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Amaal Mallik labels trip to New Zealand as his ‘struggle’ after film flop; gets teased by Gaurav Khanna, Pranit More
Bollywood

Amaal Mallik labels trip to New Zealand as his ‘struggle’ after film flop; gets teased by Gaurav Khanna, Pranit More

by jummy84 November 12, 2025
written by jummy84

A lighthearted yet pointed moment recently took place inside the Bigg Boss house when singer-composer Amaal Mallik found himself being teased by fellow contestants over his definition of “struggle.” During a conversation about his journey in the film industry, Amaal opened up about his setbacks and challenges, but his account quickly turned into a source of amusement for the others, who playfully questioned what “struggle” really means for someone from a well-known musical family.

In Bigg Boss, Amaal Mallik shares his industry challenges, leading to humorous banter from contestants Gaurav Khanna and Pranit More about the nature of ‘struggle’ for someone from a famous musical family.

Amaal Mallik talks about his struggle

During a candid moment, Amaal said, “Meri bahut ladaai hai industry mein (I’ve had a lot of conflicts in the film industry). I wanted to be a cricketer, but that didn’t happen. My first film flopped, and when I tried assisting other composers, no one hired me. They used to mock me, saying, ‘Now you’ve become a music director.’ I felt so low that I called my aunt in New Zealand and told her I was coming there.”

His remarks drew amused reactions from housemates Gaurav Khanna and Pranit More. Gaurav laughed, “During tension, where is he going? New Zealand!” while Pranit quipped, “Rich people’s life. We used to go to Shirdi.” Gaurav added jokingly, “If I had to go somewhere, my mausi lives in Kanpur.” Pranit continued the teasing, saying, “Our struggle was such that we could only manage one trip to the US. These are first-world problems.” Gaurav concluded, “These types of problems, I can handle.”

Amaal Mallik, son of music composer Daboo Malik and nephew of musician Anu Malik, made his debut as a composer in 2014 with Jai Ho, contributing three songs to the Salman Khan starrer. Though the film and its music didn’t make a big impact, Amaal went on to create tracks for films like Roy, Ek Paheli Leela, All Is Well, Hero, and Airlift, gradually cementing his place in the industry.

Latest about Bigg Boss 19

In a major twist during this week’s Weekend Ka Vaar, a double eviction saw Abhishek Bajaj and Neelam Giri unexpectedly leave the house. With the five nominees being Farrhana Bhatt, Neelam Giri, Ashnoor Kaur, Gaurav Khanna and Abhishek, the surprising outcome was that housemate Pranit More, given a special saving power, chose to protect Ashnoor, leaving Abhishek and Neelam to be evicted. Viewers and fans were shocked: Abhishek, considered one of the strong contenders, received considerable backlash on social media. Ex-contestant Awez Darbar called the elimination unfair.

November 12, 2025 0 comments
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Did Shah Rukh Khan Really ‘Struggle’ in Bollywood? A Friend’s Claims Upset The Myth
Bollywood

Did Shah Rukh Khan Really ‘Struggle’ in Bollywood? A Friend’s Claims Upset The Myth

by jummy84 November 8, 2025
written by jummy84

When one of Bollywood’s most enduring superstar stories meets a dose of revisionism, it makes for complex headlines. Veteran producer-actor Viveck Vaswani has just made waves by claiming that Shah Rukh Khan never faced the kind of hardship commonly attributed to his “outsider” narrative. According to Vaswani, the actor arrived in Mumbai and was promptly housed in the posh Cuffe Parade locality—far removed from the myth of sleeping on pavements or struggling to make ends meet.

Vaswani, who sheltered Shah Rukh in the early 1990s and collaborated with him on his early film outings, said candidly: “Not once did he struggle from the road. He was living in Cuffe Parade. After he got married and needed a place, director Aziz Mirza helped with a house in Bandra.” He further underlines that Shah Rukh was treated with “kid gloves” from day one—from directors, neighbours and the small circle of industry friends who backed him. This stands in stark contrast to the oft-repeated “Delhi boy with nothing arrives in Mumbai and fights his way to superstardom” narrative.

For decades, Shah Rukh has answered questions about his background with the story of being a Non-Resident Delhi lad, coming from a non-filmy family, to conquer Bollywood. At the WAVES 2025 summit, for example, he insisted that what matters is not where you come from but how you make your place. He said, “I also have a problem with the distinction of the outsider and insider… where you come from is not important.” Yet Vaswani’s remarks suggest that the “struggler” tag may deserve a fresh read.

Why does this matter? Because the myth of the struggling outsider holds immense cultural currency in India. When a star like Shah Rukh is framed as having “nothing” and “coming from nowhere,” it becomes an inspirational tale—one that feeds into how audiences imagine merit, ambition and the “dream” of Bollywood. But if the scaffolding of that myth shifts—if it emerges that he was housed in luxury from the start or supported by key insiders—it challenges foundational parts of how we imagine “rags to riches” in entertainment.

There are multiple layers here. On one level, Vaswani is defending his friend and the industry: he argues the narrative laid out by Shah Rukh’s son Aryan Khan’s series—which painted Bollywood as cut-throat and filtering outsiders through narrow filters—was unrecognisably bleak compared to the experience Vaswani remembers. On another level, we confront the broader question of how star-mythologies are constructed. Did Shah Rukh truly struggle? Or did he start from a place of relative comfort Yes. And does it matter? Perhaps less for his star credentials, more for how future aspirants frame their own dreams.

What Vaswani’s comments force us to ask: If one of Bollywood’s biggest names did not face the “zero” baseline struggle, does the notion of “outsider triumph” change? Does the industry become less about overcoming and more about being well-placed, well-connected, well-served? The answer is probably a mix—but the discourse matters.

Also Read: Rashmika Mandanna’s Idea Of Love: ‘Will Take Bullet For Him’

Shah Rukh’s own responses suggest discomfort at being boxed into “outsider” labels, especially when he emphasises that his world always believed he belonged: “When I came here I never thought I was an outsider, I believed this is my world.” That said, the segment of film-culture and fandom that elevates struggling origins still persists. For them, Vaswani’s remarks may feel like a burst of cold water in a warm mantra.

At the same time, this is not a plea to diminish Shah Rukh’s achievements. His body of work, charisma, connection with fans and sustained success across decades are undeniable. But narratives matter—and when they are at odds with personal recollections, the gap becomes a space of critique. It also opens up questions of how the industry itself re-works mythologies: how star origin stories are edited, adapted and polished to fit the rhetoric of merit or destiny.

What could the consequences be? For aspirants, it might shift the email: success requires not just talent, hunger and hard work—but also support systems: housing, industry contacts and early-stage access. For commentary on nepotism versus outsider debates, it complicates neat binaries. Shah Rukh may still qualify as an “outsider” in terms of lineage—but he doesn’t necessarily fit the full classic trope of the struggling outsider.

For the audience, moments like this prompt a rethink. When we say “he built himself up from nothing”, do we mean literally nothing? Or do we mean lack of film family? When we celebrate the outsider victory, are we erasing the systems that held up an early path? Vaswani is effectively saying: I lived that era with him. I housed him. I watched him go from Delhi to Bandra to stardom. The narrative of hardship exists—but not always the one we expect.

In an industry enamoured by sloganeering about hunger, it matters to know that Shah Rukh himself said “hunger and ambition” are “lofty words” that don’t fully explain the realities. That candid statement, combined with Vaswani’s account, underscores that the storytelling we absorb about stardom may need more nuance.

In the final analysis, one doesn’t need to discard the outsider label entirely. Shah Rukh lacked scripted industry lineage—he didn’t arrive as a star-kid with immediate launch pad. But neither did he arrive as homeless, struggling to get a break—according to those who knew him then. And maybe that complexity is where the real story lives: not in a mythic ladder-climb, but in a network-in-motion guided by talent, timing and access.

For Bollywood’s lore, this moment is significant: one of its biggest icons now has a friend offering a counter-commentary to his origin story. What changes? Maybe not the films, maybe not the fan love—but perhaps the way we talk about the “struggler” myth going forward.

November 8, 2025 0 comments
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Behind The Glamour: The Unseen Struggle Of Bollywood Producers Who Risk Everything For Cinema | Glamsham.com
Bollywood

Behind The Glamour: The Unseen Struggle Of Bollywood Producers Who Risk Everything For Cinema | Glamsham.com

by jummy84 October 19, 2025
written by jummy84

In the grand illusion called Bollywood, where lights dazzle and fame blinds, one figure stands quietly at the edge of every frame — the producer. He is the first to believe in a story and the last to be remembered for it. He risks everything — money, relationships, peace of mind — to make the impossible possible. Yet, paradoxically, he is also the most powerless person in the room.

The producer begins with faith — a faith so reckless it borders on madness. He hears a story, imagines it on screen, and starts assembling the pieces long before the puzzle even exists. Financing, permissions, casting, schedules — every step costs him something tangible, while what he gets in return is always intangible: a promise, a possibility, a maybe.

He invests not in certainty, but in hope. And hope is the cruelest currency of all.

Even when money flows in, it never really belongs to him. The moment he raises funds, he owes them — to investors, lenders, technicians, stars, and fate itself. He becomes the pivot around which every expectation spins. If something fails, it is always his fault. If something succeeds, it belongs to everyone else.

A producer’s courage lies not in his wealth, but in his endurance. He’s the man who walks into a storm knowing it will drench him, and still smiles because he has no other choice.

The journey from dream to screen is an obstacle course. Permissions, guild registrations, censorship clearances, location rights, municipal procedures — each one carries a cost and a compromise. He negotiates with departments that barely know what a film is about but know exactly how to delay it. Every approval requires persuasion; every delay eats into a shrinking budget.

And just when the paperwork clears, the machinery of the system takes over. Unions call strikes, suppliers raise rates, and actors’ calendars clash. The clock keeps ticking. A single day’s loss can burn lakhs, yet the producer must remain calm and diplomatic. For in Bollywood, the one who pays must also apologize.

Once the film is ready, the real fight begins — the release. Distributors and multiplexes function on an unspoken hierarchy. Big studios get the prime weekends and widest screens; smaller producers must make do with what’s left. Even streaming platforms — the supposed saviors of independent cinema — come with their own labyrinths of clauses and conditions.

The irony runs deep: the man who creates the film often has no control over how, when, or where it reaches its audience.

And then, the star system takes its toll. What begins as a partnership turns into silent servitude. The moment a big name signs on, the producer’s authority fades. Scripts are rewritten, teams reshuffled, schedules adjusted — all to suit the whims of celebrity calendars.

He funds everything — vanity vans, trainers, personal chefs, stylists, and entire entourages. The star’s world becomes his financial burden. The producer, who once dreamt of creating art, now manages logistics for egos larger than any set he’s built.

It’s not just financial exhaustion; it’s emotional attrition. He calls managers who don’t call back, rearranges schedules no one confirms, and smiles at temperaments he can’t afford to offend. The humiliation is quiet but constant.

When the film finally releases, it belongs to the stars. Their faces adorn billboards; their names trend online. The producer’s name flashes once before the opening credits and then disappears, buried under applause or blame. If the film fails, he becomes a footnote in the industry’s collective amnesia. If it succeeds, he becomes invisible in its glow.

And yet, despite all this, he returns. Every single time.

Because there is something unbreakable in him — an instinct that refuses to die. He convinces himself that the next story will work, that the next partnership will be fair, that the next Friday will redeem everything lost. In truth, it rarely does. But in this business of illusion, hope is the last surviving reality.

The world sees the glitz of Bollywood; the producer lives its grind. He carries the weight of everyone’s dream and the burden of everyone’s failure. He is both the creator and the casualty of cinema — a gambler who knows the house always wins, and still places his bet.

Behind every blockbuster, every disaster, every forgotten release, stands a man who mortgaged his peace, compromised his pride, and believed when no one else would. His courage is quiet, his pain private, his faith eternal.

In the grand narrative of Indian cinema, he remains the only artist who creates without a guarantee of survival.

In a world built on illusion, the producer lives the harshest reality. He creates dreams for others while silently watching his own slip away. Yet, every Friday, he returns to the altar — with another story, another loan, and the same unbroken faith.

October 19, 2025 0 comments
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Salman Khan Opens Up About His Struggle With Trigeminal Neuralgia: A Must-Listen | Glamsham.com
Lifestyle

Salman Khan Opens Up About His Struggle With Trigeminal Neuralgia: A Must-Listen | Glamsham.com

by jummy84 September 25, 2025
written by jummy84

Bollywood superstar Salman Khan recently made a heartfelt appearance on the debut episode of Two Much, a chat show hosted by Twinkle Khanna and Kajol. Joined by fellow actor Aamir Khan, Salman candidly shared his long struggle with trigeminal neuralgia, a severe nerve disorder that causes intense facial pain.

Salman revealed that he first experienced symptoms while filming Partner (2007) with Lara Dutta. “Lara brushed a strand of hair off my face, and I felt this sharp, shocking pain. I joked, ‘Wow Lara, you’re electrifying!’ But that’s when it started,” he recalled.

He lived with the condition for over seven-and-a-half years, enduring waves of pain every 4–5 minutes. “It was so intense, I wouldn’t wish it on my worst enemy. I had to force myself to eat through the pain. Even something as simple as an omelet could take over an hour to finish,” Salman said.

Initially, doctors believed it was a dental issue. He took 750 mg of painkillers regularly, but they barely helped. He admitted that the pain only slightly subsided after having “a drink or two.” In 2011, he finally underwent surgery to treat the condition.

Also Read: Kajol and Twinkle Khanna’s Sassy Dialogues on Two Much with Kajol and Twinkle: The Perfect Blend of Humor and Honesty

Salman has since revealed that trigeminal neuralgia is just one of several serious health conditions he faces. During his June appearance on The Great Indian Kapil Show, he shared, “I’m still working despite a brain aneurysm, trigeminal neuralgia, and AV (arteriovenous) malformation. My ribs are fractured, but I’m out here breaking bones every day.”

Despite his health struggles, Salman remains active in the industry and continues to inspire fans with his resilience and dedication.

September 25, 2025 0 comments
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Sean Combs Asks for 14-Month Prison Sentence, Cites Addiction Struggle
Music

Sean Combs Asks for 14-Month Prison Sentence, Cites Addiction Struggle

by jummy84 September 23, 2025
written by jummy84

Sean Combs made a plea for “fairness” ahead of his Oct. 3 sentencing, arguing in a new brief that he deserves no more than 14 months in prison for his two felony convictions for transportation to engage in prostitution.

In the 182-page sentencing memo submitted Monday shortly before the midnight deadline, Combs’ lawyers laid out his life story in an apparent bid for mercy, saying Combs struggled as a child after his father was murdered when he was only three years old. They argued the loss caused a “profound form of trauma” that set the stage for the substance abuse issues Combs wrestled with during his admittedly violent relationships with the two ex-girlfriends involved in his convictions.

“For decades, Mr. Combs struggled with serious substance abuse issues, anger and anxiety, and other flaws that he did not properly or professionally address until his incarceration last year,” the filing obtained by Rolling Stone stated. “Like every addict, his behavior while on painkillers was erratic and unpredictable, and often the reason behind any assaults discussed at the trial.”

His lawyers also attached more than 75 letters of support from family and friends, including Combs’ mother Janice; his sister Keisha; his three teen daughters, Chance, Jessie and D’Lila; and Dana Tran, the mother of Comb’s two-year-old daughter, Love.

Combs, 55, was convicted of the two felony counts on July 2 after a nine-week trial. Jurors rejected a trio of more serious charges, finding that prosecutors failed to prove Combs ran a racketeering conspiracy or sex trafficked two former girlfriends. The acquittals meant Combs was no longer facing the possibility of life in prison. At the time, the mogul pumped his fist and dropped to his knees as he celebrated in the courtroom.

The two prostitution charges, violations of a century-old law known as the Mann Act, each carry a maximum sentence of 10 years in federal prison. For their part, prosecutors previously estimated Combs’ sentencing guidelines range was around four to five years behind bars. Their formal recommendation could be much higher when they file their separate sentencing brief due Sept. 29.

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Combs, who has served a year in custody, argued in his filing that a review of more than 60 other Mann Act cases determined that the average sentence was 14.9 months of incarceration. Combs and his lawyers claimed it would be “unlawful and a perversion of justice” if the court increases the sentence beyond 14 months based on “the court’s own findings about force or coercion or racketeering.”

Federal judges aren’t required to follow guidelines. In the Southern District of New York, judges stuck to guideline ranges 34.5 percent of the time in the last fiscal year, according to the U.S. Sentencing Commission.

U.S. District Judge Arun Subramanian will have wide latitude at the Oct. 3 sentencing, and it’s not clear how he’ll rule. But on the day of the verdict, when many speculated that Combs’ acquittal on the top charges would lead to his immediate release on bail pending sentencing, Judge Subramanian took a hard line. He denied the release on the basis that Combs’ defense admitted during trial that Combs was violent with his ex-partner Casandra “Cassie” Ventura, and a more recent ex-girlfriend who testified under the pseudonym Jane. In his closing argument, lead defense lawyer Mark Agnifilo explicitly told jurors that the defense wasn’t challenging the women’s claims of domestic violence.

“In terms of owning, just as a matter of personal responsibility … owning the domestic violence, we own it. It happened,” Agnifilo told the panel in his final address on June 27. “If he was charged with domestic violence, we wouldn’t all be here having a trial, because he would have pled guilty – because he did that.”

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Rejecting the defense bid for immediate bail on July 2, Subramanian pointed to the disturbing video of Combs’ 2016 assault of Ventura inside L.A.’s now-shuttered InterContinental Hotel before sending a seemingly stunned Combs back into custody. Taking a serious tone, Subramanian also noted the video wasn’t the only violence acknowledged by the defense. He pointed to the days Ventura spent at the London Hotel in Los Angeles to recover after Combs allegedly stomped on her face in a vehicle. (“Obviously, there was some physical event, and she had injuries, okay? So she goes to the hotel as much for her own good as anyone else’s,” Agnifilo told jurors about the fight that landed Ventura at the London Hotel.)

“This type of violence, which happens behind closed doors in personal relationships, sparked by unpredictable bouts of anger, is impossible to police with conditions,” the judge said July 2. Turning to the June 2024 incident at Jane’s house, where, according to Agnifilo, Combs admittedly kicked Jane and restrained her “around the neck” during a blowout fight, the judge called out the timing. He noted the incident came after Combs’ homes were raided by federal authorities in March 2024. “At a time when [Combs] should have known that he needed to stay clean,” the mogul instead showed “a disregard for the rule of law and the propensity for violence,” the judge said.

Combs has been held at Brooklyn’s Metropolitan Detention Center (MDC) since his arrest last September. In a separate motion set for a hearing later this week, Combs is asking that his conviction be set aside as a matter of law or that he be retried on the prostitution charges alone. 

In its written opposition, filed Aug. 20, federal prosecutors alleged Combs’ motion should fail because there was “ample evidence to support the jury’s conviction.” They said Combs transported Ventura, Jane, and multiple male commercial sex workers to engage in threesomes, variously dubbed “freak offs” and “hotel nights,” that he stage-directed and often recorded.

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“The defendant masterminded every aspect of freak offs. He transported escorts across state lines to engage in freak offs for pay. He directed the sexual activity of escorts and victims throughout freak offs for his own sexual gratification. And he personally engaged in sexual activity during freak offs,” they wrote. “While the defendant may wish to cabin his participation to mere voyeurism, he was, in reality, an active participant in the sexual activity.”

Prosecutors blasted Combs’ claims that he was an amateur porn producer who should be protected by the First Amendment. “Far from acting like an adult film producer or director, the defendant did not provide advance notice that he may film the sexual encounter and did not seek consent from the participants to be filmed,” they wrote in their Aug. 20 filing. “In fact, multiple participants specifically did not want to be filmed.”

September 23, 2025 0 comments
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Coolie box office collection day 14: Rajinikanth film continues to struggle yet surpasses Ponniyin Selvan domestic haul
Bollywood

Coolie box office collection day 14: Rajinikanth film continues to struggle yet surpasses Ponniyin Selvan domestic haul

by jummy84 August 27, 2025
written by jummy84

Updated on: Aug 27, 2025 10:14 pm IST

Coolie box office collection day 14: Rajinikanth’s film shows no signs of growth but inching closer to ₹300 crore mark

Coolie box office collection day 14: Lokesh Kanagaraj’s much-awaited film Coolie, starring Rajinikanth in the lead, released in theatres on August 14. The film clashed with Jr NTR and Hrithik Roshan’s War 2 and, now in its second week, is struggling to attract audiences. However, it has still managed to surpass the domestic haul of Mani Ratnam’s Ponniyin Selvan Part 1. (Also Read: Shruti Haasan reacts to unfair ‘damsel in distress’ tag for her Coolie role: ‘It is someone else’s vision’)

Rajinikanth’s still from his latest release, Coolie.

Box office report of Rajinikanth’s Coolie

According to Sacnilk, on its day 13, Rajinikanth’s film collected ₹4.50 crore, and now, on its day 14, it has collected ₹3.85 crore, taking the total collection of the film to ₹268.75 crore. The film is crawling towards the ₹300 crore mark. Despite earning only in single digits, the film has surpassed the domestic collection of Ponniyin Selvan I, which stood at ₹266 crore.

The film is now targeting to beat Vijay’s Leo ( ₹341 crore in India and ₹605 crore worldwide) is in third place, the top two spots have been secured by Rajinikanth’s 2.0 ( ₹407.05 crore in India and ₹691 crore worldwide) and Jailer ( ₹348 crore in India and ₹604.5 crore worldwide).

About Coolie

Directed by Lokesh Kanagaraj, Coolie is an action thriller produced by Kalanithi Maran under Sun Pictures. The film marks Rajinikanth’s 171st as a lead actor and, apart from him, stars Nagarjuna, Shruti Haasan, Soubin Shahir, Upendra, Sathyaraj and Rachita Ram in pivotal roles. Aamir Khan and Pooja Hegde make special appearances.

The story follows Deva (Rajinikanth), an ageing man with a dark past who must dismantle a criminal enterprise run by the ruthless Simon (Nagarjuna) in order to uncover the truth behind his friend’s death and save his daughters. While the film received mixed reviews from critics, it has still managed to collect ₹488.15 crore worldwide and is racing ahead of its competitor War 2 ( ₹347.5 crore worldwide).

News / Entertainment / Tamil Cinema / Coolie box office collection day 14: Rajinikanth film continues to struggle yet surpasses Ponniyin Selvan domestic haul

August 27, 2025 0 comments
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Woman shares how she healed her gut after 10 years of struggle with this simple hack, calls it ‘best-kept secret’ | Health
Lifestyle

Woman shares how she healed her gut after 10 years of struggle with this simple hack, calls it ‘best-kept secret’ | Health

by jummy84 August 20, 2025
written by jummy84

From better immunity to balanced hormones, gut health influences so much more than just digestion. But when it’s out of balance, the struggle can feel never-ending. After battling with her gut health for a decade, a woman named Kelci Cundiff found an unexpectedly simple solution that worked when nothing else did.

Check out simple steps to heal leaky gut and boost health. (Shutterstock)

What’s the root cause of gut issues?

In her July 28 Instagram post, Kelci shared, “This changed my gut health so fast I was in shock! I waited to share it because I honestly couldn’t believe it, but now I feel like I’m sitting on the best-kept secret to gut health!”

Explaining further, she said, “To heal your gut, you must focus on healing leaky gut, which, unfortunately, most of us struggle with today due to seed oils, chemicals, medications, stress, and environmental toxins. If you’re dealing with gut issues, it’s a good idea to identify which of these stressors might be your main trigger.”

According to Kelci, leaky gut is often responsible for a wide range of health concerns: “food intolerances, allergies, hormone imbalances, inflammation, mood dysregulation, blood sugar issues, the list goes on.”

How can you heal leaky gut?

She also shared the simple steps that worked for her to heal leaky gut:

1. Improve mobility (how fast food moves through your gut)

“Inulin fibre is my favourite. I take about a tablespoon every day, it not only keeps me regular but also feeds the best bacteria in my gut,” says Kelci.

2. Repair the gut lining

She adds, “Do this by strengthening the gut’s mucosal lining with herbs like marshmallow root, liquorice root, and slippery elm (these are SO effective!). Also, take a high-quality collagen supplement, it provides the building blocks needed to restore your gut lining.”

Note to readers: This article is for informational purposes only and not a substitute for professional medical advice. Always seek the advice of your doctor with any questions about a medical condition.

August 20, 2025 0 comments
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