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Kiran Rao's Kindling Pictures Backs Bosco Bhandarkar's 'Shadow Hill'
TV & Streaming

Kiran Rao’s Kindling Pictures Backs Bosco Bhandarkar’s ‘Shadow Hill’

by jummy84 November 24, 2025
written by jummy84

Kiran Rao‘s production banner Kindling Pictures is backing commercial director Bosco Bhandarkar’s feature directorial debut “Shadow Hill: Of Spirits and Men,” which has been selected for the WAVES Film Bazaar‘s Co-Production Market.

The Bazaar is the market component of the International Film Festival of India (IFFI).

The film follows two men on a treasure hunt in Goa — one seeking closure about a hidden truth and the other looking for an escape from drudgery. A mysterious woman who tells tales of the past helps both men find resolution. Set against the backdrop of Goa’s transformation from a tranquil coastal region to an urban sprawl, the story blends comedic and tragic moments while exploring themes of memory, loss and human connection.

“The idea is to find love as a counterforce to cynicism,” says Bhandarkar, who drew inspiration from childhood summer vacations spent at an ancestral house in a Goan village. “We are living in times when one hopes for some faith in humanity, and I hope our film helps reflect this in some small and beautiful ways.”

The director said he wanted to address the ecological destruction caused by Goa’s booming real estate market and political corruption, noting that “the very concepts of space and time have shifted drastically for the locals in present times, and not for the best.”

Rao, who co-founded Kindling Pictures with producer Tanaji Dasgupta, has known Bhandarkar for over 25 years. “His perspective is unusual, mischievous, and deeply human,” says Rao. “Through humor and irony, he is able to peel back the surface of ordinary life and reveal its hidden layers, often through striking, poetic imagery.”

Bhandarkar has spent most of his career directing commercials. He describes himself as a daydreamer who loves “films made by filmmakers who have school bags filled with empathy.”

At Film Bazaar, Kindling Pictures is seeking co-producers, financiers and film funds. The company has invested 25% of the budget and is looking to raise additional financing while attaching strategic partners to help execute Bhandarkar’s vision.

“We believe it embodies a rare balance of humor, poignancy, and danger,” said Rao. “We are very excited about this film because it promises to be an extraordinary cinematic experience,” adds Dasgupta.

November 24, 2025 0 comments
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Their happy pace: A shadow lifts from women’s sprinting
Lifestyle

Their happy pace: A shadow lifts from women’s sprinting

by jummy84 October 11, 2025
written by jummy84

Track is sport in its purest form. No rotating orb to smash through a net like in football; no mastering the tools like in golf; no hurling projectiles at each other like in tennis or badminton; no judging the swing through the air or deviation off the surface like in cricket; no harnessing the machine like in Formula 1; no inherent violence like in boxing or wrestling. Instead, it’s one pair of legs simply striving to outrun another over a designated distance in a scintillating battle of strength, grit and technique.

At the World Athletics Championships in Tokyo last month, the US’s Melissa Jefferson-Wooden won the 100m and 200m with margins of victory that were Bolt-like: 0.15 seconds and 0.46 seconds respectively. (AP)

Within track, the sprints are the most unadulterated expression of human excellence.

They don’t need guile like the middle-distance races do; nor do they call for the fine balance between pace and endurance that the marathon exemplifies. The sprints are raw pace, unbridled power, and a visceral desire to hit the tape faster than the next person while holding nothing back over 10, 20 or 40 seconds. The starting gun sounds like a suggestion in the longer races, a signal in the middle distances, and a call to arms in the sprints.

But sprinting has long battled the most-dreaded D-word in sport: doping.

On the men’s side, Michael Johnson changed the paradigm in the 400m in the 1990s, dominating the field and obliterating the world record to lift the cloud over the previous decade, when dope allegations flew thick and fast. In the 100m and the 200m, Usain Bolt’s arrival in the Aughts pulverised the past in a manner that only the greatest athlete ever could have.

Meanwhile, women’s sprinting was unable to shake off the real and perceived injustices of history. The 100m and 200m world records have been held by the American Florence Griffith-Joyner since 1988, and the 400m record by the German Marita Koch since 1985. Neither athlete ever failed a dope test, but suspicions have lingered about the use of performance-enhancing drugs that were not detectable at the time. Their records, fair or foul, are marked by invisible asterisks that women’s athletics has desperately wanted to erase.

The only way to do that is to go faster. And the wait may soon be over.

BRAVE NEW WORLD

It was a windy February day in 2001. In Dunbar, population 600, a census town in Georgetown County, South Carolina, preachers Melvin Jefferson and Johanna Jefferson welcomed a sixth child into their family. They called her Melissa.

At just five weeks old, baby Melissa underwent surgery to pump out curdled formula from her stomach. When she was 17, she donated stem cells to her father, who was suffering from myelodysplastic syndrome, after the hospital waitlist did not throw up any suitable candidates for a transplant.

Eighteen months before Melissa Jefferson was born, in the summer of 1999, the borough of Dullen, population 7,600, in Middlesex County, New Jersey, was graced by the arrival of its newest resident. With less than a year to go for the 2000 Summer Olympics, former track stars Willie McLaughlin and Mary McLaughlin called their third daughter Sydney.

Sydney McLoughlin’s early troubles were more within than without. As a young athlete, she constantly sought validation, beating herself up any time she felt she hadn’t done well enough. Battling these demons, she turned to the Christian gospel and emerged track-ready again.

Sydney McLaughlin-Lavrone’s 400m at the World Athletics Championships in Tokyo was the second-fastest in history, within two-tenths of a second of the time set by Koch 40 years ago.
Sydney McLaughlin-Lavrone’s 400m at the World Athletics Championships in Tokyo was the second-fastest in history, within two-tenths of a second of the time set by Koch 40 years ago.

This September, over the course of a week at the World Athletics Championships in Tokyo, Melissa Jefferson-Wooden and Sydney McLaughlin-Lavrone, now 24 and 26 years old, their double-barrelled surnames underlining their marital statuses, were crowned the queens of modern sprinting.

Jefferson-Wooden is the first woman since the Jamaican Shelly-Ann Fraser-Pryce in 2013 to win the 100-200 sprint double at the Worlds. Her margins of victory in Tokyo were Bolt-like: 0.15 seconds in the 100m and 0.46 seconds in the 200m. Her timings were the fourth (100m) and eighth (200m) fastest ever recorded.

McLaughlin-Lavrone, the world’s pre-eminent 400m hurdler for the past five years — she has set or broken the world record six times since 2021 and won gold medals in both the Tokyo and Paris Olympics — inexplicably decided to switch to the 400-flat earlier this year. Her run at the Worlds was the second-fastest in history, within two-tenths of a second of the time set by Koch 40 years ago.

And so, through these two champions, born six seasons and 700 miles apart, the suspicious gap with the Dirty ’80s was narrowed at long last.

Though the Jamaican trio of Elaine Thomson-Herah, Shelly-Ann Fraser-Pryce and Shericka Jackson pushed closer and closer to the 100m and 200m marks over the past decade, and the Frenchwoman Marie Jose-Perec got within 0.65 seconds of the 400m record in the late 1990s, the final step has proved elusive.

It was fitting that Fraser-Pryce, now 38, finished sixth when Jefferson-Wooden won the 100m gold at the Worlds to complete the passing of the baton. In the 400m final, McLaughlin-Lavronne’s winning time of 47.78 was just 0.2 seconds faster than that of the Dominican Republic’s Mariliedy Paulino, who won silver but ran the third-fastest 400m ever.

The sign of a simultaneous revolution across the three sprints is here at last. At Tokyo 2025, Jefferson-Wooden and McLaughlin-Lavronne infused new life into women’s athletics. It feels, and not a moment too soon, like we’re closer than ever to finally moving on.

(The views expressed are personal)

October 11, 2025 0 comments
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Deep Cut Friday: 'Cast No Shadow' by Oasis
Music

Deep Cut Friday: ‘Cast No Shadow’ by Oasis

by jummy84 August 23, 2025
written by jummy84

Each week, SPIN digs into the catalogs of great artists and highlights songs you might not know for our Deep Cut Friday series. 

In the constantly shifting landscape of popular music, headliners and opening acts can trade places in the space of just a couple of years. In fact, that’s exactly what happened to a pair of Greater Manchester bands 30 years ago. The Verve released its debut album A Storm in Heaven in 1993 and played several shows supported by a new band called Oasis that hadn’t yet released its first single. By April 1995, Oasis had become wildly popular, and the Verve opened a couple of their shows in Essex and France. 

Over the following months, Oasis and the Verve each released their sophomore albums, and their trajectories continued in opposite directions. The Verve briefly broke up weeks after the release of A Northern Soul, while (What’s the Story) Morning Glory? went supernova, becoming the biggest British rock album of the decade. But even as Oasis feuded with Blur and many other Britpop contemporaries, they remained good friends with the Verve. In fact, Noel Gallagher wrote one of Morning Glory’s most moving songs, “Cast No Shadow,” about some difficult times that Verve frontman Richard Ashcroft was going through. Ashcroft returned the favor, dedicating A Northern Soul’s title track to the Oasis guitarist.

The two bands’ roles reversed again, at least briefly, when the Verve reconvened and recorded the 1997 smash “Bitter Sweet Symphony,” and the band’s third album Urban Hymns actually outsold Oasis’s Be Here Now. Then Ashcroft embarked on a solo career, and Oasis carried on successfully, but rarely played “Cast No Shadow” on their post-’90s tours. Fast forward a couple decades, and a reunited Oasis have one of the biggest tours of 2025, with Ashcroft opening all the U.K. shows. And “Cast No Shadow” has made a triumphant return to Oasis’s setlists, with the band frequently dedicating the song to Ashcroft. 

Three more essential Oasis deep album cuts:

“Up In the Sky”

Noel Gallagher is Oasis’s undisputed creative leader, writing every song on the band’s first three albums. Co-founding guitarist Paul “Bonehead” Arthurs did take credit for one of the catchiest riffs on Definitely Maybe, however, in a 2014 Irish Post interview: “I came up with the riff for ‘Up in the Sky’ and he built the song around that one but generally Noel would arrive with the finished song.” Arthurs rejoined Oasis this year for the first time since 1999.

Us3's Geoff Wilkinson. (Credit: Asa Akabah-Wilkinson)

“I Hope, I Think, I Know”

Be Here Now remains one of the most disappointing follow-up albums in rock history, partly because nearly every song is about twice as long as it needed to be. One exception is the charging “I Hope, I Think, I Know,” which gets to the point in a relatively restrained 4 1/2 minutes.

“Fuckin’ in the Bushes”

Oasis’s 2000 album Standing on the Shoulder of Giants opened with a funky, psychedelic instrumental, which featured a loop of a ’60s concert promoter declaring “The kids are running around naked, fucking in the bushes” sampled from the 1995 documentary Message to Love: The Isle of Wight Festival. Walmart stores declined to sell Oasis’s fourth album due to the profane song title. Instead of performing “Bushes” live, Oasis would use the track as their pretaped intro music at concerts, a practice that’s been revived for the Live ‘25 Tour. 

August 23, 2025 0 comments
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