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Ed Sheeran Praises Music Education Reforms in U.K. Curriculum Review
Music

Ed Sheeran Praises Music Education Reforms in U.K. Curriculum Review

by jummy84 November 5, 2025
written by jummy84

Ed Sheeran celebrated the U.K. government’s decision to implement new changes to music education following a review of what children are taught at most schools.

In a post on Instagram, the singer-songwriter said the new changes to the National Curriculum address several “key points” raised in an open letter he and his charitable organization, the Ed Sheeran Foundation, sent this summer. “This involves diversifying the music genres taught in schools and removing outdated systems that stop kids from studying music and the arts as part of their school day,” Sheeran wrote today, Nov. 5. “These changes give young people hope and the opportunity to study music.”

A summary of the review from the U.K. government said “revitalizing arts subjects” was one key area of improvement. It also called for scrapping the English baccalaureate program, which introduced a set of eight core academic subjects for students, but didn’t cover the arts or vocational subjects (per The Guardian). This program has long faced criticism from arts advocates, including Sheeran, who called for its removal in his summer letter. 

While Sheeran was pleased with the changes, he said, “There’s a lot more to do to support music education, especially our music teachers, but this is a step in the right direction.”

He added, “Without the encouragement I received in school, especially from my music teacher, I wouldn’t be a musician today, and I know so many of my peers feel the same. My music education went beyond learning and playing. It helped me find confidence in myself, and music itself was — and still is — so important for my mental health.”

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Sheeran took up the mantle of music education when he launched his foundation earlier this year. The open letter he sent to Prime Minister Keir Starmer and other U.K. officials called for committing £250 million (about $322 million) to “repair decades of dismantling music.” The letter was signed by an array of English music luminaries, including Harry Styles, Elton John, and Central Cee. 

Starmer wrote Sheeran, informing him about the changes to the National Curriculum. “The review places creative subjects firmly at the center,” Starmer wrote. “We are revitalizing arts education, strengthening music and drama, and launching a new National Center for Arts and Music Education to support teachers and raise standards. Learning music at school made a huge difference to my life. We will make sure every child has access to those experiences — from arts and culture to nature and civic engagement — so that creativity isn’t a privilege, but a right.”

November 5, 2025 0 comments
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Ralph Edwards performs during "The Voice" Knockouts
Music

Ralph Edwards Covers Ed Sheeran on ‘The Voice’ Knockouts

by jummy84 October 29, 2025
written by jummy84

When Michael Bublé suggested that “Wreck-It” Ralph Edwards could smash the competition in this 28th season of The Voice, he was onto something.

Edwards had just finished an impressive rendition of Teddy Swims’ “I Lose Control” in his Battle with Jerrell Melton, when Bublé let the love flow.

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The Fresno, California could “go far on the show,” he remarked.

There’s apparently no stopping Edwards, as he shifted gears from that final round of Battles on Monday night, Oct. 27, and leapt into the first wave of Knockouts.

Next up, the 30-year-old Team Snoop singer went for the heartstrings with a cover of Ed Sheeran’s “Dive.” Edwards, who proposed to his partner after his Blind Audition, didn’t have any trouble finding the emotional buttons.

“Wow, Ralph,” coach Niall Horan enthused. “The stuff that you were doing. I actually didn’t recognize it as your voice. It was so different than what we’ve heard. You could easily win this show, dude.”

Reba McEntire weighted in. “Wow. What a voice,” the coach and country star remarked. “It comes from your toenails. It’s just incredible.”

Bublé knows he’s looking at, and hearing, the real deal. “You have that grit in your voice, but man, you sort of saved it. You let us hear the sweetness and the softness,” the Canadian king of Christmas remarked. “It looked easy for you, dude.”

Snoop Dogg had a call to make. Edwards or Kenny Iko?

There could be only one. The rap legend tapped Edwards, while Iko goes home. “I think Ralph has the ‘it’ factor,” Snoop noted. “The ‘it’ factor is that he could actually win it, this competition. Knockout performances are really the groundbreaking, award-worthy, top of the line, performing at his highest level.”

Earlier, Snoop welcomed Zac Brown to mentor his team before the Knockouts. “My team is smoking,” Snoop remarked, with some authority.

The Knockout episodes will air every Monday on NBC until Nov. 24. Then, the Playoffs will beam out on Monday, Dec. 1 and Monday, Dec. 8 on NBC, with the Season 28 Live Finale set to spread over the two nights of Dec. 15 and 16. Episodes stream the following day on Peacock. 

Watch Iko and Edwards’ Knockout performances below.

October 29, 2025 0 comments
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New Music Friday October 17: Bon Jovi, Kate Hudson, Charlie Puth, Ed Sheeran, Ty Dolla $ign, And More
TV & Streaming

New Music Friday October 17: Bon Jovi, Kate Hudson, Charlie Puth, Ed Sheeran, Ty Dolla $ign, And More

by jummy84 October 17, 2025
written by jummy84

Happy New Music Friday! The weekend is here, which means more streaming, new playlists and the best that music has to offer — and ET has you covered for everything in between.

Following last week’s release of The Life of a Showgirl, which sold over 4 million albums in the U.S., Taylor Swift will be returning to Disney+ with two brand new projects — Taylor Swift | The Eras Tour | The End of an Era, a 6-episode behind the scenes docuseries event chronicling the development, impact and inner-workings that created The Eras Tour, and Taylor Swift | The Eras Tour | The Final Show, the full concert film featuring The Tortured Poets Department for the first time, streaming Disney 12 on Disney+. Taylor shared, “We wanted to remember every moment leading up to the culmination of the most important and intense chapter of our lives, so we allowed filmmakers to capture this tour and all the stories woven throughout it as it wound down. And to film the final show in its entirety.”

Charlie Puth has announced his fourth studio album, Whatever’s Clever! will be out on March 6, 2026. He released a new single, “Changes,” where he reflects on both personal and professional changes. His wife Brooke Sansone makes a sweet cameo in the music video and they reveal a baby is on the way as they both place their hands on her stomach. Last month, Charlie kicked off a series of sold-out underplay residencies at Blue Note New York and continued this week in Los Angeles where he debuted his new song “Changes.”

The Latin Academy has announced the first round of performers for the 26th Annual Latin GRAMMY Awards. Pepe Aguilar, Aitana, Ivan Cornejo, DannyLux, Gloria Estefan, Kakalo, Carin León, Liniker, Morat and Los Tigres del Norte, as well as the 2025 Person of the Year, Raphael, will all take the stage on November 13.

No Doubt have announced six additional dates for their highly anticipated No Doubt Live at Sphere residency due to incredible fan demand. The newly added shows are set for May 21, 23, 24, 27, 29, and 30. The residency marks their first extended run of performances in nearly 14 years, following their historic Seven Night Stand in Los Angeles in 2012.

LANY announced their 2026 Soft World Tour and will be taking their new album, Soft, on the road for fans across the U.S., Canada, Mexico, UK, and Europe for thirty eight dates. The tour will kick off January 23 in Dubai.

Nick Jonas and his nonprofit organization Beyond Type 1 launched a new campaign centered around debunking diabetes myths. The video, “Go Beyond,” features Nick, Billy Porter, Adonai “AD” Mitchell, and Sam Morrison, and challenges people to go beyond what they think they know about diabetes. Beyond Type 1 is a global nonprofit dedicated to improving the lives of those impacted by diabetes.

Plus, new music from Bon Jovi, Kate Hudson, Ty Dolla $ign, Steve Martin & Alison Brown, Thomas Rhett & Niall Horan, Melanie C, Lauren Jauregui, HAIM and more!

“We Made It Look Easy” – Bon Jovi with Robbie Williams

Stream it now: Apple / Spotify

“Christmas Must Be Tonight” – Kate Hudson

Stream it now: Apple / Spotify

“Changes” – Charlie Puth

Stream it now: Apple / Spotify

Play – The Remixes EP – Ed Sheeran

Stream it now: Apple / Spotify

TYCOON – Ty Dolla $ign

Stream it now: Apple / Spotify

Safe, Sensible and Sane – Steve Martin & Alison Brown

Stream it now: Apple / Spotify

“Anytime” – Paul Anka

Stream it now: Apple / Spotify

“Old Tricks” – Thomas Rhett with Niall Horan

Stream it now: Apple / Spotify

“Sweat” – Melanie C

Stream it now: Apple / Spotify

“Ego” – Lauren Jauregui

Stream it now: Apple / Spotify

I quit (deluxe) – HAIM

Stream it now: Apple / Spotify

“Club Husband” – T-Pain
Stream it now: Apple / Spotify

“It Depends (The Remix)” – Chris Brown feat Bryson Tiller & Usher

Stream it now: Apple / Spotify

“Delulu” – Muni Long

Stream it now: Apple / Spotify

Lamento en Baile – Daddy Yankee

Stream it now: Apple / Spotify

An Offering: Live at Speakeasy Studios – Leslie Odom, Jr.

Stream it now: Apple / Spotify

“You’ve Got Another Thing Coming” from Nobody Wants This Season 2: The Soundtrack – Teddy Swims

Stream it now: Apple / Spotify

“That’s What I’ll Be” from Nobody Wants This Season 2: The Soundtrack – Baylee Lynn

Stream it now: Apple / Spotify

I Gave You Everything I Had – Vince Gill

Stream it now: Apple / Spotify

“Hard Run” – Zac Brown Band feat Marcus King

Stream it now: Apple / Spotify

I Didn’t Come Here To Leave – Chris Young

Stream it now: Apple / Spotify

“Fourth Strike” – Terror Jr & Kylie Jenner

Stream it now: Apple / Spotify

“Choosin’ Texas” – Ella Langley

Stream it now: Apple / Spotify

“Burn Burn” – Willa Ford

Stream it now: Apple / Spotify

“PIXELATED KISSES” – Joji

Stream it now: Apple / Spotify

i feel everything – Maggie Lindemann

Stream it now: Apple / Spotify

Kicking My Feet – Ruel

Stream it now: Apple / Spotify

All Is Love and Pain in the Mouse Parade – Of Monsters and Men

Stream it now: Apple / Spotify

Everyone’s Talking! – All Time Low 

Stream it now: Apple / Spotify

“SAN ANDREAS” – Tommy Richman

Stream it now: Apple / Spotify

“Pretty Privilege” – Hudson Westbrook

Stream it now: Apple / Spotify

“Roots” – Cooper Alan

Stream it now: Apple / Spotify

Coydog – Carter Vail

Stream it now: Apple / Spotify

“Phetamines” – Ally Evenson

Stream it now: Apple / Spotify

“baby” – Gabriel Jacoby

Stream it now: Apple / Spotify

The Rest of the Story – Jordan Fletcher

Stream it now: Apple / Spotify

“Awakening” – Eva Under Fire

Stream it now: Apple / Spotify

“O Come All Ye Faithful” – Jordan Davis
Stream it now: Spotify

“It Feels Like Christmas” – Fall Out Boy
Stream it now: Spotify

October 17, 2025 0 comments
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Taylor Swift hints Ed Sheeran may perform at her wedding
Music

Taylor Swift hints Ed Sheeran may perform at her wedding

by jummy84 October 6, 2025
written by jummy84

Taylor Swift has hinted that her good friend and fellow pop star Ed Sheeran may perform at her wedding.

It comes after Swift released her 12th studio album, ‘The Life Of A Showgirl’ on Friday (October 3), following up from last year’s ‘The Tortured Poets Department’. Back in August, Swift announced her engagement to Travis Kelce.

Speaking on UK’s Hits Radio Breakfast Show, Swift joked that there was nothing more than she and Sheeran love more than to be asked to sing at a big event. 

“We spoke to Ed Sheeran a few weeks back, and he told us he is constantly asked to perform at people’s weddings,” Swift added. Host Fleur East then asked Swift if Sheeran could sing at her wedding. “Oh, it would be hard to keep him from it, I think,” Swift replied. 

Last year, Swift brought out Sheeran as a special guest during the first of her five-night ‘Eras’ tour run at Wembley Stadium. The pair’s friendship goes back over a decade to when Sheeran opened for Swift on her ‘Red’ tour. The album also featured a collaboration between the two called ‘Everything Has Changed’.
The pair continued to collaborate after 2013, on Swift’s ‘End Game’ and the re-record of ‘Everything Has Changed’ for her ‘Red (Taylor’s Version)’ album. The pair also collaborated on the remix for Sheeran’s ‘The Joker And The Queen’. Sheeran also revealed previously that he regularly confides in Swift and that they discuss each other’s work together.
Elsewhere in the interview with UK Hits Radio, Swift opened up more about her friendship with Sheeran and that the two had a good catch up recently while attending Selena Gomez’s wedding to Benny Blanco in California.

“I saw him last weekend, actually, at a wedding of one of our best friends. We were just talking about how much we love when he came out onstage with me at Wembley during the Eras Tour,” she recalled, referring to Sheeran’s appearance at her London concert in 2024.

Swift also echoed Sheeran saying that they often discuss their music, especially when “rehearsing or writing or working together”. She added: “There’s really like a sort of strange mind-meld thing that happens between us two, and we’ve always had it,” she explained, concluding, “We always will.”

Taylor Swift, 2025. Credit: Mert Alas & Marcus Piggot

In other news, Swift has revealed elsewhere that she was worried her songwriting would “dry up” if she were “ever truly happy in a relationship.”

Speaking to Greg James on BBC Radio 1, Swift – who has famously used her relationships as inspiration for her songs throughout her career – said she feared her abilities as a songwriter might dry up if she felt “happy and free.”

She explained: “I used to have this dark fear that if I ever were truly happy and free, being myself and nurtured by a relationship, what happens if the writing just dries up? …What if writing is directly tied to my torment and pain? And it turns out, that’s not the case at all, and we just were catching lightning in a bottle with this record.

“But it’s nice because you’re coming from a place of happiness and love, you can go back to those places. You can look forward to other things,” she said.

Swift has also since responded to rumours that ‘The Life Of A Showgirl’ could be her last album, saying “it’s a shockingly offensive thing to say.”

NME gave ‘The Life of a Showgirl’ three stars, writing: “To seek escapism is not a sin, but the best pop music makes the personal feel like life or death. ‘Speak Now’, ‘Reputation’, ‘Folklore’: her greatest works could be genuinely transformative. For the first time, ‘The Life of a Showgirl’ sees Swift not catalysed into artistic growth by love, but merely comfortably secured by it.”

Yesterday, Swift also released a music video for ‘The Fate Of Ophelia’, making it the first official single from the record.

October 6, 2025 0 comments
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Ed Sheeran Reacts to Taylor Swift, Travis Kelce Engagement
Celebrity News

Ed Sheeran Reacts to Taylor Swift, Travis Kelce Engagement

by jummy84 September 25, 2025
written by jummy84

A year after their fateful rekindling, Taylor celebrated the happy couple, who eventually got married in 2019, at the same event. 

“Remember the sign that I made for your first anniversary?” Taylor joked to her collaborator in a behind-the-scenes clip for the “End Game” music video in 2017. “Happy Ed-iver-Cherry.”

And while Taylor emphasized she thought Cherry was the “coolest” in the same video, Ed also admitted it wasn’t the first time she played wingwoman for him. 

“When I first met Taylor I was in a relationship and she was in a relationship and we just formed a friendship,” Ed recalled during a 2017 appearance on Howard Stern’s radio show, joking that Taylor “encouraged” him to date her other friends. 

“She was the world’s best wingman,” he joked. “I’d like to say that I help wingman too, but probably not as well.”

Luckily for Taylor, her guy on the Chiefs did the heavy lifting when it came to becoming king of her heart. Keep reading for a look back on their relationship…

September 25, 2025 0 comments
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Ed Sheeran - Symmetry Song Lyrics | Glamsham.com
Lifestyle

Ed Sheeran – Symmetry Song Lyrics | Glamsham.com

by jummy84 September 21, 2025
written by jummy84

Song Name – Symmetry
Singer – Ed Sheeran

Check out Symmetry Song Lyrics by Ed Sheeran

I don’t know
Where you’ve been
Cracked the code of feeling
We’re alone two silhouettes just touching skin
This is how it begins

Keep me awake till darkness
Turns into day here
I don’t care about time
Just give me your night
We’re making a painting
A candlestick
Or two faces
Put your heart into mine
Just give me your night

Symmetry
Symmetry

We’ll explode in this space
Feel the glow of the flame
Tracing roads straight from your neck
Down to your waist
Kill control let it play

Keep me awake till darkness
Turns into day here
I don’t care about time
Just give me your night
We’re making a painting
A candlestick
Or two faces
Put your heart into mine
Just give me your night

Symmetry
Symmetry
Symmetry

Push up the ceiling
Push up push up
Push up the ceiling
Push up push up
Push up the ceiling
Push up push up
Push up the ceiling
Symmetry

Push up the ceiling
Push up push up
Push up the ceiling
Push up push up
Push up the ceiling
Push up push up
Push up the ceiling

Keep me awake till darkness
Turns into day here
I don’t care about time
Just give me your night
We’re making a painting
A candlestick
Or two faces
Put your heart into mine
Just give me your night

Symmetry
Symmetry
Symmetry
Symmetry
Symmetry

September 21, 2025 0 comments
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Ed Sheeran: Play Album Review
Music

Ed Sheeran: Play Album Review

by jummy84 September 17, 2025
written by jummy84

“Old Phone”’s literal attempt to mine the past for inspiration is, at the very least, slightly new territory for Sheeran. On “Camera,” he taps back into the I-love-you-despite-your-flaws clichés of his One Direction co-write “Little Things” (“You think that you don’t have beauty-in-abundance but you do/That’s the truth”) before inverting the premise of his 2015 hit “Photograph”: “I don’t need a camera to capture this moment/I’ll remember how you look tonight for all my life.” But then again, isn’t it every childhood Clapton obsessive’s dream to one day rip off “Wonderful Tonight?” Again?

The box-ticking doesn’t end there: Play contains unworthy successors to both “Perfect” (“In Other Words”) and “Thinking Out Loud” (“The Vow,”) as well as “A Little More,” a vintage Sheeran breakup track in that it is too bilious by half. When he sings “I can’t call you crazy/’Cause you could be diagnosed” it reinforces two things we already knew about Sheeran: he’s never been able to save any of his famous empathy for his exes, and he’s never been able to really land a joke.

These obvious, odious songs pad out a couple of singles that vindicate my perhaps-unpopular feeling that Sheeran is at his most dynamic when drawing from nonwhite musical traditions. “Azizam,” named after an Iranian term meaning “my darling,” is his catchiest, most energized song since “Shape of You” thanks to its tight hook and producer Ilya’s subtle incorporation of unconventional rhythms and traditional Iranian instruments. “Sapphire,” a collaboration with the Punjabi superstar Arijit Singh, and “Symmetry,” built around a frisky, hypnotic tabla rhythm by Jayesh Kathak, are heavy-handed, but Sheeran’s sheer enthusiasm on each track—the same level of investment that made “South of the Border” work despite its profound cringe factor—sells them entirely. (I am almost certain that non-diasporic Indians will go crazy for these songs, and that’s before you factor in the appearance of Shah Rukh Khan, India’s Tom Cruise, in the video for “Sapphire.”)

These are the only songs on Play where Sheeran doesn’t sound like he’s going through the motions; he’s talked about finishing the album in Goa, and they’re sparky enough to make you wish he had done the whole album there. And of course, Sheeran is not “Mr. Political,” as he put it in 2017, but there is a bitter aftertaste to his collaborations with Indian and Iranian musicians on an album released just a day before more than 110,000 far-right anti-immigrant protesters roiled through the streets of London. These are escapist songs landing in inescapably awful times; Sheeran might be the only everyman in England who can ignore the fact that this kind of apolitical, commerce-minded Choose Love thinking ran out of steam a long time ago.

Play ends with “Heaven,” one of the album’s strongest songs, and also the song that best encapsulates all its problems. On one hand, it taps into a narrative that’s dogged Sheeran through his entire career: He may have “won both cases,” as he raps on “Opening,” referring to copyright infringement cases he won in 2023 and 2024, but that doesn’t change the fact that a lot of Sheeran’s music bears uncanny resemblance to other hits, and this one is fairly similar to both Jason Mraz’s “I’m Yours” and Charli XCX’s “Everything Is Romantic.” On the other hand, its combination of an easy ghatam-led groove and sweetly generic lyrics seems to find a healthy middle ground between the innovation that Sheeran says he’s too old for and the timeworn cliché that sounds so stale on the rest of the album. Then again, attentive listeners might find repetition of the same old images too much to bear when he drops lines like “Chemicals bursting, exploding/As every second’s unfolding.” Take a double shot.

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September 17, 2025 0 comments
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Music Review: Jon Batiste opts for chill vibe on stripped-down album, 'Big Money'
Bollywood

Music Review: Ed Sheeran returns to his roots on ‘Play,’ a cross-cultural playground

by jummy84 September 12, 2025
written by jummy84

NEW YORK — Ed Sheeran has long sought to bring people together with his music, whether it be his emotionally resonant acoustic ballads or unproblematic, danceable pop hits. “Play,” his eighth studio album out Friday, stays in that familiar lane for the most part.

Music Review: Ed Sheeran returns to his roots on ‘Play,’ a cross-cultural playground

In his quest, Sheeran has maintained an everyman quality by carefully evolving with the status quo . The aesthetic of Ed Sheeran, global star, still matches that of Ed Sheeran, up-and-coming troubadour. Most of the time, it’s still just Sheeran, his guitar and his loop pedal against the world.

Of course, Sheeran, like most pop stars, knows that as his stardom has risen and his audience widened, the meaning of that relatability has shifted. His listeners, over a decade in, know that too. So “Play,” the first project in a new series from Sheeran named for symbols , uses Sheeran’s global acclaim to his advantage — without straying too far from his singer-songwriter roots.

Recorded throughout his “Mathematics World Tour” and finished in Goa, India, the project feels split. There are moments that herald the return of Sheeran the hitmaker, an exciting development after his last two albums — the final chapter of his mathematics series, “Subtract,” and the folk-pop “Autumn Variations” — were well received but failed to produce the kind of chart-toppers that created Sheeran, the megastar. Most tracks, however, fall more in line with those albums, deviating little from the narrative songwriting toolkit that raised Sheeran, the artist.

Sheeran turned to new collaborators for a couple songs that are already established hits. The addictive “Sapphire” features Indian singer Arijit Singh, who ranks among Spotify’s most popular artists globally. A Farsi version of the single “Azizam,” written and produced with Ilya Salmanzadeh, Savan Kotecha and Johnny McDaid, was released in April featuring Iranian singer Googoosh. Sheeran isn’t just eyeing the U.S. and U.K. charts here — he’s playing for cross-cultural domination, and having fun while doing it.

The rest of the tracks, those that feel more classically Sheeran, see old themes recycled: “Old Phone” provides him the space to remember old friends and reminisce about his changing personal life, just as the landscape in 2017’s “Castle on the Hill” provided a tangible marker of memory. The conceit of the sappily sweet “Camera” — “I don’t need a camera to capture this moment” — comes in conflict with that of Sheeran’s own beloved “Photograph” from 2014’s “Multiply.”

There are still moments that feel like they’ll stick: Sheeran’s ode to his daughters, “For Always,” with cooing backing vocals from co-writer Amy Allen, is sure to be a favorite father-daughter dance track, right behind the groovy “The Vow” on wedding playlists.

Sheeran flexes his pen on “Opening,” the album’s first track. Bounded by glittery verses about boundaries, he raps about his family, his mental health, that court case, fame and what comes next. “Been a long time up top but I ain’t complacent/If I look down I can see replacements,” he raps at one point. “Gotta make dreams and chase them.”

Sheeran wants to be for everyone. And to do that, he’ll still be an everyman.

“Play” by Ed Sheeran

Three stars out of five.

On Repeat: “Opening”

Skip it: “Camera”

For fans of: Romance novels, Bollywood playback singing, “Shape of You,” Coldplay

This article was generated from an automated news agency feed without modifications to text.

September 12, 2025 0 comments
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Ed Sheeran 'Play' Review
Music

Ed Sheeran ‘Play’ Review

by jummy84 September 12, 2025
written by jummy84

On the bubblegum pink cover of his eighth studio album, Play, Ed Sheeran clearly lays out his goals for the project in a written message. “Play is leaving the past behind. Play is colorful. Play is dancing. Play is nostalgic,” the mission statement reads. Can an album leave the past behind and be nostalgic at the same time? Ed sure hopes so.

On the opening track, aptly-titled “Opening,” the multi-platinum singer-songwriter draws a line in the sand and moves beyond the emotional struggles that were present on 2023’s − (Subtract). In the process, he turns towards South and West Asian rhythms to create a fusion of dance-ready, upbeat pop songs that represent the bright disposition implied by the album’s title and cover. Yet, as promised, Play is also mainly steeped in fond memories of the past as Sheeran spends most of the record revisiting the singer-songwriter pop ballads that made him famous. It’s a somewhat disorienting move for a project that is supposed to be looking ahead. 

The most interesting moments on Play are the cross-cultural, experimental songs that find Sheeran hitting a new pop wave. “Sapphire” is built around a shiny, irresistible rhythm thanks to Iranian-Swedish producer Ilya and an assist from Indian mega star Arijit Singh. Similarly, the sultry, dancefloor number “Symmetry” has a thumping heart that can get anyone dancing, even if they don’t know what the Hindi chorus is saying. Mostly, though, when it comes to globetrotting musical fusions Sheeran isn’t exactly George Harrison or Paul Simon. Instead, songs like “Azizam” and “Don’t Look Down” sound misplaced, especially as their bright sitar and flute tones push against the more melancholy, acoustic-driven tracks on Play.

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For the most part, the album finds Sheeran returning to the singer-songwriter ballad form. Save for the rap verse on “Opening” which recalls early career innovations like 2011’s “You Need Me, I Don’t Need You” and pensive folk track “Old Phone,” Sheeran’s time travel only takes him back a few years, to 2017’s Divide to be exact. “Camera” is a sappy, crescendoing ode in the vein of “Perfect” that will undoubtedly dominate future wedding playlists, while “The Vow” is a soulful, jazz-inflected moment with Hallmark-card lyrics ( “I thank the broken road that led me to you”) that weirdly seems to channel a Rascal Flatts love song  of all things. It’s not all misses; Sheeran flexes his detail-focused songwriting on softer ballads like “In Other Words” and “Slowly.”

Overall, despite some of its nods to a more global sound, Play is a lot more of the same radio-tailored singer-songwriter music that has become Sheeran’s signature in his 15-year career. “Been a long time on top, but I ain’t complacent/ If I look down, I can see replacements,” he raps on “Opening.” That sentiment in mind, it’s kind of ironic that in a pop music landscape filled with post-Sheeran balladeers like Alex Warren and Teddy Swims, the man himself can’t find a way to move his music forward. 

September 12, 2025 0 comments
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Ed Sheeran – ‘Play’ review: a hasty retreat to the genre-spanning of old
Music

Ed Sheeran – ‘Play’ review: a hasty retreat to the genre-spanning of old

by jummy84 September 12, 2025
written by jummy84

Even at their most successful, Ed Sheeran albums are a mixed bag. 2017’s ‘÷’ (yes, the one that featured the barely believable ‘Galway Girl’) worked on its own terms because it was a more adventurous record than his critics would give him credit for. Among the usual saccharine acoustic ballads, the open-minded listener was invited to stumble across wailing dad-rock guitar, sprightly Ghanaian highlife and that admittedly queasy Irish jig.

  • READ MORE: JADE – ‘That’s Showbiz Baby!’ review: pop’s star student is ready for the big leagues

You might not rate the results of these sonic explorations, but it’s better to live in a world where somebody as big as Sheeran is willing to play against type. Indeed, the Halifax-born, Suffolk-raised singer (who identifies “culturally as Irish”) really runs into trouble when he goes on autopilot. Take 2023’s ‘Autumn Variations’, a downcast collection that was about as drab as the tatty old mac you dragged out of the wardrobe as summer slunk off.

While he’s never been a critical darling, the reviews were particularly gruelling for what proved to be his lowest-charting album on the Billboard 200 in over a decade. Ed doesn’t see the point in music reviews, so he won’t have read them, but album eight coincidentally finds him ditching the beige sonic palette in favour of colourful pre-release singles ‘Azizam’ and ‘Sapphire’. These respectively Persian and Punjabi-inspired workouts (the latter a team-up with Indian playback superstar Arijit Singh) suggested that the 34-year-old had returned to his stylistic hopscotch. After all, it served him well in the past: ‘÷’ remains his biggest-selling album to date.

It’s dispiriting, then, when ‘Play’’s opening track – entitled, ingeniously, ‘Opening’ – starts off as yet another introspective, finger-picked ballad. The lyrics, though, are bracing enough to snuff out any cynicism: “I have cried at my brother’s grave / I have shaken hands with my wife’s surgeon.” Soon, too, comes a brittle beat as that fragile croon gives way to Ed’s breathless flow. It’s never not annoying to hear a white guy who went to prep school trying to rap, but, again, the words cut through. Seemingly referring to the plagiarism accusations he’s battled in recent years, Sheeran huffs: “Two of them tried it; I won both cases.”

While ‘Play’ directly addresses the life-threatening illness that Sheeran’s wife faced during pregnancy, as well as the death of his best friend Jamal Edwards (the entrepreneur behind rap channel SB.TV), this is the sound of someone rallying from the darkness. There’s a bit of agreeable, lightweight soul (‘A Little More’ and ‘The Vow’), some Bon Iver-style folktronica (‘Heaven’) and – no shit – a Fred Again-assisted psytrance banger (‘Don’t Look Down’) that could have been in the trailer for one of those ropey Matrix sequels in 2003.

Sheeran hasn’t committed as wholeheartedly to the genre-hopping bit as he did on ‘÷’. There are an awful lot of those sickly ballads, some of which are better than others: ‘Old Phone’, inspired by seeing an old text from Edwards, is genuinely moving. But ‘Play’, which apparently kicks off a groan-inducing new series of albums named after buttons on a remote control, just about makes the most of his bag of tricks.

Details

ed sheeran play review

  • Record label: Gingerbread Man Records / Atlantic Records
  • Release date: September12, 2025

The post Ed Sheeran – ‘Play’ review: a hasty retreat to the genre-spanning of old appeared first on NME.

September 12, 2025 0 comments
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