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The Celebrity Traitors final review: Treachery and tears make for TV perfection
TV & Streaming

The Celebrity Traitors final review: Treachery and tears make for TV perfection

by jummy84 November 7, 2025
written by jummy84

Warning: this article contains spoilers for the final of The Celebrity Traitors. Add it to your watchlist.

Finally, we have a winner, and it’s watch-in-real-time, unstreamed, un-binged TV. It’s a rare and beautiful thing in 2025 to sit staring at the screen, knowing millions around the country are sitting on similar edges of seats, waiting to find out which of the five remaining players will emerge triumphant of The Celebrity Traitors.

And what did we get? With only five left from the original 19 who entered the castle — two Traitors, three Faithful — it was all about alliances. Joe and Nick were in such cahoots working out how to oust the others, I spent the first hour wishing one of them had turned out to be a Traitor. Instead, the second best moment of the night came another way, with Nick ultimately joining the others in banishing Joe – could you hear your neighbours shouting at the screen?!

That was the warm-up for the best, biggest twist of all, when Alan Carr came through as the final, solitary traitor left standing, telling the others, almost sadly, “I am, and have always been, a Traitor.” Nick collapsed, David sighed, Alan cried and the sweet Faithful pair ended up comforting him in his moment of guilty triumph. It was perfect, must-watch TV.

BBC

Following another effortlessly successful daytime mission that proved the celebs to be far better at physical challenges than they have ever been at unearthing Traitors, it was all about the penultimate Round Table. You know a show has fulfilled its promise of surprising us when one of the country’s premier historians is reduced to role of “useful idiot”, but that’s where David Olusoga found himself – stuck in the middle as Faithful Joe and Nick battled to outwit Alan and Cat.

All that classical training and scholarship served Olusoga not – ultimately, he just didn’t have the skills, or possibly stomach, to either betray or sniff out the treachery around him, which doesn’t really reflect that badly on him, I suppose. Instead, Joe’s strength of purpose saw Cat disposed of, but that same zeal proved his undoing at the very last Round Table, as Alan used all his powers of persuasion to unsettle others’ doubts in the big man, and clear his way to victory.

So now, after five weeks and nine episodes, the ravens have left the castle, the drawbridge has been pulled up, the last of the faithful banished and the traitors unearthed. There have been some prize moments along the way: Celia Imrie’s wind proving she has a pro’s comedic timing in all things; Claire Balding’s disastrous attempt to participate in not commentate on a sporting challenge; the unprecedented nation-stopping Round Table stalemate between David and Mark Bonnar. All will be remembered, but none so powerfully as the two moments that bookended the series — both starring Alan.

The first came when the third Traitor was initially unearthed, and even his fellow conspirators laughed out loud; the second when he was finally revealed to the Faithful, a moment set to become a nation-sweeping meme. The Chatty Man’s presence as a giggling assassin in plain sight set the tone for the whole series, and Alan’s charm could explain why the faithful were jaw-droopingly inept in unearthing the Traitors in their midst, and also why they were so quick to forgive him for his treachery. There he stood — emotional, funny, no longer deadly – in a fitting end to a series that has confounded any fears a celebrity version would dilute the simple human premise — betray or be betrayed — at the heart of it. What will we all do now?

November 7, 2025 0 comments
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Rhea Seehorn —
TV & Streaming

Roush Review: Enter the Creepily Cheerful Twilight Zone of ‘Pluribus’

by jummy84 November 7, 2025
written by jummy84


Rhea Seehorn (‘Better Call Saul’) stars in Vince Gilligan’s fantastical and genre-defying drama as cynical Carol, whose bitterness stands out in a mysteriously transformed world that has become an upbeat utopia

November 7, 2025 0 comments
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Maharani Season 4 Review
Bollywood

Maharani Season 4 REVIEW: ‘Rani Bharti’ Huma Qureshi Returns Strong But Fails Due To Weak Narrative In Dirty Politics

by jummy84 November 6, 2025
written by jummy84

Film:
Maharani Season 4

Bubble Rating:
2.0 stars

Director: Puneet Prakash

Writers: Subhash Kapoor, Nandan Singh, Uma Shankar Singh

Cast: Huma Qureshi, Kani Kusruti, Amit Sial, Pramod Pathak, Shweta Basu Prasad, Vineet Kumar, Shardul Bharadwaj, Vipin Sharma

Platform: SonyLIV

Runtime: 39 mins to 57 mins each episode

Maharani Season 4 Review

As rightly compared previously, Politics is just like a game of chess. Huma Qureshi, who portrays Rani Bharti, returns as the CM of Bihar. The opening scene highlights that Navin (Amit Sial) is visited by Murad Patel in jail from the PM Sudhakar Sriniwas Joshi’s (Vipin Sharma) office. He questions how to trouple Rani’s sarkaar and doesn’t leave a stone unturned to find out how. What Rani has to face now is either to trust her own instincts or close people in this game of dirty politics. This season raises questions of whether Rani will become the next PM, challenging Joshi and his alliance. Will Rani be able to keep her alliance close and enemies away? To find out what happens, read our review of Maharani Season 4.

What Works

Huma Qureshi, Shweta Basu Prasad, Shardul Bhardwaj, and other cast members play strong roles. Their accent and body language show every actor’s adaptability for their craft. The plot is good, however could have been carried out better. Dialogue writing and delivery are commendable.

What Doesn’t Work

Most scenes have been dragged. The plot twists are quite predictable and don’t carry enough weight for a political drama.

Technical Analysis

Direction

The direction in Maharani season 4 feels uninspired and lacks the precision needed for a compelling political drama. Although the premise holds promise, the storytelling often loses focus, with pacing issues and stretched-out sequences. The energy and urgency that once defined Rani’s political journey are notably absent, replaced by clichés and predictable moments.

Writing & Screenplay

The writing disappoints with its repetitive tone and lack of emotional grip. What could have been a sharp exploration of power and politics turns into a routine narrative filled with weak dialogue and forced melodrama. The screenplay struggles to weave together the political tension and personal dilemmas, leaving the overall story feeling scattered and inconsistent.

Star Performances

Huma Qureshi remains the show’s saving grace, bringing sincerity and conviction to her role. However, her efforts are weighed down by an uneven script and an underutilised supporting cast. Performances that could have added layers to the story instead feel flat and disconnected.

Conclusion

Maharani season 4 sadly fails to recreate the spark, intensity, and layered storytelling that once made the series compelling. The direction feels uninspired, with inconsistent pacing and scenes that lack dramatic tension. The writing, once sharp and politically charged, now feels diluted by repetitive dialogue and underdeveloped subplots.

Even the lead actors’ sincere effort can’t lift the show from its sluggish execution and emotional flatness. Supporting performances add little depth, leaving the narrative feeling hollow. Overall, the new season struggles to maintain its political intrigue or emotional resonance, making it a disappointing and forgettable continuation.

We hope our review of Maharani Season 4 will help you decide to watch it.

Watch The Trailer Of Maharani Season 4

For more news and updates from the entertainment world, stay tuned to Bollywood Bubble.

Also Read: The Summer I Turned Pretty Season 3 REVIEW: ‘Belly’ Lola Tung, ‘Conrad’ Christopher Briney- ‘Jeremiah’ Gavin Casalegno Starrer Is Worth The Wait

Akankshya MukherjeeAkankshya Mukherjee

Akankshya Mukherjee is a dynamic and ambitious individual poised to make waves in the realm of Media and Communication. With a passion for creativity and a drive to contribute to forward-thinking organizations, Akankshya embodies adaptability and a hunger for learning. Having already garnered experience through involvement in various organizations, she has honed the skill of quickly adapting to new environments and challenges. She sees each opportunity as a chance for personal and professional growth, eagerly embracing roles in communications and content writing.

November 6, 2025 0 comments
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Jassi Weds Jassi REVIEW
Bollywood

Jassi Weds Jassi REVIEW: Harshh Vardhan Singh Deo Starrer Wins Heart With Humour And Emotions

by jummy84 November 6, 2025
written by jummy84

Film:
Jassi Weds Jassi

Bubble Rating:
3.5 stars

Director: Paran Bawa

Cast: Harshh Vardhan Singh Deo, Rehmat Rattan, Ranvir Shorey, Sikandar Kher, Sudesh Lehri, Grusha Kapoor, Manu Rishi Chadha

Platform: Theatres

Jassi Weds Jassi Review

In a year packed with big-budget spectacles and over-the-top comedies that try too hard, Jassi Weds Jassi stands out for doing the exact opposite — keeping it simple, rooted, and genuinely funny. Director Paran Bawa crafts a delightful throwback to the era of Khosla Ka Ghosla and Oye Lucky Lucky Oye. He reminded us that heart and humour often matter more than gloss and grandeur. To find out what happens, read our review of Jassi Weds Jassi.

Plot & Setting

Set in Haldwani, Uttar Pradesh (now Uttarakhand), in 1996, the story follows Jaspreet aka Jassi (Harshh Vardhan Singh Deo), a hopeless romantic on a mission to find true love. His quest leads him to Jasmeet (Rehmat Rattan), only to realise that before winning her heart, there is a big hurdle (without giving spoilers), Jaswinder (Sikandar Kher), also nicknamed Jassi

In the process, he disrupts the peaceful life of Sehgal (Ranvir Shorey) and his wife, Sweeti (Grusha Kapoor). Their own marriage is teetering on the edge of chaos. What unfolds is a hilarious series of misunderstandings, emotional twists, and warm moments of love and family.

Performances

At its core, Jassi Weds Jassi works because of its performances. Harshh Vardhan Singh Deo and Rehmat Rattan make for a fresh, endearing pair. Their chemistry feels effortless, sweet, awkward, and real. Harshh brings sincerity to his role, and Rehmat lights up the screen with her innocence and charm.

The veterans, however, steal the show. Ranvir Shorey is an absolute riot, delivering dry humour and comic timing reminiscent of his Khosla Ka Ghosla days. Sikandar Kher, in a surprising turn, flexes his funny bone with understated brilliance; his “tough guy” exterior blends beautifully with situational comedy. Manu Rishi Chadha adds earthy humour, while Sudesh Lehri and Grusha Kapoor lend their seasoned comic energy, though one wishes they had a bit more screen time.

Music

The music album of Jassi Weds Jassi deserves a special mention; it’s one of the most understated yet delightful soundtracks of 2025. Songs like “Chamkeela”, “Make Up Na Laya Kar”, “Bhool Jawanga”, and “Ishq E Desi” bring back the melody and fun of old-school Hindi film music. Each track feels situational yet hummable, with Chamkeela and Make Up already trending on Instagram Reels and Spotify, turning into sleeper chartbusters.

Direction & Writing

Paran Bawa’s direction is clean and confident. He doesn’t chase punchlines — he builds moments. The humour stems from situations and relationships rather than slapstick. The art direction and production design beautifully capture 90s North India, complete with vibrant weddings, quirky relatives, and the nostalgia of a simpler time.

The pre-climax sequence is the film’s crown jewel — a brilliantly executed Ramayana-inspired skit that pays tribute to Jaane Bhi Do Yaaro’s iconic Mahabharata play. It’s meta, hilarious, and a smart homage that cinephiles will relish. The kidnapping scene later evokes the chaos and fun of Fukrey and 90s Hollywood comedies, adding to the film’s madcap charm.

Conclusion

Jassi Weds Jassi isn’t a flashy, laugh-a-minute blockbuster. It’s a clean, family-friendly comedy with heart — the kind of film that leaves you smiling as the credits roll. Yes, the first half could’ve been crisper, and a few jokes find their rhythm much later. But its second half more than makes up for it.

With genuine humour, warm nostalgia, and performances that click, Jassi Weds Jassi reminds us of a time when laughter didn’t need noise, just good writing, good actors, and a good heart. The film is a rooted, fun, and feel-good comedy that opens the wedding season with a smile.

Watch The Trailer Of Jassi Weds Jassi

For more news and updates from the entertainment world, stay tuned to Bollywood Bubble.

Also Read: The Summer I Turned Pretty Season 3 REVIEW: ‘Belly’ Lola Tung, ‘Conrad’ Christopher Briney- ‘Jeremiah’ Gavin Casalegno Starrer Is Worth The Wait

November 6, 2025 0 comments
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Armand Hammer / The Alchemist: Mercy Album Review
Music

Armand Hammer / The Alchemist: Mercy Album Review

by jummy84 November 6, 2025
written by jummy84

If Haram was the Alchemist’s entry to Armand Hammer’s world, Mercy is a shared vision. There’s a greater understanding of what they can create together, and a willingness to add other sounds into their combined vocabulary. “Calypso Gene” could’ve been unearthed from some lost trove of Dungeon Family recordings, dipping into that collective’s gospel and funk-tinged waters; “Crisis Phone” taps into the white-knuckle pressure Alc and Boldy James explored on “Scrape the Bowl” and “Brickmile to Montana”; “California Games” unfolds like a ’70s psychedelic soul epic, flutes and wordless vocals intertwining over a splashy groove, wailing up at the heavens. And there are thrilling accents that reveal themselves after a few listens, like the synths on “Dogeared” that overlap to create dissonant siren calls, or the car peeling out during the heist-movie soundtrack of “Glue Traps.” These details become little vortexes, pulling you further into the trio’s universe.

There’s a pronounced urgency on Mercy, a grounding in the here and now that’s not always prevalent on woods or Elucid projects. The two have distinct ways of experiencing time—woods flattens it by meticulously threading historical events together, showing how they rhyme, while Elucid operates in a more metaphysical lane, weaving facts, feelings, and memories into spiraling, nonlinear episodes. Those methodologies appear here, but they’re increasingly used to react to the wretchedness of our current age.

On “Peshawar,” woods bemoans the sudden prevalence of AI: “Thou shalt not make a machine in the likeness of a human/Mind, that’s the rubric/Deep Blue versus Vladimir Putin.” The song itself is named after a city in Pakistan that suffered a brutal terrorist attack on a school in 2014, a scenario that now unfolds across the globe. Elucid dreams of “exploding beepers” on “Nil by Mouth” after images of the one-drop rule, the Iran-Contra affair, and “self-made martyrs” stream through his head like a sour meditation. On “Glue Traps,” he paints a picture of the intersecting lives in his neighborhood, reflecting on its beauty while ruing the constant hustle required of its residents. The brief but brutal “u know my body” sounds like woods describing the scenes of destruction livestreaming from Gaza, but could represent any genocide, past or present. After spending seven records anticipating and examining the effects of our ever-curdling history, Mercy presents the results: The war has arrived at everyone’s doorstep.

November 6, 2025 0 comments
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‘100 Liters of Gold’ Review: A Darkly Comic Ode to Finland’s Ancient Homebrew
TV & Streaming

‘100 Liters of Gold’ Review: A Darkly Comic Ode to Finland’s Ancient Homebrew

by jummy84 November 6, 2025
written by jummy84

With an endearing black comedy set in the provinces, which adopts the visual style of a ’60s Western, prolific writer-director Teemu Nikki salutes his country’s (and his family’s) tradition of sahti-making. “100 Liters of Gold” follows two dysfunctional middle-aged sisters, third-generation makers of the strong farmhouse ale. In their village of Sysmä, sahti is a […]

November 6, 2025 0 comments
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Ed Sheeran Praises Music Education Reforms in U.K. Curriculum Review
Music

Ed Sheeran Praises Music Education Reforms in U.K. Curriculum Review

by jummy84 November 5, 2025
written by jummy84

Ed Sheeran celebrated the U.K. government’s decision to implement new changes to music education following a review of what children are taught at most schools.

In a post on Instagram, the singer-songwriter said the new changes to the National Curriculum address several “key points” raised in an open letter he and his charitable organization, the Ed Sheeran Foundation, sent this summer. “This involves diversifying the music genres taught in schools and removing outdated systems that stop kids from studying music and the arts as part of their school day,” Sheeran wrote today, Nov. 5. “These changes give young people hope and the opportunity to study music.”

A summary of the review from the U.K. government said “revitalizing arts subjects” was one key area of improvement. It also called for scrapping the English baccalaureate program, which introduced a set of eight core academic subjects for students, but didn’t cover the arts or vocational subjects (per The Guardian). This program has long faced criticism from arts advocates, including Sheeran, who called for its removal in his summer letter. 

While Sheeran was pleased with the changes, he said, “There’s a lot more to do to support music education, especially our music teachers, but this is a step in the right direction.”

He added, “Without the encouragement I received in school, especially from my music teacher, I wouldn’t be a musician today, and I know so many of my peers feel the same. My music education went beyond learning and playing. It helped me find confidence in myself, and music itself was — and still is — so important for my mental health.”

Trending Stories

Sheeran took up the mantle of music education when he launched his foundation earlier this year. The open letter he sent to Prime Minister Keir Starmer and other U.K. officials called for committing £250 million (about $322 million) to “repair decades of dismantling music.” The letter was signed by an array of English music luminaries, including Harry Styles, Elton John, and Central Cee. 

Starmer wrote Sheeran, informing him about the changes to the National Curriculum. “The review places creative subjects firmly at the center,” Starmer wrote. “We are revitalizing arts education, strengthening music and drama, and launching a new National Center for Arts and Music Education to support teachers and raise standards. Learning music at school made a huge difference to my life. We will make sure every child has access to those experiences — from arts and culture to nature and civic engagement — so that creativity isn’t a privilege, but a right.”

November 5, 2025 0 comments
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All’s Fair Review: Murphy’s Latest Falls Flat With 0% On Rotten Tomatoes | Glamsham.com
Lifestyle

All’s Fair Review: Murphy’s Latest Falls Flat With 0% On Rotten Tomatoes | Glamsham.com

by jummy84 November 5, 2025
written by jummy84

When you hear Ryan Murphy, Kim Kardashian, Naomi Watts, and Glenn Close in one sentence, you expect fireworks. All’s Fair was supposed to be the next big courtroom hit. Instead, it’s a slow-motion trainwreck.

The show has officially scored 0% on Rotten Tomatoes, and that number feels fair. Critics called it “existentially terrible,” “a crime against television,” and “unwatchable.” The show manages to be both glossy and hollow, a courtroom drama that has neither drama nor logic.

Kim Kardashian may look stunning, but her performance doesn’t rise above lifeless dialogue. Naomi Watts and Glenn Close try to salvage their scenes, but even their acting chops can’t fix a story this confused. The writing is disjointed, the editing sloppy, and the tone all over the place. You can almost feel everyone trying too hard, and failing harder.

In true Ryan Murphy fashion, All’s Fair looks expensive and chaotic at the same time. Except this time, there’s no flair, just noise. It feels like Murphy’s trying to parody himself, and accidentally succeeded.

And here’s the wild part: fake reviews have started flooding Google in an attempt to boost the ratings. But even after hundreds of suspiciously glowing comments, the show still sits at just 3.3 stars. That says everything about how bad it truly is.

For us, this isn’t even a hate-watch. It’s just painful.

So here it is, the final verdict: for the first time on Glamsham, we’re going as low as possible.

Rating: 0.5/5

If this is what “All’s Fair” looks like, we’d rather lose the case.

November 5, 2025 0 comments
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Baahubali  The Epic
Bollywood

Haq Movie Review: Yami Gautam and Emraan Hashmi Excel in This Compelling Film

by jummy84 November 5, 2025
written by jummy84

The real case that inspired Haq stems from the landmark Shah Bano judgment of 1985, a legal earthquake that redefined how India understood women’s rights, secular law and religious identity. When a divorced Muslim woman sought maintenance under Section 125 of the CrPC, the Supreme Court ruled that the Constitution’s promise of equality was not contingent upon personal law. This ruling forced India to confront a hard question, whether justice could be selectively interpreted based on religion, and whether a Muslim woman was entitled to the same dignity, respect and protection as any other woman in this country. Haq, based on Jigna Vora’s book Bano: Bharat Ki Beti, reinterprets that battle for contemporary India, where these same arguments still quietly simmer under political speech, domestic space, and cultural caution.

In the film, Yami Gautam Dhar plays Shazia Bano, the fictionalised Shah Bano figure, and her performance is the spine of Haq. She plays Shazia not as a symbol, but as a woman who has lived, loved, hurt, doubted, questioned, and yet stands to fight. There is restraint here, but also ferocity, an emotional fluency that never slips into artifice. Her courtroom scenes have a rare clarity. She fights not with chest-thumping melodrama but with lived conviction. The shifting weight in her shoulders, the hesitations in her voice, the quiet with which she absorbs pain, all of that adds a truthful fragility beneath her courage. It is easily one of Yami’s strongest, most commanding screen turns.

Also Read: Yami Gautam and Emraan Hashmi’s Most Hard-hitting Dialogues From HAQ
Emraan Hashmi, as Abbas Khan, is equally compelling, playing a man shaped by privilege, belief and inherited power structures. He is not painted as a cardboard bigot; he is someone who has never questioned the script handed to him, and that is what makes his downfall tragic instead of theatrical. The more he clings to his ego, the more the system crumbles beneath him. Vartika Singh, as the second wife, leaves a striking impact. She is not reduced to glamour; her arc is empathetic, sensitive, and beautifully textured. Her confrontation moment opposite Yami is one of the film’s most emotionally loaded scenes. And Sheeba Chaddha, as the supporting lawyer on Yami’s side, injects gravity, wit and an unwavering steadiness; she knows exactly how to play strength in silence. Danish Hussain too makes an impact as Yami’s supportive father.

Much of this impact works because the writing is sharp, intelligent and deeply internalised. Reshu Nath’s screenplay understands the emotional minefield of faith versus constitutional rights without turning the narrative into an academic lecture. She builds conflict through spaces of doubt, lived contradiction and internal bias, not just external provocation. And Suparn S Varma’s direction keeps the storytelling grounded and balanced. He refuses sensationalism, he resists easy villainy, and he allows silences to speak. His directorial hand ensures Haq is not a polemic, it is a lived human drama.

While a more non-linear structure could have given the story even greater depth, what Haq achieves is still powerful, it centres the Indian woman’s agency over her life and her choices, irrespective of religious identity. It reminds men that responsibility cannot be abandoned through doctrine. It highlights how law must protect the vulnerable without fear. Haq calls for empathy not uproar.

Haq is a reminder that clarity, reason and moral courage can indeed be cinematic. Watch it for its sincerity, for its grace, for its argument but above all, watch it for the performances that give this battle a beating, breathing human heart. And watch it because it believes that the Indian woman, regardless of faith, deserves the Constitution as her shield, not the mercy of men.

Also Read: Emraan Hashmi, Yami Gautam’s Haq gets no censor cuts in India, UAE, UK, New Zealand and Australia

November 5, 2025 0 comments
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Dave: The Boy Who Played Harp Album Review
Music

Dave: The Boy Who Played Harp Album Review

by jummy84 November 5, 2025
written by jummy84

Perhaps Dave is caught in a loop of his own making. He’s built a career speaking for the most suppressed from the perspective of a person who comes from similar struggles, but now that he’s materially removed from that reality, he’s unsure of where he stands—in the minds of others but, more immediately, in his own. He denounces atrocities in the Congo, but wears jewelry that may have come from its diamond mines. He hardly ever prays, but seeks guidance from the God he was raised to worship. He boasts about money but won’t speak up for Palestine. These are criticisms he turns onto himself throughout the album without ever reaching a resolution. Will he stop participating in these things or does he just want to clear his conscious to the public?

In 2017, on his breakout “Question Time,” a 19-year-old Dave called then-Prime Minister Theresa May to task over UK airstrikes that killed children in Syria and for defunding the NHS rather than paying liveable wages to nurses like his mom. Two years later, “Black,” from his debut, Psychodrama, got at the maddening reality of being part of a subjugated people, working your whole life to dispel myths about yourself, only to still be treated like a second-class citizen. “Three Rivers,” from 2021’s We’re All Alone in This Together, paid tribute to Britain’s immigrant communities as hostilities toward them began to rise. That sort of state-of-society demonstration, which has always distinguished Dave from his peers in UK rap, is hardly present on his newest album. And it doesn’t help that The Boy Who Plays the Harp is considerably less dynamic when it comes to production.

What made Psychodrama and We’re All Alone in This Together especially stimulating was that between Dave’s social commentary and lyrical flexing lay sullen portraits of his of neighborhood (“Environment”), brooding D’n’B (“Voices”), glitzy trap-like bounce (“Clash” with Stormzy), and more. On The Boy Who Played the Harp, that diversity appears sparingly. “Raindance” with Tems, a sweet, stripped-down take on an Afroswing love song, will likely be the album’s mainstream win. Young British sensation Jim Legxacy contributes to “No Weapons” as a producer and vocalist, making it the album’s most fun track. “Marvellous” is largely about a young boy from Dave’s South London neighborhood who’s getting a taste of street life, but the Spanish guitar and thumping drums give it a useful jolt.

Even with the presence of these songs, the heart of this album lies in the more downtempo, man-in-the-mirror moments. The Kano-featuring “Chapter 16” is such an effective song in this context because, while Dave spends much of the album berating himself about whether he’s a fraud, or has strayed too far from God, or deserves to find true love, the make-believe steak dinner provides him with someone to bounce those insecurities off of. And, even though it takes the long road to get there, maybe this is the point that The Boy Who Played the Harp seeks to make: When you isolate yourself from the world, the voices within may eventually turn on you.

November 5, 2025 0 comments
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