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Russell Simmons Owed Millions to His Accusers. Have They Found Justice?
Music

Russell Simmons Owed Millions to His Accusers. Have They Found Justice?

by jummy84 November 3, 2025
written by jummy84


S
ince 2018, Russell Simmons has been living the life of a well-heeled holy man primarily in Bali, cultivating an aesthetic that falls somewhere between Eat, Pray, Love and alternative-medicine practitioner. Calling himself a yogi and professing wellness expertise — he has been promoting his 2015 vegan cookbook on Instagram — the Def Jam Recordings co-founder posted an exuberant selfie with a group of apparent religious pilgrims earlier this year, with the caption: “The goal is self discovery when one knows the self she/he makes life a moving prayer.… he should practice living in prayer ❤️ and one day in this lifetime or the next all suffering stops…” This introspection has also served as a business opportunity: Simmons is a founder and investor in the Gdas Bali Health and Wellness Resort, “the destination for devotional and wellness practitioners,” he wrote on Instagram.  

His Instagram account is filled with dedications to his family, yoga mentors, and old-school rapper friends — “It has probably been at least one year since I missed 8 am meditation,” he wrote in August — with Simmons noting recently that “Govinda das Ananda (god’s blissful servant) was the name given to me by krishna,” and writing that one woman’s introduction to yoga and meditation “inspire[s] me to keep serving.”

However full the pioneering hip-hop mogul’s island life might appear, his relocation came amid numerous sexual-misconduct allegations back in the United States. For more than a year, Simmons’ continued residence in Bali dovetailed with allegations that he had yet to pay agreed-upon settlements to at least five women who have accused him of sexual misconduct.

Wendy Franco, Sil Lai Abrams, and Sherri Abernathy said in court papers filed in October 2024 that for more than a year, Simmons hadn’t paid 2023 agreements of more than $3 million total. Specifically, Simmons had agreed to pay Franco $515,000, and Abrams and Abernathy $1,265,000 each.

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Abernathy alleged that Simmons raped her in 1983, while Abrams claimed Simmons raped her a decade later in 1994. Franco has not publicly made claims against Simmons, but according to settlement paperwork filed in court, the settlement relates to alleged “physical injuries and sickness.” Documents filed in the legal proceedings also show that as of January 2025,, Simmons also owed a total of at least $8 million to three other accusers: Tina Klein-Baker, Toni Sallie, and Alexia Jones. These filings from earlier this year claimed that Simmons had paid only $220,000 total to them. (A firm spokesperson for Klein-Baker’s lawyer, Kenya Davis of Boies Schiller Flexner, said that “at this stage of litigation, the attorneys and clients could not comment.” The attorney for Sallie and Jones declined to comment and declined to make them available for this article.)

Rolling Stone sent a detailed list of questions related to the allegations of abuse and nonpayment to multiple attorneys representing Simmons. Simmons, through one of his attorneys, Imran Ansari, declined to comment. Two days after Rolling Stone sent Simmons questions for this article, a lawyer for Franco, Abrams, and Abernathy told Rolling Stone, “The matter has been resolved,” but declined to provide any additional details. Lawyers for Simmons did not reply to additional inquiries on the nature of the resolution, and it remains unclear what conditions and parameters, if any, are included in the resolution or how much money, if any, the women have received.

Wendy Franco, Sherri Abernathy and Sil Lai Abrams in New York in August.

Photograph by Dana Scruggs for Rolling Stone

Meanwhile, Simmons has gone on the attack in response to allegations against him. This summer, he filed a defamation suit against HBO and Amy Ziering and Kirby Dick, the filmmakers who produced On the Record, a 2020 documentary featuring interviews with several Simmons accusers. (Simmons’ lawyer claimed “credible information, persuasive evidence, [and] witness statements” supporting Simmons were “disregarded” in the making of the film. HBO’s parent company, Warner Bros. Discovery, said in a statement to Rolling Stone that the lawsuit “lacks both merit and substance” and that they “stand behind the documentary.” The suit is ongoing.) 

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The settlement papers with Franco, Abrams, and Abernathy do not detail specific accusations — like Franco’s, the other two settlements reflect that “[t]he Settlement Amount constitutes a payment for damages for Claimant’s alleged personal, physical injuries and sickness” — nor does Simmons admit wrongdoing in the settlements, which state that his payment does not imply “any admission of liability, fault, or wrongdoing.” Sallie and Jones’ settlements also state that the agreements do not admit any liability of wrongdoing, nor specify exact allegations.

In interviews with Rolling Stone prior to the resolution, Franco, Abrams, and Abernathy largely described Simmons’ apparent delay in payment as another emotional blow in the already-arduous process of legal action against him. His nonpayment, which spanned more than a year at the time of these interviews, felt like another trauma.

“It was devastating,” Franco said in an April interview with Rolling Stone, before the resolution. “I just felt so stupid that I thought this person would follow through, that I thought that someone who could do what he did would turn around and acknowledge me and make some type of amends. You exposed yourself to this, and now this person again shows you that it doesn’t matter to him.” 

Simmons has said that “I own no property in the United States,” and has cried poverty in filings. His legal team, in a defamation suit filed by former music-industry executive Drew Dixon, who accused him of rape in 2017, said in September that he owes them more than $100,000 in fees. (Simmons has denied Dixon’s claims.) The attorneys also said that Simmons is unable to pay a $15,000 penalty imposed by the court on his legal team for missing a scheduled court hearing.

“You exposed yourself to this, and now this person again shows you it doesn’t matter to him.”

Wendy Franco

Dixon’s lawyer, Kenya Davis, shot back that Simmons has money, urging a New York judge to ignore Simmons’ “palpably false and self-serving claims of poverty.” Davis said that Simmons has a 75 percent stake in the Gdas resort and noted his “ongoing partnership with and ownership interest” in a Singapore-based talent agency.

Resolved or not, Franco, Abrams, and Abernathy’s years-long financial purgatory also exemplifies the unfulfilled promises of #MeToo. Women were encouraged to take action against men who had allegedly harmed them — often upending their lives in the process — only to find that the financial and emotional relief in coming forward might be ephemeral at best, nonexistent at worst. Simmons’ protracted nonpayment also reflects the logistical perils and broader challenges for anyone navigating the legal process. People can willingly enter into settlements — as Simmons did — but if they don’t pay, enforcement of these agreements could spiral into a labyrinthine and prolonged legal fight. 

“It could be indefinite,” says Daniel Tabak, a partner at the New York law firm Cohen & Gresser who focuses on bankruptcy and was not involved in any Simmons cases. “There’s no guarantee that [plaintiffs] will ever be able to collect.”

Meanwhile, Simmons’ financial liabilities don’t seem to have impeded his movements. On Aug. 11, he posted a video of himself and a fan to his Instagram shot in New York City. “NYC can be so magical,” he wrote. “Just met this wonderful young lady. She is full of love

A ‘Life-Changing Trauma’

For years, Franco dealt with her pain personally and alone, and tried as best as she could to avoid thinking about Simmons. “I did not follow Russell Simmons in any way. I was very averse to him and everything about him,” she says. Then came #MeToo. 

While Franco declined to discuss the specifics of her allegations — “Ms. Franco is reluctant to elaborate on her claims against Mr. Simmons, given his penchant for litigation,” her attorney, Andrew Wilson of Emery Celli Brinckerhoff Abady Ward & Maazel, tells Rolling Stone — she spoke openly prior to the resolution about the deep emotional toll of Simmons’ apparent failure to pay the settlement. 

“A lot of people were writing about their experiences with powerful men having abused them,” Franco tells Rolling Stone. She had come across accounts of women speaking out against Simmons and had learned about a documentary on him while it was already in progress. “I missed my opportunity to be in this film because it had already been done,” Franco says. “It was a letdown.”

Simmons, circa 1994.

Ron Galella/Ron Galella Collection/Getty Images

Franco contended with economic and family hardships from a young age. The 50-year-old came to the U.S. with her family from the Dominican Republic at age 11, and describes the move as “a lot of trauma.” She and her siblings were separated and scattered into foster homes during the immigration process. Franco says she was “pretty much living on my own by the age of 14” and staying with friends in New York.  

She wanted to act, but her dyslexia and need to learn English on her own scared her from reading in public. But Franco, who ultimately became enmeshed in the downtown New York City arts world, taught herself by “reading The Outsiders with a dictionary, listening to the Smiths, and translating.”

The resilience carried forward. Franco kept up with Simmons’ accusers through social media and discovered the Adult Survivors Act. The 2022 New York state law created a one-year window for adult survivors of sexual misconduct to file civil claims against their alleged abusers that otherwise would have exceeded the statute of limitations. “It felt like divine intervention,” she says, sometimes twirling a ringlet around her finger when she speaks. “It felt crazy and it worked out. I felt like a little bit of my history was validated. It was amazing.”

The settlement addressed a sense of dehumanization that had weighed on her for years. “It’s like a life-shifting, life-changing trauma that makes you doubt who you are and your value and your worth, and it means so little to the person who traumatizes you, who abuses you; it means nothing to them,” she says. “They might not even fucking remember it. So to have that person have to admit, even if it’s just to get you off their back, that you existed … it’s incredibly important.”

Abernathy — who as Sheri Sher was a founding member of the pioneering all-female hip-hop group Mercedes Ladies — describes a sense of empowerment in her decision to come forward. The 64-year-old former rapper still delivers her words enthusiastically, often smiling as she recalls the group’s music. She tells Rolling Stone that she worried about reprisal amid her already turbulent life had she come forward back in the 1980s. Abernathy’s family, consisting of her mother and 10 siblings, constantly faced eviction in New York City. Writing was her solace. She was frequently scribbling in black-and-white-speckled notebooks, covering one side in rhymes and the other with diary-like missives.

During one eviction, Abernathy recalls, city marshals took her composition book. “That really hurt me,“ she says. She crossed paths with Simmons a few times while she was pushing hard for Mercedes Ladies’ success. She has previously said that Simmons attacked her one evening after luring her to his office under the false pretence of a business conversation. 

Abernathy alluded to the alleged rape in her 2008 autobiographical novel, Mercedes Ladies, but did not name Simmons despite her friends’ encouragement to do so. She mulled naming him for four months, but ultimately decided against it. “I felt that if I came out,” she tells Rolling Stone, “I would have a lot of trouble on my hands.”

Wendy Franco

Photograph by Dana Scruggs for Rolling Stone

That changed in late 2017. Following allegations against Harvey Weinstein that October, more women were coming forward with sexual misconduct claims against powerful men in the entertainment industry, including music, notably leading to the conviction of R&B star R. Kelly and sprawling allegations against Marilyn Manson. (Manson has denied the claims.)

Model Keri Claussen accused Simmons of sexual assault in a November 2017 article in the Los Angeles Times. Less than two weeks later, screenwriter Jenny Lumet alleged in The Hollywood Reporter that Simmons sexually assaulted her. Three women, including Dixon, accused Simmons of rape in a Dec. 13, 2017, New York Times article. (Simmons is fighting Dixon’s defamation suit, in part by insisting that his broad denials of sexual misconduct on a podcast did not directly name her.) 

“I felt that if I came out [in 2008], I would have a lot of trouble on my hands.”

Sherri Abernathy

That same day, Abernathy was one of five women who accused Simmons of misconduct in a Los Angeles Times article. “I never really expected that all these women would come out. I thought I was the only one,” she says. “When it came out, I felt a little bit of empowerment behind it. I thought there was never gonna be justice, but justice did come out.”

Simmons has repeatedly denied the claims, saying in 2017 that “these horrific accusations have shocked me to my core, and all of my relations have been consensual.” He apologized in another statement for being “thoughtless and insensitive.” Weeks earlier, he said that he had “never committed any acts of aggression or violence in my life. I would never knowingly cause fear or harm to anyone.” 

The settlement “wasn’t about money,” says Abernathy, noting how she didn’t name Simmons despite her book coming out at the height of his fame. “I’m not a money person. I always worked and kept paying my own way.” For Abernathy, who recently retired after working as a New York state court officer for 20 years, the settlement meant that Simmons was “being held to account for his actions.”

Abrams, a writer and survivor advocate, says she was surprised that there might be any way to get justice. “When I first heard of the Adult Survivors Act, I was shocked that it would even pass. I always held reservations about it as a mechanism for justice, because I know how extensive sexual victimization is in our society,” she says. “We treat it as if it is this aberration, and while it is aberrant, unfortunately it is common. And one of the things we’ve learned from #MeToo was how widespread this issue is. It’s not something that just happens on the fringes of society.”

Abrams, who has said that she came from a chaotic home, told The Hollywood Reporter that she met Simmons in 1989. She had moved to New York City the prior year, and was working as a nightclub hostess. (She also worked as an executive assistant at Def Jam in 1992.) A few years after meeting Simmons, they had sex at various points. In 1994, Abrams saw Simmons for what she believed was a platonic meeting. She had previously told him she no longer wanted a sexual relationship and he agreed to that, according to her interview with The Hollywood Reporter. When they were out that night, Abrams has previously said, she was drinking alcohol while Simmons drank sparkling water, claiming he was sober. 

Later that evening, Abrams asked Simmons to direct his driver to bring her home, but she was driven to his apartment instead. Abrams said that she passed out on his bed with her clothes on. Abrams, who has said she was wavering in and out of consciousness, alleged that Simmons raped her despite her repeatedly saying no, and then directed her to leave his apartment because he was waiting for a romantic interest to call him. 

Sherri Abernathy

Photograph by Dana Scruggs for Rolling Stone

‘Living a Nightmare’

In November 2023, it seemed like things would finally come to a close for the three women. Simmons signed settlements with Abrams, Abernathy, and Franco and agreed to an October 2024 deadline for payment. These settlement agreements were confidential — meaning that the women were legally barred from disclosing the amount or even the existence of a potential settlement. Nobody would know that he paid the women a dime, obviating the possibility of additional bad press. As part of these settlements, Simmons also signed paperwork attesting that he owed them the settlement money and confirming the payment deadline. 

Because these statements effectively validated the settlements, they should have expedited enforcement. The statements also stipulated that if Simmons didn’t pay, the women’s attorneys could file these statements — and the total amounts owed — in court and make them public. 

Simmons blew past the deadline without paying any of the women. The women’s attorneys filed these statements in October 2024, publicly revealing that he had brokered confidential agreements, alongside the amounts. “I was looking at my phone every day,” Franco says of waiting for Simmons’ payment. When she spoke to her attorney at the deadline and learned that he hadn’t paid, “it was devastating.”  

“It just made me feel crazy. I cried for days. I was completely incapacitated,” she tells Rolling Stone. “I didn’t work for a little bit, and not because I’m melodramatic and [not because] I’m a fucking take-to-my-bed person.” Franco was angry. The burden of that limbo, she says, was “like an anchor.”

Abernathy voices similar sentiments. After a “very tedious and long” process, she and Simmons had come to an agreement, and for her, it seemed like it would be as over as it could be. “I thought, and I’m quite sure the rest of the girls thought, that Russell was going to keep [his promise].” When he delayed payment for more than a year, all the while leaning harder into his Zen vibe and luxe tropical lifestyle on social media, “it was just like living a nightmare over and over.”

“How do you go from the godfather of hip-hop to this broken, cornered animal on this tiny island? That’s quite sad.”

Sil Lai Abrams

Last spring, Abernathy underwent brain surgery for an aneurysm and was “in the hospital fighting for my life.” As a result, Abernathy says she must avoid stress and keep her blood pressure down. She also needs a clear head for a hopeful Mercedes Ladies project. “I didn’t want myself to get upset,” she said at the time of the ongoing nonpayment. “I didn’t want to start crying again.”

Abrams says the past year touched on her longstanding reservations about the legal process: “With the Adult Survivors Act, my concern was that once these cases began to be settled through the civil courts, a pushback would come [with] the narrative that had always existed: that the intention of a survivor coming forward is monetary gain.”

She says she still decided to give it a shot, going into the negotiation “with an open mind.” She was baffled at Simmons’ delay in upholding the agreement, saying the situation “just [kept] him tethered to all of us.”

“How do you go from the godfather of hip-hop to this broken, cornered animal on this tiny island?” Abrams says. “That’s quite sad.”

Abrams says the entire situation points “to the limitations that civil suits can have on actually bringing survivors some measure of justice that’s intended.”

Remaining Optimistic

The whole point of coming to a settlement is to avoid lengthy lawsuits and trials that can cost both sides more money. Most settlements include confidentiality clauses that not only conceal the settlement figure, but also bar anyone involved from publicly discussing it. When someone doesn’t pay, collecting the owed money isn’t as straightforward as sending an angry letter. The person with the purse strings could decide to stall or skip out on their tab. Attorneys can take them to court. A judge can order payment. Banks can be forced to comply. But if the money isn’t readily available, getting it becomes a challenging process.

“A sophisticated, wealthy defendant often can hide their assets in a way that makes it very difficult for plaintiffs to collect,” explains Tabak, the Cohen & Gresser lawyer who helmed Hulk Hogan’s legal team in Gawker’s bankruptcy, resulting in a $31 million settlement. 

Sil Lai Abrams

Photograph by Dana Scruggs for Rolling Stone

The state of Simmons’ finances remains unclear. For years, Simmons has been fighting his ex-wife, Kimora Lee, in court over millions of dollars in Celsius energy drink shares that the feds want to seize following the money-laundering conspiracy conviction of Kimora’s ex-husband Tim Leissner. (Through a rep, she declined to comment for this article.)

How exactly the Celsius case will play out is unknown — a recent court filing suggests that Simmons and Kimora might have come to some sort of agreement that’s yet to be finalized — but at the very least, Simmons has tens of millions on the line. Three of his accusers — Sallie, Baker, and Jones — have appeared in court filings as “interested parties” in the Celsius case, though it’s unclear if any of the disputed money would go to his accusers. 

Wilson, Franco’s attorney, has subpoenaed a business firm that works with Simmons for information about his finances. He has also subpoenaed one of Simmons’ daughters, Aoki Lee Simmons, for financial information. Wilson’s firm also sent Aoki Lee a letter dated April 4 warning that if she spent any of her father’s money, she could be on the hook for his nonpayment. (A rep for Aoki said he was not able to reach her for comment.)

Resolution aside, the months of waiting both took a toll and prompted questions for the women. “He has his freedom, technically, but he’s trapped in a prison of his own making, mentally and otherwise — he’s not dealing with reality,” Abrams said in July. “The reality is: He owes a significant number of people a significant amount of money. And that’s not going to get wiped away just because he chooses to hide on an island in the ocean.”

PRODUCTION CREDITS

Hair by SABRINA ROWE. Makeup by GREGG HUBBARD. Makeup Assistant: BLEN WASIHUN.

November 3, 2025 0 comments
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Movie Review Nuremberg | Courtroom Of Conscience More Than Justice | Glamsham.com
Lifestyle

Movie Review Nuremberg | Courtroom Of Conscience More Than Justice | Glamsham.com

by jummy84 October 30, 2025
written by jummy84

Nuremberg is one of the cities in the German state of Bavaria. Russell Crowe and Rami Malek Face Off in a Courtroom Drama of Conscience and Power. There’s something inherently cinematic about the Nuremberg Trials — the gravest men of the 20th century facing the moral weight of their crimes under the flicker of courtroom lights. James Vanderbilt’s Nuremberg revives that atmosphere with an unmistakable sense of seriousness, even though its emotional temperature often remains carefully contained.

At its heart, Nuremberg is not a war film but a moral confrontation — a drama about intellect, guilt, and control. Douglas Kelley (Rami Malek), an American psychiatrist is assigned to assess the mental state of Nazi war criminals awaiting trial. His interactions with Hermann Göring (Russell Crowe), form the psychological core of the story — an ongoing duel between analysis and arrogance, between human understanding and moral depravity.

Crowe’s performance is easily among his finest in years — a chilling portrayal of Göring as both monstrous and magnetic, fully aware of his charisma and how to weaponize it. His exchanges with Malek simmer with manipulation. In one of the film’s sharpest moments, Göring taunts Kelley by suggesting that he is the young psychiatrist’s “ticket to success.” The line lands like a slap — a reminder that even in defeat, power finds ways to dominate. It exposes Kelley’s own ambition, hinting that his fascination with his subject isn’t entirely noble. Vanderbilt captures this dynamic with a deft, unsettling precision – a man who committed unspeakable crimes still managing to control the moral narrative, if only for a moment.

Malek, in contrast, underplays beautifully. His restraint gives the film its quiet heartbeat. Kelley’s professionalism conceals an inner tremor — a man torn between scientific detachment and human empathy, struggling to remain composed as he stares into the abyss of human evil. His silences, far more than his dialogue, convey the real conflict.

Visually, Nuremberg impresses with its craftsmanship. Certain single long shots are awe-inspiring — not for their grandeur, but for their compositional intelligence. The early train sequence, between Douglas Kelley (Malek) and Lila (Lydia Peckham) built around a card trick, elegantly establishes tone and character without exposition.

The art direction, however, fluctuates in conviction. At times, the film recreates post-war Germany with haunting authenticity — the cold symmetry of the courtroom, the claustrophobic interrogation chambers — while in others, the environment feels curiously sterile, as if production design had briefly lost its emotional anchor. Yet Vanderbilt’s directorial control reasserts itself through several standout decisions. His use of real concentration camp footage within the courtroom scenes, is both bold and deeply affecting. It anchors the film’s intellectual dialogue in lived horror, redirecting the viewer’s empathy from the accused to their victims. It’s a creative stroke that gives the film its emotional backbone as also it takes the attention away from the proceeding depth that was expected.

Where Nuremberg falters slightly is in translating the psychological duel into the broader trial narrative. The courtroom scenes, while competently executed, seldom carry the same pulse as the one-on-one encounters between Kelley and Göring. The intellectual tension that crackles in private conversations dissipates in the public proceedings, which often feel more reenacted than reimagined. One wishes the film had allowed that cerebral chess match to bleed more visibly into the formal trial — to make justice and psychology collide in the same breath.

Still, Vanderbilt’s strength lies in restraint. The execution-by-hanging sequence near the end is a perfect example of understated direction — communicating the gravity of judgment without resorting to literal visuals. It’s a masterstroke of suggestion over spectacle, proof that sometimes representation carries the weight of truth better. In that moment, Nuremberg achieves what it often reaches for — an emotional resonance born from moral reflection, not dramatization.

In the final reckoning, Nuremberg stands as a dignified, intellectually charged historical drama — commanding in its performances, occasionally uneven in tone, yet unwavering in its intent. It’s not a film that overwhelms; it’s one that lingers, asking questions long after the lights fade. Less a courtroom of justice than a courtroom of conscience, it leaves you with a quiet ache — not from what it shows, but from what it implies.

A thoughtful, visually assured film that wins on intellect and restraint, even when it sidesteps the deeper emotional undercurrents it evokes.

Movie: Nuremberg
Directed by: James Vanderbilt
Based on: The Nazi and the Psychiatrist by Jack El-Hai
Starring: Russell Crowe, Rami Malek, Leo Woodall, John Slattery, Mark O’Brien, Colin Hanks, Wrenn Schmidt, Lydia Peckham, Richard E. Grant, Michael Shannon
Running time: ~2hrs 31mins
Theatrical Release Date: November 7, 2025

October 30, 2025 0 comments
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Justice Delayed? Sushant Singh Rajput's Family Challenges CBI's Closure Report, Seeks Answers! | Glamsham.com
Lifestyle

Justice Delayed? Sushant Singh Rajput’s Family Challenges CBI’s Closure Report, Seeks Answers! | Glamsham.com

by jummy84 October 23, 2025
written by jummy84

After over four years of probe, the Central Bureau of Investigation (CBI) has found that there is no evidence of late actor Sushant Singh Rajput having been illegally detained, intimidated, or incited to kill himself by Rhea Chakraborty or anyone else. The agency’s closure report, seen by Hindustan Times, also found no evidence of financial misappropriation or diversion of Sushant’s property by Rhea or her family.

The CBI noted that even Sushant had addressed Rhea as “family” when they were together, according to officials privy to the report. The report mentioned, “None of the accused persons had lived or stayed with him between June 8, 2020, and June 14, 2020—the day he was found hanging in his Bandra flat.” The report added further that though Sushant was in contact with Rhea’s brother Showik Chakraborty on WhatsApp on June 10, he did not have any contact with Rhea at that time. His sister Meetu Singh was with him from June 8 to June 12, two days prior to his passing.

The report rejects charges of wrongful confinement, coercion, or financial exploitation. The report also makes it clear that Rhea and Showik walked out of Sushant’s house on June 8 with just personal items—an Apple laptop and a watch presented by Sushant. The report categorically mentions, “No evidence has emerged of any property dishonestly taken out of Sushant’s possession.”

The CBI probe included two concurrent cases — one by Sushant’s father, K.K. Singh, in Patna against abetment and financial irregularities, and another filed by Rhea against Sushant’s sisters in Mumbai. The investigators concluded that Sushant’s affairs were taken care of by his chartered accountant and attorney, who had complete control of his accounts. The report further added that cost incurred for Rhea, including the 2019 European tour of the couple, was within rules and done willingly by Sushant.

But Sushant’s family has disputed the CBI findings, terming the report as incomplete and misleading. Their attorney, Advocate Varun Singh, remarked, “This is nothing but an eyewash. If CBI really wanted to come out with the truth, it would have submitted all supporting case documents including chats, technical records, statements, and medical reports.” He further said that the family will seek a protest petition against what they term as a “shoddy investigation.

Also Read: Sushant Singh Rajput’s Death Anniversary: Karan Veer Mehra’s Powerful Tribute

The case, which had sparked nationwide outrage and political debates between Bihar and Maharashtra, will next be heard on December 20, when a Patna court reviews the CBI’s closure report. Despite the agency’s conclusion, Sushant’s family insists they will continue their fight for what they believe is long-overdue justice.

October 23, 2025 0 comments
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Penny Lancaster on Gregg Wallace facing “justice” after MasterChef sacking
TV & Streaming

Penny Lancaster on Gregg Wallace facing “justice” after MasterChef sacking

by jummy84 September 29, 2025
written by jummy84

As well as three other luxury homes (in LA, Florida and France) the couple have a floating abode. Bluebell – a bright blue narrow boat – was Stewart’s 50th birthday gift to Lancaster, now 54, after she became captivated by canal boating during their daily lockdown river walks. “We’d see these beautiful narrow boats,” she explains, “and I thought, ‘That’s a slow life, isn’t it?’. They go five miles an hour and it’s all among nature. I told my mum that I’d love one. So she was like, ‘Hint hint, Rod’.”

A sanctuary for when “life gets fast”, Bluebell is a cause for near disaster, too. “We’ve got a bedroom at the front, and one time Rod was lying in there with the doors open while I was at the other end. Then I went, ‘Oh darling, hang on!’. We crashed into the bank, and a willow tree came into the bedroom,” recalls Lancaster. “Rod was lying there with a tree on top of him!”

The couple started dating in 1999 and married eight years later in Portofino, Italy. Eighteen years on, they still relish surprises. “We had a doorway that was blocked, and I put a bookcase in it,” says Lancaster. “Then it was a case of, ‘Find what I’ve done!’ Or he’ll say to me, ‘Go in there’ – and there’ll be a new painting or a new statue in the room.”

Balancing all that extravagance, glamour and wealth is service to the community. Most Thursdays, the former Strictly Come Dancing contestant does a night shift for the City of London Police. She became a volunteer Special Constable in 2021 after falling in love with policing in 2019 when she took part in the Channel 4 series Famous and Fighting Crime, and has been on duty at high-profile national events, including the funeral of Elizabeth II and the coronation of King Charles. She has also made two arrests that she describes as nerve-racking but quite momentous. “It’s like passing an exam,” she explains.

Penny Lancaster. BBC

In her new memoir Someone Like Me, Lancaster writes that “it’s not until you’re catapulted from your safe place that you understand more of who you are”. Policing, she confirms, has strengthened her, not least by helping her process two episodes of sexual violence in earlier life. She was 17 when a fashion designer drugged her drink (she believes) and she woke beneath him midway through an assault. Five years earlier, a stranger molested her in an underpass on her way to school. Neither perpetrator was ever apprehended.

“That’s one of the reasons I feel I’m out there [as a special constable] now. I’m finding justice, but for someone else, someone like me – hence the title of the book.”

When his wife is policing, Stewart’s only “rules” are an end-of-shift text to confirm she is safely back at the nick, then a car home – never the last train. But Lancaster has a confession. “When he’s away, I do get the train home,” she smiles mischievously.

Stewart claimed Lancaster experienced bullying at the hands of Gregg Wallace, labelling him a “tubby, bald-headed, ill-mannered bully” who “humiliated” her when she took part in Celebrity MasterChef in 2021. Lancaster later contributed to an inquiry that upheld 45 out of 83 allegations of misconduct against Wallace and prompted his sacking from the BBC cookery show. “That was a refreshing piece of justice,” says Lancaster.

She’s talking from a sunlounger at the couple’s home in Palm Beach, while Sir Rod has half an hour of beach time before departing for a performance in North Carolina. But in a few days, Lancaster will be on the move, too – to LA to reunite with their sons Alastair, 19, and Aiden, 14, and meet their fifth grandchild, Kimberly Stewart’s new baby boy. (“He’s adorable, and Kim is doing a great job!”, she gushes.)

As well as his boys with Lancaster, plus Kimberly, 45, and Sean, 44 – his children from his first marriage to actress Alana Stewart – Rod shares Renée, 32, and Liam, 30, with second wife, model Rachel Hunter, plus another daughter, Ruby, 37, from his romance with model Kelly Emberg. He fathered his eldest child, Sarah Streeter, 61, at 18, before putting her up for adoption. “We’re already talking about Christmas because we have to figure that stuff out in advance,” says Lancaster. “It’s very hard to get everybody together.”

Stewart is also extremely busy, working on two new albums, a book and planning another new tour, hot on the heels of his Glastonbury show this summer. But at 80 – and after a bout of flu in June that forced him to cancel tour dates in the US – is it time for Lancaster’s other half to ease up and really put his health first? “Him being busy is looking after his health, because it’s what brings him joy, it’s what makes Rod Rod,” she responds. “If he didn’t work, it would all stop. His body wouldn’t know what to do.”

Thank the stars for Bluebell…

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Check out more of our Entertainment coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

September 29, 2025 0 comments
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Massive Attack Announce Brazil Concert Supporting Indigenous Rights and Climate Justice
Music

Massive Attack Announce Brazil Concert Supporting Indigenous Rights and Climate Justice

by jummy84 September 15, 2025
written by jummy84

Massive Attack will perform at the São Paulo arena Espaco Unimed, on a bill with the Sepultura side project Cavalera, on Thursday, November 13. They timed the event to coincide with the COP30 International Climate Change Summit taking place in the Brazilian city of Belém. The bands partnered with the Indigenous Peoples of the Amazon to put on the show, in support of their fight to achieve climate justice and secure immediate recognition and protection for Indigenous lands.

Representatives of Indigenous movements will appear at the event itself, a press release notes, and the two bands will also work within Brazil to support Amazonian Indigenous movements. Sepultura founders Max and Iggor Cavalera will perform the band’s Chaos AD album in full at the show.

Robert “3D” Del Naja added that he is honored to work with the brothers “in support of the extraordinary integrity and vital role of the Indigenous people of Brazil and the wider Amazon region. This is more than a passing of the mic. It’s an opportunity to listen to the knowledge, moral authority and wisdom of the Indigenous alliances and help ensure they are heard in the negotiation rooms of COP30. We’ve never needed their presence within that distorted political space as much as we do right now.”

The announcement comes with a joint statement from three Indigenous bodies: the G9, the Coordination of Indigenous Organizations of the Brazilian Amazon, and the Articulation of Indigenous Peoples of Brazil. It reads: “We, Indigenous peoples, step onto the stage as if lighting an ancient fire in the heart of the night. Together with Massive Attack and Cavalera, we turn sound into uprising. Our voices—alive, ancestral, untamed—will cut through the air, cross every border, and unite peoples, from the Amazon to the Pacific. We are the roots that resist, the future that insists. We have never left. We are here to remind you: The Earth remembers. And through us, it demands—dismantle the machine that devours her. The answer is already here. It rises from the very ground we walk together. The Answer Is Us. All of us. And we will advance.”

September 15, 2025 0 comments
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Sophie Turner defends controversial rape scene in Game of Thrones: ‘We were actually doing a lot of justice to women’
Bollywood

Sophie Turner defends controversial rape scene in Game of Thrones: ‘We were actually doing a lot of justice to women’

by jummy84 August 26, 2025
written by jummy84

Game of Thrones fans still remember the controversial assault scene between Sansa Stark and Ramsay Bolton, which sparked intense controversy. Years after the show’s finale, actor Sophie Turner, who portrayed role of Sansa Stark, has opened about her thoughts on the backlash that followed, particularly regarding the depiction of sexual abuse.

Sophie Turner portrayed Sansa Stark in Game of Thrones, and was 15, when the show first premiered on HBO.

Sophie defends the controversial scene

Turner reflected back on working on popular show Game of Thrones during an interview with Flaunt where she also spoke about the scene in which her character (Sansa Stark) was sexually assaulted by her husband. She said she still believes the show was “actually doing a lot of justice to women.”

Turner said, “I did feel – and still do – that Game of Thrones shone a light on things that many people were like, ‘Oh god, you can’t show that kind of thing’ – and I understand it can be triggering – I totally understand that point of view. But I did feel we were actually doing a lot of justice to women and the fight women have had to fight for hundreds of thousands of years – the patriarchy, being treated as objects, and being constantly sexually assaulted – I don’t think there’s one woman I know who hasn’t had a form of that.”

She added, “I think if Game of Thrones came out today, we’d definitely put some trigger warnings on there. But I’m really proud to have been a part of Game of Thrones where they didn’t shy away from showing atrocities that happened to women back then. I feel proud to have been part of the conversation.”

More about the controversial scene

Sophie Turner starred on all eight seasons of the HBO series as Sansa Stark. She was at the center of one of the show’s biggest controversies when Sansa was raped on her wedding night in Season 5.

In the controversial Season 5 episode which was titled “Unbowed, Unbent, Unbroken”, Sansa Stark endured a lot of physical and emotional violence at the hands of her husband, Ramsay Bolton (Iwan Rheon). The episode featured Ramsay sexually assaulting Sansa after their wedding as Sansa’s former childhood friend, Theon, was forced to watch.

The scene prompted outrage on social media as it was not a storyline Sansa had in the Game of Thrones books. The viewers accused the show of going overboard when it came to depicting violence against women.

What’s next for Sophie Turner

Sophie Turner was most recently seen in mystery thriller, Trust, which premiered on August 22. The film follows Lauren Lane, a rising Hollywood actor who escapes to a remote cabin after she’s embroiled in a controversy. Her quest for peace changes for the worse when she discovers she is not alone and is trapped in a sinister survival game. Carlson Young has directed the film, which also stars Rhys Coiro, Billy Campbell, Peter Mensah, Forrest Goodluck, Gianni Paolo, Renata Vaca, and Katey Sagal. After Trust, Turner is expected to be in two more titles, Steal and The Dreadful.

August 26, 2025 0 comments
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MOTHERHOOD MEETS JUSTICE!" - The Trial Season 2 Trailer Shows Kajol's Inner 'Maa' In Action | Glamsham.com
Lifestyle

MOTHERHOOD MEETS JUSTICE!” – The Trial Season 2 Trailer Shows Kajol’s Inner ‘Maa’ In Action | Glamsham.com

by jummy84 August 22, 2025
written by jummy84

The much-awaited legal drama ‘The Trial: Pyaar Kaanoon Dhokha’ is back with Season 2, and Kajol reprises her role as Noyonika Sengupta, a lawyer torn between her duties and personal battles. The makers dropped the trailer on August 22, just days after officially announcing the season on August 6, 2025. The new season will stream on JioHotstar and OTTplay Premium from September 19, 2025.

In the gripping trailer, Noyonika’s life spirals deeper into chaos as she confronts betrayal, power struggles, and painful family decisions. Her husband Rajiv (Jisshu Sengupta), still desperate to repair his public image for political gain, clashes with her. At one point, Noyonika firmly declares, “I want a divorce.” But Rajiv can’t afford to lose her — his ambitions rely heavily on the perfect image she projects.

A reporter’s probing question — “Have you forgiven your husband for his mistakes?” — signals the media circus that surrounds Noyonika’s every move. The story takes an emotional turn when their child suffers an accident, prompting Noyonika to assert, “A mother can do anything for her children.”

The trailer hints at parallels with Kajol’s emotional performance in ‘Maa’, portraying a fierce mother ready to face anything for her child.

Also Read: COMEBACK QUEEN! Kajol Returns As Noyonika Sengupta In The Trial Season 2

Season 2 picks up as Noyonika is dragged back into the courtroom and political battlefield, navigating high-stakes legal cases, office rivalries, old enemies like Dhiraj, and a complicated romance with Vishal. She must now fight not just for justice, but for her own voice in a world built on deception.

New faces like Karanvir Sharma join the ensemble cast, adding new twists to this intense courtroom and family drama. As the line between duty and desire blurs, Noyonika’s biggest trial begins September 19.

August 22, 2025 0 comments
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