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Netflix House Sets Opening Dates For Philadelphia & Dallas Venues
TV & Streaming

Netflix House Sets Opening Dates For Philadelphia & Dallas Venues

by jummy84 August 25, 2025
written by jummy84

The countdown is on for the opening of Netflix‘s first two permanent year-round entertainment destinations. Netflix House will open in Philadelphia at King of Prussia Mall on November 12, 2025 and in Dallas at Galleria Dallas on December 11, 2025. 

The more than 100,000-square feet Netflix House venues will feature experiences inspired by some of the streamer’s most popular shows and films including Wednesday, Squid Game, One Piece, Stranger Things, KPop Demon Hunters, Love Is Blind, Sakamoto Days, A Knives Out Mystery franchise and more.

Netflix House Philadelphia features Top Nine Mini Golf where each hole is themed to characters and stories from popular series and events, including Bridgerton, Is It Cake?, Stranger Things, WWE, Squid Game and more. Fans also will be able to play as the main character inside the worlds of Netflix shows and movies with immersive VR games.

Netflix RePlay at Netflix House Dallas includes interactive and fresh takes on traditional arcade games. Shows and films featured include Sakamoto Days, Floor is Lava, Love is Blind, Army of the Dead, Big Mouth, among others.

New immersive experiences specifically created for the venues include Stranger Things: Escape the Dark and Squid Game: Survive the Trials in Dallas, and Wednesday: Eve of the Outcasts and One Piece: Quest for the Devil Fruit in Philadelphia. 

Tickets go on sale for the Philadelphia site on October 17 and for the Dallas location on November 18. A waitlist for early access to tickets for preferred experiences at each location is available here.

August 25, 2025 0 comments
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'KPop Demon Hunters' Gives Netflix First Box-Office Win
Music

‘KPop Demon Hunters’ Gives Netflix First Box-Office Win

by jummy84 August 24, 2025
written by jummy84

Netflix appears to have its first No. 1 box-office title in the streaming company’s 18-year history thanks to the sensation of KPop Demon Hunters.

Rival studios on Sunday (Aug. 24) estimated KPop Demon Hunters led all films over the weekend with $16-18 million in ticket sales. Distribution executives from three studios shared their estimates for the Netflix phenomenon on condition of anonymity because the streaming company has a policy of not reporting ticket sales.

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Following a dominating few weeks as one of the most popular Netflix releases ever, the streamer put the film into 1,750 theaters for sing-along screenings Saturday and Sunday. Studios are able to accurately estimate ticket sales for all releases on Sunday morning, though the uncommon nature of the KPop Demon Hunters release means a wider variance. Some estimates were as high as $20 million.

It amounted to a victory lap for KPop Demon Hunters, arguably the biggest hit of Hollywood’s summer, and an ironic success for Netflix, whose emphasis on streaming, not theatrical release, upended the movie industry. Another sore spot for Hollywood: The film was developed and produced by Sony Pictures, which sold it to Netflix.

Not all exhibitors went along. AMC, the largest theater chain in North America, declined to show the movie. But that didn’t stop Netflix from claiming the box-office title its more traditional competitors typically own.

David A. Gross, who runs the movie consulting firm FranchiseRe, called it “a completely unique two-day musical event.”

“It may turn out to be higher,” said Gross. “Theater owners are quick on their feet and can add capacity according to demand.”

The theatrical release, though limited, is out of the ordinary for the streaming giant, which has long stressed a commitment to subscriber releases. The movie debuted on the platform in late June and is currently Netflix’s most-watched animated original film.

The film centers on HUNTR/X, a K-pop superstar trio doubling as demon hunters. The members, Rumi (Arden Cho), Mira (May Hong) and Zooey (Ji-young Yoo), must protect their fans and face their biggest enemy yet: a rival boy band made up of demons in disguise.

Zach Cregger’s horror hit Weapons maintained strength in the box office during its third weekend, bringing in $15.6 million domestically. The buzzy horror movie has proved its staying power, raking in over $100 million globally since its release.

Disney’s Freakier Friday landed behind the horror movie once again, earning $9.2 million in North American theaters.

The two films are “real bright spots” as the box office heads into a “rather quiet finish” for the summer, said Paul Dergarabedian, senior media analyst for the data firm Comscore. Both films, which premiered simultaneously earlier this month, had a minimal 36% drop from last weekend.

“I think we have to look at the currency of the goodwill generated by people having these great summer moviegoing experiences,” Dergarabedian said. “We have to look at that as a more important metric than just the bottom-line dollars and cents.”

The Fantastic Four: First Steps earned $5.9 million domestically during its fifth weekend. The movie enjoyed a strong $118 million debut but has experienced a steady decline.

Newcomer Honey Don’t! opened in 1,317 North American theaters with a weekend gross estimate of $3 million, in line with expectations. The movie made it to the top 10, right above The Naked Gun.

The dark comedy stars Margaret Qualley as Honey O’Donahue, a small-town private investigator who investigates a slew of strange deaths tied to a church in Bakersfield, California.

Top 10 movies by domestic box office

With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

1. Weapons, $15.6 million
2. Freakier Friday, $9.2 million
3. The Fantastic Four: First Steps, $5.9 million
4. The Bad Guys 2, $5.1 million
5. Nobody 2, $3.7 million
6. Superman, $3.4 million
7. Honey Don’t!, $3 million
8. The Naked Gun, $3 million
9. Jurassic World Rebirth, $2.1 million
10. Relay, $2 million

August 24, 2025 0 comments
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From left: 'The Dropout,' 'When They See Us,' 'Dahmer – Monster: The Jeffrey Dahmer Story' and 'Welcome to Chippendales'
TV & Streaming

Netflix, HBO Max and More

by jummy84 August 24, 2025
written by jummy84

If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

There’s no denying the fact that true-crime stories are everywhere — in podcasts, TV series, or movies — and the craze doesn’t seem to be slowing down anytime soon. The Hollywood Reporter compiled a list of some of the most recent true-crime series and films available to stream.

These hit shows and movies have garnered more than 60 Emmy nominations over the last few years, with 11 coming this year for Monsters: The Lyle and Erik Menendez Story.

A 2022 YouGov poll showed that half of Americans enjoy true-crime content, with one in three saying they consume it at least once a week and one in four admitting that they watch it multiple times per week. The poll also showed that true-crime series and movies tend to make people more empathetic toward victims and safety-conscious, as well as better-versed in how the criminal justice system works.

With interest in true crime seemingly at an all-time high, as viewers seek content that transports them into real-life stories, it’s no surprise there are constantly more docuseries premiering across several streaming platforms.

So, what is it about the true crime genre that draws people in so much? According to Jean Kim, M.D., audiences may be entranced by the content because they find comfort in the reassuring narrative formula, its reinforcing sense of moral clarity and how it reminds them of their luck at times.

Below, find a list of 37 true-crime (or true-crime adjacent) TV shows and movies that can be watched on Max, Netflix, Hulu and more. (This story first published in 2024 and has been updated to include more items.)

  • ‘The Vow’

    The Vow
    Image Credit: Courtesy of HBO

    The Vow, streaming on MAX, follows former NXIVM members as they open up about the emotional toll of the events that took place in the so-called self-improvement group, whose leader, Keith Raniere, was convicted of sex trafficking, racketeering and other crimes. The docuseries reveals the emotional journeys of the group’s founders, supporters and defectors as new evidence comes to light.

  • ‘Unbelievable’

    UnbelievableUnbelievable
    Image Credit: Courtesy of Netflix

    Based on a true story, Netflix’s Unbelievable follows Kaitlyn Dever’s Marie after she comes forward and reveals she was bound, gagged and raped before recanting her story. Two female detectives, played by Merritt Wever and Toni Collette, follow a trail that could lead them to what really happened in the drama series.

  • ‘The Assassination of Gianni Versace: American Crime Story’

    THE ASSASSINATION OF GIANNI VERSACE: AMERICAN CRIME STORY (aka AMERICAN CRIME STORY), from left: Edgar Ramirez (as Gianni Versace), Penelope Cruz (as Donatella Versace)THE ASSASSINATION OF GIANNI VERSACE: AMERICAN CRIME STORY (aka AMERICAN CRIME STORY), from left: Edgar Ramirez (as Gianni Versace), Penelope Cruz (as Donatella Versace)
    Image Credit: Ray Mickshaw/FX/Courtesy Everett Collection

    The Assassination of Gianni Versace is the second installment in the American Crime Story franchise and explores the murder of the famed designer by spree killer Andrew Cunanan. The scripted nine-episode series is based on the book Vulgar Favors: Andrew Cunanan, Gianni Versace, and the Largest Failed Manhunt in U.S. History.

  • ‘The Dropout’

    The DropoutThe Dropout
    Image Credit: Beth Dubber/Hulu

    Based on the ABC podcast of the same name, Hulu’s scripted series The Dropout details the real-life rise and fall of Elizabeth Holmes (played by Amanda Seyfried), the Theranos founder and CEO who developed a health-care technology that put millions of patients at risk.

  • ‘The Watcher’

    Bobby Cannavale as Dean Brannock in The Watcher.Bobby Cannavale as Dean Brannock in The Watcher.
    Image Credit: Eric Liebowitz/Netflix

    Netflix’s fictionalized The Watcher follows a married couple, played by Naomi Watts and Bobby Cannavale, who move into their dream home in the New Jersey suburbs, only to begin receiving terrifying letters from a stalker named “the Watcher.”

  • ‘A Friend of the Family’

    A FRIEND OF THE FAMILY (l-r) Mckenna Grace as Jan Broberg, Jake Lacy as Robert "B" BerchtoldA FRIEND OF THE FAMILY (l-r) Mckenna Grace as Jan Broberg, Jake Lacy as Robert "B" Berchtold
    Image Credit: Fernando Decillis/Peacock

    Peacock‘s scripted series A Friend of the Family brings to life the true story of the Broberg family, whose youngest daughter, Jan (McKenna Grace), was kidnapped multiple times by the family’s “friend,” played by Jake Lacy. Lacy’s Robert exploited the Broberg’s vulnerabilities and turned their daughter against them.

  • ‘Murdaugh Murders: A Southern Scandal’

    (L to R) Alex Murdaugh, Morgan Doughty, Paul Murdaugh and Maggie Murdaugh in Murdaugh Murders: A Southern Scandal.(L to R) Alex Murdaugh, Morgan Doughty, Paul Murdaugh and Maggie Murdaugh in Murdaugh Murders: A Southern Scandal.
    Image Credit: Courtesy of Netflix

    Murdaugh Murders: A Southern Scandal follows the story of a prominent South Carolina family whose legacy begins to unravel after a fatal boating accident and, later, Maggie Murdaugh and son Paul’s murders. The Netflix docuseries brings to light a century of corruption, power and cover-ups in the Southern state.

  • ‘Stolen Youth: Inside the Cult at Sarah Lawrence’

    Stolen Youth: Inside the Cult at Sarah LawrenceStolen Youth: Inside the Cult at Sarah Lawrence
    Image Credit: Courtesy of Hulu

    This Hulu docuseries explores the origins of a cult at Sarah Lawrence College, where students fell under the influence of a friend’s father, Larry Ray. The cult originated in 2010 on the college campus until its recent demise, for which the aftermath is still unfolding.

  • ‘Dahmer — Monster: The Jeffrey Dahmer Story’

    'Dahmer — Monster: The Jeffrey Dahmer Story''Dahmer — Monster: The Jeffrey Dahmer Story'
    Image Credit: Ser Baffo/Netflix

    Dahmer — Monster: The Jeffrey Dahmer Story dramatizes the story of the notorious serial killer, who was active in the Midwest between 1978 and 1991. The scripted series follows instances where Dahmer was almost apprehended until his ultimate conviction and death.

  • ‘Unsolved Mysteries’

    Elton D. Carter, Sr. in Unsolved MysteriesElton D. Carter, Sr. in Unsolved Mysteries
    Image Credit: Courtesy of Netflix

    Unsolved Mysteries originally aired on NBC from 1987-97 before being rebooted at CBS from 1997-99, Lifetime from 2001-02, Spike from 2008-10, and Netflix from 2020 to present day. The true-crime docuseries highlights real cases of baffling disappearances, shocking murders and paranormal encounters.

  • ‘Mindhunter’

    MindhunterMindhunter
    Image Credit: Courtesy of Netflix

    Netflix’s Mindhunter follows the creation of the Behavioral Analysis Unit within the Training Division at the FBI Academy in Quantico and the beginning of criminal profiling. The scripted series centers on Holden Ford (Jonathan Groff), Bill Tench (Holt McCallany) and psychologist Wendy Carr (Anna Torv), with David Fincher and Charlize Theron among the show’s executive producers.

  • ‘Under the Banner of Heaven’

    Under the Banner of HeavenUnder the Banner of Heaven
    Image Credit: Michelle Faye/FX

    Based on Jon Krakauer’s nonfiction book Under the Banner of Heaven: A Story of Violent Faith, the Hulu scripted series follows Andrew Garfield’s Jeb Pyre and Gil Birmingham’s Detective Bill Taba as they investigate a double murder committed in the name of God by Lafferty brothers Ron (Sam Worthington) and Dan (Wyatt Russell).

  • ‘Candy’

    Betty (Melanie Lynskey) and Candy (Jessica Biel) in Candy.Betty (Melanie Lynskey) and Candy (Jessica Biel) in Candy.
    Image Credit: Tina Rowden/Hulu

    Hulu’s drama series Candy brings to life the true story of Candy Montgomery, a 1980s housewife and mother who did everything right until she began an affair with her neighbor that ended in murder. The Jessica Biel- and Melanie Lynskey-starring series details the time leading up to the affair, the affair itself, the ax-murder and the court trial.

  • ‘Inventing Anna’

    Julia Garner as Anna Delvery in Inventing Anna.Julia Garner as Anna Delvery in Inventing Anna.
    Image Credit: Aaron Epstein/Netflix

    Julia Garner plays the real-life Anna Delvey on Netflix’s scripted drama series, which draws from the actual case of the Instagram-legendary heiress who stole the hearts and money of New York elites.

  • ‘The Act’

    The Act - Dee Dee Blanchard (Patricia Arquette), Gypsy Rose Blanchard (Joey King) shown.The Act - Dee Dee Blanchard (Patricia Arquette), Gypsy Rose Blanchard (Joey King) shown.
    Image Credit: Brownie Harris / Hulu

    Hulu’s scripted series The Act follows Gypsy Blanchard (Joey King), a girl trying to escape her toxic relationship with her overprotective mother, Dee Dee (Patricia Arquette). When her quest for independence begins, one secret ultimately leads to murder.

  • ‘The Staircase’

    The StaircaseThe Staircase
    Image Credit: Courtesy of HBO

    Based on a true story, Max’s scripted series The Staircase follows Michael Peterson, a novelist accused of killing his wife after she’s found dead at the bottom of the staircase in their home. When the investigation begins, the family is thrown into a legal battle, and a French documentary team takes interest.

  • ‘The Girl From Plainville’

    The Girl From Plainville - Michelle (Elle Fanning), shown.The Girl From Plainville - Michelle (Elle Fanning), shown.
    Image Credit: Steve Dietl/Hulu

    Elle Fanning takes on the role of Michelle Carter in the Hulu scripted series, which tells the true story of Michelle’s “texting-suicide” case. It explores her relationship with Conrad Roy III and the events leading up to his death and her eventual conviction for involuntary manslaughter.

  • ‘Dopesick’

    Dopesick - Dr. Samuel Finnix (Michael Keaton), shown.Dopesick - Dr. Samuel Finnix (Michael Keaton), shown.
    Image Credit: Antony Platt/Hulu

    Michael Keaton stars in Danny Strong’s Hulu scripted series, which explores America’s struggle with opioid addiction — from Purdue Pharma to the hallways of the DEA. Kaitlyn Dever, Rosario Dawson and Will Poulter also star.

  • ‘When They See Us’

    When They See UsWhen They See Us
    Image Credit: Courtesy of Netflix

    Ava DuVernay’s When They See Us follows the lives of the Central Park Five, a group of five young people who were falsely charged with assaulting and raping a jogger in 1989. The Netflix scripted series takes place over the course of 25 years — from when the teens are first questioned to their exoneration in 2002.

  • ‘Ted Bundy: Falling for a Killer’

    Ted BundyTed Bundy
    Image Credit: Bettmann/Getty Images

    Prime Video’s docuseries Falling for a Killer reframes Ted Bundy’s crimes from a female perspective and uncovers the ways his hatred of women collided with the feminist movement and culture wars of the 1970s, according to the streamer.

  • ‘Making a Murderer’

    'Making a Murderer''Making a Murderer'
    Image Credit: Courtesy of Netflix

    Making a Murderer is filmed over the course of 13 years and sees two men — Steven Avery and Brendan Dassey — convicted of a grim crime they may not have committed. The Netflix docuseries’ publicity prompted petitions to have Avery’s case reviewed, but Wisconsin officials insist some evidence is missing from the docuseries.

  • ‘Fear City: New York vs. The Mafia’

    'Fear City: New York vs. The Mafia''Fear City: New York vs. The Mafia'
    Image Credit: Courtesy of Netflix

    This Netflix docuseries explores New York’s legendary Five Families — the Gambinos, the Colombos, the Bonannos, the Luccheses and the Genovese — in the 1970s and ’80s as a team of federal agents works to take them down.

  • ‘Extremely Wicked, Shockingly Evil and Vile’

    Extremely Wicked Shockingly Evil and VileExtremely Wicked Shockingly Evil and Vile
    Image Credit: Courtesy of Netflix

    Zac Efron and Lily Collins star in Netflix’s scripted drama Extremely Wicked, Shockingly Evil and Vile, which follows Collins’ Liz as she falls in love with Efron’s Ted Bundy and refuses to believe he is guilty of the kidnappings and crimes against women of which he’s accused. Haley Joel Osment, John Malkovich and Jim Parsons also star.

  • ‘Welcome to Chippendales’

    Welcome to Chippendales - Steve (Kumail Nanjiani), shown.Welcome to Chippendales - Steve (Kumail Nanjiani), shown.
    Image Credit: Erin Simkin/Hulu

    Hulu’s biographical drama Welcome to Chippendales follows Kumail Nanjiani’s Somen “Steve” Banerjee, an Indian immigrant in search of the American Dream, who goes on to create the male revue show that became a cultural phenomenon — and the murders that followed.

  • ‘Narcos’

    'Narcos''Narcos'
    Image Credit: Courtesy of Netflix

    Netflix’s scripted series Narcos isn’t straight fiction, as the storyline takes a lot of what actually happened during the rise of the cocaine trade in Colombia and the actions taken by law enforcement as they battle the war on drugs. The two DEA agents who took down Pablo Escobar — Steve Murphy and Javier Peña, who are portrayed by Boyd Holbrook and Pedro Pascal, respectively — previously told The Hollywood Reporter that the series takes “some artistic licenses, but the timeline is accurate.”

  • ‘Truth Be Told’

    Truth Be ToldTruth Be Told
    Image Credit: Courtesy of Apple TV+

    Scripted series Truth Be Told is based on Kathleen Barber’s novel Are You Sleeping and follows true-crime podcaster Poppy Parnell (Octavia Spencer) as she revisits the case that made her famous when new evidence comes to light that suggests her suspect may have been wrongfully convicted. Each season of the AppleTV+ series follows a different cast and also stars Kate Hudson, Aaron Paul, Lizzy Caplan and the late Ron Cephas Jones.

  • ‘Night Stalker: The Hunt for a Serial Killer’

    Richard Ramirez (The Night Stalker) in Night Stalker: The Hunt for a Serial Killer.Richard Ramirez (The Night Stalker) in Night Stalker: The Hunt for a Serial Killer.
    Image Credit: Courtesy of Netflix

    Netflix’s docuseries Night Stalker: The Hunt for a Serial Killer follows young detective Gil Carrillo and homicide investigator Frank Salerno as they rush to find the nocturnal criminal responsible for a series of seemingly disconnected murders and sexual assaults in 1985 Los Angeles.

  • ‘The Case Against Adnan Syed’

    The Case Against Adnan SyedThe Case Against Adnan Syed
    Image Credit: Courtesy of HBO

    HBO’s four-part docuseries explores the 1999 murder of Hae Min Lee and the subsequent conviction of her ex-boyfriend Adnan Syed, a case brought to global attention by the Serial podcast. Twenty years later, Syed’s murder conviction was vacated, and he was released from prison.

  • ‘The Ripper’

    The RipperThe Ripper
    Image Credit: Courtesy of Netflix

    In West Yorkshire and Manchester, England, between 1975 and 1980, serial killer Peter Sutcliffe murdered 13 women. This four-part Netflix docuseries follows the investigation surrounding the murders at the hand of Sutcliffe, whose methods resembled Jack the Ripper’s and garnered him the nickname the Yorkshire Ripper.

  • ‘The Trials of Gabriel Fernández’

    The Trials of Gabriel FernandezThe Trials of Gabriel Fernandez
    Image Credit: Courtesy of Netflix

    In Netflix’s docuseries The Trials of Gabriel Fernández, filmmaker Brian Knappenberger investigates the death of an 8-year-old California boy who endured abuse by his mother and her boyfriend and raises questions about how the system protects vulnerable children.

  • ‘Griselda’

    Sofia Vergara in GriseldaSofia Vergara in Griselda
    Image Credit: Netflix

    Netflix limited series Griselda is based on the real-life story of Griselda Blanco, also known as the “Godmother of Cocaine.” Sofía Vergara takes on the titular role. Her portrayal of the Colombian drug lord landed her an Emmy nomination, and she became only the second Latin woman to be nominated for best lead actress in a limited series after Anya Taylor-Joy for The Queen’s Gambit. Blanco was responsible for transitioning the drug trade from Colombia to the United States, primarily making her mark in Miami in the 1970s until the early 2000s.

  • ‘Under the Bridge’

    Riley Keough as Rebecca Godfrey in 'Under the Bridge.'Riley Keough as Rebecca Godfrey in 'Under the Bridge.'
    Image Credit: Darko Sikman/Hulu

    Under the Bridge is based on the 2005 book of the same name by Rebecca Godfrey, which follows the true story of the murder of 14-year-old Reena Virk (Vritika Gupta) in Canada in the 1990s at the hands of six teens labeled the “Shoreline Six.” Riley Keough portrays the writer, who returned to her hometown of Saanich, British Columbia, to write a novel she was working on before pivoting to tell the story of the group of teens who were accused of killing Reena. Keough stars apposite Lily Gladstone, who received her first Emmy nod for her role in the series.

  • ‘The Jinx — Part Two’

    The Jinx Part 2The Jinx Part 2
    Image Credit: MAX

    The Jinx — Part Two comes nearly a decade after the first installment and picks up right where it left off, with Robert Durst — who was convicted of killing his best friend, Susan Berman — admitted to the murder while unknowingly still mic’d. He’s head saying, “What did I do? Killed them all, of course.” He was sentenced to life in prison, without the possibility of parole in 2021 but died of natural causes in 2022. Part two travels to the moment when the filmmakers ended Andrew Jarecki’s 2015 Emmy-winning docuseries with the “five words everyone is talking about.”

  • ‘The Truth vs. Alex Jones’

    The Truth vs Alex JonesThe Truth vs Alex Jones
    Image Credit: Courtesy of HBO

    HBO’s documentary follows the rise and fall of Alex Jones, one of the most controversial voices in American media. The project details how he built an empire and fueled his own collapse when he began promoting a conspiracy theory that the Sandy Hook Elementary School shooting was staged and that the parents who lost their children were actors. The Truth vs. Alex Jones was filmed over four years and two court trials, ultimately leading to Jones declaring bankruptcy.

  • ‘Feud: Capote vs. the Swans’

    Chloe Sevigny as C.Z. Guest, Diane Lane as Slim Keith, Naomi Watts as Babe PaleyChloe Sevigny as C.Z. Guest, Diane Lane as Slim Keith, Naomi Watts as Babe Paley
    Image Credit: FX

    The second installment in Ryan Murphy’s Feud franchise is based on Laurence Leamer’s best-selling book Capote’s Women: A True Story of Love, Betrayal, and a Swan Song for an Era, which followed writer Truman Capote (Tom Hollander) and the elite New York women he surrounded himself with. Naomi Watts, Diane Lane, Chloë Sevigny, Calista Flockhart, Demi Moore and Molly Ringwald star in the FX series. While not exactly true crime, Feud: Capote vs. the Swans ia based on the true story of Capote and his “swans” in 1950s New York.

  • ‘Monsters: The Lyle and Erik Menendez Story’

    (L-R) Nicholas Alexander Chavez as Lyle Menendez, Chloë Sevigny as Mary Louise 'Kitty' Menendez, Javier Bardem as Jose Menendez and Cooper Koch as Erik Menendez in 'Monsters: The Lyle and Erik Menendez Story.'(L-R) Nicholas Alexander Chavez as Lyle Menendez, Chloë Sevigny as Mary Louise 'Kitty' Menendez, Javier Bardem as Jose Menendez and Cooper Koch as Erik Menendez in 'Monsters: The Lyle and Erik Menendez Story.'
    Image Credit: Courtesy of Netflix

    After the success of Netflix’s Dahmer, Ryan Murphy and Ian Brennan’s follow-up season of their Monsters anthology followed the Menendez brothers’ murder case, the series, which earned 11 2025 Emmy nominations, portrayed the 1989 double murder of Kitty (Chloë Sevigny) and José Menendez (Javier Bardem) by their sons, Lyle (Nicholas Alexander Chavez) and Erik (Cooper Koch), who allegedly endured sexual abuse by their dad for years. Lyle and Erik were convicted of murder in 1996 and sentenced to life in prison without parole. After the increased public attention from the series, they were resentenced to 50 years to life and became eligible for parole consideration. On Aug. 21-22, both brothers were denied freedom by the California parole board.

  • ‘Amy Bradley Is Missing’

    Amy Bradley Is Missing on NetflixAmy Bradley Is Missing on Netflix
    Image Credit: Courtesy of Netflix

    The three-episode Netflix docuseries investigates the 1998 disappearance of 23-year-old Amy Bradley, who went missing while she was on a Caribbean cruise with her family. The ship conducted a full search; however, a body was never found. Over the years, multiple people have claimed they’ve seen Bradley alive on the Dutch Caribbean island and alleged to have seen her in Aruba. In July, the series’ filmmakers unpacked the making of the doc with THR and shared their beliefs about what happened to her.

August 24, 2025 0 comments
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Natalie Quarry as Rosalind Clifford and Zephryn Taitte as Cyril Robinson in
TV & Streaming

When Does ‘Call the Midwife’ Season 14 Come to Netflix?

by jummy84 August 22, 2025
written by jummy84

Call the Midwife is currently on a brief break from filming its upcoming Season 15. The show’s cast and crew are taking a summer vacation after going international to film in Hong Kong earlier this summer. While fans wait for Call the Midwife Season 15 to be completed and come out, U.S. audiences will have the chance to catch up on Season 14 on Netflix quite soon.

Netflix announced its September 2025 lineup of original and non-original titles coming to the streaming platform on Wednesday, August 20. Among the non-originals coming to the streamer in September are Interview With the Vampire Season 2, Orphan Black Seasons 1-5, Nashville Seasons 1-6, S.W.A.T. Season 8 (the final season), Spartacus Seasons 1-4 (September 23), and more. Call the Midwife Season 14 is among the list of shows dropping next month as well.

When does Call the Midwife Season 14 drop on Netflix?

U.S. Call the Midwife fans will be able to watch Season 14 on Netflix on Monday, September 15. The season consists of eight episodes set in the 1970s, which was a time of great change for Poplar. Workers strikes and government red tape caused some of the season’s drama. One new romance was cemented with a wedding, while a new romance bloomed for two beloved characters. A teen pregnancy also became a major storyline for the season.

How many seasons of Call the Midwife are on Netflix?

All previous 13 seasons of Call the Midwife are available to stream on Netflix, including the Call the Midwife Christmas specials.

When does Call the Midwife Season 15 premiere?

Call the Midwife Season 15 will premiere in January 2026 on BBC in the U.K., according to Radio Times. Season 14 premiered in the U.K. in January 2025 and in March 2025 in the U.S. An exact premiere date for Season 15 for both the U.K. and the U.S. have not been announced, but the release schedule will likely follow suit with the previous seasons, meaning that Call the Midwife Season 15 will likely premiere in March 2026 on PBS. The Christmas specials typically come out on Boxing Day (December 26).

There’s also a Call the Midwife movie and a prequel series in the works.

Call the Midwife, Season 15 Premiere, 2026, PBS

August 22, 2025 0 comments
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Netflix Unveils Impact Report for Thailand
TV & Streaming

Netflix Unveils Impact Report for Thailand

by jummy84 August 22, 2025
written by jummy84

It’s been less than a decade since Netflix first became available in Thailand and only six years since it made its Thai-based production debut with the drama series “The Stranded” but, as it revealed in its first-ever Impact Report on Wednesday, the streamer is clearly just getting started in the country.

The report, “Netflix in Thailand: Supporting the Future of Local Storytelling,” was unveiled at a press event at the 515 Victory event space in Bangkok with Thai government officials, filmmakers, press members and Netflix executives in attendance.

Netflix invested $200 million in Thai-based productions, which resulted in 20 films and series and employed 13,500 cast and crew across all levels of the creative industry between 2021 and 2024, according to the report, which also pointed out that the streamer has regularly licensed existing Thai titles that have also been a part of the programming slate.

Its 2025 slate consists of nine local originals, including six films (“Ziam,” the just-released “Gold Rush Gang” and upcoming “Same Day with Someone”) and three series (“Dalah: Death and Flowers,” “Mad Unicorn” and the upcoming second season of “The Believers”).

“With a dedicated team in Bangkok, we’re deeply rooted in Thailand’s creative community. Our productions go beyond the beautiful locations of Thailand to tap into the artistry and authenticity of local storytelling. We’re collaborating with exciting local creators to tell stories that they can’t tell anywhere else, and that resonate deeply with Thai audiences,” says Malobika Banerji, head of content in Southeast Asia at Netflix. “Today’s new report showcases how Netflix’s investment contributes to Thailand’s creative economy — highlighting the scale of our support and its impact in creating jobs, building capabilities, and expanding local opportunities,” Banerji continued.

Following the report unveiling, a panel further exploring Netflix’s commitment to Thai productions was held with Ruben Hattari, Netflix’s director of global affairs in Southeast Asia; Prabda Yoon, producer and writer of Netflix’s film “Bangkok Breaking: Heaven and Hell” and series “Dalah: Death and the Flowers;” and Chakrit Pichyangkul, executive director and creative economy agency (CEA) participating.

Hattari said Netflix has been focusing on authentic Thai content to reflect the community and culture not only for the sake of Thai audiences but international audiences that are also watching the programming. In fact, more than 15 Thai originals have landed in the streamer’s Global Top 10 Non-English list.

While horror is a huge draw to Thai audiences, other popular genres in Thailand are comedy drama and BL (Boys’ Love) projects, Yoon said. Hattari added that “One of the wonderful things about Netflix is that we are available in over 190 countries, and we have over 300 million members and no two members enjoy the same taste so when you think about bringing content to our service, we want to make sure that we have as diverse content as possible.” So far, that broad thinking and execution of projects clearly has served the streamer very well. 

“We have seen a growing appreciation for local content not only in domestic markets but across other countries as well,” Hattari said during the panel. “In 2024 alone on our service, roughly more than 750 million hours were spent watching Thai content. Hopefully that number will continue to grow and we can only do that through the wonderful partnerships.” 

Those partnerships come from the country’s generous government incentives but also through partnerships with other companies, like the Creative Economy Agency which also invests in talent and emerging technologies. “Through CEA’s Content Lab, we are nurturing local talent and fueling the growth of Thailand’s creative industries,” says Pichyangkul. “In partnership with Netflix’s Fund for Creative Equity, we empower emerging creators in cities beyond Bangkok, equipping them with skills, fostering inclusion and helping advance Thailand’s ambition to upskill 20 million people by 2027.”

The panelists also agreed that local authenticity can only be achieved by both understanding and being an active part of the creative landscape on the local level. “We want to understand the local nuances and we want to understand the local taste and preference and we can only do that if we have a strong local team,” Hattari said. “We do that by having folks here that are on the ground that really are deeply rooted in the film industry that really understand all of the tastes and also understand the partners, as well.” In addition, he said working in the local ecosystem can also help them maintain the authenticity in their productions now and into the future.

Netflix is also having a big impact on local tourism. The report indeed stressed that productions are not only focused on metropolitan centers like Bangkok but lesser-known areas of Thailand, which has helped boost tourism in those spaces. For example, the 2024 series “Master of the House” filmed at Chateau De Khaoyai in Nakhon Ratchasima, the country’s third largest city, while the 2023 film “Analog Squad” filmed in mountains and beaches found in the south in Phang Nga. 

August 22, 2025 0 comments
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(L to R) Suranne Jones as Abigail, Julie Delpy as Vivienne in Episode 1 of The Hostage.
TV & Streaming

Julie Delpy and Suranne Jones in Netflix Drama

by jummy84 August 21, 2025
written by jummy84

When the derivative Netflix spy drama Treason premiered in 2022, I used the Charlie Cox vehicle as an excuse to write a small treatise on the institutional misuse and overuse of in medias res openings.

I’ve occasionally needed to reference what I wrote, but I’ve never been able to consistently remember what show I pegged the analysis to. Treason has a wholly generic title, and while it has an OK cast and the recognizable structure of a television series, it’s among the more forgettable dramas of an era that has had more than a few forgettable dramas. There are countless shows, some quite successful, that are far worse than whatever that Charlie Cox show was called, but few that have dissipated into the ether as thoroughly.

Hostage

The Bottom Line

Entirely forgettable.

Airdate: Thursday, August 21 (Netflix)
Cast: Julie Delpy, Suranne Jones, Ashley Thomas, Lucian Msamati
Creator: Matt Charman

Competition comes in the form of the new Netflix drama Hostage. Like that Charlie Cox thing, it’s a London-set five-parter with an instantly negligible title, a solid ensemble and the discernible shape of a television thriller, rendered near-generic by flimsy characterizations, an illogical central action and an ending both silly and cribbed from A Few Good Men to a degree that I’d call parody except for how purposeless the cribbing is.

That this show and that similarly search-challenged Charlie Cox thing both hail from creator Matt Charman suggests a writer skilled at pitching a sturdy hook, but badly in need of more development time to allow the finished product to live up to its potential.

In the case of Hostage, the potential stems from the tantalizing prospect of watching stars Suranne Jones (Gentleman Jack) and Julie Delpy (the Before trilogy) in an acting power struggle — a promise that isn’t quite an empty tease, but never gets delivered upon fully.

Jones plays Abigail Dalton, semi-recently elected as British prime minister. Dalton’s biggest campaign promise was to boost the National Health Service by gutting the military. She has succeeded in the latter, but not the former, as the NHS is in the midst of a shortage of vital medical resources. A crisis is developing.

Dalton is hoping to receive assistance from Vivienne Toussaint (Delpy), the French president, in London for a summit. Toussaint is in the middle of a re-election cycle that has forced her to kowtow to France’s extreme right. Although she has the medical supplies that England needs, she’s prepared to use this power imbalance for her own political needs, which may or may not be nefarious.

The summit becomes more complicated when Dalton’s husband, a Doctors Without Borders physician (Ashley Thomas’ Alex), is taken hostage in French Guiana along with three other doctors. The kidnappers’ only demand is Dalton’s resignation, which seems like a no-brainer to Dalton’s petulant teenage daughter (Isobel Akuwudike’s Sylvie). But if you’ve seen a political thriller before, you probably know that global leaders are big fans of saying that they don’t negotiate with terrorists.

The kidnapping — the logic and strategy of which unravel if you even partially consider them — is predictably part of a conspiracy, one that both goes higher and less high than you could possibly imagine, and quickly compromises Toussaint as well.

The respective challenges that Dalton and Toussaint face are vaguely morally complex and, I guess, compelling, albeit in a gendered way that Hostage isn’t nearly smart enough to explore. Would a largely generic male prime minister whose largely generic female spouse was taken hostage ever be judged negatively for choosing job and country over family? Probably not. Is that relevant here? Barely. Toussaint’s own involvement is tied to a double standard that the show hints at, though it lacks the mettle for deeper engagement. Hostage references things, but is about very little.

The show is convinced that the dilemma is inherently interesting, and it does, if nothing else, give both Jones and Delpy interesting things to play. But the dilemma functions instead of individual characteristics for either woman. They’re defined by the power of their positions and the fragility of their significant others (Vincent Perez briefly plays Toussaint’s media mogul husband) rather than by voices or personality traits. For an episode or two, there’s enough material related to how these women attempt to project power that it’s possible to ignore that neither character behaves as a human outside of the construction of the pressure-filled plot.

It isn’t that the show has a specific disrespect for its two central figures. Every single supporting character is their basic logline and nothing else. Sylvie is introduced after a rowdy night on the town that could have left her and her family embarrassed, but nothing from that introduction is ever relevant again. Toussaint’s step-son Matheo (Corey Mylchreest) is introduced as a leftist willing to protest against his own step-mom, but nothing from that introduction is ever relevant again. The key thing we need to know about Lucian Msamati’s Kofi, one of Dalton’s advisors, isn’t revealed until late in the series, and then even that key detail turns out to be irrelevant.

And those are the series’ most developed characters. At least it’s an iron-clad guarantee that no matter how little you give him to do, Msamati will be watchable! Dalton has a team of aides, only one of whom (Hiftu Quasem’s Ayesha) is given a name (but no additional traits beyond that). Toussaint has only one aide, Jehnny Beth’s Adrienne, whose ubiquity is a spoiler, though viewers will be unable to come up with even a single adjective to describe her. Even Dalton’s husband, whose kidnapping is the hinge for the entire series, could only be described as “doctorly.” Although he’s been taken with three additional colleagues, somehow nobody thought, “Wouldn’t we care more about these people if any of them had a single sympathetic quality?”

If you have an ensemble of characters who aren’t characters, good luck getting viewers to invest on even a superficial level, and good luck getting anybody to care when thriller conventions demand that you kill somebody off in order to simulate stakes.

There’s an off-chance that with six or eight episodes to tell this story, Charman and directors Isabelle Sieb and Amy Neil might have been able to give viewers a few more points of attachment, but the series already feels like its resources are spread thin. The hostage subplot, which was shot in the Canary Islands, is one or two drone shots of a jungle but nothing to generate excitement or tension or visual variety. Back in the U.K., we get some interiors that might as well resemble 10 Downing Street, but it’s mostly indistinguishable sets. The London location work is limited, and when crowd scenes are required, the budget looks to have been enough for a dozen people at most.

From characters to action to the lip service paid to current events and issues, everything in Hostage is sparse. Other than “people like when their politicians are honest,” Hostage has few ideas; at times, it plays like a half-developed spinoff of The Diplomat, a show with an actual perspective on the challenges faced by women in power.

This is a first draft for something that could have been developed and finessed into a series of substance. Delpy, Jones and those curious enough to watch them going head-to-head deserved better than … whatever this show was called.

August 21, 2025 0 comments
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Netflix Were "TV Tourists," Says Channel 4's Louisa Compton
TV & Streaming

Netflix Were “TV Tourists,” Says Channel 4’s Louisa Compton

by jummy84 August 20, 2025
written by jummy84

Channel 4 news boss Louisa Compton has accused Netflix of behaving like “TV tourists” over the streamer’s breakout hit Adolescence.

During the opening debate at the Edinburgh TV Festival, Compton described Channel 4 as “proud parents” of Adolescence because of the way in which the network blooded Adolescence co-creators Jack Thorne and Stephen Graham over many years and multiple shows. Thorne has made a number of Channel 4 shows down the years, including This is England ’86 and Help, both of which Graham appeared in.

“We’ve developed and nurtured the talent that has allowed Netflix to come in as TV tourists and effectively commission [Adolescence],” said Compton, who runs news, current affairs and sport for Channel 4. “Without us that wouldn’t have happened.”

“We nurture where the streamers don’t,” added Compton. “Where are the investigations on the streamers into Gaza or Trump? There’s no current affairs on the streamers. Everything is retrospective. [Current affairs] is a unique thing PSBs offer.”

Adolescence is Netflix’s second most-watched English-language show of all time. Execs from the broadcasters have previously said that the show would have been too expensive for them to make without co-pro money.

Line of Duty EP Simon Heath, who runs World Productions, said there is a risk that “you stop making shows like Adolescence” if UK producers become too tempted to only make internationally-facing shows, which need their budgets topped up from outside the UK.

“What happens is you change the nature of the show you are trying to make with more than half an eye on the international market,” added Heath. “The risk is that the chase for international funding fundamentally alters the kinds of stories we can tell.”

World Productions recently made splashy BBC-Netflix Lockerbie drama The Bombing of Pan Am 103 but Heath said this kind of co-pro is a “rarity.” “More and more streamers want to pursue their own shows, they don’t want to be in a co-pro situation,” he added.

World Productions launched three decades ago with a remit to “make low cost drama that gave us creative control,” according to Heath, and he said the ITV Studios-backed indie is now thinking about returning to those low-cost roots.

“But you’re in a world where audiences are seeking the production value of cinemas because of what the streamers are putting out there, and that’s a challenge,” he said.

Locking horns over in-house

Compton also locked horns with John McVay, the outgoing CEO of producer trade body Pact, about the controversial new Channel 4 in-house productions unit.

McVay called the unit “wrong” and a “waste of time and executive attention,” as he posited: “I’m not sure it will make the difference that Channel 4 needs.”

But Compton reminded McVay Channel 4 “did not ask for it” – the unit was in fact gifted to them by the government – and she said “everything we do is for the indie sector, and a robust and healthy Channel 4 is good for the indie sector.”

The group were speaking during the opening debate at the Edinburgh TV Festival before the likes of Shonda Rhimes, Tina Fey and Graham Norton.

August 20, 2025 0 comments
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