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Doomsday’ reported to be Patrick Stewart’s final acting role
Music

Doomsday’ reported to be Patrick Stewart’s final acting role

by jummy84 November 5, 2025
written by jummy84

Avengers: Doomsday will reportedly be the final acting role in the career of Patrick Stewart.

The film is set to be released in cinemas on December 18, 2026 and it will feature the return of Robert Downey Jr. to the Marvel Cinematic Universe (MCU), this time in the role of the supervillain Doctor Doom.

The Avengers, the Wakandans, the Fantastic Four, the New Avengers and the original X-Men will all team up to take on Doctor Doom in the film, and among them will be Stewart as Charles Xavier, aka Professor X, and Ian McKellen’s Magneto.

Now, it has been reported that Stewart, who is 85, will give up acting once the film is completed. As discussed on The Kristian Harloff Show on November 3, Stewart will supposedly be “done with acting” and will be “stepping down” after Doomsday.

Stewart is one of the most respected actors of his generation, having studied at the Royal Shakespeare Company and earning a reputation as a stage actor, winning two Olivier Awards. He achieved new levels of fame playing Jean-Luc Picard in Star Trek: The Next Generation from 1987 to 1994, reprising the role in the 2020 spinoff series.

He played Professor X in Fox’s original trio of X-Men films from 2000 to 2006 and after Disney’s acquisition of Fox, he has become a part of the MCU, appearing in 2022’s Doctor Strange In The Multiverse Of Madness.

Doomsday will be the 39th film in the MCU and the fifth Avengers movie and will see the return of directors Anthony and Joe Russo, who also helmed Infinity War and Endgame among other MCU titles.

Chris Hemsworth, Anthony Mackie and Paul Rudd will return as Thor, Captain America and Ant-Man respectively, as will Letitia Wright as Shuri, aka Black Panther, and Vanessa Kirby, Pedro Pascal, Ebon Moss-Bachrach and Joseph Quinn will bring their Fantastic Four characters into the Avengers world.

Florence Pugh, Sebastian Stan, Wyatt Russell, Lewis Pullman and David Harbour will also be a part of the film as the New Avengers, as established in Thunderbolts* earlier this year, while Ryan Reynolds is also reported to be making an appearance as Deadpool.

Earlier this year, Avengers: Doomsday was moved from May 2026 to December, giving the production extra time to finish up but leaving fans impatient. One of the film’s cast, Alan Cumming, confirmed the return of his X-Men character Nightcrawler in the film.

November 5, 2025 0 comments
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Sean Patrick Thomas on Polarity's Fate, Chance Perdomo
TV & Streaming

Sean Patrick Thomas on Polarity’s Fate, Chance Perdomo

by jummy84 October 23, 2025
written by jummy84

[This story contains major spoilers from the Gen V season two finale, “The Guardians of Godolkin.”]

In the finale of Gen V, Polarity literally blows the doors off Goldokin’s master plan. 

It’s a significant way to close out the season for the character played by Sean Patrick Thomas, who began season two’s eight episodes shrouded in anger and grief over the death of his son Andre (Chance Perdomo). That on top of his struggle with the increasing loss of control over his powers, which was first introduced at the end of season one. 

With some nudging and accountability by Emma (Lizze Broadway), Polarity not only becomes a key component of the small resistance Andre’s friends mount at Cipher’s (Hamish Linklater) God U, but he also helps uphold the values and heroism Andre sought to embody in that final battle against Ethan Slater’s egotistical and evil Godolkin. 

Though the term “Guardians of Godolkin” can have a pejorative undertone with its link to performative acts, manipulation and school surveillance, Polarity — particularly in season two’s finale — becomes a sort of real guardian for Marie (Jaz Sinclair), Emma, Jordan (London Thor, Derek Luh), Cate (Maddie Phillips), Sam (Asa Germann) and Annabeth (Keeya King). After the gang successfully takes down Godolkin by embracing supe differences and leaning on their collective power, Polarity ultimately makes the choice to stay behind, charging himself with taking care of the rest of the school’s young supes. 

In light of how the season began with a sacrifice, that moment — like a few others in season two — feels like a nod to Andre’s love for his friends and how they each carry his spirit through battles, both emotional and physical. It’s a meaningful journey and something Polarity acknowledges by the end of the finale. 

Taking on aspects of Andre’s — and Chance’s — presence in the gang’s storyline this season wasn’t something Thomas had an awareness of, particularly in scenes that were maybe rewritten for him. He also “didn’t really feel like I was stepping into his literal position. That’s impossible. Chance is so unique and an incredible performer.” 

Instead, he tells The Hollywood Reporter, “The only thing I thought was, ‘I have to do everything I can to make sure we do justice to this young man and make sure he’s honored and respected and elevated in the way he should be.” In the conversation below, Thomas details how he accomplished that across all eight episodes, as well as Polarity’s reckoning, redemption and revolution alongside Andre’s friends. 

***

Polarity discusses the racialized realities of Andre’s death in Elmira early on in the season. But if Polarity knows Andre is fighting an uphill battle — whether in the school’s halls or the walls of that prison — what about his own experience as a Black man made him choose pushing Andre through at any cost over shielding his son from Vought? 

I had a whole set of thoughts about that in season one. That Polarity feels like, in a just world, he would have been in The Seven. But when he was younger, he got relegated to being a rap star or a movie star, and he didn’t get to be elevated into what he felt was his rightful place in the Vought [ecosystem]. So Polarity was using Andre to compensate for the fact that, in his mind, his race kept him from being properly respected when he was younger, and this is his chance to make up for that with his own son.

I think he looks at the Black people in The Seven now — somebody like A-Train, for example — and thinks, “That guy is a lightweight. They didn’t want a real, multi-dimensional Black guy in The Seven, and that’s why I got rejected.” He feels that if there’s going to be a Black guy in The Seven, it needs to be somebody who’s a true, formidable force, and that’s going to be my son. That was my thought about Polarity’s bitterness from his own past and his relationship with his son in season one. 

Cipher at one point recounts Andre’s seizures in Elmira, but later, Doug reveals how Andre persisted inside that prison. It’s a moment that honors Andre’s spirit and avoids reducing him to his torture and death. How important was that to Polarity to know his son found his own ways to survive and resist? And is there a positive memory you have of Chance that you feel like exemplifies his spirit on set?

That was just a wonderful thing to do because the story that Doug tells in the car, that’s the type of person Chance was. He was the type of guy whose wheels were always turning, and if he was getting taken advantage of or something was going on that he didn’t think was right, you can best believe he was going to find a way to come out on top. I’m glad the writers put that in there for Doug at the end.

The Chance that I knew was somebody who was so blindingly intelligent. He could speak on any subject. He could talk about politics, money, music. He had an encyclopedic knowledge of so many different things. We talked about how he became an actor, and he said he was planning to become a lawyer at first, and then ended up finding acting. Sometimes I’d be on set and would listen to rock hymns from my era. I would sing a couple of bars from one of those songs, and he would pick up where I left off. He knew all of it, and he knew it better than me. That’s a lot of how we connected. He really was just remarkable. I’ve never met anyone like him before, and I won’t again. 

Sage tells Polarity that no man is more powerful than a man with nothing to lose. Polarity has lost a lot, but when you look at who is around him in the finale, it doesn’t feel like he has nothing to lose. How might Polarity’s actions in the finale reflect someone who still very much has something to live for, even beyond his son? What has this new family he’s forged given him?

These kids have given him an opportunity to get it right. They’ve given him an opportunity to do better, to make amends and redeem himself. He’s turned an eye to a lot of abuse, a lot of criminal activity, to horrible things out of his own greed, ambition and hopes for his son. These kids have given him a new lease on life. He can never totally fix the harm he’s done, but they allow him to do a little bit to make up for the fact that there’s a long period of time in his life where he did not do anything to help the world. He only did things to help himself, and he paid the ultimate price by losing his son. He realizes that, and that hits him very hard. He probably feels like he’s going to dedicate the rest of his life to making up for that, and protecting these children as best he can.

After Marie restores his powers, Polarity becomes a major key in how the gang is able to stop Godolkin. But when it first happens in episode seven, it seems like a surprise to him and Cipher. The season has focused a lot on the mechanics of how supe powers work, so is that ability to keep Godolkin out of his head an expansion of not just what audiences but Polarity thought he could do? And how exactly is Polarity able to keep Cipher out?

From what I understand, Polarity’s powers of magnetism are so immense that he can create some type of force field around his own brain to keep anything from getting into it. I think he’s probably figured out that he can find a way to keep Cipher from controlling other people’s brains as well, but he can only do that one brain at a time so that becomes the challenge. Up until now, [Polarity has] always [thought his powers were] just a carnival trick. He’s never used his powers in any real way to help anybody, other than to get attention and be a star. It dawns on him: “I never knew I was capable of this before.” In that sense, he’s very much like some of the kids in the show. They’re doing things they never knew they were capable of, and that’s just the tip of the iceberg for Polarity’s powers. He’s realized. “I can really change things. I can use my power to protect people.”

Emma describes Polarity staying behind as a suicide mission, which leaves the moment feeling like a real full-circle sacrifice. How does that choice to stay behind not just embody Andre, but also the real man who raised Andre?

Polarity is fully willing to sacrifice himself for these kids. He knows if there’s any way that the world is going to change, they’re the ones that are going to do it, and he has to do everything he can to make sure they get that opportunity at the end of season two. I’ve never discussed it with the writers, but I do feel like Polarity is like, “Vought is going to come to this campus, and they’re going to raise hell, and I need to find a way to protect the kids that are here. So anything and everything that I have to do, I will do, and I don’t care what it costs me.” He’s staying behind because there’s no other adult in this entire world who cares about the kids. Polarity says, “It has to be me.’

Polarity and Emma built a bond this season that helps save them both and turns them into the heroes they want to be. Part of that journey is some tough moments, but there’s also so much humor. Can you talk about working with Lizze to create that earnest vibe between you too, which may have played a part with getting Polarity to where he lands at the end of season two?

Lizze’s a wild card, and that’s the best possible situation to be in as an actor. You’re dealing with all these curve balls coming from different directions, and she gives you so much to play off of. None of our dynamic or chemistry was talked about or planned. It’s natural energies, how they bounced off each other. We both cared a lot about doing good work, about really listening to each other and staying in the moment. We both cared a lot about Chance. So everything you see came out of those things. At the beginning of season two, Polarity really had, in my mind, decided, “It’s over. I don’t have any real reason to even exist on this Earth.” She yanks him out of that and gives him a tiniest kernel of a reason to keep going and try to get some type of justice, some type of answer for what happened to his son.

I was not anticipating Polarity defending Cate, but there are some parallels in terms of their relationships with Vought and Andre. Do you think he forgave Cate — and possibly himself — in that moment? 

I don’t think Polarity will ever, ever forgive himself for the way he lived his life and for the way his son died, and I don’t know that he forgives Cate. But he understands how somebody could get sucked into something that would make them do something so wrong; that can make them less than who they really are or should be. He has empathy for her in that sense, but I don’t know that he forgives her because the loss is too great, and the consequences have been too monumental. He understands and respects that he’s in no position to judge her.

In episode seven, Sage says, “You’re still going to die, Polarity, just not today.” What kind of fate might audiences expect for him post-finale? He clearly wants to live, but is that an option in the wake of what awaits him with Vought?

I absolutely think he can survive it. He has to. In the world of The Boys, and what’s going on with Homelander [Antony Starr], everything that Homelander is doing is unsustainable. At some point, it’s going to blow up. Something’s going to happen. He’s going to be stopped in some way. When that happens, there’s going to be a void. Who’s going to fill that vacuum? That is where I think Polarity comes in. Whether it’s in Vought or at the university, Polarity is a big part of whatever happens post-Homelander because Vought is still corrupt, even if Homelander is rendered ineffective in some way. Vought is still very, very corrupt, and it’s still a lot to protect these kids from those corporate interests.

***

All episodes of Gen V season two are now streaming on Prime Video. 

October 23, 2025 0 comments
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Patrick Shiroishi 2025
Music

Patrick Shiroishi Possesses a Gift for Improvisation » PopMatters

by jummy84 October 4, 2025
written by jummy84

In a recent interview, multi-instrumentalist and radical song form detonator Asher White stated, regarding the truly grim moment the US is experiencing right now, “There is no singular apocalypse. There’s thousands of apocalypses all over, at all time.” It’s a good summation of the permanent state of disquiet anyone with a conscience is now experiencing. While the unifying messages (and naiveté) of 60-year-old protest songs appear to be nowhere in sight, musicians are constantly using their voices and instruments to at least comment on where the country has landed.

Improvising alto saxophonist Patrick Shiroishi’s latest album, Forgetting Is Violent, offers up an unsettling example. Between his solo releases, guest appearances, and collaborations, Shiroishi‘s output is staggering. Recent albums have found him using field recordings, synths, and other effects to meditate on his Japanese-American ancestors, some of whom experienced concentration camps at the hands of a misguided US government and its race-based paranoia during World War II.

With his latest, a more collaborative effort, he has cast the net wider, making statements about the corrosive effects of American racism in general as the country plunges into authoritarianism and the ruling party holds up a recently deceased transphobe, sexist, and racist as a martyr to white grievance. So, arguably, there is a much-needed proposal for freedom in Forgetting Is Violent, but tracks such as “Mountains That Take Wing” suggest how difficult it is to obtain. His sax flutters peacefully as if in flight, only to be mauled by shards of Aaron Turner’s guitar. Shiroishi responds with warbled cries as the guitar soars on brutal, sustained notes. It is music of stark beauty, but it’s often difficult to take.

Shiroishi has acknowledged that his love of the saxophone was sparked by artists such as John Zorn. He states, he “started playing in bands with saxophone in college and diving into weirder settings. We were more into punk jazz kind of stuff.” This most certainly explains the roots of his more turbulent outpourings, or guest appearances with the likes of the all-engulfing drone monsters Water Damage, or his involvement with the Detroit-based punk band the Armed.

However, his releases, including this one, show several sides of his music. One of the album’s muted, yet perhaps most disturbing tracks, “…What Does Anyone Want But to Be a Little More Free”, features Shiroishi’s aunt recalling her first experience with racism over a dreamscape of disembodied voices, radio transmissions, and wavering, electric harmonies from Shiroishi’s alto. There’s also “Prayer for a Trembling Body”, easily the album’s most peaceful track. Here, Shiroishi’s voice whispers what might be a hymn or a thousand-year-old ballad over the sparsest of soundscapes. In some ways, it recalls the calmer music from 2024’s Glass House. 

The album is a suite of sorts, with Side One featuring the bulk of the collaborations and Side Two finding Shiroishi mostly in calmer solo waters. However, the album’s closer, “Trying to Get to Heaven Before They Close the Door”, which features guitarist Mat Ball, begins with a distant hum, perhaps a bee or a passing airplane, before a vocal line, somewhere between a howl and a sigh of relief, appears. Then the gnashing of Ball’s electric guitar enters, tumbling over and under the drone, suggesting that one can find freedom, but, like the plummeting of astronauts in a capsule re-entering the Earth’s atmosphere, it’s going to be a bumpy ride.

The song’s final moments argue that if you can handle discomfort, the payoff is worth every minute. Less ambient than 2022’s Evergreen, and not as personal as 2021’s solo saxophone LP Hidemi, Forgetting Is Violent demonstrates Patrick Shiroishi’s gift for improvisation in a variety of settings as well as his continued use of his instrument to make insistent, brave social statements.

October 4, 2025 0 comments
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Only Fools and Horses legend Patrick Murray dies, aged 68
TV & Streaming

Only Fools and Horses legend Patrick Murray dies, aged 68

by jummy84 October 2, 2025
written by jummy84

Patrick Murray, best known for playing Mickey Pearce in Only Fools and Horses, has died aged 68.

Murray became a household name for his portrayal of the cheeky, boastful wheeler-dealer Mickey Pearce – a fixture in the beloved BBC sitcom from 1983 to 2003.

Known for his comic timing and swaggering self-confidence, Murray’s character often clashed with Rodney Trotter (Nicholas Lyndhurst) and was famed for his tall tales of business success.

He appeared in 20 episodes across the show’s 22-year run, helping make Only Fools and Horses one of the most popular British comedies of all time.

A statement shared by an Only Fools and Horses fan account on X read: “It is with heartfelt sadness that we report the death of our friend Patrick Murray – Mickey Pearce to so many. He was a regular attendee of our conventions, and we will miss his humour and the joy he brought to many.”

Only Fools and Horses stars Patrick Murray and John Challis attending the TV Quick Awards in 2002. Dave Hogan/Getty Images

Born in London, Murray spent several years living in Thailand, where he married his wife Anong in 2016. The couple had one daughter, Josie.

Murray remained closely associated with Only Fools and Horses throughout his life, often attending fan conventions and reunions.

Outside of the BBC sitcom, Murray built up a varied career on both the big and small screen.

He first made his mark in the late 1970s, appearing alongside Ray Winstone in both the BBC television play Scum and its 1979 film adaptation. That same year, he featured in the cult classic Quadrophenia, sharing the screen with Sting, Toyah Willcox, Michael Elphick and Timothy Spall.

He went on to appear in films including Curse of the Pink Panther (1983), as well as several television roles throughout the 1980s and 1990s.

October 2, 2025 0 comments
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Patrick Shiroishi Knows How Memory Works
Music

Patrick Shiroishi Knows How Memory Works

by jummy84 September 20, 2025
written by jummy84

As a member of the hardcore outfit the Armed and the atmospheric jazz collective Fuubutsushi, Patrick Shiroishi has proven that he can handle both aggressive thrash and evocative ambience with finesse. For his latest solo project, he balances both, and creates something fraught and angry, yet strangely serene. 

Forgetting Is Violent begins with a voice speaking in Japanese. Other voices join the speaker, forming an overlapping chorus. “To protect our family names,” at first reflective, grows more urgent and insistent, one narrative turning into a litany of laments. Shiroishi enters with a rapid-fire series of chromatic high notes, all texture and tension, highlighting the rising tide of distress. Shiroishi’s sax increases with the number of voices, his frantic lines replicating, doubling and piling on top of each other via loops and delay, a method that avoids the cookie-cutter neatness of overdubs. The voices continue, but in the background, as if over a distant loudspeaker. A menacing, monolithic rumble enters, courtesy of guitar from Aaron Turner, of heavy titans Sumac and Isis. The guitar expands, obliterating the voices, but the song, instead of growing more frantic, takes shape, with a gentle but stubborn sustained tone working its way out of the chaos. 

This tone vaults us into the next track, a quiet, brooding meditation that moves in slow exhalations. Shiroishi changes his atonal hummingbird attack of the album’s first few minutes for a simple four-note melody that moves with a soothing regularity. Bolstered by guitar feedback and echoey tremolo from Turner and Gemma Thompson (Savages), “Mountains that take wing” has an immense tenderness that only increases as the guitars grow stickier and more commanding. There’s feral noise here, just as there is in “To protect our family names,” but now it’s controlled and tempered. By juxtaposing such slabs of heaviness with gestural slivers of grace, Shiroishi creates a complex narrative that feels simple, telling a powerful story in hints and implications that never overpower his eerily visceral music. 

Vocals and dialogue suggest themes without spelling them out. A song titled “…what does anyone want but to feel a little more free?” opens with a sample of someone intoning, “The world equals wilderness equals darkness equals death.” Another voice, again sounding like a loudspeaker but closer this time, speaks of “unhappy sojourners in a world of woes and wants,” while Shiroishi plays a hesitant series of warped, flutelike notes. Hymnlike vocals from Faith Coloccia set up a spoken-word section from Shiroishi’s aunt, recalling her childhood experiences with racism. Meanwhile, the song “There is no moment in my life in which this is not happening” features an incantatory call to prayer or a funeral lament, accompanied by a spectral drone and what sounds like the rattling of old teeth in a dead jaw. Toward the end, a guttural, ghostly croak manifests, and what began as a sacred ceremony now seems like an eldritch rite.

Shiroishi dials it back during the album’s second half, with a suite of four tracks held together by the sound of surf, a steady drone, solemn foghorn notes, and keening vocals. These wispy moans should sound doleful or dreary, but instead they possess a mystical illumination, like wordless koans discharged into the deep. By the time some truly gnarly guitar feedback from Mat Ball (Big Brave) arrives in the final track, what began as a descent into the maelstrom has become a testament to tranquility. If forgetting is violent, Shiroishi’s aggressive act of remembering can bring its own brutal solace.

September 20, 2025 0 comments
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Denzil Patrick Spring 2026 Menswear Collection
Fashion

Denzil Patrick Spring 2026 Menswear Collection

by jummy84 September 19, 2025
written by jummy84

Denzil Patrick officially launched its first take on womenswear this season, though sisters, mothers, and female friends have long worn the designs of creative director Daniel Gayle and artistic director James Bosley.

“We’ve really taken it back to our very first season, when we were making clothes for people that Daniel knew,” said Bosley. This was the brand’s 10th collection, and they were feeling particularly introspective. “Across the collections, we’ve built a story of British uniforms, clubs, scenes, and tribes, and now, we’re breaking down how people remix them and make their own style codes.” That’s articulated in the duo’s keenly researched storytelling, with a ragtag cast of characters as reference. Where fall 2025 was a brigade of speedway racers and medieval knights, this season was about the Teddy Girls, scrappy South London musicians of the ’80s, grandmas made up as ’40s movie stars, Cockney boxers, and the button-festooned Pearly Kings.

Touchpoints of these cultures and the brand’s South London heritage were reimagined for real and riotous lives: raw hemlines and sporty, breathable cottons, the front plackets of silken shirts sitting in a permanent rumpled state, a chaotic energy made architectural. Bosley, who also works with Dior Men, was delighted to introduce more detailed prints. Tailored evening jackets printed with old London postcard scenes, spangled with silver threads to look like shimmering Polaroids, were paired with black lace-up boxer boots. Sheer and sensual chartreuse polo tops—part of the brand’s “commercially successful” suite of “x-ray” knits, carried over from last summer’s collection—were toughened up with black bras and bloomers, and a sweet purple gingham bralette was paired with flowing suit trousers featuring a boxer short waistband.

The collection also featured a new section of hand-painted and sprayed jersey tops, something they previously steered clear of for fear that the pieces would subsume the brand’s tailoring message. A button-adorned dinner jacket, with Mother of Pearls creating undulating patterns, was crafted using a legion of Etsy and eBay suppliers—it seems likely to be a hit with their celebrity followers.

Making clothes that speak to the Denzil Patrick woman has been both a liberation and a challenge. “I’ve worked with different designers who have their own approaches to who their woman is—someone with a sense of power, or as these otherworldly beings…but I just kept thinking about my mum, sisters, and cousins…or an incredible woman I used to see in a dodgy bar in Beckenham. How do I make them feel and look good?” said Gayle.

September 19, 2025 0 comments
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Ahan Shetty And Patrick Graham Team Up! India's First Horror Film Based On Real-Life Tragedy! | Glamsham.com
Bollywood

Ahan Shetty And Patrick Graham Team Up! India’s First Horror Film Based On Real-Life Tragedy! | Glamsham.com

by jummy84 September 4, 2025
written by jummy84

Actor Ahan Shetty is stepping into uncharted territory with India’s first horror film inspired by a real-life national tragedy. Produced by Khyati Madaan’s Not Out Entertainment in collaboration with Prashant Gunjalkar, the film is set to go on floors in early 2026. Blending horror, romance, and thriller elements, the project promises a mass entertainer with a powerful emotional core.

Backed by an Acclaimed Writer

The script is penned by Patrick Graham, the mind behind Ghoul and Betaal—the only Indian horror series developed under Blumhouse Television, the global banner behind Get Out, The Purge, and Paranormal Activity. Graham’s track record of creating chilling, high-concept stories has raised anticipation around this project, which aims to redefine horror in Hindi cinema.

Ahan’s Career Shift

Ahan, who made his debut with the romantic drama Tadap, delivered a strong start at the box office. He will next be seen in Border 2, a patriotic spectacle starring Sunny Deol, Diljit Dosanjh, and Varun Dhawan, slated for a Republic Day 2026 release. While Border 2 positions him firmly in the mass-action space, this upcoming horror drama reflects a bold tonal departure, showcasing his willingness to experiment across genres.

Production and Vision

The film’s title and female lead will be revealed soon, but the makers have confirmed it will be a theatrical horror experience, designed to appeal to a wide audience. Khyati Madaan, who has worked with top studios like Red Chillies Entertainment, Disney India, and Maddock Films, launched Not Out Entertainment in 2024 with the mission to revive theatrical Hindi cinema. Her slate already includes Abhootpurva, a romantic horror-comedy, and a slice-of-life drama by National Award-winner Habib Faisal.

September 4, 2025 0 comments
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Patrick Mahomes’ Wife Brittany Mahomes’ Birthday Party: Photo
Celebrity News

Patrick Mahomes’ Wife Brittany Mahomes’ Birthday Party: Photo

by jummy84 August 30, 2025
written by jummy84

Patrick Mahomes, Brittany Mahomes Celebrate Taylor Swift and Travis Kelce’s Engagement

Brittany Mahomes is kicking off her birthday weekend in style.

Patrick Mahomes’ wife gave a peek into how the festivities began over Labor Day weekend—and it seems she might be taking a trip to the Pink Pony Club ahead of her 30th birthday Aug. 31.

In a snap reshared to her Instagram Story Aug. 29, Brittany stood on the steps of a private jet sporting a white T-shirt, pink pants and an orange, fuzz-rimmed cowgirl hat as she lifted one arm in the air and smiled at her friends. She was also surrounded by a plethora of festive balloons, including large 3-0 balloons and orange and pink inflatables, as well as balloons in the shapes of disco balls, stars and cowgirl boots.

She has yet to share where she’s headed with pals Lyndsay Bell and Cass Greinert, but it’s sure to be a rootin’-tootin’ good time.

After all, Cass captioned the same pic shared to her Instagram Story with a nod to country icon Shania Twain, writing, “Celebrating our girl all weekend!!! Let’s go girls.”

Plus, Brittany—who shares kids Sterling Skye, 4, Bronze Lavon, 2, and Golden Raye, 7 months, with Patrick—already got the party started, getting her birthday week underway with a spirited outing alongside her husband and Taylor Swift and Travis Kelce on Aug. 28. 

August 30, 2025 0 comments
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