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Young Bleed, Former No Limit Records Star, Dead At 51
Music

Young Bleed, Former No Limit Records Star, Dead At 51

by jummy84 November 4, 2025
written by jummy84

It is with deep sorrow that the hip-hop community mourns the loss of Louisiana rapper Young Bleed (born Glenn Reid Clifton Jr.), who passed away on November 1, 2025, at the age of 51 after suffering a brain aneurysm in Las Vegas.

His death came just days after he appeared at the highly anticipated Verzuz battle between No Limit Records and Cash Money Records, a reunion that celebrated two of Louisiana’s most influential rap dynasties.

News of his passing was confirmed by his eldest son, Ty Gee Ramon Clifton, who took to social media on Monday evening (Nov. 4) with a heartfelt video message addressing both his father’s legacy and the misinformation spreading online regarding the circumstances of his death.

Young Bleed performs onstage during the Master P and the No Limit Soldiers Reunion at The Orion Amphitheater on June 27, 2025 in Huntsville, Alabama.

Julia Beverly/Getty Images

The emotional clip served as both confirmation and clarification, offering a rare and deeply personal glimpse into the grief and strength of a family coming to terms with sudden loss.

“Hello, my name is Ty Gee Ramon Clifton and today we’re going to be talking about my dad,” he began, his tone steady but heavy with emotion. Glenn Reid Clifton Jr., also known to the world as Young Bleed, had just days earlier been celebrating with friends and fans in Las Vegas after his triumphant appearance on stage. “As of Nov. 1, my dad gained his wings,” Ty Gee continued in the lengthy clip.

“This is a tough topic for me, I’m not sure how it’s gonna go, but I’m here to clear up a lot of false narratives. There’s a lot of things that were said and just a lot of mess, you can’t address everything on social media so that’s not the plan, but I know being a legend worldwide a lot of people were concerned for him, they wasn’t sure of what they heard, so I’m here to confirm, as his oldest child that he has gained his wings.”

Ty Gee clarified that his father was 51 years old, born June 6, 1974, noting that early reports had incorrectly listed his age.

“My dad was 51 years old when this happened to him. He’s born June 6, 1974 and that’s why we have the official date ’cause I saw his age was printed out wrong,” he said. “So the big question, what happened? So my dad didn’t really have no health issues. These are just chapters in life. And I hope after this video that people that have gone through the same thing or are going through grieving moments find peace in this video here.”

According to Ty Gee, the health emergency occurred shortly after the Verzuz afterparty. While Young Bleed had managed mild high blood pressure, he was not known to have major ongoing medical conditions. His son wanted to make it clear that the tragedy was a natural medical event, not the result of any darker or more speculative circumstances.

“My dad, like most as you get [up] in age, had high blood pressure. He’d take his medicines and do what he do as a celebrity so not much. After his huge celebration at the Verzuz, he went to an afterparty and that’s where everything kind of spiked. I did want to clear [things] up and let people know ’cause people was thinking it was deeper than that, but nah, it was more of a natural thing that caused this to happen to him. Once he collapsed, he did pass from the aneurysm, the bleed to the brain.

“We don’t know, at least right now, and when they called me and gave me all the news, I don’t know much about aneurysms. So I’m not sure if this is something that he’s been had or how that worked but after this, I will be doing some research just so I can get a better understanding on aneurysms, but all I know is after the collapse, that’s when we heard about it. Like I said, my dad was never in and out of the hospital and that’s the unfortunate thing about sickness. Especially men, we don’t go to the hospital much.”

In the days that followed, Ty Gee expressed his continuing grief and disbelief, explaining how unprepared he felt for such a devastating loss—even with the lessons his father had instilled in him over the years.

“I’m trying to stay direct with this video, but my mind is still racing. I do wanna thank God for having the strength to sit here and have this conversation ’cause I couldn’t barely even talk a couple of days ago and throughout this week, just kind of been in the bed thinking ’cause with all the preparations my day gave me, this is something that you can’t prepare for.

“I still don’t know how to take this, it’s still so unreal. Love that guy, everything that’s me is him. He taught me everything. Never treated me as a kid, even when I was a kid, he always poured so much life into me. So I’m gonna pick up the ball and continue from where he left off. I’m gonna make sure his legacy stays alive and that’s through all of us.”

The family also extended gratitude to those who have offered prayers, donations, and words of support.

“I do wanna say thank you to a lot of people, I’m not necessarily gonna name specific [people] ’cause I don’t want nobody to feel left out, but to every single person that reached out with positivity that meant well, checked on me, provided their stories of losing their parents. Just the things that helped me get through these last few days, I appreciate that. The ones saying prayers for my dad, there’s so many people.”

Ty Gee concluded his message by acknowledging the doctors in Las Vegas who worked tirelessly to save his father and by confirming the legitimacy of the family’s GoFundMe page, which will now help with burial expenses.

“The doctors. They were working real hard out there in Vegas ’cause that’s where it happened. Thank you to all y’all. The GoFundMe, people that’s been sending money to that, we’re going to change the GoFundMe from medical expenses to medical and burial. It’s under his mother’s name, so that’s how you know it’s the real one, but we’ll leave a link in the description to let y’all know that’s the [correct] one to go to.”

Young Bleed’s passing marks the loss of one of the South’s most distinct and poetic voices. A Baton Rouge native, he rose to prominence in the late 1990s under Master P’s No Limit Records, achieving national success with his debut album All I Have In The World, Is… My Balls & My Word in 1998.

The project, anchored by the hit single “How Ya Do Dat,” went platinum and became one of the defining releases in the No Limit catalog—praised for its vivid storytelling and raw depiction of Louisiana street life.

In recent years, Bleed had continued recording and performing, maintaining a loyal fan base drawn to his signature mix of southern wisdom and lyrical realism. His appearance at the No Limit vs. Cash Money Verzuz was widely seen as a moment of renewed recognition, bridging generations of Louisiana hip-hop.

Though his time was tragically cut short, Young Bleed’s influence on Southern rap remains indelible. His son’s words reflect the enduring spirit of a man whose music and message resonated with authenticity and heart:

“I’m gonna pick up the ball and continue from where he left off. I’m gonna make sure his legacy stays alive and that’s through all of us.”

In mourning his loss, fans and peers alike remember a visionary artist whose art captured the soul of the South. From Baton Rouge to the world, Young Bleed’s legacy lives on—in every lyric, every lesson, and every life he touched.

See Ty Gee Ramon Clifton’s Instagram post below.

November 4, 2025 0 comments
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Baahubali The Epic box office collection day 1: SS Rajamouli film records biggest opening day for re-release in India
Bollywood

Baahubali The Epic box office collection day 1: SS Rajamouli film records biggest opening day for re-release in India

by jummy84 October 31, 2025
written by jummy84

Baahubali The Epic box office collection day 1: SS Rajamouli and Prabhas’ two blockbusters, Baahubali: The Beginning and Baahubali: The Conclusion, re-released in theatres today as one film, titled Baahubali The Epic. The film received positive reviews from audiences and also took a bumper opening.

Baahubali The Epic is a re-edited re-release of the two Baahubali films packaged as one.

Baahubali The Epic box office performance

According to Sacnilk, Baahubali The Epic collected ₹7.88 crore on day 1 at the domestic box office. The film has not only surpassed the opening day haul of previous re-releases such as Vijay’s Ghilli (reportedly ₹4.87 crore) and Mahesh Babu’s Khaleja (reportedly ₹5.75 crore), but it has also exceeded the day-one collections of recent blockbusters like Lokah Chapter 1 Chandra ( ₹2.71 crore) and Dragon ( ₹6.5 crore).

About Baahubali The Epic

Baahubali: The Epic is a remastered version of filmmaker SS Rajamouli’s two-part magnum opus — Baahubali: The Beginning (2015) and Baahubali: The Conclusion (2017). The combined film, re-released in cinemas on 31 October 2025, is backed by Arka Media Works. The re-edited version runs for approximately 3 hours and 45 minutes, with select sequences trimmed. Featuring Prabhas, Rana Daggubati, Anushka Shetty, and Tamannaah Bhatia in lead roles, the epic chronicles the story of Mahishmati, its power struggles, and the rise of the valiant warrior, Amarendra Baahubali.

The film opened to overwhelmingly positive responses from audiences and critics. The re-release isn’t confined to Indian theatres — it has been re-released across more than 1,150 cinemas worldwide, including over 400 screens in the US, 210 in the UK and Ireland, and numerous venues in the UAE, Australia, and Southeast Asia.

Annapurna Studios’ CTO, CV Rao, the man behind the transformation of two films into a 3-hour-44-minute-long spectacle, told Hindustan Times, “When Baahubali first came out, each film took us four months of post-production. It took us approximately 10 weeks, or around two months, to complete the project this time around. But the bigger challenge for us was to deliver the output in multiple formats.”

October 31, 2025 0 comments
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Ari Lennox Announces 1st Album Since Stepping Away From J. Cole's Dreamville Records
Celebrity News

Ari Lennox Announces 1st Album Since Stepping Away From J. Cole’s Dreamville Records

by jummy84 October 24, 2025
written by jummy84

Ari Lennox Announces 1st Album Since Stepping Away From J. Cole’s Dreamville Records

#AriLennox is gearing up to drop a new studio album.

The project, titled Vacancy, will be released next year on Jan. 23, with pre-orders available now. Fans who can’t wait are encouraged to check out Ari’s new single “Under the Moon.” This project marks her third album and her first since parting ways with #JCole’s #DreamvilleRecords. As reported, she left the label in April of this year following reported conflicts with the label and criticism over how she was being marketed to the public.

Ready to hear what Ari has been working on?


October 24, 2025 0 comments
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'Dream' On: Miley Records New Song For Third 'Avatar' Film
Music

‘Dream’ On: Miley Records New Song For Third ‘Avatar’ Film

by jummy84 October 23, 2025
written by jummy84

Miley Cyrus has been tapped to record a new song, “Dream As One,” for the upcoming third installment in director/writer James Cameron’s Avatar series, Fire and Ash, which will arrive in theaters on Dec. 19. The track will be released Nov. 14 through Columbia/Sony.

Cyrus contributed to the song’s music and lyrics in tandem with Andrew Wyatt, Mark Ronson and the Grammy-winning Simon Franglen, who also composed the film score. “Dream As One” will be heard during Fire and Ash‘s end credits and will be featured on its original soundtrack, due Dec. 12.

“Honored to support Avatar: Fire and Ash with an original song I’ve written with Mark Ronson and Andrew Wyatt,” Cyrus wrote in an Instagram post that teases a portion of the song. “Having been personally affected by fire and being rebuilt from the ashes, this project holds profound meaning for me. Thank you, Jim, for the opportunity to turn that experience into musical medicine. The film’s themes of unity, healing and love resonate deeply within my soul, and to be even a small star in the universe the Avatar family has created is truly a dream come true.”

Fire and Ash stars Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Kate Winslet and Edie Falco. It’s the follow-up to 2022’s The Way of Water, which was itself the sequel to the 2009 original. Two additional films are expected in 2029 and 2031.

As for Cyrus, she has kept a low profile following the summer release of her ninth album, Something Beautiful, which was accompanied by a musical film of the same name that’s available on Disney+ and Hulu.

October 23, 2025 0 comments
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Taylor Swift’s “The Fate Of Ophelia” Is Shattering Streaming Records And Owning Pop Radio | Glamsham.com
Lifestyle

Taylor Swift’s “The Fate Of Ophelia” Is Shattering Streaming Records And Owning Pop Radio | Glamsham.com

by jummy84 October 8, 2025
written by jummy84

Taylor Swift’s new song The Fate of Ophelia isn’t just another chart entry, it’s a full-blown phenomenon. Within days of release, the track became the fastest song ever to cross 100 million streams on Spotify, setting a record that even Swift herself hadn’t touched before. The pace was unreal. Fans kept refreshing the counters, posting updates in real time, and by the end of the week, Ophelia had become Spotify’s new benchmark for what a hit looks like in 2025.

What’s even wilder is how the song has taken over pop radio. In the U.S., The Fate of Ophelia earned the most pop radio adds in a single week since Easy on Me by Adele back in 2021. For a song to dominate both streaming and traditional radio like that is rare now, but if there’s one artist who still pulls it off effortlessly, it’s Taylor. Program directors reportedly jumped on the track right away, a mix of that instant earworm production and Swift’s knack for lyrics that hit straight to the gut.

Musically, The Fate of Ophelia feels like the sweet spot between her cinematic songwriting and her pop roots. It’s grand, emotional, and kind of haunting. The production swells slowly, almost like you’re walking into something you shouldn’t, and then it crashes right when you expect it to stay quiet. It’s the kind of song that feels like it’s hiding something, which, let’s be real, is what Taylor does best.

Also Read: Taylor Swift’s Latest Look Will Leave You SPEECHLESS – See Her Showgirl-Inspired Outfit!

On social media, fans are losing it. Reddit threads and TikTok edits have already turned Ophelia into an obsession. People are analyzing every lyric, connecting it back to her earlier eras, and talking about how it feels like the perfect blend of Folklore’s emotion and 1989’s confidence.

It’s easy to say Taylor breaks records every time she breathes, but this one hits differently. The Fate of Ophelia isn’t loud about its power; it just moves like a storm that no one saw coming. And once again, everyone’s caught in the rain.

October 8, 2025 0 comments
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50 Classic Records (Staff Picks)
Music

50 Classic Records (Staff Picks)

by jummy84 September 30, 2025
written by jummy84

Trending on Billboard

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Marshall Jefferson was working nights at a Chicago post office when he gave house music its first true anthem — a distinction so obvious that he just named the song that. The song was made in 1985 when, high on inspiration, Jefferson dragged a few coworkers into his studio, banged out a track in six hours, and left convinced he’d made something special. His friends disagreed, and even fellow DJs gave him a polite shrug, but Jefferson pushed on. 

To be fair, pianos had rarely, if ever, been featured in a house track at that time, but inspired by Elton John’s tickling of the ivories, Jefferson went all in on “Move Your Body,” sending riffs tumbling into a tough, sweaty groove with piano stabs and rapidfire percussion. Above it all, vocalist Curtis McClain issued a joyful command — “Gimme that house music to set me free! / Lost in house music! Is where I wanna be!” — that doubled as a notice of the genre’s arrival.

Where Jefferson’s friends saw doubt, DJ Ron Hardy saw potential and immediately played the song six times in a row during a set at The Music Box in Chicago, to rousing crowd approval. Local jocks got their hands on a copy, and by the time “The House Music Anthem (Move Your Body)” officially released on Trax Records (again, under dubious circumstances) in 1986, the craze had spread overseas, the dawn of Chicago’s house sound growing into a global movement. 

Jefferson may have presciently given his own single the subtitle of “The House Music Anthem,” but the song has surely earned it. It hasn’t stayed frozen in time, either: Jefferson’s 2019 collaboration with Solardo brought it roaring back to festival stages, while the 2025 rework “Life Is Simple (Move Your Body)” with Maesic and Salomé Das introduced it to yet another generation.

Forty years on, the song still calls, and dance floors still enthusiastically answer. — K.R.

September 30, 2025 0 comments
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Trouble in Mind Records Ceases Operations
Music

Trouble in Mind Records Ceases Operations

by jummy84 September 26, 2025
written by jummy84

Trouble in Mind Records, the Chicago label that specialized in punk and garage-rock for more than a decade, has ceased operations. The label’s founders, Bill and Lisa Roe, shared the news today on social media, revealing that Trouble in Mind “ceased to exist as an active label as of June 1st of this year.” Find their full statement below.

Bill and Lisa Roe founded Trouble in Mind in 2009. It came to life around the same time that they welcomed their first child, Veronica “Ronnie” Moon. To start, they pressed only 7″ vinyl singles as the Roes balanced the label with parenthood, work in their band, CoCoComa, and day jobs. (Lisa is a librarian, and Bill worked as a production manager for Chicago Independent Distribution.) By 2010, they issued the label’s first full-length album, a self-titled endeavor from the Limiñanas. As the years continued, they released albums from Mikal Cronin, the Tubs, Dummy, David Nance Group, Ultimate Painting, Doug Tuttle, Negative Scanner, and many others.

Trouble in Mind made a name for itself for the garage, punk, and psych-rock music it championed, but the Roes always intended to offer a variety of music on their label. “The label has morphed as our tastes have,” Bill Roe said in 2017. “It’s all in the same wheelhouse but it’s a better reflection of what you’d see if you looked at our personal record collection. We figured out more what we want to release and plus our ears also get tired of hearing the same thing over and over. We release what catches our ear, so chaining ourselves to a certain genre or style of music seems pretty limiting—we’ve put out garage-punk, psych, experimental music, electronic music, and spiritual jazz records. Perhaps it makes our label harder to pin down or categorize, but fuck that, who cares?”

Shake Appeal’s Best of 2014

Trouble in Mind Records:

ADIEU

TROUBLE IN MIND RECORDS: 2009-2025

FRENZ. We are sad to announce that Trouble In Mind Records has ceased to exist as an active label as of June 1st of this year. We could point to a myriad of reasons why, BUT instead we’re going to focus on the positives. To all the artists we’ve ever worked with – being able to have even a minor part in releasing your art into the world was one of the greatest privileges we could have ever asked for & we love you all. If you have ever bought an album, streamed a song, saw one of our artists on tour, read an article or interview about us, told a friend about the label, or supported us in any way, shape, or form, we appreciate you & sincerely thank you for your support. YOU are the reason independent labels can still exist, so keep the faith! We’ll still be maintaining our back catalog for the foreseeable future and we hope you’ll take advantage of our BIG SALE happening over at our Bandcamp page. Take a whopping 30% off anything in the webshop using the code: ADIEU
http://troubleinmindrecords.bandcamp.com/merch

In closing; ALWAYS SUPPORT INDEPENDENT ARTISTS & LABELS, PROTECT TRANS PEOPLE, FUCK ICE, FREE PALESTINE and may all your scratch-offs be winners.
Sending love from our kitchen in Chicago, IL.

XOXO,
Bill & Lisa Roe

September 26, 2025 0 comments
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Music Industry Trailblazer Sylvia Rhone Stepping Down as Chair/CEO Of Epic Records
Celebrity News

Music Industry Trailblazer Sylvia Rhone Stepping Down as Chair/CEO Of Epic Records

by jummy84 September 25, 2025
written by jummy84

Music Industry Trailblazer Sylvia Rhone Stepping Down as Chair/CEO Of Epic Records

 

End of an era.

At the end of this month, veteran music executive #SylviaRhone is stepping down as Chair and CEO of Epic Records, ending an 11-year tenure at the label (six of which she served as CEO). In her internal memo to staff, she reflected: “This role at Epic represents the third time in my career that I’ve been the first woman and first Black person to serve as CEO of a major record label owned by a Fortune 500 company. … I am moving on from this historic role at Epic and I’m very excited about the future.”

Rhone has long been celebrated as a trailblazing force in the music business. Over her career, she led major labels, including Elektra, Atlantic, #Motown, and helped shape the careers of artists spanning hip hop, pop, rock, and R&B.
At Epic, under her guidance, the label diversified its roster (with names like Travis Scott, #CamilaCabello, #21Savage, Future and others) and climbed in market share. Her departure marks the exit of one of the few Black women ever to lead a major record company.


September 25, 2025 0 comments
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Scarlett Johansson Broke Box Office Records and Made Her Feature Directing Debut in the Same Year — Here’s How
TV & Streaming

Scarlett Johansson Broke Box Office Records and Made Her Feature Directing Debut in the Same Year — Here’s How

by jummy84 September 23, 2025
written by jummy84

Picking her projects judiciously has been key for the multi-hyphenate, she tells IndieWire, and that sort of care could soon land her star June Squibb a Best Actress Oscar nomination for her moving performance as a woman grieving for her best friend.

September 23, 2025 0 comments
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Sylvia Rhone Steps Down As CEO Of Epic Records
Music

Sylvia Rhone Steps Down As CEO Of Epic Records

by jummy84 September 23, 2025
written by jummy84

Sylvia Rhone, the CEO and chair of Epic Records, announced on Monday (Sept. 21) that she is stepping down from the role.

First named chair and CEO back in 2019 following a five-year stint as President of Epic, Rhone is one of the industry’s most prolific executives, having been the first woman and the first Black woman to be named CEO of a major record label. Her successor has yet to be named.

She shared the news via an internal memo.

“It’s been an extraordinary journey: eleven years since my promotion to President of Epic Records and six years since my appointment as Chairwoman and CEO. This role at Epic represents the third time in my career that I’ve been the first woman and first Black person to serve as CEO of a major record label owned by a Fortune 500 company. And today, I am moving on from this historic role at Epic and I’m very excited about the future,” the 73-year-old wrote.

Rhone reflected on her historic journey, having worked with the likes of Missy Elliott, Travis Scott, Future, 21 Savage, Tyla, GIVĒON, Mariah The Scientist, Q-Tip, Andre 3000 and more.

Sony Music Group chairman Rob Stringer, who appointed Rhone to her CEO role back in 2019, said in his own statement: “It’s been our honor to work with a true icon,” describing it “our collective responsibility to continue to build on her work at Epic Records.”

Stringer added, “In an industry defined by its constant evolution, Sylvia has adapted and embraced change, time and time again. Her journey is more than just a list of accomplishments. She is a trailblazing executive with a distinguished background and unwavering commitment to supporting artists […] Sylvia’s influence is rooted in an understanding of music’s power to connect with people.”

Read Rhone’s full memo below:

To My Sony Music Family,

It’s been an extraordinary journey: eleven years since my promotion to President of Epic Records and six years since my appointment as Chairwoman and CEO. This role at Epic represents the third time in my career that I’ve been the first woman and first Black person to serve as CEO of a major record label owned by a Fortune 500 company.

And today, I am moving on from this historic role at Epic and I’m very excited about the future.
I’ve always been surrounded by excellent teams, but our current one at Epic is extraordinary. Spanning multiple generations, our team understands music’s history, finds meaning in complex data, and anticipates emerging trends. From Travis Scott, Future and 21 Savage, to Meghan Trainor, Tyla and Madison Beer, Zara Larsson to Giveon and Mariah The Scientist, Q-Tip to Andre 3000 and the late, great Ozzy Osbourne…Epic artists thrive through bespoke campaigns that honor their unique voices and goals. While helping artists maintain authentic fan connections, our team guides them through partnerships in video, fashion, gaming, and content innovation. We’re proud of leading Sony Music’s 2020 “Your Voice, Your Power, Your Vote” campaign and fostering a workplace culture that reflects our values: 62% women and 57% people of color. From day one, we set out to build something special at Epic — and we have.

This moment of my transition invites reflection on a journey that has been wide-ranging in its scope and impact.

Following my graduation from The Wharton School, I started as a secretary at Buddha Records and after working my way up through radio promotions, I was privileged to be appointed SVP of Black Music at Atlantic Records.  Those times feel like yesterday, working with Roberta Flack, Donnie Hathaway, En Vogue, LeVert, Brandy, Adina Howard, Troop, DAS EFX, Snow, MC Lyte, Kwamé, Miki Howard, Gerald Albright, The System and Ice Cube’s Lynch Mob and Yo-Yo.  Through our Ruthless Records deal, we also released The D.O.C., JJ Fad, Michel’le, and Easy-E.

In July 1994, I was appointed Chairwoman of Elektra Records, where we orchestrated a cultural renaissance that still resonates today. There, we became guardians of musical diversity, nurturing the power of AC/DC and Metallica alongside the genius of Missy Elliott and Busta Rhymes. From Pantera’s intensity to Phish’s improvisational spirit, from Tracy Chapman’s truths and Anita Baker’s soul to Tamia’s powerful vocals — each artist flourished on their own frequency. Third Eye Blind, Yolanda Adams, Silk, Ol’ Dirty Bastard, Gerald LeVert, Keith Sweat, Natalie Merchant, The Cure, Björk, Staind, Better Than Ezra, The Afghan Whigs, and Jason Mraz all found their home in our musical family, creating moments that transcended mere entertainment.

Then came my chapter at Motown, where the label’s iconic history and its future converged under my leadership as Chairwoman and CEO. It was an honor to record Stevie Wonder’s last full-length studio album while simultaneously collaborating with artists like Nelly, Erykah Badu, Kid Cudi, and Akon. We also extended hip-hop’s global reach by distributing Cash Money Records’ roster — elevating Baby, Lil Wayne, Nicki Minaj, and Drake. 

I am blessed to have worked with some of the most brilliant and influential artists in the history of recorded music. And I’ve discovered this: when we channel our strength and creativity in service of a vision, and collaborate with artists who do the same, we create music that reflects our world, questions our assumptions, and uplifts our spirits. This is a kind of magic, a deeply human connection. Right now, when music’s DNA is being reimagined, when artists face existential challenges, and when all of us are building the future in real time, there is little that is more profound.

Looking back on my Epic era fills me with great pride. To my team of creative champions, you now hold the reins, and I know your best work lies ahead. I’m grateful for Zeke Lewis, Rick Sackheim, Sandra Aflorei, Tyler Pittman, John Shoup, Dave Bell, Lisa Kasha, Shannon Mingal, Margeaux Watson, Justin Duran, Chelsea Donnarumma, Brooke Marcimo, Mez Tara, Gina Harrell, Melissa Victor, Traci Adams, Scott Dimig, Dontay Thompson, Jennifer Goicoechea, Patrick Afeku, John Kirkpatrick, Michael Petullo, Max Sholl, Hector Rosario and the countless other executives who made Epic Records home. 

I thank my daughter Quinn for her unconditional love and my late parents Marie and Bob Rhone for their heroic support. And I am forever grateful for my prior teammates from over the years. Not only did we work great music, but we also created an amazing network of advocacy and goodwill! Thanks to Rob Stringer for his trust and camaraderie and to Doug Morris for empowering me to shatter the glass ceiling.

I have worked in our industry since vinyl ruled, and women were rarely if ever in line for C-level or even vice-presidential roles. I am proud of my achievements, and of my commitment to those who take inspiration from them. The many individual honors I’ve received — from Billboard, Fortune Magazine’s Most Powerful Women, Essence, Variety, Ms. Magazine’s Woman of the Year, and the recent honorary doctorate from Berklee College of Music — serve as grace notes on my years of dedication. But they pale beside what we’ve all built together. They pale beside the glory of our musical culture.

September 23, 2025 0 comments
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