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Soundgarden were inducted into the Rock & Roll Hall of Fame on Saturday at the Peacock Theater in Los Angeles, with Jim Carrey doing the honors.
The actor-comedian talked about his history with Soundgarden, saying, “I met the band in 1996 when I was hosting Saturday Night Live for the very first time, and I insisted on Soundgarden as the musical guest. By then, the lineup was Chris [Cornell], Kim Thayil, Matt Cameron on drums, and Ben Shepherd on base. They launched into the dark, epic beauty of ‘Pretty Noose.’”
He continued, “I stood right in front of them, letting the waves of electricity wash over me, like an audio baptism. They pushed me under and when I came up I was free. After the show, they handed me what is to this day, one of my most prized possessions. The fender telecaster Chris played on the show, signed by the whole band.”
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After a video tribute, Carrey was joined by the late Chris Cornell’s eldest daughter, Lily, who also gave a speech, being sure to mention her mother and Chris’ ex-wife, Susan Silver, who managed Soundgarden.
After a performance of “Rusty Cage” (with Taylor Momsen) and “Black Hole Sun” (with Brandi Carlile), the members of Soundgarden walked over to the podium to give their speeches, beginning with founding bassist Hiro Yamamoto, who reunited with the band for the ceremony.
Yamamoto mentioned his parents, who were among the Japanese-Americans held in internment camps in the US during World War II. “That affected my life greatly,” he said. “And it really echoes strongly today. Let’s not add another story like this to our history.”
Cameron was next, running off a long list of names he wanted to thank on behalf of the band. Thayil followed, saying, “If one of us ever hesitated in sharing an idea, Chris would be the first to say, ‘Let’s just try it out and see.’ I miss him. I love him, and I love all my [Soundgarden] brothers.” Shepherd took the mic last, only uttering a few words.
After their speeches, Chris’ younger daughter, Toni Cornell, performed “Fell on Black Days” with Nancy Wilson.
The 2025 Rock and Roll Hall of Fame Class also includes OutKast, Bad Company, The White Stripes, Cyndi Lauper, Chubby Checker, and Joe Cocker in the performer category.
The induction ceremony aired live on Disney+ on Saturday, November 8th, and will be available to stream on-demand following the ceremony. Find our full coverage here.
“Long live @chriscornell and long live @Soundgarden” — Jim Carrey delivers a heartfelt tribute as he inducts Soundgarden into the Rock & Roll Hall of Fame.
📺 Tune in NOW on @DisneyPlus to watch the 2025 Rock & Roll of Fame Induction Ceremony.#RockHall2025 pic.twitter.com/mcAeFMQ7bZ
— Rock & Roll Hall of Fame (@rockhall) November 9, 2025
Jim Carrey shouts out Mud Honey, Alice In Chains, Nirvana and more in his Rock and Roll Hall of Fame induction speech for Soundgarden pic.twitter.com/VkQWXWkh2e
— Variety (@Variety) November 9, 2025
David Letterman, who in 2002 hosted Warren Zevon‘s final television appearance before his death, paid tribute to his friend Saturday night with a lengthy induction speech at the Rock & Roll Hall of Fame that lasted several times as long as the musical salute by the Killers that followed. The former late-night host mixed werewolf jokes with a recollection of breaking down in tears at the end of his final encounter with Zevon.
Letterman told the story of having Zevon on his program shortly after the rocker was diagnosed with terminal lung cancer and given only months to live. It was there that Zevon issued his famous “Enjoy every sandwich” advice, and Letterman spoke of following the singer-songwriter to his dressing room. There, he said, Zevon handed him the electric guitar he had used in his many appearances on the show, saying, “Take care of this for me.” “I know what’s supposed to happen now,” Letterman said, “and sure as hell, it did happen. I started to sob uncontrollably.”
Letterman stood beside the guitar in question and said, “For 22 years, I have taken care of the guitar. … By God, tonight it’s going back to work.” To Dave Keuning, lead guitarist of the Killers, he said, “It’s all yours, sir.” And at that point, it was left to the Killers — with special guest Waddy Wachtel, who played guitar on most of Zevon’s most famous records — to close the tribute out with their version of one of the honoree’s signature songs, “Lawyers, Guns and Money.”
It was only a one-song tribute, and his most famous song, “Werewolves of London,” did not factor into it — save for a couple of “Ah-oooh!” phrasings that Brandon Flowers worked in near the end of “Lawyers” as a semi-subtle interpolation.
Read the entire text of Letterman’s speech, following:
“I’m Dave ‘They Call Me the Breeze’ Letterman. I mean, honest to God. How cool is this, folks? How can you not feel a little let down after Salt-N-Pepa? I don’t blame you. Let’s wrap the show up and go home. Now, I can’t tell you how much fun this is for me, one, to just be out of the house, but two, to be here. And I want to thank the people who invited me to be part of this, to represent Warren Zevon, to represent his family, and to represent the people who love Warren’s music.Thank you very much for that.
“About a week ago, I talked to Warren’s son, Jordan, and I said, ‘Jordan, first of all, I’m honored beyond belief to be part of this, and thank you again. Are there things you would like me to mention that particular night?’ And Jordan said, ‘Yes. There are three things I want you to mention: When Warren was a kid he studied with Igor Stravinsky, the classical composer.’ ‘Okay,’ I said, ‘I’ll do that.’ I said, ‘By the way, when I was a kid, I had a paper route,’ and we kept going. He said, ‘Also, I want you to mention Stumpy the gangster.’ I said, ‘Okay, got it. Stumpy the Gangster.’ He said, ‘Next, I want you to mention Bev the Mormon.’ ‘Okay. Stumpy the gangster, Bev the Mormon. Got that.’ And I said, ‘By the way, Jordan, those are my two favorite songs.’ He said, ‘Those were his parents, dumbass.’
“Oh, by the way, Igor Stravinsky is still waiting for his nomination.
“I first knew of Warren Zevon’s music when there was an article in Rolling Stone, a big front-page feature on Warren Zevon. It was called ‘The Crack Up and Resurrection of Warren Zevon.’ That was the title of the article of the story; the subtitle was ‘How he saved himself from a coward’s death.’ Well, then, by God, this got my attention, and so I read the article because I enjoyed the man’s music, and at one point in the article we realized that Warren is having some trouble with addiction. He’s tortured. He has emotional difficulties and he’s addicted and he’s struggling, and we all know that these stories sometimes don’t end well. It turned out at one point, he got very drunk, took a gun and started shooting up his own record albums. Now, at the time I had been a TV weatherman, so this was completely out of my league of experience. But because of that, Warren was able to struggle through with the help of his family, with the help of his friends, and he did save his own life. And I just wonder, is it more difficult to save your own life or save the life of somebody else? Or is that equal? But by God, the fact that Warren existed through this, tortured as he was, and saved his own life, to me, listening to the man’s music, I found it to be even more valuable.
“When I then got to know Warren in person. I used to have a TV show on NBC. Hands if you remember NBC. Warren would be a guest on the program and he often would fill in for our musical director, Paul Shaffer. And it was a delight for me to have these two around, listening to Warren and talking to and getting to know Warren. And I was taken by an album that Warren had done in the ‘70s. It was called ‘Stand in the Fire.’ It was recorded at the Roxy on Sunset Blvd., and it was a live album, and the energy of that album would come off the record in those days and jump on you and knock you down. It was amazing. And I was talking to Warren on the show about that album and I said, ‘Warren, that was so great, “Stand in the Fire.” The music on that live album, I couldn’t get enough of that. It was tremendously dynamic.’ Warren looked at me and he said, ‘Well, you know, honestly, Dave, when it comes to the ‘70s, there’s really not much I can remember,’ kind of explaining his struggle. But then the music that we listened to, Warren playing with our band… and forgive me for this, but being right there in that studio, it was my own version of ‘20 Feet From Stardom.’ It was delightful,
“You know, in music, many pretend, but Warren is a poet leaving few of life’s vagaries unaddressed. Warren’s music is dense with historic illusion, love and sadness, tinted with unexpected whimsy. Delivered with third-rail voltage rock ‘n’ roll, or sweet, heartbreaking, lush, symphonic melodies, either version of the man’s music is classic.
“Rock ‘n’ roll… Ask any of Warren’s peers — Bruce Springsteen, Don Henley, Jackson Browne, Bob Dylan. Hell, ask Igor Stravinsky. Warren Zevon is in my Rock & Roll Hall of Fame, actually his own wing.
“I had an idea; you’re gonna have to bear with me on this. I am so consumed with the work of Warren Zevon that when I was coming over here tonight in the Way-mo, I decided I better make a list of Warren Zevon songs and explain some of these to this audience… And keep in mind, thank you, I’m not a musicologist, I’m not the professor of rock. I’m just Dave. Are you ready for this? Here we go. Now this is not a complete list. And I’ve divided ’em into three categories.
“The first category: Warren Zevon, global and personal strife. ‘Roland, the Headless Thompson Gunner’ — we all know that this is about a Norwegian mercenary and Patty Hearst. We know ‘Excitable Boy’ — this is about a boy who gets very excited about pot roast. ‘I’ll Sleep When I’m Dead’ — and boy, if this doesn’t get you in the Hall of Fame, stop trying.
“Category number two: love songs. ‘Mutineer.’ Oh my God, this makes people cry. ‘Reconsider Me.’ This also makes people cry. ‘Searching for a Heart.’ Whenever I listen to this song, it’s always like the first time I’ve heard it and then I start to cry.
“Okay, the third category of Warren Zevon songs: Songs about werewolves. That’s right. This is about a werewolf in London, and I don’t know if this is a true story, but there you have it.”
A tribute reel followed that featured Bruce Springsteen, Jackson Browne, Don Henley and Jorge Calderon, among other friends and contemporaries, talking about Zevon’s impact, interspersed with performance clips that included Linda Ronstadt doing one of her many covers of his work. Then Letterman returned.
David Letterman speaks onstage during the 2025 Rock & Roll Hall of Fame Induction Ceremony at Peacock Theater on November 8, 2025 in Los Angeles, California.
Kevin Mazur/Getty Images for RRH
“The thing about ‘Enjoy every sandwich’ — you know that that’s easy, but it’s deeply meaningful. And there’s not a person in this room who hasn’t considered that, but nobody can hang on to that on a daily basis. But by God, isn’t that true of life around the planet? Enjoy every sandwich.
“I have a joke here I want to try: Oh my God, I’m surrounded by Killers and they’ve captured Waddy Wachtel. Oh, brother.
“So that night, with Warren on the show, that was 22 years ago, the last time I saw Warren after the show, Warren goes up to his dressing room and I follow Warren to the dressing room myself. And I’ve been warned never to follow people to the dressing room, but I go up to Warren and we’re in the dressing room and he’s changed his clothes and he’s taking his stuff and he’s putting it away. And he’s got a guitar there that he’s used every time he’s appeared on our show. And as we’re chatting, he picks up the guitar and he puts it in the guitar case. And then he flips up those two little guitar clippies on a guitar case. How long do I need to do this? He closes the guitar case, he hands it to me and he says, ‘Take care of this for me.’ So in my head, I think I’ve seen this movie. I know what’s supposed to happen now, and sure as hell, it did happen. I started to sob uncontrollably. Warren and I hugged and I said, ‘Warren, I just love your music.’
“So for 22 years, I have taken care of the guitar. This is the guitar right here… You know, in a way I’m glad the guitar gets a bigger reaction than the ‘I’m surrounded by Killers’ joke. This is the guitar, and by God, um, tonight it’s going back to work. Dave [Keuning, lead guitarist of the Killers], it’s all yours, sir. So now to put Warren right in the Rock and Roll Hall of Fame, it’s gonna be the Killers. Congratulations, Warren. Thank you for everything. Enjoy every sandwich”
The Los Angeles Dodgers weren’t the only winners in town this week. Returning to City of Angels for the first time since 2022, the Rock & Roll Hall of Fame ushered in a new class of inductees during its 40th annual induction ceremony Saturday night (Nov. 8).
“Welcome to the second-best thing to happen to Los Angeles in the past week,” said John Sykes, chairman of the R&R Hall of Fame, welcoming the audience at the Peacock Theater in downtown Los Angeles.
The Rock & Roll Hall of Fame is officially middle aged and to celebrate the 40th induction ceremony, a 10-minute sizzle reel spanning the four decades played prior to the official start of the proceedings, which, thanks to a more streamlined process when honoring the musical excellence and non-performer categories, came in at a relatively brisk four-and-a-half hours.
Beamed live on Disney +, the Rock Hall honored Bad Company, Chubby Checker, Joe Cocker, Cyndi Lauper, Outkast, Soundgarden and The White Stripes in the performer category, Salt-N-Pepa and Warren Zevon for musical influence; Thom Bell, Nicky Hopkins and Carol Kaye for musical excellence, and longtime Warner Records executive Lenny Waronker with the Ahmet Ertegun Award (named after the Atlantic Records co-founder). A primetime trimmed- down special will air on ABC on Jan. 1, 2026.
Many of the 2025 honorees were not in attendance: Of course, Zevon, Cocker, Hopkins and Soundgarden’s Chris Cornell were inducted posthumously, and legendary Wrecking Crew bassist Kaye declined in advance to attend. Though the White Stripes’ Jack White referenced her and even dedicated part of his speech to her, his former bandmate, Meg White, did not attend. At 84, Checker was still doing what he does best and passed up his induction to keep a regularly scheduled paying gig, though he delivered his acceptance speech from the show before going into a shortened version of his biggest hit, “The Twist.” After initially hoping to attend and even reunite with his band Bad Company, lead singer Paul Rodgers pulled out for health reasons.
But there was still a dazzling amount of star power in the room from the honorees who were present and the nearly 40 artists who helped induct them.
Below are nine highlights from the evening.
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The evening got off to an electrifying start with a salute not to a current inductee but to 1993 honoree Sly Stone, who died in June. Launching with the undeniable bass-heavy thump of 1967’s “Dance to the Music” courtesy of Red Hot Chili Peppers’ Flea and Stevie Wonder on vocals, the band, which also included Beck, Questlove and Leon Thomas III, then flowed into “Everyday People” with Maxwell, who also sang “Thank you (Falettinme Be Mice Elf Agin),” before Jennifer Hudson coming out for “Higher,” hitting ear-shattering high notes. It set the bar almost impossibly high for any performance coming afterwards.
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After an exhilarating performance of their ‘80s and ‘90s hits “Let’s Talk About Sex,” “Whatta Man” (joined by En Vogue”) and “Push It,” during the trio’s acceptance speech, Salt-N-Pepa’s Cheryl “Salt” James brought it back into the present by bringing up the group’s lawsuit, filed in May, against Universal Music Group to regain control of their masters, alleging that the record company has not honored Salt N’ Pepa’s copyright clawback rights and has punished them by taking their music off streaming. “We’re in a fight for our masters that rightfully belong to us…After 40 years, our streaming music has been taking down from all streaming platforms because the industry doesn’t want to play fair,” she said, as the crowd cheered in support, before adding, “Salt-N- Pepa has never been afraid of a fight.”
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Olivia Rodrigo may only be 22, but she’s proved an old soul when it comes to her love for music made before she was born. In her third time paying tribute to an inducted artist following Carly Simon in 2022 and Sheryl Crow in 2023, she returned this year to honor the White Stripes. In a video, she declared the duo’s “Seven Nation Army” “iconic,” before taking the stage to perform a lovely, harmony-filled version of the pair’s 2001 tune, “I Think We’re Gonna Be Friends” with Feist, trading verses and then singing beautifully together. Once she returned to her seat, she could be seen singing along to almost every performance.
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Outkast’s Big Boi and Andre 3000 shared the stage for their acceptance speech, but, unfortunately, no musical reunion was forthcoming as only Big Boi participated in the musical tribute. But it was gloriously high-octane, nonetheless. Backed by a 13-piece band including a vibrant horn section, Big Boi and guests raised the roof as they ran through a medley of Outkast’s greatest hits, starting with “ATLiens,” where Big Boi was joined by J.I.D. A graceful Doja Cat joined for “Ms. Jackson before Tyler, The Creator bounced around the stage delivering a ferocious “Bombs Over Baghdad.” Janelle Monae turned the segment into a full-on dance party with “Hey Ya,” accompanying herself on an acoustic guitar, before Sleepy Brown joined for a group sing-along for “I Love the Way You Move” that had the crowd on its feet.
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Sly Stone wasn’t the only past honoree given his own segment: Elton John took to the stage for a tender tribute to Brian Wilson, who was inducted in 1988 with his band, The Beach Boys, and who died in June two days after Stone. He recalled meeting Wilson in 1970 when he and songwriting partner Bernie Taupin went to his house. “We were scared sh-tless,” John said. “He was my idol. He influenced me more than anyone else when it came to writing songs on the piano. Throughout my career and my life, we became friends, we sang on each other’s records, we loved each other, and I can’t think of anyone else I’d rather pay tribute to.” Backed by Benmont Tench and Don Was, John then played a delicate, languid version of Wilson’s finest tune, Pet Sounds’ “God Only Knows.”
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After being inducted by Chappell Roan, Cyndi Lauper provided the evening’s most emotional moment during the beginning of her performance. Singing “True Colors,” with the stage bathed in rainbow colors, she stopped the song and simply held her fist in the air in silence for at least 30 seconds in solidarity with the gay community. It as a stirring, heartfelt moment, before she asked everyone to turn on the lights on their phone, adding “there’s a community of light. Don’t forget that if it gets really dark,” before segueing into “Time After Time” with British singer RAYE. Her performance felt the loosest and the most relaxed of the night as she was joined by Avril Lavigne and then Salt-N-Pepa for a jubilant “Girls Just Wanna Have Fun.” In her acceptance speech, she thanked those who came before her. “I know that I stand on the shoulders of the women in the industry that came before me and my shoulders are broad enough to have the women that come after me to stand on mine,” she said, adding, “the little kid in me still believes that rock and roll can save the world.”
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The presence of the artists inducted posthumously loomed large throughout the night, as David Letterman gave a moving tribute to his friend Warren Zevon and brought with him the blue electric guitar that Zevon gave to him 22 years ago after Zevon’s last appearance on Late Night with David Letterman. Zevon, who knew he was dying of lung cancer, told Letterman, “Take care of this for me,” Letterman recounted, before adding, “By god, tonight, it’s going back to work.” And sure enough it did, with The Killers’ Dave Keuning playing it on a solid version of “Lawyers, Guns and Money.” Jim Carrey, who was close to Cornell and eloquently described his intense affection for the band’s music during his induction of Soundgarden, even talked about not being able to look Cornell directly in his piercing blue eyes. Similarly, the members of Soundgarden sent their love to Cornell, with original bassist Hiro Yamamoto saying, “Chris Cornell, we are so missing you tonight on this stage.” Drummer Matt Cameron accepted the award “on behalf of the fans of our music and also the misfits, the loners and the interlopers who found comfort and solace in the layers and music of my hero and bandmate, Chris Cornell.” Guitarist Kim Thayil gave Cornell credit for his adventurous spirit. “If one of us ever hesitated sharing an idea, Chris would be the first to say, ‘Let’s just try it out.’ I miss him. I love him.” Bryan Adams inducted Joe Cocker with great fondness, recalled drinking “Joe Colas,” with him, a potent mixture of Coca Cola and rum that would quickly end any recording session.
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The members of Soundgarden were then joined by The Pretty Reckless’s Taylor Momsen, who has performed with the band a number of times over the last six or so years, for a howling, bone-rattling version of “Rusty Cage,” before Brandi Carlile joined for a driving take on their signature hit, “Black Hole Sun.” Like Momsen, Carlile has played with the band several times, including at a Cornell tribute concert in 2019. It wasn’t hard to imagine how great it would be to see the two women trade off lead vocals at a full Soundgarden show.
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Even though Cocker was obviously not in attendance, there was never really any doubt that the evening would conclude with his induction if, for no other reason than to be able to close the night with “With a Little Help from My Friends,” the Beatles’ tune he made famous in 1969. Before the finale though, the Tedeschi Trucks Band were joined by Nathaniel Rateliff and Teddy Swims for rollicking, burly versions of “The Letter” and “Feelin’ Alright.” Then, Lauper, Black Crowes’ Chris Robinson and Bryan Adams (the latter two had taken part in the Bad Company tribute earlier in the evening), returned for the finale, which closed the evening on just the right note.
The Rock & Roll Hall of Fame inducting the White Stripes did not result in the reunion of the long-dissolved duo, as many had hoped, with Meg White remaining out of the spotlight, as she has been since they announced their split nearly 15 years ago. But if she was absent from the Hall of Fame proceedings at Los Angeles’ Peacock Theatre, her presence was very much felt in remarks from Iggy Pop, who formally inducted the pair, and especially from Jack White, who accepted on both their behalfs and even read a fable he wrote down this week about their origin story.
Following the speeches, here were also salutes offered by two twosomes: Olivia Rodrigo and Feist, who sang “We Are Going to Be Friends” as a tender duet, and Twenty One Pilots, one of the few other true duo acts in the recent history of rock, recreating “Seven Nation Army” as a bass-and-drums-only rocker.
Speaking to his former drummer’s absence, White said: “I spoke with Meg White the other day, and she said that she’s very sorry she couldn’t make it here tonight, but she wanted me to tell you that she’s very grateful. And to all of the folks who supported her in all the years, it really means a lot to her. She also helped me write all this… I sent these things to her. She checked it for me for a lot of punctuation and corrections. She’s pretty good at that.”
He continued by sharing a random thought of Meg’s: “She said, ‘Do you remember, Jack? We used to walk around and animals, for some reason, would stare at us. They would stop and stare at us for some reason. Even at the Detroit Zoo, an elephant did the exact same thing one time.’ She just wanted me to tell you that,” he explained, to crowd laughter.
White gave props to some other iconic duos — representing non-musical disciplines — that preceded the White Stripes onto the national artistic stage.
“There was a duo of songwriters important around the time of the birth of rock ‘n’ roll called Leiber and Stoller, and they wrote a lot of songs that a lot of people probably never heard of, but they also wrote a couple that really connected with folks, like ‘Jailhouse Rock’ and ‘Stand By Me,’ and you for sure heard those songs,” White said. “There was once a duo called Jerry Siegel and Joe Shuster, and they were a comic-book-hero writing team who came up with all kinds of heroes you’d never heard of — Slam Bradley and Dr. Occult and so forth — but they also came up with this character that really connected with people: Superman, I’m sure you heard of. And there was once a comedy duo called Abbott and Costello that I remember hearing from my father as a child that had thousands of jokes kept on white cards in a file cabinet, jokes and routines that nobody had ever heard before and they never got to perform, but they also developed a joke that for some reason really connected with people, and the routine was called ‘Who’s On First?’ I know you’ve heard that one.”
Making the connection, White added: “I myself have been in a lot of bands that you probably never heard of, but for some reason people especially connected with this one two-piece duo project that I was in called the White Stripes. We don’t know why these things connect with people, but when they do, it’s the most beautiful thing you can have.”
White read off a litany of musicians he wanted to thank as influences, including such varied names as Loretta Lynn, Fugazi, the Misfits, Jethro Tull, the Troggs, Emerson Lake & Palmer, Arthur Lee and Love, the Flat Duo Jets, Dick Dale, Ritchie Blackmore’s Rainbow, the Sonics, Pavement, Black Flag, Sleater-Kinney, the Breeders, the Cramps, Merle Haggard, the Hives, Them, the Damned, the Yeah Yeah Yeahs, Minor Threat and Captain Beefheart.
There were other thanks to give. “To the factories and tools and electricity and vacuum tubes, we say thank you. To the Coney Islands of Detroit and the honky-tonks of Nashville and the corner pubs of London, we say thank you. To the homeless and the powerless and the forgotten, we always say thank you.”
As advice, he offered, “To the young artists, I want to say: get your hands dirty and drop the screens and get out of your little room and get obsessed. Get obsessed with something… We all want to share in what you might create.”
Jack White at 2025 Rock & Roll Hall of Fame Induction Ceremony at Peacock Theater on November 8, 2025 in Los Angeles, California.
Gilbert Flores/Variety
And then, a parable, which he said Meg White would be hearing for the first time along with the audience.
“I was gonna send this to Meg, but I didn’t get around to it, so I thought I’d read it to you all tonight,” White began. “One time a girl climbed a tree and in that tree was a boy — her brother, she thought — and the tree looked so glorious and beautiful, but it was just an oak tree. And these two so loved the world that they brought forth a parade float, one they built in their garage behind the oak tree with their own bare hands. And the boy looked at this giant peppermint on the wheels and felt pride. Pride that it was produced in the Motor City, just like in the big factories, but it was just in their garage. He looked at the girl — his sister, he thought — and like the Little Rascals, they said, ‘Let’s put on a show.’ And they paraded this float through the Cass corridor, standing atop the peppermint pulled by white horses, or maybe it was a RedVanLines van. And many of the blocks they traveled were empty, but some had people. And some of those people cheered, and some laughed, and some even threw stones.
“And with their bare hands,” White continued, “the two started to clap and sing and make up songs. And some people kept watching and swaying and moving. And then one person even smiled. And the boy and the girl looked at each other and they also smiled and they both felt the sin of pride, but they kept on smiling. Smiling from a new freedom, knowing that they had shared and made another person feel something. And they felt the person smiling at them was a stranger. So they didn’t even know. But it wasn’t just a stranger, it was God.”
Keeping up the sibling theme to the end, he concluded: “My sister thanks you and I thank you.”
In his intro, fellow Detroit native Iggy Pop said, “The first time I saw them was in a photograph… grinning like they had some kind of fun secret, like they stole some cookies from a cookie jar. Basically I was looking at a 20th century Adam and Eve who had started a rock ‘n’ roll band… Cute ckids, they’ll probably go places,” he remembered thinking.
Pop saluted “Meg White, who is a timeless beauty. Meg White, who gave her name to the group, was a charismatic, naturally likable person. I met her once and she had the most genuine and charming smile. She gave the drum kit a good whack like Fred Below did for Muddy Waters and Chuck Berry. I think it was Meg’s support that helped launch the rocket of racket that was Jack White.
“Jack could screech like an owl. He could twang like a hillbilly… I hear echoes of the Who, the Small faces, the Beatles, art-rock and country-blues in his playing. He could do it all. And the writing he is capable of was something that was not typical of the great Detroit bands of the ‘60s and ‘70s — this was more melodic, more hooky. After all, it was a new century, and the White Stripes’ music was coming from a foundation of love instead of revolution.”
In the video tribute that the Rock Hall put together for the duo, Rodrigo offered a younger generation’s appreciation of the pair — and the highest possible veneration for “Seven Nation Army” in particular: “Do you hear those seven notes? There’s no question what it is. ‘Seven Nation Army’ is the most iconic song of all time — it’s just so ingrained into who we are as humans.”
It’s official: The White Stripes are in the Rock & Roll Hall of Fame. The induction took place on Saturday in Los Angeles, with Jack and Meg White honored for their indelible, decade-long mark on music.
As expected, Meg did not attend the ceremony — she has completely left the music industry and public life in general since the White Stripes broke up in 2011 — but thankfully a handful of artists were on hand to help fill the void left by the essential artist, one of Rolling Stone‘s 100 Greatest Drummers of All Time.
Olivia Rodrigo and Feist teamed up for a rendition of the White Blood Cells classic “We’re Going to Be Friends,” while Twenty One Pilots, themselves a guitar-drums duo like the White Stripes, delivered a rendition of the ultimate stadium rocker “Seven Nation Army.”
Feist and Olivia Rodrigo perform onstage during the 2025 Rock & Roll Hall of Fame Induction Ceremony
Amy Sussman/WireImage
The White Stripes were inducted into the Rock Hall by fellow Motor City rock icon Iggy Pop, who took the stage and led the crowd through a chant of “Seven Nation Army.” He held his speech in his hands and joked, “Let me see if I can read this shit.”
Pop described the duo as “a 21st century Adam and Eve, who had started a rock & roll band,” and praised Meg’s drumming ability, saying it was her support that launched “the rocket of racket that was Jack White.”
Next, Jack himself took the podium for his induction speech, thanking “Uncle Iggy.” Standing in a red suit and white tie, he revealed that he’d been talking to Meg about being honored, and that Meg made “punctuation and corrections” to his speech. “I spoke with Meg White the other day; she said she’s very sorry she couldn’t make it tonight, but she’s very grateful for the folks who have supported her throughout all the years, it really means a lot to her tonight,” he said.
Jack thanked the White Stripes’ musical heroes, and also named other iconic duos in pop culture: Leiber and Stoller, Siegel and Shuster, and Abbott and Costello. “I myself have been in a lot of bands that you’ve probably never heard of,” he said. “But for some reason, people especially connected with this one two-piece duo project that I was in called the White Stripes. We don’t know why these things happen, but when they do, it’s the most beautiful thing you can have as an artist or musician when people are responding and sharing with you.”
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“To young artists, I want to say, get your hands dirty and drop the screens and get out in your garage or your little room and get obsessed,” he added. “Get obsessed with something, get passionate. We all want to share in what you might create.”
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Iggy Pop and Jack White onstage during the 2025 Rock & Roll Hall of Fame Induction Ceremony
Amy Sussman/WireImage
Rodrigo, who was born just two months before the White Stripes released Elephant since April 2003, has long praised the group, saying she grew up listening to the album and especially “The Hardest Button to Button.”
“Meg’s drums really shine on that one, and from there I dove into all their other incredible albums and became a massive fan,” Rodrigo told Elle in 2023. “Meg’s drumming and the White Stripes in general [provided] a huge lesson to me on the value of simplicity in music. They taught me that a truly great song doesn’t need to have crazy production or layers of sound. It just needs to move you.”
Bad Company were inducted into the Rock & Roll Hall of Fame by Mick Fleetwood on Saturday night at the Peacock Theater in Los Angeles.
After Fleetwood sang the praises of the band during his speech, founding Bad Company drummer Simon Kirke was joined onstage by the Black Crowes’ Chris Robinson, Heart’s Nancy Wilson, and Aerosmith’s Joe Perry for a performance of “Feel Like Makin’ Love” that started out with a little technical glitch.
Bryan Adams then took over the mic for “Can’t Get Enough,” and while Robinson and Adams both gave it their all, it’s hard to match the powerhouse vocals of legendary Bad Company singer Paul Rodgers.
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Unfortunately, Rodgers had to bow out of the ceremony a week ago due to health reasons, stating, “My hope was to be at the Rock & Rock Hall of Fame Induction Ceremony and to perform for the fans, but at this time I have to prioritize my health. I have no problem singing, it’s the stress of everything else.”
Following the performance, Kirke accepted the honor from Fleetwood, and immediately acknowledged Rodgers, calling him one of the greatest singers of all time. The drummer also paid tribute to late member Mick Ralphs, who died earlier this year, and Boz Burrell, who passed away in 2006.
A video message from Rodgers followed, who dedicated the honor to the band’s fans, ending with, “My prayer for us is that we all choose love.
The 2025 Rock & Roll Hall of Fame induction ceremony aired live on Disney+ on Saturday, November 8th, and will be available to stream on-demand following the ceremony. Find our full coverage here.
#Blueface hasn’t even been out a full week, and already the mothers of his children, #ChriseanRock and #JaidynAlexis, are back to trading shots online.
The rapper took to X to make it clear he has no intention of getting serious with either woman again, accusing them of leaving him “stranded for de@d” while he was behind bars. Addressing the person he was dating before his release, Blueface wrote, “nothing is ever really locked in so now I’m back on the prowl.” He didn’t hold back when it came to #Chrisean and Jaidyn either, saying, “if I wasn’t out today they’d still be f*ggin off…..they will never get the chance to do that again.”
In follow-up posts, he added, “When you do time you will never forget who left you there. … Everybody wanna hold you down when you up but nobody wanna hold you up when you down.” His comments come as both of his exes fall back into their usual tension with each other. Things nearly escalated when #Jaidyn arrived to pick up her kids shortly after Chrisean popped up during Blue’s reunion with the minors.
Chile… only time will tell whether Blue is over the drama or if this is just another chapter.
[This story contains spoilers from episode eight of Dancing With the Stars season 34.]
Dancing With the Stars‘ rocked and rolled all night Tuesday as the cast celebrated Rock & Roll Hall of Fame Night.
Tuesday’s episode marked the return of group dances, which saw the cast cut into half as each group performed alongside one of the co-hosts, Julianne Hough and Alfonso Ribeiro.
Danielle Fishel and Pasha Pashkov were eliminated from Dancing With the Stars season 34 at the end of the episode.
At the top of the show, Ribeiro revealed the couple who finished at the top of the leaderboard would be granted immunity from the relay dances next week, and would earn bonus points towards next Tuesday’s 20th Birthday Party celebration episode — if they survived elimination, of course.
While both Whitney Leavitt and Alix Earle tied for the highest individual score of the night (both with a 39/40), the tie was broken by awarding immunity to Leavitt for having the highest cumulative judges scores from across season 34.
Secret Lives of Mormon Wives star Leavitt, social media star Earle, Olympic gymnast Jordan Chiles, The Traitors season three winner (and Zac Efron’s brother) Dylan Efron, actress Elaine Hendrix, conservationist (and son of Steve Irwin) Robert Irwin and comedian-actor Andy Richter comprise the remaining cast of celebrities, while Fishel was eliminated from the competition Tuesday night.
Hendrix suffered an injury last Tuesday that prohibited her from dancing on Halloween Night. Instead of performing live, she earned a 32/40 based on rehearsal footage reviewed by the judges. She was not eliminated from the show or prohibited to continue dancing, meaning she will perform an individual dance and partake in a group number on Rock & Roll Hall of Fame Night.
After performing a Viennese waltz to “What the World Needs Now Is Love,” Hendrix gave a brief update on how she’s been doing since the injury, noting that she’s been feeling “very solid and strong and grateful.”
With only eight celebrities left in the competition heading into the episode, season 34 of Dancing With the Stars is nearing its end. After Rock & Roll Hall of Fame Night, there are only three episodes left, including Nov. 25’s special three-hour finale.
Still, after Tuesday’s episode, none of the couples have yet received a perfect score from the panel of judges. Rock & Roll Hall of Fame Night did see the first 40/40 handed out to Team Chicago, though no individual couples have earned a perfect score.
During the individual dances, Earle and Leavitt nearly earned perfect scores, both scoring 39/40. Chiles and Irwin trailed close behind them, with respective scores of 38/40 each.
Last week’s Halloween Night saw the couples perform spooky numbers and compete in the dance marathon, while Secret Lives of Mormon Wives star Jen Affleck and her partner Jan Ravnik were eliminated from the competition. (The Hollywood Reporter was in the ballroom to capture all the behind-the-scenes moments that cameras missed.)
Flavor Flav served as a guest judge alongside mainstay judges Carrie Ann Inaba, Derek Hough and Bruno Tonioli.
The couple with the lowest combined total of judges’ scores and viewer votes is eliminated at the end of each episode. Live voting takes place during the East Coast airing of each show and ends shortly after the final performance is completed.
See the full list of scores for week eight of DWTS season 34 (aka Rock & Roll Hall of Fame Night) below.
Dylan Efron and Daniella Karagach: 36/40
Alix Earle and Val Chmerkovskiy: 39/40
Andy Richter and Emma Slater: 30/40
Whitney Leavitt and Mark Ballas: 39/40
Danielle Fishel and Pasha Pashkov: 34/40 (ELIMINATED)
Elaine Hendrix and Alan Bersten: 37/40
Jordan Chiles and Ezra Sosa: 38/40
Robert Irwin and Witney Carson: 38/40
Team Chicago: 40/40 (WINNING GROUP)
With Alfonso Ribeiro; Danielle (team captain) and Pasha; Whitney and Mark; Jordan and Ezra; and Dylan and Daniella
Team Kool: 38/40
With Julianne Hough; Andy (team captain) and Emma; Robert and Witney; Alix and Val; and Elaine and Alan
Season 34 of DWTS airs and streams simultaneously on ABC and Disney+ on Tuesdays, with new episodes available to stream on Wednesdays on Hulu.
Hells Bells! Rock ‘n’ roll fans better get ready to be shook all night long, because one of the biggest acts on earth is returning to four Canadian cities in 2026.
AC/DC has announced more dates for its ongoing Power Up tour (named for the band’s album of the same name that came out in 2020) that includes stops at some of the biggest stadiums in North America.
In Canada, the Australian rock band will perform with The Pretty Reckless in Vancouver, Edmonton, Toronto and Montreal.
Their first stop will be in Edmonton at 56,400-seat Commonwealth Stadium on Aug. 9, 2026.
“We’re thrilled to host rock star legends AC/DC at Commonwealth Stadium, the largest venue of its kind in Canada,” said Heather Seutter, director of Commonwealth Stadium.
“Events like this draw in people from across the city, the province and beyond and demonstrates that Edmonton is a concert destination of choice for major artists.”
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AC/DC previously left fans Thunderstruck in Edmonton in 2015 and 2009.
The AC/DC Comeback That Saved 2020: ‘What Makes People Happy is the Music Itself’
After Edmonton, AC/DC will perform at Vancouver’s BC Place on Aug. 13, 2026.

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After shows south of the border, AC/DC will then head to Montreal for a show at Parc Jean-Drapeau on Sept. 12, 2026. The park on the Saint Lawrence River that can hold up to 65,000 people is set to also host Iron Maiden the week before AC/DC’s arrival.
Their last Canadian date is Sept. 16 at Rogers Stadium in downtown Toronto.
Tickets for all Canadian stops go on sale to the public on Friday at 10 a.m. local time on Ticketmaster.
AC/DC has been one of the leading rock and roll bands for over four decades, with more than 200 million albums sold worldwide.
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One of the most influential rock bands in history, AC/DC played their first show on Dec. 31, 1973 at a nightclub in Sydney, Australia.
By 1980, the band was on a roll, known for its high-energy performances and predictably hard-charging songs. Their album Highway to Hell was certified gold in America and made it into the top 25 Billboard album charts.
The band was founded by brothers Angus and Malcolm Young; the latter died in 2017 at the age of 64 after suffering from dementia for several years. Angus remains the only continuous member of the band.
AC/DC co-founder Malcolm Young dead at 64
The Power Up tour will see Angus Young on lead guitar, vocalist Brian Johnson, rhythm guitarist Stevie Young, drummer Matt Laug and bass player Chris Chaney
AC/DC was inducted into the Rock and Roll Hall of Fame in 2003.
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