify the booming beat against looming cliffs as ravers dance in delirious abandon. Winding through the crowd is a Spanish father (Sergi López), his son, and his dog. They are doggedly searching for their missing daughter/sister, who has left home to follow rave culture. As the military arrives and shuts down the rave and directs traffic away, the family jumps into their car to follow a caravan into the mountains. They befriend a small commune of nomadic ravers seeking their next high. Somewhere in the distance, a war is raging. As the group drives into more rigorous and remote areas, they band together to survive the obstructions coming their way.

We met at Neon’s offices in New York, as Laxe, 43, sincerely lays out his filmmaking philosophy. “For me, the ontology of cinema [is] images,” he said. “If a film is connecting with people, it is because, in my films, in terms of proportions, there is a spiritual geometry in my images. They are connected with my unconscious and with the collective unconscious.”

Why is the movie reaching so many audiences? “The film is a medicine,” he said. “Sometimes, when it doesn’t taste good, we put honey on the edge of the glass [so that] it’s sweeter. People think the film is sexy, for the music, the techno. A lot of young people are coming in France, youngsters are watching, are connected with the film. That was one of my intentions: to make a film for young audiences, to invite them to come to the film theater.”

No question, Laxe takes his filmmaking seriously, on many levels. During the writing and pre-production process, he struggles to be strong enough to protect his fragility, he said, so that “the images arrive alive at the end in the edit process. I’m sorry to say, but most images, nowadays in cinema, they have too much weight, because images are used to say something, to tell something. And they don’t. They are not alive anymore.”

'Sirât'
‘Sirāt’Neon

The reason “Sirāt” has so much force: “Our images can penetrate the human metabolism because they are still not domesticated,” he said. “Filmmakers have to know where, when to stop. We have to stop at the right time in order to not put too much weight into the images. And David Lynch was an expert on this: He’s still the guy who knew how to keep this unconscious imagery, all our fears, all our desires, all our dreams, all our nightmares. I’m making sorcery like him.”

Of course, Laxe studied “The Wages of Fear” and “Sorcerer” when preparing to shoot his hazardous North African road movie. But the movie is more than just road scares. “‘Sirāt’ has three dimensions,” he said. “The physical dimension, the physical adventure. That’s where these films and ‘Mad Max’ are dialoguing with ‘Sirāt,’ or we are dialoguing with them. We were joking that we were making ‘Mad Max Zero,’ the pre-apocalypse. But these films, they are not much existential or transcendental.”

That brings the next dimension. “There is another layer that is existential,” he said. “And for this dimension, we were inspired about American movies from the ’70s: “Vanishing Point,” “Two Lane Blacktop,” “Apocalypse Now,” “Easy Rider.” All these films, we don’t know what they are about, but they were expressing the fears and the desire of the American society in the ’70s, and we can feel all the energy of this decade, the angst. This is powerful. That’s why we want to make films: We want to be connected with our time.”

And the third dimension? “That is the more metaphysical,” said Laxe. “For me, obviously, my master is [Andrei] Tarkovsky, and in particular, for ‘Sirāt,’ was ‘Stalker’ and ‘Nostalgia.’”

Oliver Laxe at the Neon offices
Oliver Laxe at the Neon officesAnne Thompson

“Sirāt” is filmed in Super 16mm. “Chemistry,” he said. “My purpose is to make images that will be with a spectator after watching the film for a long time. It’s better to work with this alchemy. Obviously, after the film, art is digitalized … a digital image can also penetrate a spectator, but not at the same level. There is imperfection. It. Art is about mistakes.”

The sound design, meanwhile, is extraordinary, especially at the start of the film, when Laxe mounts a rave in the desert, surrounded by massive cliffs. “I discovered that I’m a musician making this film. For the first time I had the opportunity to work with a musician, Kangding Ray, before the shooting for one year and a half. We went to shoot with most of the music. The idea was to build a sound landscape, to watch the sound and to hear the image.”

After living in Morocco for more than a decade, Laxe absorbed his surroundings. “I see all this landscape, with all this erosion, all this violence,” he said. “This erosion is made by the snow, by the wind. We feel small. In ‘Sirāt,’ it works like this. We are in the mountain, so we feel that we are small. We are nothing, and we go to the desert. The mountain in Morocco is existentialist. ‘Who am I, what I’m doing here? I will die. I’m nothing.’ The desert is this abstract space where human beings cannot hide ourselves. We have to look inside. We look to the sky.”

As the caravan climbs into more precarious terrain, they have to overcome each obstacle thrown their way. Laxe loves to shoot in nature, “not because nature is beautiful,” he said. “It’s because nature is a manifestation of this creative intelligence that is behind things, call it God. So to shoot in nature, nature is manifesting. I like limits, as a human being, as a filmmaker. I like to be tested by nature, because I like to surrender myself to this, because I know that even if it shakes me, it is taking care of me. Life doesn’t give you what you are looking for. No, life gives you what you need. And there is a difference between one and the other, and that’s why human beings are, from time to time, frustrated. That’s why filmmaking is frustrating, because we are looking for something. But life is shaking you, giving you what you need. That’s why my films are really risky.”

In order to cast the film’s motley crew, Laxe turned not only to lauded actor Lopez, but some non-pros, friends he’s known for years. “Bigui [Richard Bellamy] was a friend from 15 years ago,” he said. “He’s on the script since the beginning when I’m writing. He’s a poet. He’s a Peter Pan. He lost his hand three years before the shooting. I had doubts if I [would] shoot him or not, because we already had someone who doesn’t have legs. I don’t like when you feel the intentions of the filmmaker: The filmmaker has to hide the proof of the crime. So I was afraid of having two people with deficiencies… At the end, I accepted that. I mean, I love them. I wanted them on my film. So I assume the consequences. It worked. It’s life who wanted them on the film, because at the end, it’s a film about the wound, about the pain of the war today.”

By using non-actors who have endured the vicissitudes of the world, Laxe didn’t have to develop the characters in a conventional way. “People watch too [many] series, so they are used to how the characters, the plots are developed,” he said. “But I don’t need this. My images say things and evoke things. I don’t need to develop the characters. You feel their gesture, their silence, their scars. Do you feel their wound exactly? You feel their soul. What else do you want we express about them?”

“Sirāt” feels like a message from the future. At the end of the film, a train appears, carrying refugees across the arid landscape. “This train is the future,” said Laxe, “[carrying] human beings, from different regions and races. We will go on the same train; we will be pushed. It’s difficult for us to change. The only hope is that life will oblige us to change. Life will push us to a limit, to an edge that we will be obliged to ask ourselves, ‘What is it to be human? Climate change, artificial intelligence, what is it to be human?’ The answer will be: more human. I have a lot of hope.”

Neon will release “Sirāt” in New York and Los Angeles on Friday, November 14.

November 13, 2025 0 comments
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Stylist Meredith Koop Is Finally Spilling on Michelle Obama’s White House Style
Fashion

Stylist Meredith Koop Is Finally Spilling on Michelle Obama’s White House Style

by jummy84 November 13, 2025
written by jummy84

The Look was Michelle Obama’s idea, of course. From the way her longtime stylist Meredith Koop tells it, the stunning new book about the former first lady’s White House style wouldn’t have happened otherwise.

“It’s been in the ether for a while,” Koop tells me over the phone about the idea for The Look, which is out now via Penguin Random House. “And obviously, me being the fashion person, I was involved in it.”

During her eight years in the White House, Obama avoided talking about her style so her clothing wouldn’t be a “distraction” from the many initiatives she championed during her time as first lady. That silence didn’t stop fashion media, however, from devouring every look. And through it all Koop has been her sartorial secret weapon. She’s worked with Obama since the earliest days of her husband’s presidency, when Koop says there was a “hyperfixation” on the first lady’s presentation, and has continued to help shape her style during her post–White House career as a speaker, author, producer, and yes, fashion icon.

“Being the first lady is a very, very rare position to be in,” Koop says. “There are very few of them, and having this peek inside of that world is so interesting. To me, The Look is a historical document.”

Courtesy of Penguin Random House

Stylist Meredith Koop Is Finally Spilling on Michelle Obamas White House Style

Elena Mudd

Within the first lady’s staff, Koop says, her role was a unique one. “There is one position that a first lady can fill with a person of her choosing. It could be child care, it could be a gardener, or it could be some assistant that they want to bring along with them. It could be anybody. And that person was me.”

As such, Koop was a bit of a one-woman show (not accounting for tailor Christy Rilling, who came in from New York for fittings with the first lady). Koop was responsible for conducting research, calling in clothing, presenting her vision to Obama, and then executing the final look with all the alterations and preparation that were needed. One of the most important, and most unpredictable, aspects of the job was what she calls risk assessment. And no, that doesn’t mean the potential for a wardrobe malfunction.

The first lady’s stylist is responsible for thinking through every possible scenario that could occur, from changes in the weather to an unforeseen national tragedy. “If you planned on wearing something bright and fun, maybe you’re going to make a different choice because of the political climate or the tone of what’s happening in current events,” she says. “Those are all things that had to be considered.”

November 13, 2025 0 comments
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Kim Kardashian on O.J. Simpson's Estate Selling Robert Kardashian's Bible
Celebrity News

Kim Kardashian on O.J. Simpson’s Estate Selling Robert Kardashian’s Bible

by jummy84 November 13, 2025
written by jummy84

All’s not fair for Kim Kardashian.

The reality star had heated words upon learning that her attempt to purchase a Bible her late dad Robert Kardashian Sr. had gifted to his friend O.J. Simpson was thwarted.

Not only was she frustrated with how her offer letter to buy the book for $15,000 was leaked online, but that the executor of O.J.’s estate—who was putting the keepsake up for auction after the athlete’s 2024 death—had rejected her proposal.

“I would’ve negotiated,” Kim shared on the Nov. 13 episode of The Kardashians. “I guess I had a little too much faith in humanity for a minute there.”

In fact, the All’s Fair actress said she would’ve shelled out up to $30,000 for the keepsake, which included a handwritten inscription from Robert to O.J. that read in part, “God has a definite plan for your life. You are his child and he will use you again.”

“It’s just really special,” Kim said of the Bible, explaining that her younger sister Khloe Kardashian was interested in having the book back in the family. “I was like, ‘Oh, I have to get this for her for her birthday.'”

November 13, 2025 0 comments
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