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Sitges 2025: Fascinating 'Starman' Documentary on NASA's Gentry Lee
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Sitges 2025: Fascinating ‘Starman’ Documentary on NASA’s Gentry Lee

by jummy84 October 20, 2025
written by jummy84

Sitges 2025: Fascinating ‘Starman’ Documentary on NASA’s Gentry Lee

by Alex Billington
October 20, 2025

If you’re a space geek like me, who loves staring up at the stars 🌟 and wondering what’s out there, there’s always a lingering set of existential questions that will remain unanswered for a long time: “Are we alone in the universe? If there are trillions of planets where intelligent life could have evolved, then why have we not definitively seen or heard from anyone (yet)?” And what would life be like if you dedicated it entirely to this never-ending search for extraterrestrial life existing somewhere out there? This documentary does answer that question at least. Starman is a biopic doc from filmmaker Robert Stone (of Earth Days, Pandora’s Promise). Not to be confused with the 80s sci-fi classic also titled Starman starring Jeff Bridges as an alien – though I’m pretty sure any reference to this movie is on purpose. It’s also a reference to the classic David Bowie “Starman” song from 1972. Now we get a documentary version of “Starman” and it is indeed about a star man known as Gentry Lee – who spent his entire life working at NASA attempting to actually answer these questions about life elsewhere in the universe and how to find it – or at least find some evidence of it.

Directed by Robert Stone, and produced by Larry Franco, Starman is a documentary feature film profiling the life of Bert Gentry Lee – better known as Gentry Lee by his friends & colleagues. It premiered at the 2025 SXSW Film Festival and I caught up with it at the Sitges Film Festival; though it’s not really science fiction – it’s all science non-fiction. I must admit I was not familiar with Gentry Lee before watching this but now I’m a huge fan. Most of all I just want to hang out with him and geek out about space, sci-fi, NASA, and everything else. One of the craziest parts of his story is that, just as his career at NASA was winding down, legendary sci-fi author Arthur C. Clarke asked him to co-write a few books with him. Together they wrote the Rendezvous with Rama sequels & a few others. However, the doc still focuses on the bigger question on his mind. “Legendary NASA robotics engineer and best-selling science fiction author, Gentry Lee, has spent a lifetime seeking an answer to the ultimate cosmic question: Are we alone in the universe?” Well, there’s no definitive answer, though he does posit the possibility that the answer is no (meaning yes there are others) – we’re just unlikely to ever encounter them. You’ll have to watch the doc to find out the rest of his thoughts.

This is a seriously fascinating documentary to discover, I quite enjoyed it. It’s not really about the search for extraterrestrial life, it’s more of a biopic about this guy and his life and all that he achieved. He really, truly is one of the luckiest people alive who has lived such an astonishing life. It’s a portrait of someone who was blown away by and deeply inspired by the fervor for space exploration that thrived during the Apollo era – the 1969 Moon landing, the Mariner missions, and 2001: A Space Odyssey in 1968, of course. He worked at NASA doing what most people dream of – figuring out real ways to actually find proof of life and visit other planets. He was friends with Carl Sagan and so many other genius minds of that era. I was inspired by his story but above all I just really love listening to super smart, super geeky people chatting about anything and everything. It provides this warm blanket of comfort & relief for me, like ahhh here’s another dude just like me, saying the same kooky, smart, crazy cool stuff that most people can’t stand, but here he is geeking out about it. And nerding out on these remarkable accomplishments and riffing on what humanity can do when it isn’t caught up in all this stupid shit down on Earth. Yeah man, I’m glad there’s a couple of us out there…

As is usual with most documentaries, if the viewer isn’t into the topic and isn’t intrigued by whatever he or she is talking about, they probably won’t enjoy watching the film. The filmmaking in this doc isn’t especially exciting or special – most of it is talking heads with archival footage, discussions, explanations, geek outs, and so on. But it kept my attention & entertained me nonetheless. The most interesting aspects are choices made to visualize certain concepts that Gentry Lee discusses, including using a set of light bulbs laid out in a big, empty warehouse to depict the concept of life existing elsewhere for a brief amount of time. The film is just the right length at around 85 minutes, but of course I would’ve happily listened to Gentry Lee go even deeper into theories, ideas, differently possibilities, stories about Sagan or NASA, and so on. Whether or not it was asked during the doc interview or just cut out in the final version, I’m not sure – but they don’t ever get into the recent interstellar object phenomena like the cylindrical ‘Oumuamua discovered in 2017 (that is eerily reminiscent of the spaceship in the Rendezvous with Rama books). Most importantly, I was moved by what he brings up at the end of the film and his final message to us all – let’s focus on saving this world first.

Alex’s Sitges 2025 Rating: 8 out of 10
Follow Alex on Twitter – @firstshowing / Or Letterboxd – @firstshowing

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October 20, 2025 0 comments
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Sitges 2025: A New Version of 'The Shrinking Man' with Jean Dujardin
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Sitges 2025: A New Version of ‘The Shrinking Man’ with Jean Dujardin

by jummy84 October 18, 2025
written by jummy84

Sitges 2025: A New Version of ‘The Shrinking Man’ with Jean Dujardin

by Alex Billington
October 17, 2025

“I am the sum of my experiences; the shrinking has merely stripped away certain superficialities.” There’s a brand new cinematic adaptation of the classic horror story The Incredible Shrinking Man ready for viewing. But not many people have heard about it yet, since it’s a European project and it just premiered at the 2025 Sitges Film Festival. This French / Belgian movie is officially titled L’homme qui rétrécit, which translates simply to The Shrinking Man. This fresh, clean new version has opted not to use the additional “incredible” adjective – immortalized by the iconic 1957 sci-fi horror classic The Incredible Shrinking Man film, directed by Jack Arnold, and starring Grant Williams. This adaptation, based on Richard Matheson’s original 1956 novel, The Shrinking Man, stars the always watchable Jean Dujardin as Paul, a shipbuilder who begins to slowly get smaller and smaller. It’s a peculiar yet fascinating movie that doesn’t live up to its potential, but is an intriguing, mostly entertaining watch nonetheless. If anything, it feels like a streaming movie more than a theatrical epic, but there’s still a few engaging scenes and Dujardin is fantastic as always.

This new version of The Shrinking Man is directed by Dutch filmmaker Jan Kounen (of Renegade, Coco Chanel & Igor Stravinsky, Vape Wave), from a screenplay written by Christophe Deslandes & Jan Kounen. Aside from setting it in a house on the beach and altering the lead character’s profession to shipbuilding, it’s pretty much exactly as the original novel describes. “Once an unremarkable husband and father, [Paul] finds himself shrinking with no end in sight… His wife and family turn into unreachable giants, the family cat becomes a predatory menace, and [Paul] must struggle to survive in a world that seems to be growing ever larger and more perilous – until he faces the ultimate limits of fear and existence.” Jean Dujardin plays Paul – at first he’s as unremarkable as this book describes, but really stands out once he becomes emotional & expressive when he becomes tiny. An anomaly while swimming is what begins his shrinking process. While he has a wife (played by Marie-Josée Croze) and a young daughter, the film quickly becomes a one-man-show once he starts getting smaller & smaller. When the cat accidentally gets inside the house, he flees into the basement and ends up stuck down there. The film shifts into survival mode and becomes something else.

Also directly from the novel – the big bad villain in the movie is a freaky spider that starts hunting him once he sets up camp in the basement. The intriguing twist in this one is that the spider is an unkillable force, not something he must defeat but rather must overcome in life. Again, this is perfectly described in the original Matheson book: “It was more than a spider. It was every unknown terror in the world fused into wriggling, poison-jawed horror. It was every anxiety, insecurity, and fear in his life given a hideous, night-black form.” Early on in the movie, Paul tells his daughter that he won’t kill the spider (while a regular size man) because they’re good, they’re useful, they have a purpose and there’s no need to get rid of it. Yet later this creature comes back to taunt and torture him. Of course, the whole point of this story is to teach everyone about the power of perspective & relativity. Human beings are used to being a certain size. If that size changes, we will experience the world completely differently. And now cinema allows us to have a much more visceral experience bringing this story to life with a real human being. The sets and VFX work are legit – they make this story way more believable than any of the Ant-Man movies or any other shrinking man stories recently.

That said, this version The Shrinking Man also still feels like it’s lacking. The script runs out of steam in the third act, the ending is non-existent, there’s not much more to it than bare-bones storytelling with a terrific lead performance. It’s another “rough around the edges” movie but in this case that makes it almost boring at times. Even though this kind of movie should never be boring… It’s also not really a horror movie at all, and not really sci-fi either. This movie has a very clean aesthetic & feels more like a strange French combo of Honey I Shrunk the Kids meets Cast Away meets The Curious Case of Benjamin Button. The entire middle segment when he figures out how to survive on his own as a tiny being in this basement is reminiscent of the kooky survival scenes in Cast Away. The story about his shrinking has the same mysterious, unexplainable, yet still alluring vibes as Fincher’s underrated adaptation of Benjamin Button – and this film also ends as abruptly as that. I really wish there was more to it, because I enjoyed so much of it, alas it never achieves the greatness it’s clearly aiming for as a modern take on this classic story. Nonetheless it is a fascinating story of overcoming your greatest fears and struggling to survive in a hostile world – still a valuable lesson for us all.

Alex’s Sitges 2025 Rating: 6.5 out of 10
Follow Alex on Twitter – @firstshowing / Or Letterboxd – @firstshowing

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October 18, 2025 0 comments
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Sitges 2025: Johannes Roberts' 'Primate' is Angry Chimp Brutal Horror
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Sitges 2025: Johannes Roberts’ ‘Primate’ is Angry Chimp Brutal Horror

by jummy84 October 14, 2025
written by jummy84

Sitges 2025: Johannes Roberts’ ‘Primate’ is Angry Chimp Brutal Horror

by Alex Billington
October 13, 2025

There’s a brand new apes movie coming to theaters soon. Though this one is definitely not for the faint of heart. Primate is a freaky, brutal, wild new horror movie from genre filmmaker Johannes Roberts. After premiering at this year’s Fantastic Fest & Beyond Fest, it’s next playing at the 2025 Sitges Film Festival and other fests around the world before it crashes in theaters in January next year. Roberts is already a horror cinema veteran – he also directed the two 47 Meters Down shark movies, along with Forest of the Damned, Storage 24, The Other Side of the Door, The Strangers: Prey at Night, and 2021’s Resident Evil: Welcome to Raccoon City. Primate is something new – even though it seems like a familiar concept, about a usually calm, cuddly pet turning into an evil killing machine, we’ve never seen a horror movie just like this before. Which is an exciting experience. A chimpanzee living with a family inside their gorgeous, huge home located on a cliff in Hawaii contracts rabies and goes mad, stalking and murdering the people who are there. It’s as cheesy as any good horror movie should be, but also crazy scary & disturbing to watch. I had a blast with it.

This movie plays like if the Planet of the Apes alternate universe society made their own horror movie about a chimp going mad and killing humans. Primate is directed by Johannes Roberts, featuring a screenplay co-written by Ernest Riera and Johannes Roberts. Actress Johnny Sequoyah stars as Lucy, daughter of an animal researcher and writer, who returns to her home in Hawaii. Her dad, played by Troy Kotsur, heads away for the weekend so she invites her friends to come over and hang out and party. When their pet chimp gets rabies, it turns vicious, attacking them and anyone that comes near it. So they hide out in the pool and try to figure out how to outsmart and get around the chimp. But it has turned into one mean bastard – with extraordinary strength and ability to climb around the house. This whole movie is WAY better than it should be! Featuring proper frightening horror filmmaking, exceptionally creative cinematography (so many cool shots from DP Stephen Murphy), extremely fucked up kills aplenty. Yet it’s still highly entertaining. The right amount of comedy with sheer intensity + especially gory violence. I even think the cliche horror stuff works as levity and as an homage to how cheesy fun horror can be even when it’s still scary as hell to watch.

It’s Chimp Rabies Mayhem! I’m most impressed by the top notch filmmaking and how they pulled off this concept. The angry chimp in this movie doesn’t look like it’s entirely CGI, too many scenes with it that look real. But it also can’t be a real chimp, there’s no way they could get an actual live chimp to act and perform like this while viciously attacking people. Plus, Hollywood’s animal safety rules would never allow it. So it must be a man-in-suit concept? Someone is portraying this chimp and acting like him? Following the recent Planet of the Apes movies this seems entirely possible. That’s the only way they could make this all look and feel so damn real. Bravo if that’s how they did this. And it’s ultimately not even about the realism anyway. The best shots in the movie are all the shots of the rabies-infested chimp looking so deranged and evil that even Michael Myers would be shaking under his mask. One could argue that Primate does have commentary about the dangers of having wild animals as pets, not to mention animal safety in general and figuring out how to stop an animal-gone-mad before it harms anyone or anything. But that’s overthinking it. It’s really just a fun horror movie concept that succeeds as 89 minute escapism / totally F’ed up genre entertainment.

I also need to give an additional shoutout. This also co-stars Troy Kotsur as the dad (again) and honestly – this is my favorite Troy Kotsur performance since CODA. A number of really great scenes with him that play out near perfectly. The way they use his Deaf POV sometimes is brilliant and that was also unexpected. I love him as an actor even more after this, and I didn’t think that was possible. They got so lucky casting him. It might be too ridiculous for some viewers, but I think this pet-chimp-gone-mad horror flick totally rocks.

Alex’s Sitges 2025 Rating: 8 out of 10
Follow Alex on Twitter – @firstshowing / Or Letterboxd – @firstshowing

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October 14, 2025 0 comments
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Sitges 2025: Kenji Tanigaki's 'The Furious' Has the Best Action of 2025
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Sitges 2025: Kenji Tanigaki’s ‘The Furious’ Has the Best Action of 2025

by jummy84 October 13, 2025
written by jummy84

Sitges 2025: Kenji Tanigaki’s ‘The Furious’ Has the Best Action of 2025

by Alex Billington
October 12, 2025

Holy hell – Wang Wei is coming and nothing will stop him! Let me just say it right up front: The Furious is the best action movie of 2025, hands down. Nothing is going to top this. While there are plenty of other great action movies this year, none of them have the fight scenes that this movie does, none of them are this level of full-on, go-totally-wild awesome. Made by Japanese action filmmaker Kenji Tanigaki, The Furious premiered at the 2025 Toronto Film Festival in their prestigious Midnight Madness section, then played at Busan, Beyond Fest, and now at the Sitges Film Festival – which is where I caught up with it. And OMFG it totally rocks. This movie is The Raid 2 of the 2020s. Another instant action classic. There’s no question about it, this movie is up there with those two Indonesian action classics (both made by Gareth Evans). Two dudes take on an ENTIRE child trafficking empire on their own!! The Everything Everywhere All at Once stunts / fight team delivers the BEST sprawling, mind-blowing fight scenes since The Raid 2 in 2014. Yes, really, nothing has been this incredible since then. It totally blew away and now I can’t stop talking about it.

The Furious (火遮眼) is a Hong Kong / Chinese action movie made by action director Kenji Tanigaki, from a screenplay written by Mak Tin-shu. It was filmed in Bangkok, Thailand and took three months to shoot. The international mix of production countries, spoken languages, and locations is part of the fun – the movie isn’t actually set in a specific country or specific city because it doesn’t matter. It seems like Hong Kong at first, then becomes Indonesia or Thailand, or somewhere in Southeast Asia, but the news segments in the movie also don’t even specify a location. Not important anyway. It’s a story of two good guys fighting endless bad guys trying to save kids. It’s very similar to The Raid (or The Raid 2) with a premise following entirely independent unstoppable guys bringing down violent crime syndicates by fighting everyone. I don’t even care if the plot is kinda cliche the filmmaking pulls it all together in such a full-on, fist pump, stand up and cheer way with some of the best action ever filmed. The cast features Chinese actor Mo Tse as Wang Wei, a worker whose daughter is kidnapped; Indonesian actor Joe Taslim (of The Raid) as an activist journalist; Indonesian actor Yayan Ruhian (also from The Raid movies) as a bad guy; Thai actress Jeeja Yanin; and American stuntman / martial arts actor Brian Le as one of the henchman. A hell of a stellar cast to watch.

It’s exhilarating to watch the evolution of action cinema and be a part of it as a rabid viewer. I was there at the world premiere of The Raid at TIFF 2011 (my original review). I was there at the world premiere of The Raid 2 at Sundance 2014 (my original review). Now I am honestly overjoyed to also witness this next great step forward in innovative, unforgettable action filmmaking. I am so glad I got to experience this sitting in a packed cinema at a film festival. The Sitges audience and I collectively *lost our shit* during this about 20 times. It’s all so badass!! Full on cheering so many times for scenes that truly deserve this much exuberance. It punches right through the hype as THE best action movie of 2025. As entertaining as the John Wick franchise is, as awesome as it is watching 87North put together stunts in Hollywood movies, as fun as it is seeing Tom Cruise pull off death-defying stunts, none of that comes close to the jaw-dropping action in this movie. There’s a fight where a ladder becomes involved and it took me back to the early days of Jackie Chan pulling off seminal stunts like this. The Furious set a whole new precedent for modern filmmaking, and I’m sure many will try to copy this movie from now on. It’s the energetic combo of the Everything Everywhere fighting team with a batch of skilled action actors with Tanigaki’s refined direction all in perfect harmony.

The only real criticisms anyone can hurl at this movie deal with the plot itself. It’s a big trend nowadays with the world leaning into conservatism to make movies centered around child trafficking and the “good” people trying to stop the bad ones and save all of the children. This is mostly a campy storytelling gimmick and so exceptionally inaccurate compared to real world trafficking (and how to actually stop it) but audiences love cheering for the right people as part of feel good cinema. The Furious leaps fully into this trend with one of the most blatant “save the kids!” plots of the 2020s, but it doesn’t matter, because this time it fully succeeds in being a heroic, inspiring story – of these two guys kicking & punching & slashing the shit out of the bad guy criminals. They flip this plot into something that actually has meaning, where the fights actually have real stakes. It’s pure action cinema magic. Brian Le is the MVP – my audience was laughing & cheering for him he’s so delightfully fun to watch in this even though he’s one of the bad guys. But that’s the glory of the best action movies. Everyone is essential, everyone gives it their all, everyone makes every last punch count.

Alex’s Sitges 2025 Rating: 9.8 out of 10
Follow Alex on Twitter – @firstshowing / Or Letterboxd – @firstshowing

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October 13, 2025 0 comments
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