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'KPop Demon Hunters' Singer and Songwriter EJAE On Writing 'Golden'
TV & Streaming

‘KPop Demon Hunters’ Singer and Songwriter EJAE On Writing ‘Golden’

by jummy84 September 2, 2025
written by jummy84

Both “Golden” and “KPop Demon Hunters” have become a global phenomenon.

In a nutshell, “KPop Demon Hunters” dropped on Netflix in June, and it exploded. It’s the biggest movie ever to stream on the platform. Four songs from the film’s soundtrack sit on Billboard’s top 10, and the film landed the top spot at the domestic box office – a first for the streamer.

The film’s “I Want” song “Golden” sung by the fictional K-Pop girl band Huntr/X sits atop the Billboard Top 10 and is undeniably the song of the summer. Countless social media videos show parents playing the song on repeat for their children, and adults have no shame in sharing their sing-along moments for the world to see.

There’s no escaping “Golden.”

“KPop Demon Hunters” follows Huntr/X, the fictional K-pop girl group whose members double as demon hunters. When they’re not battling demons and saving the world, they’re lighting up the stage with catchy songs such as “Golden.” However, they face their toughest foe yet, the Saja Boys, a demon boy band who are out to steal Huntr/X’s fans and their souls. Through it all, Rumi, who is half-demon, has to face another demon, one of self-acceptance. Arden Cho, May Hong and Ji-young Yoo provide the speaking voices for Rumi, Mira and Zoey, respectively. EJAE, Rei Ami and Audrey Nuna provide the respective singing voices.

EJAE, a K-pop singer, is used to hearing her voice on demo tracks; hearing her voice and the songs played everywhere is taking getting used to. “Hearing it at H Mart on the radio. It’s weird,” she says.

The film’s popularity “hasn’t fully set in” for Cho. At a recent screening, she had a waitlist for her young nieces AND nephews. She understands its mass appeal regardless of age. Cho says, “It allows any human or person to feel like they can relate. It’s like they feel seen.”

The song is written by: EJAE, Mark Sonnenblick, IDO, 24, and TEDDY. IDO, 24, TEDDY, and Ian Eisendrath are the song’s producers.

In the movie, “Golden” sets up the idea of Rumi, Zoey and Mira working to protect the world from demons and seal the honmoon, a barrier separating demons from the real world.

The song blends both English and Korean seamlessly into its lyrics.

Speaking with Variety, EJAE said, “One of the biggest assets I brought to the movie, or when writing the songs, was being bilingual. It was important for our co-director, Maggie Kang, to have Korean in the lyrics, and I just love that it’s not just the verses; it was in the actual song too.”

She went on to say that cracking the actual song took a while. While they had a general idea of what the scene needed, the filmmakers gave a guideline: “It needed to have the word gold in it, and the feeling of what Rumi was going through.” It also needed to introduce the struggles of each member in the verses. She says, “It needed a pep talk and the idea that we can do this together.”

Thematically, it also needed to be empowering and follow the hero’s journey of feeling like an outsider.

In the song, Rumi’s vulnerabilities are revealed – “She’s incredibly hardworking and has that leadership. She puts her best foot forward, but she tries to hide her imperfections and flaws.”

EJAE admits the melody was one of the first things she came up with for the song. “That was the first thing that I came up with.” She confesses, “I actually wrote the melody on my way to the dentist.”

The idea of “gonna be Golden” lyrics came soon after. She took it to Sonnenblick and had mumbled those words to him on the rough takes. His reaction? “Oh my God!” EJAE says the inspiration continued, and they wrote it “super fast.”

EJAE didn’t just relate to Rumi’s struggles; she related to the words she wrote. As a former K-Pop trainee, that experience and pressure were something she tried to drop into the song’s bridge. Once she had that, she says the bridge too came together with ease. “Going through that experience helped a lot in writing and emoting the melody and lyrics.”

September 2, 2025 0 comments
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K-Pop Albums to Hit Number One on Billboard 200: Full List
Music

K-Pop Albums to Hit Number One on Billboard 200: Full List

by jummy84 August 31, 2025
written by jummy84

Stray Kids’ new album KARMA puts K-pop back in a familiar spot – No. 1 on the all-genre Billboard 200 chart. By debuting at No. 1 on the chart dated Sept. 6, KARMA becomes the 20th album or EP by a K-pop act to reach No. 1 on the Billboard 200. The first was BTS’ Love Yourself: Tear in June 2018.

Stray Kids has amassed seven No. 1 titles on the Billboard 200, which puts them out front among K-pop acts. BTS is in second place, with six No. 1 titles. ATEEZ is next in line with two No. 1s on the Billboard 200. SuperM, BLACKPINK, TOMORROW X TOGETHER, NewJeans and TWICE have all notched one No. 1 to date.

BLACKPINK was the first female K-pop act to land a No. 1 album on the Billboard 200. They scored with Born Pink in 2022. NewJeans and TWICE were the second and third.

K-pop groups tend to be large ensembles. TWICE has nine members, one more than Stray Kids and ATEEZ. BTS and SuperM each have seven members. TOMORROW X TOGETHER and NewJeans each have five members. BLACKPINK has four members. To date, no K-pop solo artists, duos or trios have topped the Billboard 200.

There have been multiple No. 1 albums on the Billboard 200 by K-pop acts in every year since 2018 except for 2021, when there were none, and 2025, when there has been just one so far. The peak year (to date) for most No. 1 K-pop albums on the Billboard 200 was 2023, when there were five. There were four in 2022 and four again in 2024.

Here’s a list of all K-pop albums to top the Billboard 200. They are listed in chronological order.

  • BTS, Love Yourself: Tear

    BTS
    Image Credit: JTBC PLUS/Imazins via Getty Images

    Date Hit No. 1: June 2, 2018

    Single: “Fake Love”

  • BTS, Love Yourself: Answer

    Date Hit No. 1: September 8, 2018

    Single: “Idol”

  • BTS, Map of the Soul: PERSONA

    Date Hit No. 1:  April 27, 2019

    Singles: “Boy with Luv,” “Make It Right”

  • SuperM, SuperM: The First Mini Album EP

    Date Hit No. 1: October 19, 2019

    Single: “Jopping”

  • BTS, MAP OF THE SOUL: 7

    Date Hit No. 1: March 7, 2020

    Singles: “Black Swan,” “On”

  • BTS, BE

    Date Hit No. 1: Dec. 5, 2020

    Single: “Life Goes On”

  • Stray Kids, Stray Kids Mini Album: Oddinary (EP)

    Stray KidsStray Kids
    Image Credit: The Chosunilbo JNS/Imazins via Getty Images

    Date Hit No. 1: April 2, 2022

    Single: “Maniac”

  • BTS, Proof

    Date Hit No. 1: June 25, 2022

    Single: “Yet to Come (The Most Beautiful Moment)”

  • BLACKPINK, Born Pink

    BLACKPINKBLACKPINK
    Image Credit: Jeff Kravitz/Getty Images for MTV/Paramount Global

    Date Hit No. 1: Oct. 1, 2022

    Singles: “Pink Venom,” “Shut Down”

  • Stray Kids, Maxident

    Date Hit No. 1: Oct. 22, 2022

    Single: “Case 143”

  • TOMORROW X TOGETHER, The Name Chapter: Temptation (EP)

    Date Hit No. 1: Feb. 11, 2023

    Single: “Sugar Rush Ride”

  • Stray Kids, 5-Star

    Date Hit No. 1: June 17, 2023

    Single: “S-Class”

  • NewJeans, 2nd EP ‘Get Up’

    NewJeansNewJeans
    Image Credit: The Chosunilbo JNS/Imazins via Getty Images

    Date Hit No. 1: Aug. 5, 2023

    Singles: “Super Shy,” “Cool With You,” “ETA”

  • Stray Kids, ROCK-STAR

    Date Hit No. 1: Nov. 25, 2023

    Single: “Lalalala”

  • ATEEZ, THE WORLD EP. FIN:WILL

    ATEEZATEEZ
    Image Credit: Tommaso Boddi/Getty Images

    Date Hit No. 1: Dec. 16, 2023

    Single: “Crazy Form”

  • TWICE, With YOU-th (EP)

    Date Hit No. 1: March 9, 2024

    Singles: “I Got You,” “One Spark”

  • Stray Kids, ATE (EP)

    Date Hit No. 1: Aug. 3, 2024

    Single: “Chk Chk Boom”

  • ATEEZ, Golden Hour: Part.2 (EP)

    Date Hit No. 1: Nov. 30, 2024

    Single: “Ice on My Teeth”

  • Stray Kids, Hop

    Date Hit No. 1: Dec. 28, 2024

    Single: “Walkin on Water”

  • Stray Kids, KARMA

    Date Hit No. 1: Sept. 6, 2025

    Single: “Ceremony”

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August 31, 2025 0 comments
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KPOPPED first reviews: Fans have mixed feelings about the K-pop x West crossover; ‘karaoke night with pyrotechnics’
Bollywood

KPOPPED first reviews: Fans have mixed feelings about the K-pop x West crossover; ‘karaoke night with pyrotechnics’

by jummy84 August 31, 2025
written by jummy84

Just when you thought the K-pop crossover wave couldn’t get any wilder, in comes KPOPPED — Apple TV+’s latest musical experiment that feels part remix battle, part fever dream. Produced by Lionel Richie, the show pairs K-pop groups like Itzy, Kep1er, Ateez, Billlie, STAYC, JO1, Kiss of Life, and Blackswan with Western icons including Megan Thee Stallion, Patti LaBelle, Kylie Minogue, Kesha, TLC, Vanilla Ice, Boyz II Men, and two-fifths of the Spice Girls.

KPOPPED

The trailer had fans hyped, with Megan Thee Stallion delivering a K-pop remix of Savage against a backdrop of pyrotechnics. If those 109 seconds were anything to go by, the series looked like a five-star extravaganza. But now that all eight episodes are out, early reactions are a little more mixed.

The format sees each Korean group split into halves, each partnered with a different Western star to reimagine one of their hits. The audience then votes on which performance was “kpopped” the best — essentially, the most high-energy reinterpretation. Hosted by comedian Soojeong Son with Psy and Stallion as mentors, the show is a full-scale spectacle, but not everyone is impressed.

Netizen reactions range from “low-budget” to “love it”

“It felt very cheap and low budget lol,” one viewer admitted. Another added, “A lot of it sounded like a night out with karaoke.” Others were disappointed that the show leaned too heavily into reality-TV tropes: “I feel like KPOPPED would be a more captivating/compelling show if it was less American-reality-TV, because those interviews in between rehearsals where they speak in present tense about events that clearly already happened ruin the flow and immersion.”

That said, plenty of fans are still having fun with it. “While I honestly loved these performances, what I really felt was missing from KPOPPED was some more heart-to-hearts on how they make music, their artistry, their mindset, convos on the music industry in general,” one person wrote. Another praised the idols’ energy: “I’m working my way through the episodes and Nvee from Blackswan was insane vocally. It’s so fun to see so many idols having fun and trying new spins on old songs.”

Some were quick to call out standouts: “Watching that KPOPPED episode I have praise for Ateez and Kylie alone. You can see who was fully immersed and interested in doing this and who wasn’t.” But the biggest complaint across the board? The length. “The most criminal thing about KPOPPED is how short these episodes are, I need 2 hours of footage MINIMUM,” one fan demanded. Another echoed the sentiment: “Do not tell me they advertised and hyped up KPOPPED for months now only for the episodes to be 30 mins.”

So, is KPOPPED a hit? Depends on who you ask. It’s flashy, chaotic, and packed with unlikely collabs — exactly the kind of pop-cultural chaos the internet loves. But if you were expecting something deeper, you might just be left wanting more.

August 31, 2025 0 comments
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‘KPop Demon Hunters’ Is 2025's Longest Reigning Album
Music

‘KPop Demon Hunters’ Is 2025’s Longest Reigning Album

by jummy84 August 29, 2025
written by jummy84

It’s the most popular show of them all on Nexflix, and now KPop Demon Hunters can claim to be most popular album in Australia for 2025.

The soundtrack for KPop Demon Hunters clocks up seven consecutive weeks at the top of the ARIA Albums Chart, for the longest reign by any album for the year.

Over on the ARIA Singles Chart, soundtrack hit “Golden” retains top spot for the fifth straight a row, and is one of KPop Demon Hunters songs in the top 10.

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Earlier this week, Netflix announced the animated action/musical had accumulated more than 236 million views since its June 20 premiere, good enough to beat Red Notice and into first place on the streaming platform’s all-time rankings for English-language films.

Laufey leads the new arrivals on the ARIA Chart, published Friday, Aug. 29, as A Matter of Time clocks up a No. 2 debut, the classical-adjacent artist’s career best in Australia.

Deftones complete the podium with Private Music, their 10th studio album. It’s new at No. 3 for the alternative rock heavyweight’s sixth ARIA Top 20 appearance.

Meanwhile, Royel Otis enjoy a second consecutive top 10, as Hickey, their sophomore collection, opens its account at No. 5. That’s a career best for the Sydney duo of Royel Maddell and Otis Pavlovic, after the No. 10 peak for 2024’s Pratts & Pain, winner of four ARIA Awards, including best rock album and best group.

Hickey houses “Moody,” which last month reached No. 1 on Adult Alternative Airplay chart, their first leader on a Billboard chart. “Moody” bested the No. 2 peak of the indie-rock act’s cover of Sophie Ellis-Bextor’s “Murder on the Dancefloor,” which hit No. 2 on Alternative Airplay in July 2024.

Another act with an Australian connection, Stray Kids debut at No. 4 with Karma, for the K-pop boyband’s sixth top 10 appearance in Australia. That tally includes Maxident (No. 4 in 2022), 5-Star (No. 2 in 2023), Rock-Star (No. 2 in 2023), Ate (No. 2 in 2024) and Hop (No. 4 in 2024). Band mate Felix was born and raised in Sydney, while Bang Chan was born in Seoul but also grew up in Sydney.

US country artist Lainey Wilson lassos a new chart peak with Whirlwind, which enters at No. 8 following the release of a deluxe edition. Whirlwind reached No. 19 in August 2024.

Tyler, The Creator’s CHERRY BOMB blows up for a new chart peak of No. 10, eclipsing its best of No. 13 in 2015. Tyler is currently working his way across Australia and New Zealand on the domestic leg of his Chromakopia tour, produced by Frontier Touring, and on Friday opened the flagship GOLF store in Sydney.

Further down the list, British indie rock outfit Wolf Alice snag a No. 14 debut with Clearing, their fourth album, while Bleak Squad, the Melbourne-based “super group” comprising Mick Turner (Dirty Three, Mess Esque), Mick Harvey (Nick Cave & The Bad Seeds, PJ Harvey, The Birthday Party), Adalita (Magic Dirt) and Marty Brown (Art of Fighting) are new at No. 40 with Strange Love, their first album.

Finally, the top debut on the ARIA Singles Chart belongs to Doja Cat, whose “Jealous Type” leaps in at No. 28. “Jealous Type” is Doja’s 16th top 50 hit as a solo or featured artist on the ARIA Chart, including “Paint The Town Red,” which logged 10 weeks at No. 1 in 2023.

August 29, 2025 0 comments
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'KPop Demon Hunters' Gives Netflix First Box-Office Win
Music

‘KPop Demon Hunters’ Gives Netflix First Box-Office Win

by jummy84 August 24, 2025
written by jummy84

Netflix appears to have its first No. 1 box-office title in the streaming company’s 18-year history thanks to the sensation of KPop Demon Hunters.

Rival studios on Sunday (Aug. 24) estimated KPop Demon Hunters led all films over the weekend with $16-18 million in ticket sales. Distribution executives from three studios shared their estimates for the Netflix phenomenon on condition of anonymity because the streaming company has a policy of not reporting ticket sales.

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Following a dominating few weeks as one of the most popular Netflix releases ever, the streamer put the film into 1,750 theaters for sing-along screenings Saturday and Sunday. Studios are able to accurately estimate ticket sales for all releases on Sunday morning, though the uncommon nature of the KPop Demon Hunters release means a wider variance. Some estimates were as high as $20 million.

It amounted to a victory lap for KPop Demon Hunters, arguably the biggest hit of Hollywood’s summer, and an ironic success for Netflix, whose emphasis on streaming, not theatrical release, upended the movie industry. Another sore spot for Hollywood: The film was developed and produced by Sony Pictures, which sold it to Netflix.

Not all exhibitors went along. AMC, the largest theater chain in North America, declined to show the movie. But that didn’t stop Netflix from claiming the box-office title its more traditional competitors typically own.

David A. Gross, who runs the movie consulting firm FranchiseRe, called it “a completely unique two-day musical event.”

“It may turn out to be higher,” said Gross. “Theater owners are quick on their feet and can add capacity according to demand.”

The theatrical release, though limited, is out of the ordinary for the streaming giant, which has long stressed a commitment to subscriber releases. The movie debuted on the platform in late June and is currently Netflix’s most-watched animated original film.

The film centers on HUNTR/X, a K-pop superstar trio doubling as demon hunters. The members, Rumi (Arden Cho), Mira (May Hong) and Zooey (Ji-young Yoo), must protect their fans and face their biggest enemy yet: a rival boy band made up of demons in disguise.

Zach Cregger’s horror hit Weapons maintained strength in the box office during its third weekend, bringing in $15.6 million domestically. The buzzy horror movie has proved its staying power, raking in over $100 million globally since its release.

Disney’s Freakier Friday landed behind the horror movie once again, earning $9.2 million in North American theaters.

The two films are “real bright spots” as the box office heads into a “rather quiet finish” for the summer, said Paul Dergarabedian, senior media analyst for the data firm Comscore. Both films, which premiered simultaneously earlier this month, had a minimal 36% drop from last weekend.

“I think we have to look at the currency of the goodwill generated by people having these great summer moviegoing experiences,” Dergarabedian said. “We have to look at that as a more important metric than just the bottom-line dollars and cents.”

The Fantastic Four: First Steps earned $5.9 million domestically during its fifth weekend. The movie enjoyed a strong $118 million debut but has experienced a steady decline.

Newcomer Honey Don’t! opened in 1,317 North American theaters with a weekend gross estimate of $3 million, in line with expectations. The movie made it to the top 10, right above The Naked Gun.

The dark comedy stars Margaret Qualley as Honey O’Donahue, a small-town private investigator who investigates a slew of strange deaths tied to a church in Bakersfield, California.

Top 10 movies by domestic box office

With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

1. Weapons, $15.6 million
2. Freakier Friday, $9.2 million
3. The Fantastic Four: First Steps, $5.9 million
4. The Bad Guys 2, $5.1 million
5. Nobody 2, $3.7 million
6. Superman, $3.4 million
7. Honey Don’t!, $3 million
8. The Naked Gun, $3 million
9. Jurassic World Rebirth, $2.1 million
10. Relay, $2 million

August 24, 2025 0 comments
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What It's Like to Attend a 'KPop Demon Hunters' Sing-Along
TV & Streaming

What It’s Like to Attend a ‘KPop Demon Hunters’ Sing-Along

by jummy84 August 24, 2025
written by jummy84

Now here’s a first: Two months after dropping “KPop Demon Hunters” on Netflix, the streamer is putting the animated hit in theaters — and not just the cursory Oscar-qualifying run its prestige titles get in New York and Los Angeles. This one is going wide, in more than 1,700 venues, for karaoke-captioned screenings in which audience participation is encouraged.

Dress up! Sing along! Give in to the catchy choreography … that’s how it’s done done done!

I’ve been on the Huntr/x train since the beginning and bought tickets to the first screening of the day at Los Angeles’ Alamo Drafthouse theater, where the house was packed with family audiences. They weren’t just in it for the songs either, but gleefully recited most of the dialogue, too. These kids knew the movie by heart, having watched it countless times at home, and now their parents were spending close to $100 to experience it on the big screen.

Next week, the one-of-a-kind cultural phenomenon — in which a trio of Korean pop stars use the positive energy their songs generate to keep soul-sucking ghouls at bay, until evil demons form a rival boy band to steal their fans — is set to become Netflix’s most-watched movie. Clearly, this exclusive two-day event was willed into existence by popular demand, just as any extension or encore Netflix agrees to would also be.

To the best of my knowledge, nobody was begging Netflix to release a sing-along version of Guillermo del Toro’s “Pinocchio” three years ago (much less “Emilia Pérez,” back when Netflix was treating that film like an Oscar frontrunner). And even though purists wanted to see Alfonso Cuarón’s “Roma” and Martin Scorsese’s “The Irishman” in theaters, those movies didn’t sell out nearly as quickly as “KPop Demon Hunters” shows did when Netflix announced its plan last week.

The film is all about fandom, and this unprecedented move from the streaming-first media company suggests that Netflix recognized that the film’s millions-strong audience were craving the collective experience that only cinemas can provide.

Maybe theaters aren’t quite as obsolete as Ted Sarandos would have us believe. Nor is this singular event likely to change how Netflix does business.

First, it’s important to understand what “KPop Demon Hunters” is. Produced by Sony Pictures Animation (the studio behind “Spider-Man: Into the Spider-Verse” and “The Mitchells vs. the Machines”), the cleverly executed, computer-animated feature looks every bit as slick as the latest releases from Pixar and DreamWorks … which is to say, it could’ve easily supported a big-screen release in the first place.

But that would’ve meant spending millions of marketing dollars, just to let audiences know of the movie’s existence, in a marketplace where opening weekend makes all the difference and films get chased off screen before they’ve had time to build a following. (That’s one reason Sony started selling its animated features to Netflix, which came to the rescue of “Wish Dragon,” from “KPop” co-director Chris Applehans, amid the pandemic.)

Netflix famously keeps streaming numbers to itself, but it’s safe to say that “KPop Demon Hunters” would not have been nearly the same phenom had it gone the traditional theatrical route. This way, the movie benefited from word of mouth, aggregating more viewers as early adopters told their friends to check it out. That’s a luxury streaming releases have. Rrremember “RRR,” the gonzo Tollywood movie that barely made a ripple in theaters, but gained a following on Netflix?

The best analogy here could be Disney’s animated “Encanto,” which did OK business in theaters (this was 2021, when windows were still compressed in response to the pandemic), but really took off when it hit Disney+ 30 days. Only then did the song “We Don’t Talk About Bruno” blow up with a very similar demographic.

Perhaps the late shows will draw a crowd of older fans, though I loved sitting through the movie with a room full of chatty kids, one of whom was named Zoey (like the eager-to-please Huntr/x rapper, who fights demons with a glowing three-pronged dagger). Zoey and her friends seemed tickled any time her name was spoken.

Back in June, before the film was released, I asked my friendly neighborhood Netflix reps if there was any way to see “KPop Demon Hunters” on the big screen. They declined. (I’d also hoped it might screen at the Annecy Animation Festival, which unspooled the week prior in France, but for some reason, they brought “Fixed” instead.) I can’t be alone in preferring to watch movies in a theater, although Netflix does their best to make that difficult for audiences.

In Los Angeles, that meant opening them at the Bay, the upscale Pacific Palisades theater that shuttered amid the wildfires earlier this year — quite the shlep to watch Zack Snyder’s “Rebel Moon” (clearly better on the big screen) or the latest Adam Sandler movie. Now they sprinkle them into art-houses around town, doing what feels like the bare minimum to meet contractual obligations and Academy Awards rules.

With “KPop Demon Hunters,” they opened in at least two dozen Los Angeles theaters, including major chains like Regal and Cinemark — more than doubling the number of screens the studio offered “Glass Onion: A Knives Out Mystery” in 2022. But the data-driven company also knew what they had in this case (what every studio wants): a sure thing.

At the moment, three of the film’s original songs — “Golden,” “Your Idol” and “Soda Pop” — sit among the top 10 of Billboard’s Hot 100 chart. And judging by the reaction in the room, “Takedown” (which TWICE sings over the end credits, and the audience couldn’t resist echoing) could soon join their ranks.

Netflix has a full slate of big-screen-worthy movies coming this fall, including Sundance marvel “Train Dreams,” Guillermo del Toro’s “Frankenstein” and Kathryn Bigelow’s “A House of Dynamite,” but however many millions “KPop Demon Hunters” earns this weekend, that doesn’t mean the streamer will rush to open those films wide.

To repeat this experiment, they’d need another proven success with a built-in audience willing to pay to rewatch a film they first saw on streaming. Netflix has the numbers to indicate what time of year certain movies are popular. Maybe a Christmas release of last year’s “Carry On” could work.

Or maybe this is a unicorn event for which we should simply be grateful: For two days only, nonsubscribers can see “KPop Demon Hunters,” surrounded by singing groupies whose enthusiasm willed the streaming phenomenon onto the big screen.

August 24, 2025 0 comments
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AtHeart Is Billboard's K-Pop Rookie of the Month (August): Photos
Music

AtHeart Is Billboard’s K-Pop Rookie of the Month (August): Photos

by jummy84 August 22, 2025
written by jummy84

What would it look like if the “Avengers” of the K-pop industry came together to create a single team? And what if that team was not launched in Seoul, but by the first-ever K-pop label founded in the United States? The answer is AtHeart, who made their dazzling debut in August this year.

The group’s label, Titan Content, was founded by a powerhouse lineup: former SM Entertainment CEO Han Se-min, former SM casting director Kang Jung-ah, world-renowned choreographer Lia Kim, and Dazed Korea founder and current editor-in-chief Lee Guiom. With each of them standing at the top of their respective fields, Titan Content’s establishment in the U.S.—a first for K-pop—made global headlines even before AtHeart’s debut. Media outlets such as Variety and Teen Vogue spotlighted them early on, and Billboard named AtHeart one of the “‘Next-Generation’ K-Pop Group,” further fueling anticipation from fans and industry insiders alike.

The group name AtHeart is a fusion of “Heart” and “At,” symbolizing their aim to grow alongside fans around the world through connection and sincerity. All six members were born between 2007 and 2009, making them a full teenage lineup. Korean members Seohyeon, Arin, Bome, and Nahyun naturally nurtured their idol dreams in environments where K-pop was already part of daily life, from school band stages to music shows. Meanwhile, Katelyn from the Philippines and Michi, who holds dual citizenship in the U.S. and Japan, represent the new generation of global K-pop kids—those first inspired to pursue idol dreams after being captivated by performances from BTS and BLACKPINK.

Though they started from different places, the girls now stand together as one under the name AtHeart. Their multinational makeup is another defining strength. “It’s fun to learn and respect each other’s traditions,” Katelyn says. Bome adds, “Our different cultural and linguistic backgrounds actually make our teamwork stronger,” recalling the day she watched Michi and Katelyn see snow for the first time in Korea, laughing like children at the sight. “Little moments like that made us closer,” she says.

AtHeart officially signaled their arrival on May 29 with pre-debut single “Good Girl (AtHeart),” followed by their August 13 debut EP ‘Plot Twist’. Its title track was produced and written by Jonah Shai, known for working with Camila Cabello and Shawn Mendes, while Rob Kinelski, who has mixed for Billie Eilish, brought sonic depth to the record. The dreamy EDM track thrives on its layered reversals and is elevated further by powerful choreography from 1MILLION’s Lia Kim, Titan Content’s CPO. Together, the package showcases the kind of performance and musical polish that K-pop fans have come to expect—and AtHeart delivered from the start.

From the outset, their extraordinary path drew global attention—but their story is only just beginning. “Someday, I want us to perform on stages like Coachella or SoFi Stadium,” Katelyn shares, while Bome fondly remembers the purity of seeing the first snowfall with her teammates as trainees. It’s this mix of youthful honesty and global ambition that positions AtHeart as one of K-pop’s most exciting new possibilities. Billboard will be following their flight closely.

Before debut, what first inspired each of you to dream of becoming a K-pop idol?

Arin: always loved dancing, and at first, I dreamed of becoming a dancer. I started with belly dance at a community center, then learned ballet, broadcast dance, and street dance. Eventually I thought, “If I want to share the dances I love with more people, shouldn’t I become a singer?” and my path naturally shifted.

Bome: I was in the school band and often had chances to perform. Each time, I realized I received even more energy from the audience than I gave, and that’s when I thought, “This is truly meaningful to me.” That’s when I decided I wanted to be a singer.

Seohyeon: Singing and dancing were part of my daily life since I was young. Watching idols shine on music shows, I started to think, “I want to be like that someday,” and the dream just kept growing.

Nahyun: My parents love music, and naturally I grew to love it too. I even formed a little idol group with my classmates in elementary school and practiced together. That’s when the dream started to become clear.

Michi: I began training in dance at age three—ballet, tap, hula, hip-hop, jazz, contemporary—and naturally got exposed to a wide range of music. I discovered a passion for singing in middle school through musicals. Then I encountered K-pop and was fascinated by the creative direction of music videos. Seeing BLACKPINK in concert was a turning point in my life. The powerful energy of that performance shaped who I am today.

Katelyn: Being on stage was always a dream, but I never had the chance to attend academies or formal training. During the pandemic, I watched a BTS concert for the first time, and it gave me the courage to tell my mom, “I really want to become a singer, please support me!” From that moment, I began seriously preparing to become an idol.

  • AtHeart

    From left: Seohyeon, Katelyn, Bome, Nahyun, Michi, Arin of AtHeart
    Image Credit: Courtesy of Titan Content

    From left: Seohyeon, Katelyn, Bome, Nahyun, Michi and Arin of AtHeart

    What kind of memories do you hope to create together?

    Michi: Since we’re all from different countries, we often talk about touring each other’s hometowns someday—America, Japan, the Philippines. Just imagining it is exciting! To return to our roots and meet local fans there would be such a meaningful moment.

  • ArinArin
    Image Credit: Courtesy of Titan Content

    What’s been the most memorable moment since your official debut?

    Nahyun: Hearing our name shouted in the audience during our first music show stage. Seeing the lightsticks waving made me realize, “I really am an idol now,” and also gave me a new dream—to meet fans at our own concert one day.

    Michi: Our showcase and first music show are unforgettable. When I first heard fans cheering for us, it felt like the world had changed. During “Plot Twist,” I tried to capture its dreamy and emotional mood, but seeing the fans so close, I couldn’t stop smiling. The excitement lingered long after the performance ended.

  • KatelynKatelyn
    Image Credit: Courtesy of Titan Content

    As a multinational group born from the first U.S.-based K-pop agency, how has that shaped your music, performance, and connection with fans?

    Arin: Being from a U.S.-based company gave us a more global perspective when preparing our music and performances. Those efforts are reflected in our debut EP ‘Plot Twist’ so please check it out! And being multinational really helps us connect with fans all over the world.

    Katelyn: It’s a huge advantage to learn and respect each other’s cultures in our daily lives. Growing up in the Philippines, I was always surrounded by diverse traditions, so learning Korean language and culture felt natural and exciting as I trained to become an idol.

    Bome: Our different backgrounds make our teamwork stronger. I still remember Michi and Katelyn seeing snow for the first time in Korea and reacting with childlike joy—it was special because they came from countries without four seasons. Moments like that brought us closer. And having different sensibilities and styles makes our onstage expression even richer.

  • Bome

    Bome, AtHeartBome, AtHeart
    Image Credit: Courtesy of Titan Content

    Of the songs you’ve released so far, which are your personal favorites?

    Nahyun: “Push Back.” We trained on it the longest, so hearing the final recording felt extra special. Our voices blended beautifully, and its Afro-piano groove feels perfect for summer.

    Arin: “Plot Twist,” our debut title, is dear to me. The a cappella at the beginning and end stands out, and the lyrics carry a relatable message that makes the song even more meaningful.

    Michi: “Good Girl (AtHeart).” It came out in May as our pre-debut track, and its high-energy rhythm lifts my mood every time. It’s also a performance piece that shows our strengths on stage.

    Seohyeon: “Knew Me.” The sleek melody line matched my taste perfectly, and I loved it since the demo. Hearing the final version with everyone’s voices blended together moved me deeply.

    Katelyn: I also choose “Push Back.” I love Afro-dance, and this song’s vibe immediately made me want to dance. The rhythmic sound fits my taste exactly.

    Bome: “Dot Dot Dot…” It caught me from the intro with its intensity, and as an R&B track, it let me show my vocal color in a way that felt authentic to me.

    What dream stages or festivals do you want to perform at?

    Katelyn: My first dream is to perform in the Philippines, my home country, to show my family and fans how hard I’ve worked. And someday, I want us to stand on stages like Coachella or SoFi Stadium, sharing that moment with fans around the world.

  • MichiMichi
    Image Credit: Courtesy of Titan Content

    What are some “first milestones” you hope to achieve this year as AtHeart?

    Seohyeon: Winning first place on a music show. It would mean so much for our sweat and hard work to be recognized with results.

    Michi: Touring the world and meeting fans in person is my dream. And as a rookie group, being named “Rookie of the Year” would be such an honor. It will take a lot of work, but AtHeart will keep growing and showing our best, so please keep supporting us!

  • NahyunNahyun
    Image Credit: Courtesy of Titan Content

    Billboard named AtHeart one of the “K-pop Girl Groups to Watch in 2025” even before your official debut. What did that recognition mean to you?

    Bome: Hearing that news while preparing for our debut gave us so much strength. It was a moment of reassurance—“We’re on the right path, people are noticing.” We want to keep living up to those expectations with consistent growth and show even better sides of ourselves this year.

    At your debut showcase, you said you wanted to grow from a ‘group to watch’ into ‘great artists.’ What does a great artist mean to AtHeart?

    Michi: For us, a great artist begins with teamwork. Respecting each other’s individuality while looking toward the same dream creates synergy. We’re still learning and have a long way to go, but if we can sing and dance sincerely on stage and give strength to fans, maybe that in itself could be called “great.” We hope to become that kind of team.

  • SeohyeonSeohyeon
    Image Credit: Courtesy of Titan Content

    You’ve cited Girls’ Generation as role models, and Sooyoung even appeared in your music video. What do you remember most from that experience?

    Nahyun: Meeting her in person felt like a dream—I almost cried because it didn’t feel real. We were so nervous, but she came to us and said warmly, “Don’t worry, you’ll do well. Just work hard on the things you want to do.” That one sentence gave us so much strength and made the shoot much more comfortable.

    The choreography for your debut album’s title track was created by 1MILLION’s Lia Kim, who also serves as Titan Content’s CPO. We heard she gave you a lot of advice during preparations—was there a particular piece of advice that stayed with you?

    Arin: She told us, “Don’t dance as if you’re trapped, but show yourselves and enjoy it.” That advice really empowered me, and I kept it in mind throughout rehearsals and performances.

August 22, 2025 0 comments
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