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Nate Moore Talks Elimination Blindside, Marvel Secret
TV & Streaming

Nate Moore Talks Elimination Blindside, Marvel Secret

by jummy84 November 7, 2025
written by jummy84

Superheroes couldn’t save Nate Moore on Survivor. The veteran Marvel producer, whose credits include Black Panther and Captain America: Civil War, saw his game snapped out of existence this week when season 49’s former Uli tribemates Jawan Pitts and Sage Ahrens-Nichols blindsided him at tribal council. Despite Uli appearing to hold the numbers after the merge, the duo flipped, sending Moore to the jury in a move worthy of a Marvel-style heel turn.

For someone used to orchestrating cinematic shocks behind the scenes, Moore suddenly found himself on the receiving end of one, and fans were left stunned as the season’s power balance shifted. 

Did Moore ever tell anyone about his Marvel history? What was his reaction when host Jeff Probst mentioned that Survivor 50 spots were “still up for grabs?” In an exclusive conversation with The Hollywood Reporter below, Moore discusses his experience and what it’s like to get blindsided on Survivor.

***

Nate, what happened? I thought the vibes were fire, but your exit was cinema and not in a good way. 

Not in a good way. Look, we knew this was the pivotal vote. We knew there was a chance this would happen because when we merged, I had a conversation with Sage that you didn’t see where she told me Shannon told her they were outside the four. I knew if Sage knew that Jawan knew, and we had some work to do. We tried to rebuild that Uli bond, and my pitch to them was about numbers: “We have a solid six. If you come with us, we will get top six. If you flip, you’re going to be in a seven alliance of a lot of different people. I was closer to Sage than I was with Jawan and I knew that Rizo, Savannah and Sophie had gotten closer. There’s a chance you could work together as we get down the line.”

I thought that would hold them. I knew Alex was never going to vote for us, but I thought we’d have won six to five. Before tribal, the last conversation I had was with Savannah. I said to her, “Either me or you are going to catch some votes,” because we both knew they weren’t going to vote for Rizo. They were so scared of that idol and any blowback.

If you watch the show, you see that for the first four votes I wasn’t surprised, because I knew we were going to get votes. The fifth vote was a confirmation that Alex had flipped, which I kind of knew. Six, I realized six means seven. Six means I lost Sage and Jawan. And it was a choice they made that I understand. Do I agree with it? Obviously not. I’m here. But I didn’t feel betrayed emotionally because I understood what they were thinking.

Whose flip were you more surprised by: Jawan or Sage?

We knew they were a tight two. They’re both eccentric characters, and I do think even though we never said there was a core four, they felt the vibes. I knew my relationship with Sage was probably better than with Jawan, which I think surprised some people, but Sage and I are not dissimilar. Large groups make us nervous, we bonded over that. And because we’d had that conversation, I guess I would be more surprised about Sage.

Survivor fans love a good blindside. What’s it feel like for someone who experiences it? 

It feels a little out-of-body. I’ve seen every episode of the show and every episode of the Australian version so many times. You go, “If that were to happen, here’s what I would do.” Instead I was like, “Where’s my torch?” You’re thinking about it almost as if you’re controlling an avatar in a video game. “I have to go get my torch. I have to walk over here. I have kids. I can’t say anything crazy. I have to just take it on the chin and be a good sport.” But the emotional part of your head is like, “F— these guys.” Sorry. “Screw these guys. I’m so mad.”

Then you walk down this really long path and have to give your final words, and you’re so exhausted. It feels like you were on a rollercoaster, and it didn’t just pull in. It just stopped halfway. Then you’re like, “What do I do now?” You don’t know what to do with yourself. It’s incredibly surreal, and I’m not sure I was 100 percent there. Then you go shower and get some food, and it doesn’t feel all that bad, to be honest.

Nate Moore with Savannah Louie on Survivor season 49.

Robert Voets/CBS ©2025 CBS Broadcasting, Inc.

Let’s go back to the beginning of what happened last episode. Did you buy the story Jawan and Sage were selling about Shannon “losing her mind?”

Not 100 percent. My experience with Shannon on Uli was even different than a lot of viewers experienced watching the show. She was certainly not as hippie-dippy yoga. My relationship with her was actually really personal and lovely. I thought, she’s a great kid. I really liked talking to her. I had assumed when they went to Hina in that first tribe swap, that Shannon and Sage would stick together because we always intended to stick together on our side, even with Jawan.

I didn’t quite buy the version of Shannon they were pitching who was incredibly paranoid, who wouldn’t let them talk to each other, which is not Shannon’s MO. Did I think it was possible she would vote against Jawan? Sure. I thought there was a chance she, Sage and Steven would vote Jawan out because they’d spent so much time with him, but I didn’t quite buy the way they described how Shannon was acting.

Once the merge happens and you’re at the challenge, Jeff drops a bomb and says, “spots on Survivor 50 are still up for grabs.” What’s going through your mind after he says that? Was it a surprise?

It wasn’t a surprise. We all had been talking about it since we got on the beach. It was so hot, we were so low energy and Jeff was like a coach trying to pep you up by saying, “The big game’s coming.” But we all know what that means. I don’t think it’s the reason Sage and Jawan flipped, but the notion of doing the big move feels good when everybody loves Jeff Probst and he goes, “You should be doing big moves,” and they go, “Absolutely we should.” It makes the safe move less interesting. But you could see it on my face. I was like, “Hey, bro, let’s talk about 49. Let me get through this day.” We were dying. Physically, I was dying.

Before tribal, we see Sage wanting Savannah, Jawan wanting Rizo, and Kristina and Sophie viewed you as the “safest option.” How did you think the votes eventually ended up on you? Were you the safest option?

To a degree. I think they rightfully saw that Savannah and Rizo were tight. Savannah and Rizo played every day of the game together. There was a fear that if Rizo didn’t play it (his idol) for him, he’d play it for Savannah first. That makes sense from what they saw.

In the episode prior, Sophie and Kristina clearly saw through my bulls — excuse of the Jason and Matt votes. They knew I probably wasn’t going to flip on Uli anytime soon. Alex had separately talked about how much he feared me in challenges. I think it was a combination of, “Hey, Rizo and Savannah are tight,” to, “Nate’s sort of the third. Here’s a guy physically who seemed to be doing pretty well in the challenges. Let’s just get him out.”

It’s also interesting because Matt had a similar reaction where he thought I was the head of the Uli tribe, which I wasn’t, but I am the oldest. He’s like, “Get the old guy out of here.” Maybe cut the head off the snake. But I was not the head of anything. It was a collective. You never want to hear yourself being the safe one. I will say that. When she said that, I was like, “Boo!” But I get it. I understand what they were thinking.

Nate Moore on Survivor season 49.

Robert Voets/CBS ©2025 CBS Broadcasting, Inc.

You mentioned in your Final Words that the game was harder than you expected and you made it farther than you expected. What were your expectations before the game began? 

I worried I wouldn’t be able to overcome a generational gap. I’d seen Jon Lovett get killed that way and it’s funny because I don’t think I’m old. But in the game, the next oldest person on my tribe was Savannah who’s 16 years younger, and nobody on my tribe was married or had kids. It was from a life experience perspective. If you look historically, had I won, which clearly I didn’t, I would’ve been the third-oldest winner of all time. Old people struggle on the show because it’s harder to make connections, I think, sometimes. I was worried that a bunch of young kids would be like, “Get out of here, old man.”

And it was harder in that, more than the not eating. I didn’t sleep well on the show. Bamboo is not comfortable, which you kind of know, but you don’t know until you sleep 14 days on it. I am a relatively high-energy guy in my life, and by the end, I was no fun. I was like, “I’m bumming these people out,” because I would just kind of shamble around camp.

It does make you think about how you relate to people because all you have time to do is think. I was like, “Why am I not connecting? Should I be doing this? I don’t want to have this conversation. Is this something I do in my normal life? Do I avoid conflict?” You start to psychoanalyze yourself through the lens of the show, and that you don’t think about because you think about backstabbing and challenges and rewards, and the bulk of your day is none of that. It’s like, “Hey, who am I? Who am I in the context of this game?” That was surprising to me.

We saw you tell people you were a stay-at-home dad. Did you ever tell anyone about your Marvel background?

I didn’t, not in the game. My thinking was that I did not think anybody would give me $1 million if I told them my job. To be quite honest, whenever I say I’m a producer, part of me goes, “Ugh,” because there can be such a negative connotation. So I didn’t. And honestly, in hindsight, part of me goes, “Hey, would it have been different if I just was honest? Would that have been free connective tissue for the Rizos and the Jawans and the Stevens of the world who loved Marvel movies, since I made a bunch of them?”

Especially because I did struggle to find connective points with a lot of people, part of me is kicking myself. But everybody plays Tuesday morning quarterbacking of “woulda, shoulda, coulda.” But I didn’t tell anybody until well after the game.

Let’s do some revisionist history. Let’s say Sage and Jawan stay Uli strong and Steven goes home. Who are you sitting with at the final three?

It’s a good question. I wanted to work with MC. I told her before tribal not to play her idol. I said, “Trust me. We can go far together if you don’t play your idol. Just let’s make it through this vote.” I thought we could get to a final seven of Rizo, Savannah, Sophie, Sage, Jawan, me and MC. Then at some point, I would have the option at four to either go, “Hey, the Rizo, Savannah, Sophie still feels good,” or, “hey, I’m at the bottom of that four. Maybe I can build a four with MC, Jawan and Sage and see what happens.” I wanted to at least have that option. As much as I truly really, really like Sophie, Savannah and Rizo, I started to feel a little bit like that was a threesome and I was the fourth leg, so I wanted to have the option.

I was hoping to get into the individual phase of the game because I did feel in challenges, if it’s a puzzle or physical, I was always in the mix. Obviously, it did not balance incredibly well. That was my plan: let’s get to seven and then see how it goes, and see which of those two sets of three I wanted to go with.

Is there anything viewers didn’t get to see that you wish made it onto this season? 

A lot of people asked why I was so salty about Matt. The truth was, in that first tribe swap with Hina, he was the first person I sought out because I really wanted to try and build an alliance with him. I was just starved for somebody who was of my generation. We spent a good couple hours together looking for crabs and stuff.

I was like, “I’m making inroads. This guy seems pretty cool.” Then he went fishing with Jawan, and Jawan comes back and immediately says, “Hey, Matt’s starting to throw out your name on the boat.” I was like, “Bro, I’ve been here for five minutes. What happened to the Old Guy Alliance?” People were like, “Why were you so mad at him?” I was like, “Because I felt betrayed.”

But feel like I am who I am. That’s me on the show. We had more fun than you get to see, but you don’t want to see that as a viewer. You want to see the back stabs. I feel pretty good about what you got to see.

I related to you really well because of the whole “fire,” “cinema” thing. I’m 54 and watch these younger players talk and I’m like, “Huh? What? These words aren’t being used properly.” Have you rolled any of this into your vocabulary now?

No, sir. I just go, “Okay, and that’s not for me.” It really surprised me. You seem like a young-at-heart kind of guy. I am too. I didn’t realize how far removed I was from popular slang. I was like, “Oh, my God. I’m on a different planet. This is wild.” It was really interesting. I still have not watched a mukbang. I don’t think I’m going to.

What’s more cutthroat, being a producer in Hollywood or being on Survivor? 

A producer in Hollywood, for sure. Survivor is fun, but it’s a pretend game for $1 million. Hollywood’s a whole different ball of wax.

***

Survivor airs new episodes Wednesdays at 8 p.m. on CBS.

November 7, 2025 0 comments
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The Boys & Girls Clubs of America are still benefiting from Nate Bargatze's controversial Emmys bit
Bollywood

The Boys & Girls Clubs of America are still benefiting from Nate Bargatze’s controversial Emmys bit

by jummy84 September 15, 2025
written by jummy84

The Boys & Girls Clubs of America may end up being the biggest winner of Sunday night’s Emmy Awards. The afterschool youth programming nonprofit is now seeing a donation surge after a controversial fundraising bit at the center of television’s biggest night.

The Boys & Girls Clubs of America are still benefiting from Nate Bargatze’s controversial Emmys bit

Emmys host Nate Bargatze pledged $100,000 to the group at the top of the telecast — with a twist. The comedian then deducted $1,000 for every second that an acceptance speech exceeded the allotted time and added the same amount for every second under the limit. Boys & Girls Clubs children stood with the trophy holder for each announcement before retreating into the wings.

The charitable gag failed to restrain many winners. “Hacks” star Hannah Einbinder vowed “I’ll pay the difference” while accepting the award for outstanding supporting actress in a comedy series. “We over the Boys & Girls,” comedian Seth Rogen said as the ticker plunged deeper into the negatives. With the show nearly over, the sum had fallen below zero to negative $60,000.

The Boys & Girls Clubs “were waiting to see the outcome in real time, like everyone else,” Lisa Anastasi, the organization’s chief development and external relations officer, said Monday in an email. They ultimately received what Anastasi called a “generous surprise”: $250,000 from Bargatze and $100,000 from broadcaster CBS.

“The number, I’ll be honest with you, was embarrassing,” Bargatze said before announcing the final amount.

And the nationwide nonprofit is still reaping the benefits. Donation totals have more than doubled compared to this time last week and its search interest is at a record high, according to Anastasi.

“The $350,000 donation will be incredibly impactful to our programs and in the lives of kids and teens who attend our Clubs,” Anastasi said. “But this moment was about more than the donation for us — it was also special because it placed our mission and our Club Kids on a national stage.”

Some viewers applauded the altruistically minded mockery of long-winded Hollywood elites. Not all in the worlds of entertainment and philanthropy were equally enthused, though.

A Variety columnist said the running joke turned artists’ moments of celebration into ones “they’ll remember for having been policed in the most sanctimonious and irritating manner possible.”

Generosity is not about gimmicks, according to fundraising strategist T. Clay Buck. In a LinkedIn post, he said “communities are not props” and “neighbors’ needs are not entertainment.”

“$100,000 is not a joke — it’s rent, it’s meals, it’s staff salaries, it’s futures,” Buck said. “And to cheapen that gift by making it conditional, transactional, or theatrical diminishes the very heart of giving.”

Associated Press coverage of philanthropy and nonprofits receives support through the ’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The is solely responsible for this content. For all of ’s philanthropy coverage, visit /hub/philanthropy.

This article was generated from an automated news agency feed without modifications to text.

September 15, 2025 0 comments
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Host Nate Bargatze Runs Out the Clock
TV & Streaming

Host Nate Bargatze Runs Out the Clock

by jummy84 September 15, 2025
written by jummy84

Nate Bargatze, the immensely popular stand-up comedian who admitted near the top of Sunday night’s Emmys telecast that he’s less well-established in Hollywood proper, was always going to have his work cut out for him as the host of television’s most prestigious awards show. By hiring the Nashville, TN native known for self-deprecating humor and charming nonchalance, CBS and producers Jesse Collins, Dionne Harmon, and Jeannae Rouzan-Clay were taking aim at an audience outside the Peacock Theater in Los Angeles. Bargatze’s everyman appeal lies not with the famous actors and directors gathered to celebrate their best work, but with onlookers who otherwise may not think to watch the Emmys on a night where they could catch an NFL game, an MLB game, or the theme park ride-turned feature film “Jungle Cruise” (on ABC!).

Seth Rogen accepts the Emmy award for Outstanding Comedy Series for “The Studio” at the 77th Primetime Emmy Awards held at the Peacock Theater on September 14, 2025 in Los Angeles, California.

So when his latest and most formal gig began with a sketch — harkening back to his most renowned small-screen success to date: the “Washington’s Dream” sketch on “SNL” — there was reason to believe he’d be able to walk the fine line between sincerely honoring artistic accomplishments and poking fun at those being honored (and, presumably, himself). It’s the host’s eternal struggle, after all: combining the ceremony’s three main genres — comedy, drama, and limited series — into one fun, moving, and snappy show.

Well, “snappy” is a nice way of putting what followed.

While many bad bits are often used to reference infamous awards shows (“Remember when Seth MacFarlane sang ‘I Saw Your Boobs’ at the Oscars?”), it’s rare for a single bit to be so disastrous it tarnishes the entire three-hour production as it’s happening. Then again, it’s also rare for a host to go on live television and hold charity money hostage — his only demand being that those lucky enough to win keep their speeches so short they’re either rushed, forgettable, or bleeped into oblivion.

The rules were simple enough: Winners would be limited to 45 seconds for each speech and penalized $1,000 for every second they go over. If they finished early, Bargatze would donate an extra $1,000 for every second they were under, but the latter situation clearly wasn’t going to outpace the former, and even if it did, the best-case scenario would have been that the show finished early, the speeches were all whittled down to nothing, and the 2025 Emmys telecast was remembered for… ruthless efficiency?

Many viewers took issue with the idea right away, before the donation ticker appeared next to Emmy recipients as they were still speaking, or was cited as a reason for wrapping up before they could remember what they wanted to say, or when it was clear Bargatze wrote 90 percent of his jokes pegged to how much money he was or wasn’t donating to the Boys and Girls Club of America. (And why did those jokes all follow the same structure? It felt like Bargatze said some version of, “That last speech cost me money/saved me money” roughly 19 times.)

Aren’t the speeches why people watch the Emmys? Aren’t the honorees supposed to be thinking about their colleagues, families, and friends, and not how many tens of thousands of dollars thanking them will cost children in need? Shouldn’t they feel proud of their accomplishment by the end, and not ashamed of how many seconds they took up acknowledging it?

Stephen Colbert at the 77TH EMMY® AWARDS, broadcasting live to both coasts from the Peacock Theater in Los Angeles, California, Sunday, Sept. 14, (8:00-11:00 PM, LIVE ET/5:00-8:00 PM, LIVE PT) on the CBS Television Network, and streaming on Paramount+.* -- Photo: Sonja Flemming/CBS ©2025 CBS Broadcasting, Inc. All Rights Reserved.
Stephen Colbert at the Emmy AwardsCourtesy of Sonja Flemming / CBS

And from the audience’s point of view, do we want to be screaming at our favorite TV stars to hurry up and get off the stage? Do we want to feel guilty for savoring those fragile moments when they take a second to fight back the tears and find just the right words? Would everyone prefer if they just sent out the list of winners as an email? That’s the most efficient way to do it!

The Emmys, for two years in a row and too many years overall, have felt driven more by embarrassment for existing than pride for the mission at hand. Why so many producers feel the need to cater awards shows to people who don’t like awards, I’ll never understand, but the 77th Emmy Awards did little to counter that imbalance, no matter what the final balance of Bargatze’s charity offering turned out to be. (CBS ended up donating $100,000 to Bargatze’s $250,000 for a total of $350,000, after the tracker plunged well into the red following the final few speeches.)

Still, there were highs on the night, and none were higher than when Stephen Colbert sprinted to the stage after winning Best Talk Show for the soon-to-be-canceled “The Late Show.”

“Sometimes you only truly know how much you love something when you get a sense that you might be losing it,” he said. “Ten years [after starting the show], in September of 2025, my friends, I have never loved my country more desperately. God bless America. Stay strong, be brave, and if the elevator tries to bring you down, go crazy and punch a higher floor.”

That sentence may have cost the Boys and Girls Club a few thousand dollars, but in the moment, no one cared — which is how it’s supposed to feel. We’re all supposed to get caught up in the moment. We’re all supposed to share in the excitement. We’re all not supposed to be hoping for a polite nod, a curt word, and then onto the next terse speaker. Colbert’s glee gave his well-written speech an extra oomph, and the crowd was eager to hear anything and everything he had to say. One could even argue they were starved for a heartfelt and inspiring address on a night designed to keep them at bay. (Thank goodness for Hannah Einbinder, as well, whose years-in-the-making speech made a salient political point and came straight from the heart — in just six short words.)

Crstin Milloti at the 77TH EMMY® AWARDS, broadcasting live to both coasts from the Peacock Theater in Los Angeles, California, Sunday, Sept. 14, (8:00-11:00 PM, LIVE ET/5:00-8:00 PM, LIVE PT) on the CBS Television Network, and streaming on Paramount+.* -- Photo: Sonja Flemming/CBS ©2025 CBS Broadcasting, Inc. All Rights Reserved.
Crstin Milloti at the Emmy AwardsCourtesy of Sonja Flemming / CBS

Cristin Milioti’s exuberant win for “The Penguin” stood out in similarly unconstrained fashion, when the long-toiling actress earned her first Emmy (for her first nomination) and let loose on stage. Grinning ear to ear yet clearly overwhelmed by the moment, Milioti notably only broke from her earnest thanks and overt enthusiasm when she noticed her time was about to run out. (“Are you kidding?” she said. “Wow, this really speeds.”) But that didn’t stop her from shouting, “I love you, and I love acting so much!” before letting out an actual scream to end it.

Would the show have been notably better without those nods to love, art, and humanity itself? I think not! Nor would the night be better served by Jeff Hiller — adorned in sparkling pink suit — had faded quietly into the background. “The last 25 years I’ve been like, ‘World, I want to be an actor,’ and the world is like, ‘Maybe computers?’” he said, accepting Best Supporting Actor in a Comedy Series for his role in “Somebody Somewhere.” Thank goodness the Emmy statue, if not the Emmy telecast, spoke up on behalf of a world eager for more of his acting.

Beyond the misjudged charity gambit, the 2025 Emmys also suffered from a general lack of enthusiasm for its honorees — and fans of awards shows in general. There were no clips for the nominees and shockingly few examples of their work shown during the broadcast. The reunions (if you can call them that) did little to stoke nostalgia for shows like “Gilmore Girls” and “Law & Order.” The celebrities in attendance (when they weren’t being hurried off-stage) weren’t well-utilized either. JB Smoove talking to Ben Stiller should be good for at least one laugh, but it was like Stiller had no idea what was happening! Were there no rehearsals this year?

Even Bargatze’s opening sketch felt casually slapped together. As Philo T. Farnsworth, the inventor of television, Bargatze joked that people don’t actually understand “Severance,” no one knows what a producer does, and only women watch true-crime TV. His few sharper jokes — “What is streaming, sir?” “A new way for people to lose money” — teased better quips to come (like when he alluded to the Paramount-Warner Bros. merger while introducing “Gilmore Girls”), but Bargatze didn’t even give himself enough time to get there. He didn’t do a monologue, and instead moved from the sketch to the first category before returning to introduce the doomed charity speech timer.

“If you want to say more, do it on social media later,” he said. “More people will see it there anyway.”

That may be true, but you still have to put on a show for the people in the auditorium, and the speeches are the show. Don’t be so embarrassed to admit it.

Grade: D+

The 77th Primetime Emmy Awards were held Sunday, September 14 at the Peacock Theater in downtown Los Angeles, CA. The telecast aired on CBS and is available to stream on Paramount+.

September 15, 2025 0 comments
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Who Is Nate Bargatze? Meet the Host 
Celebrity News

Who Is Nate Bargatze? Meet the Host 

by jummy84 September 14, 2025
written by jummy84

Bargatze, meanwhile, netted a second SNL hosting gig the next year, inked a book deal for Big Dumb Eyes and sold the script for his 2026 film The Breadwinner that has him starring opposite Mandy Moore. 

Plus, he continued to steadily fill tour seats with even more fans clamoring to catch his G-rated everyman persona IRL.

“I was doing arenas before,” he told THR, “but I joke that SNL added the second arena.”

And after his Emmys hosting gig at L.A.’s Peacock Theater? He’s going to (build) Disney World, fully serious about a plan to add a theme park (on the site of the now-shuttered Opryland) to his burgeoning Nateland empire of specials, podcasts, merch and movies. 

“There’s this part of me that’s like, ‘Guys, how did you let me get this far?'” Bargatze mused to THR. “It’s like, ‘Your system was all I wanted. Why would you not just let me be a part of it? Why did you not see me?’ And there’s still someone in Hollywood going, ‘Wait, who is he? Oh yeah, that comedian.'” 

For those that know little more about that comedian than his proposal to keep Emmys acceptance speeches brief by subtracting from a planned $100,000 Boys & Girls Club donation for each victor that goes long, we’ve got your big dumb guide. 

September 14, 2025 0 comments
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