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Nate Moore Talks Elimination Blindside, Marvel Secret
TV & Streaming

Nate Moore Talks Elimination Blindside, Marvel Secret

by jummy84 November 7, 2025
written by jummy84

Superheroes couldn’t save Nate Moore on Survivor. The veteran Marvel producer, whose credits include Black Panther and Captain America: Civil War, saw his game snapped out of existence this week when season 49’s former Uli tribemates Jawan Pitts and Sage Ahrens-Nichols blindsided him at tribal council. Despite Uli appearing to hold the numbers after the merge, the duo flipped, sending Moore to the jury in a move worthy of a Marvel-style heel turn.

For someone used to orchestrating cinematic shocks behind the scenes, Moore suddenly found himself on the receiving end of one, and fans were left stunned as the season’s power balance shifted. 

Did Moore ever tell anyone about his Marvel history? What was his reaction when host Jeff Probst mentioned that Survivor 50 spots were “still up for grabs?” In an exclusive conversation with The Hollywood Reporter below, Moore discusses his experience and what it’s like to get blindsided on Survivor.

***

Nate, what happened? I thought the vibes were fire, but your exit was cinema and not in a good way. 

Not in a good way. Look, we knew this was the pivotal vote. We knew there was a chance this would happen because when we merged, I had a conversation with Sage that you didn’t see where she told me Shannon told her they were outside the four. I knew if Sage knew that Jawan knew, and we had some work to do. We tried to rebuild that Uli bond, and my pitch to them was about numbers: “We have a solid six. If you come with us, we will get top six. If you flip, you’re going to be in a seven alliance of a lot of different people. I was closer to Sage than I was with Jawan and I knew that Rizo, Savannah and Sophie had gotten closer. There’s a chance you could work together as we get down the line.”

I thought that would hold them. I knew Alex was never going to vote for us, but I thought we’d have won six to five. Before tribal, the last conversation I had was with Savannah. I said to her, “Either me or you are going to catch some votes,” because we both knew they weren’t going to vote for Rizo. They were so scared of that idol and any blowback.

If you watch the show, you see that for the first four votes I wasn’t surprised, because I knew we were going to get votes. The fifth vote was a confirmation that Alex had flipped, which I kind of knew. Six, I realized six means seven. Six means I lost Sage and Jawan. And it was a choice they made that I understand. Do I agree with it? Obviously not. I’m here. But I didn’t feel betrayed emotionally because I understood what they were thinking.

Whose flip were you more surprised by: Jawan or Sage?

We knew they were a tight two. They’re both eccentric characters, and I do think even though we never said there was a core four, they felt the vibes. I knew my relationship with Sage was probably better than with Jawan, which I think surprised some people, but Sage and I are not dissimilar. Large groups make us nervous, we bonded over that. And because we’d had that conversation, I guess I would be more surprised about Sage.

Survivor fans love a good blindside. What’s it feel like for someone who experiences it? 

It feels a little out-of-body. I’ve seen every episode of the show and every episode of the Australian version so many times. You go, “If that were to happen, here’s what I would do.” Instead I was like, “Where’s my torch?” You’re thinking about it almost as if you’re controlling an avatar in a video game. “I have to go get my torch. I have to walk over here. I have kids. I can’t say anything crazy. I have to just take it on the chin and be a good sport.” But the emotional part of your head is like, “F— these guys.” Sorry. “Screw these guys. I’m so mad.”

Then you walk down this really long path and have to give your final words, and you’re so exhausted. It feels like you were on a rollercoaster, and it didn’t just pull in. It just stopped halfway. Then you’re like, “What do I do now?” You don’t know what to do with yourself. It’s incredibly surreal, and I’m not sure I was 100 percent there. Then you go shower and get some food, and it doesn’t feel all that bad, to be honest.

Nate Moore with Savannah Louie on Survivor season 49.

Robert Voets/CBS ©2025 CBS Broadcasting, Inc.

Let’s go back to the beginning of what happened last episode. Did you buy the story Jawan and Sage were selling about Shannon “losing her mind?”

Not 100 percent. My experience with Shannon on Uli was even different than a lot of viewers experienced watching the show. She was certainly not as hippie-dippy yoga. My relationship with her was actually really personal and lovely. I thought, she’s a great kid. I really liked talking to her. I had assumed when they went to Hina in that first tribe swap, that Shannon and Sage would stick together because we always intended to stick together on our side, even with Jawan.

I didn’t quite buy the version of Shannon they were pitching who was incredibly paranoid, who wouldn’t let them talk to each other, which is not Shannon’s MO. Did I think it was possible she would vote against Jawan? Sure. I thought there was a chance she, Sage and Steven would vote Jawan out because they’d spent so much time with him, but I didn’t quite buy the way they described how Shannon was acting.

Once the merge happens and you’re at the challenge, Jeff drops a bomb and says, “spots on Survivor 50 are still up for grabs.” What’s going through your mind after he says that? Was it a surprise?

It wasn’t a surprise. We all had been talking about it since we got on the beach. It was so hot, we were so low energy and Jeff was like a coach trying to pep you up by saying, “The big game’s coming.” But we all know what that means. I don’t think it’s the reason Sage and Jawan flipped, but the notion of doing the big move feels good when everybody loves Jeff Probst and he goes, “You should be doing big moves,” and they go, “Absolutely we should.” It makes the safe move less interesting. But you could see it on my face. I was like, “Hey, bro, let’s talk about 49. Let me get through this day.” We were dying. Physically, I was dying.

Before tribal, we see Sage wanting Savannah, Jawan wanting Rizo, and Kristina and Sophie viewed you as the “safest option.” How did you think the votes eventually ended up on you? Were you the safest option?

To a degree. I think they rightfully saw that Savannah and Rizo were tight. Savannah and Rizo played every day of the game together. There was a fear that if Rizo didn’t play it (his idol) for him, he’d play it for Savannah first. That makes sense from what they saw.

In the episode prior, Sophie and Kristina clearly saw through my bulls — excuse of the Jason and Matt votes. They knew I probably wasn’t going to flip on Uli anytime soon. Alex had separately talked about how much he feared me in challenges. I think it was a combination of, “Hey, Rizo and Savannah are tight,” to, “Nate’s sort of the third. Here’s a guy physically who seemed to be doing pretty well in the challenges. Let’s just get him out.”

It’s also interesting because Matt had a similar reaction where he thought I was the head of the Uli tribe, which I wasn’t, but I am the oldest. He’s like, “Get the old guy out of here.” Maybe cut the head off the snake. But I was not the head of anything. It was a collective. You never want to hear yourself being the safe one. I will say that. When she said that, I was like, “Boo!” But I get it. I understand what they were thinking.

Nate Moore on Survivor season 49.

Robert Voets/CBS ©2025 CBS Broadcasting, Inc.

You mentioned in your Final Words that the game was harder than you expected and you made it farther than you expected. What were your expectations before the game began? 

I worried I wouldn’t be able to overcome a generational gap. I’d seen Jon Lovett get killed that way and it’s funny because I don’t think I’m old. But in the game, the next oldest person on my tribe was Savannah who’s 16 years younger, and nobody on my tribe was married or had kids. It was from a life experience perspective. If you look historically, had I won, which clearly I didn’t, I would’ve been the third-oldest winner of all time. Old people struggle on the show because it’s harder to make connections, I think, sometimes. I was worried that a bunch of young kids would be like, “Get out of here, old man.”

And it was harder in that, more than the not eating. I didn’t sleep well on the show. Bamboo is not comfortable, which you kind of know, but you don’t know until you sleep 14 days on it. I am a relatively high-energy guy in my life, and by the end, I was no fun. I was like, “I’m bumming these people out,” because I would just kind of shamble around camp.

It does make you think about how you relate to people because all you have time to do is think. I was like, “Why am I not connecting? Should I be doing this? I don’t want to have this conversation. Is this something I do in my normal life? Do I avoid conflict?” You start to psychoanalyze yourself through the lens of the show, and that you don’t think about because you think about backstabbing and challenges and rewards, and the bulk of your day is none of that. It’s like, “Hey, who am I? Who am I in the context of this game?” That was surprising to me.

We saw you tell people you were a stay-at-home dad. Did you ever tell anyone about your Marvel background?

I didn’t, not in the game. My thinking was that I did not think anybody would give me $1 million if I told them my job. To be quite honest, whenever I say I’m a producer, part of me goes, “Ugh,” because there can be such a negative connotation. So I didn’t. And honestly, in hindsight, part of me goes, “Hey, would it have been different if I just was honest? Would that have been free connective tissue for the Rizos and the Jawans and the Stevens of the world who loved Marvel movies, since I made a bunch of them?”

Especially because I did struggle to find connective points with a lot of people, part of me is kicking myself. But everybody plays Tuesday morning quarterbacking of “woulda, shoulda, coulda.” But I didn’t tell anybody until well after the game.

Let’s do some revisionist history. Let’s say Sage and Jawan stay Uli strong and Steven goes home. Who are you sitting with at the final three?

It’s a good question. I wanted to work with MC. I told her before tribal not to play her idol. I said, “Trust me. We can go far together if you don’t play your idol. Just let’s make it through this vote.” I thought we could get to a final seven of Rizo, Savannah, Sophie, Sage, Jawan, me and MC. Then at some point, I would have the option at four to either go, “Hey, the Rizo, Savannah, Sophie still feels good,” or, “hey, I’m at the bottom of that four. Maybe I can build a four with MC, Jawan and Sage and see what happens.” I wanted to at least have that option. As much as I truly really, really like Sophie, Savannah and Rizo, I started to feel a little bit like that was a threesome and I was the fourth leg, so I wanted to have the option.

I was hoping to get into the individual phase of the game because I did feel in challenges, if it’s a puzzle or physical, I was always in the mix. Obviously, it did not balance incredibly well. That was my plan: let’s get to seven and then see how it goes, and see which of those two sets of three I wanted to go with.

Is there anything viewers didn’t get to see that you wish made it onto this season? 

A lot of people asked why I was so salty about Matt. The truth was, in that first tribe swap with Hina, he was the first person I sought out because I really wanted to try and build an alliance with him. I was just starved for somebody who was of my generation. We spent a good couple hours together looking for crabs and stuff.

I was like, “I’m making inroads. This guy seems pretty cool.” Then he went fishing with Jawan, and Jawan comes back and immediately says, “Hey, Matt’s starting to throw out your name on the boat.” I was like, “Bro, I’ve been here for five minutes. What happened to the Old Guy Alliance?” People were like, “Why were you so mad at him?” I was like, “Because I felt betrayed.”

But feel like I am who I am. That’s me on the show. We had more fun than you get to see, but you don’t want to see that as a viewer. You want to see the back stabs. I feel pretty good about what you got to see.

I related to you really well because of the whole “fire,” “cinema” thing. I’m 54 and watch these younger players talk and I’m like, “Huh? What? These words aren’t being used properly.” Have you rolled any of this into your vocabulary now?

No, sir. I just go, “Okay, and that’s not for me.” It really surprised me. You seem like a young-at-heart kind of guy. I am too. I didn’t realize how far removed I was from popular slang. I was like, “Oh, my God. I’m on a different planet. This is wild.” It was really interesting. I still have not watched a mukbang. I don’t think I’m going to.

What’s more cutthroat, being a producer in Hollywood or being on Survivor? 

A producer in Hollywood, for sure. Survivor is fun, but it’s a pretend game for $1 million. Hollywood’s a whole different ball of wax.

***

Survivor airs new episodes Wednesdays at 8 p.m. on CBS.

November 7, 2025 0 comments
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Shah Rukh Khan Got A Shoutout In MCU
Bollywood

Shah Rukh Khan In Marvel? The Superstar Got A Surprise Mention You Probably Missed!

by jummy84 November 1, 2025
written by jummy84

Shah Rukh Khan Got A Shoutout In MCU(Photo Credit –Instagram)

Shah Rukh Khan, popularly referred to as the “King Khan” of Bollywood, has won the hearts of people all over the world with his charisma and acting abilities. His fan following worldwide is a testament to his unparalleled popularity. Interestingly, his name was once mentioned in a Marvel Cinematic Universe project, showing just how far his influence has reached.

Shah Rukh Khan’s Mention In Ms. Marvel

In the Disney+ show Ms. Marvel, there is one delightful scene that surprises Bollywood audiences. The title character, Kamala Khan, is riding in a car with her buddies when the topic of Bollywood films arises. One of the characters says they only enjoy classics like Baazigar. Kamala then adds, “It’s not a surprise you like Baazigar. It’s SRK’s best work. Though most people say DDLJ,” another friend in the car joins in, agreeing that Baazigar is also his favorite.

No such thing as a bad Shah Rukh Khan film.

Episode two of #MsMarvel, an Original series from Marvel Studios, is now streaming on @DisneyPlus. pic.twitter.com/X9Syqjg1hY

— Ms. Marvel⚡ (@msmarvel) June 18, 2022

This brief moment is an example of how deeply Shah Rukh’s work has resonated with people all around the world. The authors of Ms. Marvel obviously wanted to incorporate a cultural reference that has appealed to people everywhere. The scene became a talking point among fans, indicating the way SRK’s charm has left its stamp beyond Indian films.

Apart from being mentioned in Ms. Marvel, his song from Swades was also featured in Deadpool 2. Even Doctor Strange star Benedict Cumberbatch has appreciated SRK’s talent and supported the idea of him being part of the MCU.

Reports About SRK & Marvel Collaboration

Over the past few months, rumors have circulated that Shah Rukh Khan may soon collaborate with Marvel Studios on a future project. The news started after a popular Marvel scooper handle, @MarvelLeaks22, posted SRK’s picture and suggested that talks are in progress. As per the post, the project being negotiated has nothing to do with Avengers: Doomsday, which is already underway.

If this collaboration comes through, it would make SRK one of the few Indian stars to officially appear in the Marvel universe, alongside Farhan Akhtar, Harish Patel, and Mohan Kapur.

For more such stories, check out Bollywood Features

Must Read: Shah Rukh Khan Vs Prabhas Re-Release Battle: Who’ll Win The Big-Screen Clash?

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November 1, 2025 0 comments
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Marvel Zombies Director on Blade, Scrapped Movie Version, More
TV & Streaming

Marvel Zombies Director on Blade, Scrapped Movie Version, More

by jummy84 September 24, 2025
written by jummy84

SPOILER ALERT: This article contains spoilers for “Marvel Zombies,” now streaming on Disney+.

The MCU is embracing blood and gore once again — this time in the animated universe.

“Marvel Zombies,” an undead spinoff from “What If…?,” is Marvel’s first M-rated animated series, following live-action, R-rated hits like “Deadpool & Wolverine” (in theaters) and “Daredevil: Born Again” (on Disney+). Bryan Andrews directed the Season 1 episode of “What If…?” that introduced a horrifying Quantum Realm virus that turns nearly everyone in the world into shambling zombies, including many beloved superheroes. With “Marvel Zombies,” which continues the story, Andrews ratchets up the viscera and dismemberment as the rating goes from TV-14 to TV-MA.

Several heroes and villains return from the “What If…?” episode, like Spider-Man (voiced by Hudson Thames), the disembodied head of Ant-Man (Paul Rudd) and zombie versions of Scarlet Witch (Elizabeth Olsen), Thanos and more. Recent MCU additions, like Ms. Marvel (Iman Vellani), Red Guardian (David Harbour), Yelena Belova (Florence Pugh) and Shang-Chi (Simu Liu), also get some major screen time. One character even gets his MCU introduction before his live-action debut: the day-walking vampire Blade. He comes with a slight caveat, though; the “Marvel Zombies” hero is actually an amalgamation of Blade and Moon Knight, with no relation to Mahershala Ali’s version of the character that’s still waiting to make his big-screen debut. (The character is voiced instead by Todd Williams.) For eagle-eyed viewers, Blade Knight made a brief appearance in the “What If…?” series finale last year.

With Variety, Andrews discusses creating Blade Knight, why the Fantastic Four and X-Men are absent from the show, why “Marvel Zombies” was almost a movie, and what his plans are for a possible Season 2.

When did you first get the idea to do a spinoff of the “What If…?” Season 1 zombie episode?

It was early on, once it was decided that we’re gonna be doing “What If…?” Kevin Feige was a fan of the comics and the zombie genre in general. Way early on, Kevin had said something to [Marvel animation executive] Brad Winderbaum, who then said to us, “We’re totally doing a zombie thing!” It was almost one of the reasons to even do “What If…?” — so that we could do an episode that was zombies. We found a place in time, right around [the events of] “Infinity War,” because it provided a number of heroes that were out and about. Kevin loved it, so it was like we should be doing a bigger thing and explore this world a little bit more.

Did you know this would be Marvel’s first M-rated, animated show? How did you convince them to let you murder all those superheroes?

We made the blood darker zombie goo so we could get away with that type of stuff to make [the “What It…?” episode] TV-14. When the decision was to do it straight-up and make it a bigger story, well, it’s gotta be TV-MA. Brad, Kevin and the rest were like, “Oh, hells yeah.” They were thinking the same thing. You don’t want to have to keep pulling punches. You want to be able to go for it, really create something within that genre and do it justice. Everyone was down for that, thankfully.

We self-police ourselves pretty well. I’m down for the insanity, but I also don’t want it to be gratuitous in a tasteless sense. There’s a right way and a wrong way. It’s not like you look at all the guts and linger on the shot for 12 minutes. There’s no reason for that. If we were going to get a chance to do another one, which would be awesome, there are certain things I would push further at times. For this one, we wanted to make sure the story was there and all the action and violence you can enjoy, but it doesn’t become only about that.

How did you choose Kamala Khan, aka Ms. Marvel, to follow as the primary character?

It came from trying to do something a little different than “What If…?,” where there are a lot of these powerful, big characters that we know. We wanted to be able to start with some young blood and new peeps who, because of that timeframe in MCU history that we chose, have not elevated themselves yet. They don’t know how to do this and they’re learning as they go during a zombie apocalypse. It gives them something to learn. We get to point out their naïveté and their hopeful, youthful, wide-eyed, bushy-tailed-ness. Can they stand against the onslaught of horribleness? Can they come out unscathed, or what would the scars be? They seemed primely placed to do that and then allow other individuals to come in and have our ensemble grow and change.

We wanted it to be pretty epic, and there was so much story we couldn’t put it all in. So there’s stuff going on with other characters that aren’t even in this that we know what’s going on with them, and we would love to tell those stories. It started feeling like “Lord of the Rings” in that we wanted it to be this history that was bigger than the audience was aware of, with events happening off camera. As a result, we started thinking of Kamala like Frodo, where this fellowship can gather around her on this crazy journey since she was ill-prepared at the time. To do the zombie movie, we started thinking about it like a fantasy or like a Dungeons and Dragons campaign.

This is the first time since “The Marvels” that we’re seeing Ms. Marvel, and she’s with Riri Williams, aka Ironheart, and Kate Bishop’s Hawkeye as the Young Avengers. We also see the Thunderbolts after they debuted earlier this year. Were there any restrictions on how you could use these characters?

It was pretty open. It was early on when we started developing this. Some of those shows hadn’t even come out yet. “Ironheart” was a ways away when we started, but we knew it was coming and they seemed like exciting, fun, young characters to play with. Because this is its own little pocket side universe, and it’s early in their superhero careers, there wasn’t that much worry. All we needed to know was who they were early on, even before those shows started, so there’s that thread of cohesiveness. We never got them in the booth to record together, but when they got the material, they’re like, “Wait, so we’re all, like, a thing?” They, separately on their own, were super-excited that their animated avatar was hanging out with the other gals. It was so fun to watch them nerd out about that.

Why didn’t you use any characters from the Fantastic Four or X-Men?

I would have loved to have them in, but at the time, “Fantastic Four” was so far off. They’re also in a different multiverse. Same with the X-Men. How would they get here? So there are all those questions and rigmarole. But, I mean, never say never. That’s why I’m hoping, if there’s a second season around, there are already a few ideas of, like, can we get extra crazy? So who knows, but it would be amazing, and it gives us just more opportunities for more zombies and crazy heroes to go down swinging.

Blade makes his official MCU debut as Blade Knight, but he was teased in the “What If…?” Season 3 finale very briefly. Did you know back then that you wanted to introduced him?

We did Season 3 of “What If…?” and “Zombies” basically concurrently. Because “Agatha” came out on a particular Halloween, “Zombies” was actually ready to come out then. But they were like, “Oh shit, we don’t want to have one eat the other attention-level-wise, and it’s a big deal to do ‘Agatha’ so let’s hold ‘Zombies.’” Everyone’s seeing it now, but it’s actually been waiting in the wings to come out. When it came time to do all those images at the end of Season 3, we were like “fuck yeah!” It’s a little bit of a tease that something was coming.

Pretty early, it wasn’t going to be Blade. We already knew immediately it was going to be Blade Knight. We also didn’t know that we were going to come out before a Blade movie. When we’re doing the animated stuff and they’ve got a live-action property at the same time, it’s really difficult because you have to be beholden to what they’re doing with that character in live-action. Sometimes they’re figuring it out, and we’re like, “We gotta go with this thing. We need the decision now.” It’s really hard, so we didn’t want to deal with Blade because there was this script, that script, whatever. Like, what are they even doing? We don’t even know. If we did Blade Knight, that completely separates it from whatever they’re doing in the movie and makes it our own and it’s rad. Blade, the Fist of Khonshu, was early on and so natural. It was perfect to have him pair up with our young protagonist that has no idea what the heck they’re doing. It really created this great way for to work him in.

Have you gotten any feedback on Blade Knight and if his character may influence the live-action Blade?

I have no idea when they’re planning Marvel-wise. I know Kevin digs this and Blade Knight. I like the response that the fans are giving off the trailer, even that one little fight people are nerding out over. I love it when they say, “Hey, if the live-action isn’t as good as this, then what’s the point?” That makes me really happy. People are responding exactly how I wanted them to respond. It would be great if that could influence the movie in some way, because I feel the same way. If the live-action movie doesn’t feel as badass that one little moment, then what’s the hell is the point?

If you have all these ideas for more stories, why’d you only get four episodes to work with?

Time and money, man. It’s “Hey, this is all you got.” We’re like, “Oh shit! All right.” We were creating a thing and didn’t know what the limit was going to be. Then they’re like, “Oh no, no, guys.” Then we thought, “Well, let’s make it a movie.” We were going to make it a movie and have it released. It should be an epic, it’s gonna be two, two and a half hours long. It’s gonna be amazing. But, there were contractual issues because of Spider-Man in it. So, there are Sony rules that come into play. We were like, “Oh shit, that’s a thing? Oh no, okay, I guess we can’t do that.” So we broke it up. Now, it plays like four chapters in a book. Even with the four chapters, it would have been awesome if we had more time to make each installment a little bit longer, just so we could milk those quiet moments a bit longer. We tried to put it in as much as possible, and it moves at a breakneck pace. We put in those moments of stillness and reflection as best we could. Maybe next time around, if everyone loves it enough and yells online enough to demand more, maybe they’ll give us more time and more money.

It sounds like there’s enough material for a second season.

So much material. It’s crazy. There are other characters that people are like, “So-and-so is not even in it.” Yeah, we know. We know what’s going on. We know how people got from A to B. You guys have no idea the insanity that’s just waiting around the corner if we get a chance. Brad and I already know how the next one would start already. Our original idea was more medieval fantasy. It was set so far after the different kingdoms, fiefdoms and ruling factions have grown. Some of our old guard would be old. We were doing crazy shit. Brad wisely said people want to see their favorites and not see them so crazy. We rolled it back and didn’t time-jump so far forward.

That sounds like the “What If…?” episode set in 1602. Are there any other episodes from that series that you’d want to expand?

We love the Shang-Chi Western in Season 3. My original idea for that was far crazier and bigger and incorporated Captain America and Falcon and Nick Fury. That world could be ripe, where you take all the Marvel stuff and put it through a Western lens. It could be one. There are a number of “What If…?” episodes that were A+ ideas that Kevin loved, but there are just too many great episodes to put in a season, so some of those get left to the side for other future seasons. There was one that was going to be D&D. It’s basically Marvel superhero D&D. It was going to follow a group of C-level characters, maybe some of them not even superheroes, as if they’re first-level characters, and they’re trying to go on this big adventure that’s a 20th-level module. You see your A-level heroes going off to do the thing, but these idiots want to do it anyway and they Forrest Gump their way into the ending before the other heroes get the ending. So they get all the cool, powerful weapons and level up and then save the other team who’s fighting the big boss and losing. It could have been so great and nerd out over all that RPG lore and mix in all the Marvel stuff with it.

This interview has been edited and condensed.

September 24, 2025 0 comments
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Lisa Lisa Lisa
Bollywood

Upcoming Marvel Movies and Series: What’s Next in The MCU

by jummy84 September 20, 2025
written by jummy84

The Marvel Cinematic Universe is heading into one of its most exciting phases, with a mix of stories that feel bigger, darker, and more personal than ever before. From supernatural battles that bring in new shades of horror, to cosmic adventures that open fresh corners of the universe, to massive multiverse events that promise to change everything we know, Marvel is lining up projects that balance spectacle with heart. Each film and series has its own identity, but together they’re building toward a future that looks both unpredictable and thrilling.
Marvel Zombies

Release Date: 24 September 2025
Platform: Disney+

About: An animated series that takes viewers to a world where the heroes once seen as saviours have turned into flesh-eating monsters. Expanding on the What If…? storyline, this miniseries dives deeper into survival horror, showing how a few uninfected heroes battle impossible odds. With darker themes and shocking turns, it offers a unique angle on Marvel’s multiverse.

Blade

Marvel

Release Date: 7 November 2025 (tentative after past delays)
Platform: Theatrical release, later on Disney+

About: Mahershala Ali steps into the role of the half-human, half-vampire warrior. The story is expected to lean into gothic horror and supernatural battles, with Blade confronting ancient creatures, bloodthirsty cults, and his own dual nature. Positioned as one of Marvel’s darkest projects yet, it could open the door to more mystical and horror-driven stories in the MCU.

Wonder Man

Marvel

Release Date: December 2025
Platform: Disney+

About: A satirical series starring Simon Williams, a Hollywood actor turned reluctant superhero. The show will mix action with sharp commentary on celebrity culture, exploring how fame and responsibility collide. With ties to WandaVision and the West Coast Avengers from the comics, it may add a quirky yet meaningful layer to Marvel’s expanding lineup.


Daredevil: Born Again (Season 2)

Marvel

Release Date:
 March 2026
Platform: Disney+

About: Matt Murdock returns to defend New York as Kingpin’s power continues to grow. This season will test Daredevil like never before, forcing him to confront both courtroom battles and brutal street wars. Expect a grounded and intense tone, with emotional weight carried by Matt’s struggle to balance his faith, his profession, and his role as a vigilante.

Spider-Man: Brand New Day


Marvel

Release Date: 31 July 2026
Platform: Theatrical release, later on Disney+

About: Tom Holland’s Peter Parker faces a new chapter after losing everything that once defined him. With the world forgetting who he is, Peter must navigate life in isolation while still fighting crime as Spider-Man. The film promises a heartfelt story that combines intimate character moments with thrilling action sequences, as Peter takes on new adversaries without the support system he once had.

Avengers: Doomsday

Marvel

Release Date: 18 December 2026
Platform: Theatrical release, later streaming on Disney+

About: A colossal crossover that unites Earth’s heroes against the overwhelming threat of Kang the Conqueror and possibly Doctor Doom. With timelines collapsing and universes converging, this movie will test every hero to their limits. Surprise appearances and legacy characters are expected, making it one of the most ambitious ensemble projects in Marvel’s history.

Avengers: Secret Wars

Marvel

Release Date: 17 December 2027
Platform: Theatrical release, later on Disney+

About: The culmination of the Multiverse Saga, this film adapts the legendary Secret Wars storyline from the comics. Universes collide into one chaotic Battleworld, where heroes and villains from across Marvel’s cinematic history will be forced to fight for survival. With rumours of X-Men, Fantastic Four, and past Spider-Man actors joining the MCU roster, this is set to be the grandest event Marvel has ever attempted.

Speculated / In Development Projects

Alongside these confirmed titles, Marvel is quietly developing several projects that could arrive after Secret Wars, including Shang-Chi 2 with more on the Ten Rings, Doctor Strange 3 exploring multiversal incursions, Black Panther 3 expanding Wakanda’s future, Thor 5 potentially continuing the God of Thunder’s journey, and Armor Wars focusing on War Machine facing the consequences of Stark tech falling into the wrong hands.

Also Read: AR Rahman Talks About His Love for Marvel Movies

September 20, 2025 0 comments
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Crazy Trailer for Brutal Marvel Animation 'Marvel Zombies' Mini-Series
Hollywood

Crazy Trailer for Brutal Marvel Animation ‘Marvel Zombies’ Mini-Series

by jummy84 September 3, 2025
written by jummy84

Crazy Trailer for Brutal Marvel Animation ‘Marvel Zombies’ Mini-Series

by Alex Billington
September 2, 2025
Source: YouTube

“All the Avengers are dead… and they’re ocming for us.” Disney has revealed the official trailer for a crazy fun new horror spin-off mini-series titled Marvel Zombies, ready for streaming at the end of this month. This has been a highly anticipated project for Marvel fans, putting a darker and scary spin on their favorite superheroes. “Who will save us from our heroes?” The four episode series re-imagines the Marvel Universe as a new generation of heroes battle an ever-spreading zombie scourge. After the Avengers are overtaken by a zombie plague, a desperate group of survivors discover the key to bringing an end to the super-powered undead. Marvel Animation unleashes this ghoulish new series streaming on Disney+ on September 24th this fall. Marvel Zombies features voices of Elizabeth Olsen, Paul Rudd, Florence Pugh, David Harbour, Tessa Thompson, Simu Liu, Awkwafina, Hailee Steinfeld, Wyatt Russell, Randall Park, Iman Vellani, and Dominique Thorne, among others. This is definitely not for kids! Violent as hell! There’s some seriously dope shots in this, especially the one with Spidey ripping off heads. Ha! Looking crazy good.

Here’s the official trailer (+ poster) for Marvel Animation’s series Marvel Zombies, direct from YouTube:

Marvel Zombies Trailer

Marvel Zombies Poster

🧟 The undead are coming to Disney+ this fall. After the Avengers are overtaken by a zombie plague, a desperate group of survivors discover the key to bringing an end to the super-powered undead, racing across a dystopian landscape and risking life and limb to save their world. Marvel Zombies is a spin-off animated mini-series created by Bryan Andrews (writer on “Sym-Bionic Titan”, “Samurai Jack”, “Primal”, “What If?”) and Zeb Wells (writer on “Robot Chicken”, creator of “SuperMansion”, writer on Deadpool & Wolverine). With episodes written by Zeb Wells, and directed by Bryan Andrews for Marvel Studios. Based on the original comic book series by Robert Kirkman & Sean Phillips. Made by Marvel Animation. Produced by Danielle Costa and Carrie Wassenaar. The series is executive produced by Kevin Feige, Louis D’Esposito, Brad Winderbaum, Dana Vasquez-Eberhardt, Bryan Andrews, and Zeb Wells. Marvel will debut the Marvel Zombies episodes streaming on Disney+ starting on September 24th, 2025 this fall. Look like good fun?

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Find more posts in: Animation, Horror, Marvel, To Watch, Trailer

September 3, 2025 0 comments
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Ray Winstone says Marvel stop "cultural films" from being made
Music

Ray Winstone says Marvel stop “cultural films” from being made

by jummy84 August 20, 2025
written by jummy84

Ray Winstone has hit out at Marvel, claiming it stops “cultural films” from being made.

  • READ MORE: ‘Thunderbolts*’ review: aggy antiheroes make Marvel fun again

The actor, who played villain Dreykov in the Scarlett Johansson-led 2021 action-thriller Black Widow, said he felt the industry has “become a business” at the Sarajevo Film Festival.

Winstone said via Variety: “It’s all about selling tickets. We see what’s happening in Hollywood with Marvel and all that kind of stuff… There is room for it, and it’s fun, but it takes away from getting cultural films made, which are best for the actors, [and] are really good acting parts.

“It’s getting more and more difficult to do that. If you’re not on social media now, they might not even consider you for a movie because they want a fanbase to come with that.”

He added: “You have to go on Instagram, and I don’t want to go on fucking Instagram. I don’t know if it’s a good thing, but if it brings people to the cinema and creates new jobs, then I’ll do it. But I’d like to see more cultural films being made, that’s where good cinema is. From my point of view, anyway.”

Ray Winstone starred alongside Scarlett Johansson in ‘Black Widow’ CREDIT: Disney / The Hollywood Archive

Winstone referred to his roles in Gary Oldman’s Nil By Mouth and Sexy Beast as examples of cultural films.

He previously recalled filming Black Widow as a “soul-destroying” experience due to having to do reshoots.

The actor has now reiterated his frustrations with working on the movie adding: “I come home after finishing the job and get a call saying we need to do some reshoots.

“I say: ‘How many scenes?’ [director Cate Shortland] says ‘all of them.’ So I said she should recast [the role], but I was contracted, so I had to do it. I go back, they do my hair all nice, put me in the suit, and I couldn’t do it. I’d already done it. I thought, ‘I’m not doing it now. I’ve done it. That’s how it’s going to be.’ That’s rejection, you know? There’s nothing worse than doing something, leaving it on the floor, and then being told it’s not right.”

Winstone is currently filming the next season of Guy Ritchie’s The Gentlemen and will appear in a forthcoming biopic about former snooker star Jimmy White.

August 20, 2025 0 comments
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