celebpeek
  • Home
  • Bollywood
  • Hollywood
  • Lifestyle
  • Fashion
celebpeek
  • Music
  • Celebrity News
  • Events
  • TV & Streaming
Home » Sandler
Tag:

Sandler

Adam Sandler and Timothee Chalamet’s Wild Fairfax High Pep Rally
TV & Streaming

Adam Sandler and Timothee Chalamet’s Wild Fairfax High Pep Rally

by jummy84 November 17, 2025
written by jummy84

It takes a precise strain of Los Angeles magic for a rainy Saturday night to end with Adam Sandler and Timothée Chalamet getting their asses handed to them in a high school gym.

Officially billed as the Sandler x Chalamet Conversation and Pickup Basketball Event, it provided more than clever branding for an awards event for “Jay Kelly” and “Marty Supreme,” respectively. It was a reminder of how strange and rare these moments of genuine, unpolished creative conversation can be in the middle of an industry obsessed with polish.

To be clear, the evening will produce a polished product: It was a live taping of Vanity Fair’s Scene Selections series. However, an event like this is usually held at the Academy or a studio theater; this one was a pep rally.

Cara Brower, Scott Chambliss, Sam Bader, Alexandra Schaller, Dylan Cole, Ben Ben Procter and Jim Hemphill poses for a portrait at the Indiewire Craft Roundtables 2025 at the Lumen Building on November 08, 2025 in Los Angeles, California.

A DJ pumped up the room. There were cheerleaders. Branded Sandler x Chalamet hats tossed around like school spirit merch. There was no red carpet, no step and repeat or press line. Just fans, family, friends, and a few familiar faces watching two generational talents roast, praise, dissect, and admire each other’s work like we somehow wandered into their private creative exchange.

Sandler and Chalamet came through the cheerleader tunnel like they were being announced at homecoming, The crowd, naturally, ate it up. Sandler kissed his wife and daughters. Chalamet worked the line with his soft, almost shy warmth. They stopped to greet the VIP rows, where Kid Cudi got one of the biggest reactions followed by Josh Safdie.

Adam Sandler, Timothée Chalamet, and the cheerleader tunnel.

Honestly, Sandler and Chalamet talked about their “Uncut Gems” and “Marty Supreme” director so much he could have been the third guest onstage. The room felt like a strange hybrid of a movie premiere, a family gathering, and a school assembly held for two gifted kids who accidentally became superstars.

They kicked things off with SNL clips, which launched stories of breaking on camera which, as Sandler reminded everyone, SNL then regarded as a cardinal sin. He credited “The Carol Burnett Show” for shaping his instincts, particularly Tim Conway’s mission to make Harvey Korman lose composure every week. Chalamet said it still feels surreal that he performed sketch comedy live on Studio 8H at all.

Then came the deep dives. Sandler told the story of Paul Thomas Anderson showing up to his house with the “Punch-Drunk Love” script tied with a bow, asking if he could stay while Adam read it.

Chalamet, who wrapped “Dune” Part Three” only four days earlier, said making the “Dune” films are some of his greatest memories and most formative creative experiences. He shared a clip of watching his character Paul Atreides give a speech in a fabricated language to hundreds of extras. 

Sandler stared at him like a proud uncle. “Every extra on that set must have been thinking, ‘What the fuck is happening,’” he said.

Sandler talked about Noah Baumbach writing the “Jay Kelly” part of manager Ron Sukenick for him, casually dropping that his client would be George Clooney. Adam shared a handful of Clooney memories, including the time he dragged the entire SNL cast to a YMCA to play basketball, Chris Farley included. Chalamet joked about what he will be like at 45. Sandler said, “Do me one favor. Please put on 12 pounds.”

Adam Sandler, Josh Safdie, and Timothée Chalamet at the Fairfax High School gym

Chalamet broke down the look of Marty Supreme, saying Safdie wanted a very specific physical presence: Two hours of fake pockmarks. Beady contacts. Real glasses layered on top, creating a fishbowl effect.

For the finale, chairs and lights were rolled off the basketball court and suddenly the gym was a gym again. Sandler and Chalamet challenged two very determined young men to a half-court, two-on-two game. Fairfax students or undercover phenoms? Unclear, but as they beat the living hell out of two millionaires the room went feral. Sandler and Chalamet wrapped the night by pulling the entire gym into a giant group selfie.

Walking back into the rain, I just laughed. I spent an hour listening to two icons and awards contenders talk openly about creativity, fear, risk, and the absurdity of their careers. Then I watched those same icons get absolutely worked on a basketball court by a pair of kids who did not give a single shit about their resumes.

No respect on the court. All the love in the room. Fairfax High School gymnasium felt like the most intimate screening room in the city.

Ridiculous. Human. And the perfect Saturday night. 

November 17, 2025 0 comments
0 FacebookTwitterPinterestEmail
Adam Sandler and His Wife, Jackie: A Complete Relationship Timeline
Fashion

Adam Sandler and His Wife, Jackie: A Complete Relationship Timeline

by jummy84 November 16, 2025
written by jummy84

Jackie and Adam Sandler are a pretty low-key couple for a pair of actors who have appeared in at least 20 movies together since falling in love on the set of Big Daddy.

Of course, acting together is kind of their thing. After all, the couple reportedly met while filming the 1999 comedy, in which Adam’s character, Sonny, adopts a five-year-old boy (portrayed by the Sprouse twins) to impress a girl. Thankfully the actor did not have to go to such great lengths to impress Jackie (née Titone), who had a small role as a sports bar waitress.

It was “love at first sight” according to both halves of the couple, who wed in 2003 and have since welcomed two daughters, Sadie and Sunny, both of whom have followed in their parents’ Hollywood footsteps.

“Nobody wants to hear about Adam Sandler’s secret to marriage, but I guess here’s the secret: Jackie and I like spending time with each other,” Sandler said in an AARP cover interview back in 2022. “We try to make each other laugh, try to listen, try to include each other, try to support each other. We try our best—that’s all. And we don’t ever think of not being together. We always talk about our future together.”

From their first moments to their latest red-carpet PDA, here’s Jackie and Adam Sandler’s complete relationship timeline, with the most recent events up top.

November 11, 2025: Sandler opens up about his relationship with Jackie at the LA premiere of his new movie, Jay Kelly. “We’re very close. We like to talk, like to laugh, like to have fun, and like to think about things and take care of our kids,” Adam tells People. “I’m just more thankful than I’ve ever been. Happy I got to do this life, happy all the people who’ve been with me during all this stuff, and helped me out, and [it’s] just been a phenomenal time. My whole family’s always been great to me. My wife and I talk about stuff, and what to do, and what to do next, and it’s just been a very cool life.”

ackie Sandler, Adam Sandler, Sadie Sandler, and Sunny Sandler attend the Los Angeles Premiere of Netflix’s “Jay Kelly” at The Egyptian Theatre Hollywood on November 11, 2025.

Axelle/Bauer-Griffin

November 16, 2025 0 comments
0 FacebookTwitterPinterestEmail
Noah Baumbach and Adam Sandler at the Venice Film Festival for the world premiere of their movie Jay Kelly
TV & Streaming

Deadline interview with Noah Baumbach and Adam Sandler On ‘Jay Kelly’

by jummy84 September 30, 2025
written by jummy84

Although Adam Sandler has forever been known as a comedic force in movies, most recently in the long-awaited Netflix sequel to Happy Gilmore, his performances in such films as Hustle, Paul Thomas Anderson’s Punch Drunk Love, Noah Baumbach‘s The Meyerowitz Stories and the Safdie Brothers’ Uncut Gems have proven this is a star with serious dramatic acting chops. Now he is getting major Oscar buzz (again) for his role as Ron, the ever-loyal but conflicted manager to George Clooney‘s major movie star going through an existential crisis of identity in Jay Kelly. It has brought Sandler critical raves (and so has the film for Baumbach who directed it) after its Venice and Telluride launches, and now tonight premieres at the New York Film Festival.

While in Telluride I sat down with Sandler and Baumbach to talk about their second teaming together and just what made Sandler perfect for this role.

DEADLINE: So after working with Adam in The Meyerowitz Stories what inspired this reunion on Jay Kelly?

NOAH BAUMBACH: Emily [Mortimer] and I were writing the character, I wanted it to be Adam, because, you know, I’d gotten to know Adam, and we’re very close, and our families are claiming we’re in love.

ADAM SANDLER: Yeah.

BAUMBACH: Adam has such generosity of spirit and such love and such loyalty to the people he works with, you know, the way he takes care of his family, it’s just really remarkable to me. I think we share that, this love of life and movies and having the people you love to be there in the movie, because you love your movie, and you want to love the people in them and I always use my friends, either depending on their abilities or the roles, I use people in my movies who I’ve known my whole life, or you know, I bring my own family into it. But I felt like with Ron, it would be a way for Adam to sort of play something that I feel is actually quite close to him, but in a character that actually isn’t that close to him. Adam obviously, lives Jay Kelly’s life in reality.

SANDLER: At times.

BAUMBACH: I mean in terms of, like, being a worldwide movie star, and so you know, it’s something exciting to me that he would be playing something that was kind of close to him, but in disguise in a way.

DEADLINE: Why did you decide to do this very industry showbiz centric story now?

BAUMBACH: It uses the movie business, the sort of notion of the movie star and all the people around them. All of that’s compelling and fun, and it’s a world I know really well. Making a movie about an actor is making a movie about persona and performance and identity and choices and all the things that are inherent in that. In a way I feel like it’s one of the most universal stories I’ve told, even though it actually takes place in a kind of somewhat rarified world, but it’s rarified only in terms of where Jay Kelly exists in the culture. I mean, as we actually discover Jay Kelly was a kid from Kentucky with no money whose dad worked for the John Deere corporation. And you see Ron is dealing with all the sort of ordinary work-life questions that could be in any profession, right?…The story of success is the same story as the story of failure. It’s like it’s a barrier between you and who you might actually be, and in the case of a movie star, it’s such a specific thing. It’s like his name means something different than what his name meant when he was young. So, it’s like he lost his name, and I think that’s such an interesting way to explore how we all sort of deal with this gap between who we present ourselves as, and who we might actually be, and as we all get older we’re all hopefully getting closer to ourselves.

DEADLINE: Adam it looks like you just slipped into this role, like you knew this guy. So, what do you base it on, besides their script?

SANDLER: I base it on conversations with Noah and talking about my own teams, my own people that I’ve seen throughout the years, Noah’s people that he’s seen throughout the years and just that sense of a person who’s so dedicated to one person or all his clients and how much damage that can cause at home, just because of the amount of time that takes to be dedicated to someone, and the arts. 3AM in the morning, things can come to that person’s mind that is very important to them, and you have to be there for them. So, yeah, it’s about kind of giving away any privacy and just being okay with that, and I thought that was fun to be a man like that, to be a guy that said, ‘hey, even though it pains me right now, you guys know the drill. This guy comes first.

BAUMBACH: It’s also like, to be good at your job…But to be good at your job in that instance means that you’re dedicating yourself and your time and your life, If you’re younger and you love it you’re happy to devote all day long to it, but then, as you start to have a life and a family, but you’re still doing it….You know, when I was starting, I would edit seven days a week. I still love editing as much as I ever did, but you know, I want a weekend with my family, and I want to knock off at six and go have dinner with the kids and do all that. Liz (Laura Dern’s publicist character) even says it to Ron. ‘In the beginning, it was fun. You know, he was our baby, and we take care of him, but now we have real babies’.

SANDLER: It’s a heartbreaking scene on the tennis court, just how much my daughter needs me there, how important it is, and just it’s out of my control. Something’s going on with the man I’m dedicated to, and I’m going to Europe with him, and you can’t talk me out of it, because I know what’s best.

BAUMBACH: Ron is like Jay’s shadow. I mean, the opening of the movie, when, you know, we make our way through the set, and Jay actually is a shadow when we first see him in the tent, and Ron and the shadow move together and then kind of converge. It was sort of a way to tell that story right off the bat… Jay’s having a sort of existential dark night of the soul, and Ron’s having the more ordinary version of ‘I’m away from my family. I’m trying to do a good job at work. I’m also trying to be a good parent, and how do I do this? And this is what I chose, or I need to re-choose this or not’.

DEADLINE: This wouldn’t have worked if we didn’t believe the relationship between Ron and Jay. Adam, you and George Clooney go back decades, don’t you?

SANDLER: Yes. We knew each other, George and I were always nice to each other, but we spent a lot of time on and off the set, and I’ll tell you what, no one was pulling for me like George every scene. Every scene, he was so excited about the stuff we’d do together and so excited…he was so quick to, on hearing cut, compliment what I did, and I would say, ‘well, do you just know how great you are and how easy it is to do this with you?’ And he doesn’t like compliments. He’s just like, ‘no, no, no, no, no, it’s okay, thank you, but what you’re doing’. He’s such a nice, giving actor, and we did have a nice time on set. When Noah was setting up a shot, we’d sit with each other, George and I, and just talk and get close and run scenes or just talk about life and talk about our families, and we’re very kind to each other.

George Clooney as Jay Kelly and Adam Sandler as Ron Sukenick in 'Jay Kelly'

George Clooney as Jay Kelly and Adam Sandler as Ron Sukenick in ‘Jay Kelly’

Peter Mountain/Netflix

DEADLINE: You’re running away with the reviews in this, if you read them.

SANDLER: Just so you know, I don’t read them, but I’ll take it. Thank you.

DEADLINE: There’s major awards buzz around your performance. How does that feel?

SANDLER: It’s really nice, man. I get to talk about it…I don’t know what a right answer to that is, you know, but it’s just all exciting. I do have to say, whatever compliment comes my way goes back to my man Noah. I’m proud to be this man but I know it came from Noah, and I’m really thankful that he gave me this part that had so many different things to do and ways to think.

DEADLINE: And it’s not the first time. Obviously, Uncut Gems and Punch-Drunk Love put you in the conversation, and on and on.

SANDLER: Man, I’m so happy. Noah called me, it was probably two years ago, and said he has an idea, and he wants to include me, and so, right away, you say, well, that’s big, because Noah’s writing, and how serious and how hard he works, you know there’s going to be something there that, as an actor, you say, ‘okay, man, this is the big time’, and you don’t want to waste a word of it. Then I got to read it, and then I said, ‘okay, this is something that I will never forget. I’m diving in deep and trying to be this guy, and I’m going to love being this guy’, and you don’t think of the other stuff. Others have brought stuff up while we were shooting, to me, and I would say, ‘I don’t think I want to talk about anything but how great this movie could be’, and so, that’s where you land. I just love Noah. I know that everything I did in this movie is where he led me. When I make my movies, I work hard on them, and I feel the pride in everybody’s performance, and I have the same feeling about this movie. I know I follow what Noah told me to do, and I would always be happy when Noah would say we got it. On a particular take, I’d say, ‘all right, if Noah’s happy, then we’re doing something right’.

Jay Kelly opens in select theatres November 14 and begins streaming on Netflix December 5.

September 30, 2025 0 comments
0 FacebookTwitterPinterestEmail
Venice 2025: Noah Baumbach's 'Jay Kelly' with Clooney & Sandler
Hollywood

Venice 2025: Noah Baumbach’s ‘Jay Kelly’ with Clooney & Sandler

by jummy84 August 31, 2025
written by jummy84

Venice 2025: Noah Baumbach’s ‘Jay Kelly’ with Clooney & Sandler

by Tamara Khodova
August 31, 2025

For American director Noah Baumbach, returning to the Venice Film Festival must feel like coming back to the scene of a crime. Three years ago, he opened the fest with his apocalyptic drama White Noise, which was savaged by festival crowds. By the director’s own admission, the experience was so traumatic he lost his faith in cinema. He credits two things with restoring it: working on the screenplay for Barbie with his wife, Greta Gerwig, and a new collaboration with actress Emily Mortimer, with whom he co-wrote his new film titled Jay Kelly. The movie follows Hollywood star Jay Kelly (starring George Clooney as the famous actor), who, after an encounter with an old friend, is prompted to reconsider his life choices. He abruptly decides to end his acting career and takes off for Europe, where he hopes to find his younger daughter and mend their relationship, having failed to do so with his older daughter (Riley Keough). So he brings his entire entourage along for the ride, including hairdresser, publicist (Laura Dern), and his loyal manager (Adam Sandler), who follows his beloved client everywhere he goes, even at the expense of his own family.

Baumbach is clearly exorcising some demons, and he’s brought all his friends along. Much like in a Wes Anderson film, Jay Kelly features a cast of the director’s famous acquaintances, with Greta Gerwig, Isla Fisher, and Jim Broadbent all making cameo appearances. The result feels less like a movie and more like a group therapy session. And yet, considering the state of the world—and cinema in particular—perhaps a little mutual support is no bad thing, even if it’s fleeting. Still, one can’t help feel the director has lost his incisive edge, trading his signature blend of pessimism & absurdity for a dose of unchecked sentimentality.

Jay Kelly opens with a gorgeous long take on the set of Kelly’s latest film. A scene buzzing with the focused chaos of a real shoot: the gossip, calls home, endless retakes—everything that comes with the filmmaking process, or at least our idea of it. Baumbach isn’t reinventing the wheel. His new film fits neatly alongside other recent movies about the magic of cinema like: Babylon, The Fabelmans, The Artist, and Hail, Caesar!. The director speaks of that famous movie magic, which, as it turns out, really does exist. Why else would millions of people lose themselves in front of screens, big & small, every single day, falling in love with everyone involved in this mystical process? But as the film shows, the process isn’t mystical at all. It’s dirty work, demanding total commitment, betrayal, lies, and profound loneliness. Again, that’s nothing new, but Baumbach & Mortimer pepper the story with the director’s signature snappy dialogue and comedic timing.

As the film wisely notes, it’s hard these days to get audiences invested in the struggles of an aging white man (though plenty of directors keep trying). George Clooney seems to be playing himself—it’s no coincidence his initials are a phonetic parody of the character’s. But then again, who really knows who George Clooney is? As the film suggests, an actor is never just himself. It’s an image built on another image, masked by many illusions. Sometimes, “playing yourself”—or rather, finding your true self within—is the hardest role of all.

It helps that Clooney is the quintessential movie star, with his dazzling smile, deep voice, and sharp suits. He’s in constant performance mode, effortlessly charming the world while alienating those closest to him. But the film’s emotional core isn’t the selfish, albeit lost, Kelly. It’s his manager, played by a heartbreakingly sad Adam Sandler. We haven’t seen the actor this melancholy since Paul Thomas Anderson’s Punch-Drunk Love. He’s the one truly trapped in a toxic relationship, the kind you need to flee without a second thought.

Perhaps judging Jay Kelly as a film is missing the point entirely. It’s less a movie, much more of a public conversation Baumbach is having with himself. Even if you fall under its spell, all the allure vanishes the moment the lights come up. Throughout the film, Baumbach seems to be wrestling with the very question that haunts so many artists: why endure the agony of creation? After all, filmmakers and actors are famous for threatening retirement, only to inevitably return to the craft they can’t escape. The climax sees Kelly accepting a lifetime achievement award as a montage of his work—which is to say, Clooney’s actual films—lights up the screen. Watching it, mesmerized by that silver glow, the protagonist realizes that the magic is real. And in that moment, the “how”—all the sweat, blood, and compromise that went into creating all of this art—simply doesn’t matter, the magic is what lasts.

Tamara’s Venice 2025 Rating: 2.5 out of 5
Follow Tamara on Telegram – @shortfilm_aboutlove

Share

Find more posts in: Review, Venice 25

August 31, 2025 0 comments
0 FacebookTwitterPinterestEmail
At 'Jay Kelly' Venice Press Conference, Adam Sandler Enters Oscar Race
TV & Streaming

At ‘Jay Kelly’ Venice Press Conference, Adam Sandler Enters Oscar Race

by jummy84 August 28, 2025
written by jummy84

In the absence of George Clooney at some of the events of this year’s Venice Film Festival (he is recovering from a sinus infection), it’s fitting that one of co-star Adam Sandler’s favorite lines in “Jay Kelly,” his third film working with director Noah Baumbach is “You’re Jay Kelly, but I’m Jay Kelly, too.”

While it is said in a wildly different context in the film, the line does speak to the already fast-moving awards narrative surrounding “Jay Kelly,” even before the film first screened at the 82nd Venice Film Festival. It may be Clooney who stars as the titular “Jay Kelly,” but it is Sandler who is already getting the most Oscar buzz for his supporting role as Ron, Kelly’s longtime manager and friend.

Star Wars: Starfighter

While the film sees the fictional Jay Kelly, an A-list actor and major Hollywood icon, try to process why he did not initially feel very conflicted about choosing his career over his family, Sandler’s Ron is having a lot more of a struggle not being around for his children, in a way that mirrors how the actor functions in real life.

“Adam does have such grace and such loyalty and generosity of heart around people. He works with his family. He really does make an effort to involve [them] that’s different from Jay Kelly. He really has found a way to successfully navigate this whole thing and do it so beautifully,” said Baumbach during the film’s Venice press conference on Thursday. “To have him play somebody that, to me, represents Adam and that generosity of spirit, and also that loyalty and love that I see that comes from him, that the character feels for Jay.”

Though the role is not totally against type, as Sandler has played plenty of family men over the past decade, it does allow the comedian to lead from love instead of anger, in a way that likely will tug on Academy voters’ heartstrings more than “Uncut Gems” ever could.

And “Jay Kelly” is really an actors’ film, shedding a positive light on Oscar winners Clooney and Laura Dern as well, who said, “Noah Baumbach had me at hello, so I’ll go wherever he asks.” The Netflix film is her first collaboration with Baumbach since she won Best Supporting Actress for her role in his 2019 film “Marriage Story.”

The most likely prospect for “Jay Kelly” is for Sandler to follow suit, with a big Best Supporting Actor push, though Best Actor and Best Supporting Actress nominations for Clooney and Dern are not out of the cards.

“I could not be more proud. … The feeling it gives you. You lock in. You’re invested. Your heart is broken. You get relief,” said Sandler of working with Baumbach. “He knows how to do everything, and he finds places to make you laugh. And all our characters have ways of you if you watch them, to laugh at any new moment, to feel pain. And as an actor, all of us, you read a script like this, you say, ‘Holy shit, I can’t believe that I’m getting this gift.’”

Netflix will release “Jay Kelly” in theaters on Friday, November 14 with a streaming release to follow on Friday, December 5. 

August 28, 2025 0 comments
0 FacebookTwitterPinterestEmail

Social Connect

Facebook Twitter Instagram Pinterest Youtube Snapchat

Recent Posts

  • 2009 feels like a whole other world away

  • Watch Ariana Grande and Jimmy Fallon Perform a History of Duets

  • Spotify’s Joe Hadley Talks ARIA Awards Partnership

  • Nick Offerman Announces 2026 “Big Woodchuck” Book Tour Dates

  • Snapped: Above & Beyond (A Photo Essay)

Newsletter

Subscribe my Newsletter for new blog posts, tips & new photos. Let's stay updated!

Categories

  • Bollywood (1,929)
  • Celebrity News (2,000)
  • Events (267)
  • Fashion (1,605)
  • Hollywood (1,020)
  • Lifestyle (890)
  • Music (2,002)
  • TV & Streaming (1,857)

Recent Posts

  • Shushu/Tong Shanghai Fall 2026 Collection

  • Here’s What Model Taylor Hill Is Buying Now

  • Julietta Is Hiring An Assistant Office Coordinator In Dumbo, Brooklyn, NY (In-Office)

Editors’ Picks

  • 2009 feels like a whole other world away

  • Watch Ariana Grande and Jimmy Fallon Perform a History of Duets

  • Spotify’s Joe Hadley Talks ARIA Awards Partnership

Latest Style

  • ‘Steal This Story, Please’ Review: Amy Goodman Documentary

  • Hulu Passes on La LA Anthony, Kim Kardashian Pilot ‘Group Chat’

  • Hannah Einbinder Slams AI Creators As “Losers”

  • Facebook
  • Twitter

@2020 - celebpeek. Designed and Developed by Pro


Back To Top
celebpeek
  • Home
  • Bollywood
  • Hollywood
  • Lifestyle
  • Fashion
celebpeek
  • Music
  • Celebrity News
  • Events
  • TV & Streaming