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Hailee Steinfeld on Josh Allen Marriage Changing Lifestyle
Celebrity News

Hailee Steinfeld on Josh Allen Marriage Changing Lifestyle

by jummy84 October 3, 2025
written by jummy84

Hailee Steinfeld has learned to appreciate a timeout. 

The Sinners star revealed that her relationship with Josh Allen—who she tied the knot with in May following two years of dating—has taught her to enjoy a slower pace of life, especially when it comes to her career. 

After all, the Buffalo Bills quarterback’s job requires a very consistent routine, while her acting schedule is constantly changing. 

“What we do is so unpredictable, and his job is on such a strict schedule,” Hailee explained to Variety in an interview published Oct. 3. “So it’s actually a blessing—I try to organize my time so I can be where he is.”

And with Josh, 29, currently in the midst of the NFL’s 2025 regular season, the Oscar nominee, 28, said she is presently enjoying some downtime so she can cheer him on during his games.

“This time of year, I get to hunker down, slow down, support him and live life,” she continued. “When the offseason rolls around, it’s go-time for me.”

In the past, taking time off work wasn’t exactly a regular occurrence for Hailee. 

October 3, 2025 0 comments
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Hayley Williams says she turned down contributing song to 'Jennifer's Body' due to bandmate Josh Farro: "He was an ass"
Music

Hayley Williams says she turned down contributing song to ‘Jennifer’s Body’ due to bandmate Josh Farro: “He was an ass”

by jummy84 October 2, 2025
written by jummy84

Hayley Williams has revealed that Paramore were forced to turn down an opportunity to work on the Jennifer’s Body soundtrack because of former bandmate Josh Farro’s reservations about the film.

  • READ MORE: Hayley Williams’ surprise 17-song release is a bold choose-your-own-adventure through hope and heartache

Alongside tracks from artists like Panic! At The Disco, Cute Is What We Aim For, and Dashboard Confessional, her song ‘Teenagers‘ appeared on the soundtrack to the cult-classic horror comedy.

As Williams recently revealed, Paramore also could have contributed music to the Megan Fox and Amanda Seyfried-starring film, but ultimately declined. In an interview with the New York Times, the frontwoman discussed her recently dropped surprise solo album and touched on turning down the opportunity.

“There were a lot of things that I even wanted to do that they weren’t supportive of,” she said. “And when I say ‘they,’ I mostly mean Zac’s brother, ’cause he was an ass.”

She was referring to Josh Farro, Paramore’s original lead guitarist, who left the band in 2010 because of his differing religious beliefs.

“I turned down the end credits of Jennifer’s Body for him. You know what I mean? There’s so much lore! There’s so much people don’t know.” She speculated that given he grew up “fundamental Christian”, he “didn’t agree” with the film’s content. While the initial reception to the film was critical, it has steadily gained a cult following after a reappraisal from fans and a queer-friendly reading of the two leads’ relationship.

When Popcast co-host Joe Coscarelli joked that Jennifer’s Body was a “demonic film,” Williams replied: “That’s the best kind.”

Elsewhere in the interview, she revealed the “racist country singer” from her song ‘Ego Death At A Bachelorette Party’ is Morgan Wallen.

NME reviewed ‘Ego Death at a Bachelorette Party’ before its official release, giving it five stars and writing: “As with almost every era of Hayley Williams’ career, this new release has come with questions about the future of Paramore. The determined lyrics on the tender ‘I Won’t Quit On You’ should be all the reassurance worried fans need, but if that’s not enough, there’s plenty in this brilliant, swaggering new chapter to be excited about.

“These songs might be about missed second chances, but Williams is certainly making the most of hers.”

Williams then officially released the album on August 28, marking her first release as an independent artist following her record deal with Warner/Atlantic ending.

She would later reveal that although Paramore aren’t broken up, they are on a break: “We always take huge breaks. In order for us to metabolise shit that we go through as people, it takes the amount of time it takes between albums.”

In other news, Hayley Williams has explained why Paramore’s music has reappeared in Israel after joining the ‘No Music For Genocide’ boycott

October 2, 2025 0 comments
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Christina Haack Turned Down Ex Josh Hall's First Proposal
Celebrity News

Christina Haack Turned Down Ex Josh Hall’s First Proposal

by jummy84 October 1, 2025
written by jummy84

According to Christna Haack, Josh Hall’s first proposal was a bit of a flop.

The Flip or Flop alum—who finalized her divorce from the realtor back in August after two years of marriage—revealed that she turned down her now-ex-husband when he initially popped the question.

“The first time he proposed I said no, and he threw the ring in the pool,” Christina told People in an interview published Oct. 1. “That was probably red flag number one.”

“I don’t think anyone’s ever heard that story before,” she added. “Sorry. It’s true.”

The 42-year-old, who started dating Josh in February 2021 before getting engaged that August, noted that she just wasn’t ready to commit to him at that moment.

“We weren’t getting along super great even then, off and on,” she recalled. “When things were good, they were good, but it just felt like I wasn’t quite ready and so I just said, ‘This is not the right time.'”

“I don’t remember exactly what I said,” Christina—who is now dating Christopher Larocca—continued, “but he had the patio decorated and he threw it in the pool.”

October 1, 2025 0 comments
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Corey Taylor, Billy Idol, Josh Freese to Perform The Cars and New York Dolls Albums at Benefit Show
Music

Corey Taylor, Billy Idol, Josh Freese to Perform The Cars and New York Dolls Albums at Benefit Show

by jummy84 September 30, 2025
written by jummy84

An initial lineup has been announced for the Above Ground 4 benefit show, featuring an all-star cast of musicians performing the classic self-titled debut albums of New York Dolls and The Cars in full.

The concert, set for October 26th at the Honda Theatre in Hollywood, California, was originally scheduled for January 2025 but was postponed due to the LA wildfires. With the new date, the artist roster has changed from the original announcement.

Corey Taylor (Slipknot), Billy Idol, Josh Freese (Nine Inch Nails), Moby, Nuno Bettencourt (Extreme), Steve Stevens (Billy Idol), and Cars guitarist Elliot Easton are among the musicians set to perform, along with special guests Cypress Hill.

Related Video

Above Ground, which was founded by Dave Navarro and Billy Morrison, helps raise awareness and funds for mental health initiatives and suicide prevention. The two guitarists usually perform at the benefit shows, but are not listed as of yet, although a full lineup is expected to be announced in the coming weeks.

Past Above Ground benefit concerts have seen notable musicians performing full albums by the likes of The Velvet Underground, Sex Pistols, David Bowie, The Stooges, and more. Thus far, Above Ground has helped raise $750,000 for the aforementioned causes, according to its official website.

Tickets to the Above Ground 4 benefit show are available here. Stay tuned as more artists are announced.

September 30, 2025 0 comments
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Is Donna Murphy Leaving 'Brilliant Minds'? Boss Explains Muriel's Decision, Talks Wolf and Josh Romance (Exclusive)
TV & Streaming

Is Donna Murphy Leaving ‘Brilliant Minds’? Boss Explains Muriel’s Decision, Talks Wolf and Josh Romance (Exclusive)

by jummy84 September 30, 2025
written by jummy84

[Warning: The below contains MAJOR spoilers for Brilliant Minds Season 2 Episode 2 “The Contestant.”]

Brilliant Minds isn’t about to say goodbye to Donna Murphy, right?! Especially not so soon after Wolf’s (Zachary Quinto) father left? Muriel does step down as CMO in the latest episode, but she and Wolf also discuss that now she’ll just be his mom, not his boss. That should make for some good television since those two are so great in scenes together.

Also in “The Contestant,” Carol (Tamberla Perry) successfully fights for her job, helped by Muriel, saying she told her to keep treating Alison, the woman with whom her husband was having the affair. Plus, it looks like Wolf and Josh (Teddy Sears) will be getting back on track when they go out for drinks, but then the latter pulls away when the former kisses him. He can be his friend, but that’s it, for now. And a new flashforward reveals that Carol is at Wolf’s side when he signs himself into Amelia’s (Bellamy Young) Hudson Oaks psychiatric facility.

Below, showrunner Michael Grassi breaks down this episode, reveals if Donna Murphy is going anywhere, talks Wolf and Josh’s moment, offers more information about the flashforwards, and much more.

Muriel steps down as CMO. Is Donna still a series regular?

Michael Grassi: Donna is still very much a part of the show, and we’ll be seeing more of her very soon.

I feel like that means we’ll be getting a lot more of the mother-son relationship. But can she step away from the hospital when her son works there as much as she should?

Good question. So, we’ll definitely be seeing more of Muriel in the first half of the season and even later, but I think that relationship is going to shift a little. But I think we’ve seen so much growth in the Wolf-Muriel relationship, and I love Zach and Donna on screen together so much. Some of my favorite scenes are them. We’ve seen them grow, and we’ve seen Wolf appreciate everything his mother did and even though it might’ve been hard for him growing up the way his mother was, sometimes I think he sees that she was really trying to protect him and that it wasn’t even that she wanted to keep what dad did a secret, but it was what dad wanted and she was just trying to protect him in so many ways. And I think Wolf really sees that for the first time, and we see their relationship evolve, and you’re so right that post 202, we’re going to see a bit of a shift. It’s like, what does it look like when Muriel isn’t at Bronx General and when she catches up with her son? That new dynamic of just mother and not boss is something we haven’t gotten to see yet really on the show since he was a kid in the flashback. So, it’s going to be really fun.

When you said seeing the growth, I just thought about when he checked on her after hearing the end of her phone conversation. A moment like that at the beginning of the series almost would’ve been impossible to imagine.

Yeah, and I have to say, too, I love Tamberla and Donna together as well. That’s one of my favorite scenes in 202. I love it. It is just so good, and I love the mutual respect they have, and they have so much in common, but also, Wolf is their main thing in common. They also just love him so much, and he’s such a big part of their lives, so it’s just nice to see that connective tissue between them.

Yeah, then Muriel has that line that Wolf is going to need Carol, and the flashforward in this episode shows he does, with Carol by his side. So, are the flash forwards going to be a bit disjointed like that, where that one clearly took place before the premieres? Should we expect that, and then it’s going to be piecing it all together?

 Correct. I think it’s going to be a bit of a puzzle that the audience is going to be putting together for sure. We’re going to see different parts of what those flashforwards are, jumping in time a little bit.

With these first two episodes, it’s easier to tell, but will there be moments where it’s questionable when something took place?

I don’t want to spoil it too much. You’ll see.

What can you say about the new CMO and that person’s dynamic with Oliver? He’s adjusting to someone who’s going to be his boss, who’s not his mom?

Yeah, I would say stay tuned.

The good news is Carol is back. First of all, thank you so much for the Carol and Josh scenes in this episode. They were great,

They’re so good together.

Pief Weyman/NBC

But there is now the question of who reported her, since it appears it wasn’t Alison. Can you confirm it wasn’t Alison? Because she could have reported her and still decided to speak up on her behalf.

I can confirm it wasn’t Alison. She went in and she told them that Carol saved her life and she meant it.

How is Carol going to go about trying to get that answer?

I think Carol’s going to be torn about the ethics of getting that answer. And is it something that she even should do because whoever reported her, was it their right to report her? So, I think we’re going to see Carol be tested a little bit throughout the season, and that question will loom and it will weigh on her. She has to be at work, and somebody around her reported her for this. We’re going to see how Dr. Carol Pierce navigates something like that as a psychiatrist, which is going to be great.

Is she going to be changing her approach to work at all because of what she just went through?

That’s something we’re going to continue to explore in Episode 203, which I’m so excited for you to see.

Oliver kisses Josh, trying to just get things back to where they were before Noah showed up. But I can’t help but think about Oliver not returning his “I’m falling for you” and you telling me that he would in his own unique way, which he hasn’t yet. So, does that play into where Oliver is when it comes to being ready to resume that relationship?

I think when Wolf kisses Josh in 202, it’s a bit of a moment where he’s trying to reset, but it’s also that he’s doing it in the wrong way because it’s like, “We haven’t even had the conversation, and you’re kissing me at drinks.” And Josh literally thought, “Oh, he’s asking me to drinks to be like, ‘Hey, I have to talk to you. My dad left again. It’s messed up.’” It’s just a little bit cart before the horse, and I think it’s just part of Wolf trying to cope with what happened, and it’s Josh being like, “Oh, this is messy.” And I think it further complicates things to be honest.

Josh says he can be his friend. Why did you want to slow them down, and what can you say about any hope for their romance after 202?

I think they had a bit of a quick start. I think they shot out of the can a little bit. I think they had that amazing kiss in Episode 107 last season, but it might’ve been premature. And I think ever since that kiss, they’ve been trying to navigate, “Who are we to each other? We clearly have feelings for each other. We also work together and disagree in a lot of stuff. And that’s really complicated.” And then Wolf did what he did in 113 because he was dealing with personal stuff and I think they have a lot to figure out and it’s going to be a ride between them. But I really do think that there’s love there and mutual respect, and I think we see that on screen between the two of them. I think Zach and Teddy are so good, and those are some of my favorite scenes. Their dynamic is going to shift in a big way very soon.

Zachary Quinto as Dr. Oliver Wolf, Teddy Sears as Dr. Josh Nichols — 'Brilliant Minds' Season 2 Episode 2 "The Contestant"

Pief Weyman/NBC

I might be getting a bit dark with this question, but Ericka (Ashleigh LaThrop) sleeps through her phone going off about the patient and Charlie (Brian Altemus) has that comment about taking it easy on the benzos. Did he dose her or is it just that he knows that she’s taking pills?

He knows that she’s taking pills. He saw her take pills.

So it was just that, we shouldn’t be wondering how far this guy’s going to go?

No, no, no, no, no. I love that you asked that though. That’s a whole other show. Maybe Season 3, maybe Season 3.

Are there any episodes coming up like the building collapse from Season 1?

We have some really dramatic cases this season. I’ll tease Episode 203 has an opening sequence that is one of my worst nightmares, and I think a lot of people’s worst nightmares. So I’m excited for people to see that. And we will have some bigger episodes this season for sure. And some unexpected events happen.

Brilliant Minds, Mondays, 10/9c, NBC

September 30, 2025 0 comments
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Zachary Quinto as Dr. Oliver Wolf —
TV & Streaming

Zachary Quinto on Wolf in Hudson Oaks, Josh Romance, More (Exclusive)

by jummy84 September 23, 2025
written by jummy84

[Warning: The below contains MAJOR spoilers for the Brilliant Minds Season 2 premiere “The Phantom Hook.”]

Brilliant Minds bookends its second season premiere with a flashforward to six months in the future, when Dr. Oliver Wolf (Zachary Quinto) is a patient himself. Plus, it delivers a heartbreaking blow to the doctor when he’s finally ready to talk to his father (Mandy Patinkin), whom he’d been avoiding despite letting him stay in his house.

Elsewhere in the Monday, September 22, episode, Wolf and Josh (Teddy Sears) are no longer together, Ericka (Ashleigh LaThrop) returns from a trip to Mexico seemingly better after her anxiety-inducing experience when her building collapsed last season, and the team gets a new member in resident Charlie (Brian Altemus), who seems to have a hidden agenda.

Read on for a breakdown of the Season 2 premiere (which picks up six weeks later from the finale) with insights on what happened and what’s next from Zachary Quinto, Teddy Sears, and showrunner Michael Grassi.

Why is Wolf a patient at Hudson Oaks?!

A flashforward reveals that Wolf is a patient at Hudson Oaks, a psychiatric facility run by Dr. Amelia Frederick (Bellamy Young), and he’s trying to escape. In the final moments, he’s caught and sedated as she checks, “He won’t be fighting back anymore. Isn’t that right, Oliver?”

We will catch up those six months, Grassi promises, though he won’t say when exactly (or when Young might show up in the present), and there won’t be flashforwards every episode, just “when it’s really pertinent to our storytelling and reflects our case and when we need to go, we go there.”

As the season progresses, the question will be, “What’s going to be the thing that breaks Wolf and sends him there? Is it going to be one thing? Is it going to be a combination of things?” asks Grassi. “There will be more surprises. Within this season, we will learn exactly what’s happening there at Hudson Oaks, and it’s going to be surprising.”

Quinto still doesn’t know fully what’s going on, he shares, since they’re writing and filming the season as it airs. “Michael and I talk about a lot of the catalysts for why Wolf ends up at Hudson Oaks and why he can’t escape, and all of that, but they haven’t been committed to a script yet. So it’s an ongoing collaboration, an ongoing conversation, and one that we’re having all the time so that I can be planting seeds that maybe pay off later,” he says. “That mystery is a real thrust of Season 2, not only for audiences, but also for the characters: What happens that leads Wolf to this place of needing to seek help and then getting trapped somehow in the place where he thought he was going to get some relief. There’s a lot simmering, and I’m excited to watch it boil over.”

Sears’ initial theory after reading the premiere’s script was it involved Noah and something Wolf had buried about his father. “That, to me, is overly simplistic, and I certainly don’t think it’s that,” he admits.

What’s in Noah’s letter? Will Mandy Patinkin return?

While Wolf is working on figuring out what’s medically wrong with his father — Noah shared that he hasn’t been able to get any answers, and that’s why he came to his son in the finale — he’s been sleeping in his office. But as his best friend Carol (Tamberla Perry) points out, if Noah was just another patient, Wolf would do everything in his power to get to know him, which means going home. But when Wolf does just that near the end of the episode, it’s to find that his father’s gone (and left a goodbye letter).

Pief Weyman/NBC

“He was ready at the end of the first episode. I think that’s the tragedy of that turn of events is that he got advice from Josh, he got advice from Carol, and he finally felt like, ‘OK, if I’m going to move through the upheaval of this return of Noah, then I have to confront it,’” says Quinto. Unfortunately, instead of that conversation, “he was met with another disappointment and after all of the work that he did to forgive his father, to understand where his father may be coming from, I think it was a particularly impactful blow to be yet again abandoned, to be yet again left alone, to be yet again put in a position of longing for some kind of connection that he thought maybe was possible and then realized wasn’t so.”

So, what would Wolf want to say the next time he sees him? “Find somewhere else to stay? I don’t know,” Quinto admits.

“We spent so much of the first season dealing with Wolf’s issues around abandonment and around mistrust that was caused by this lie that his parents decided to tell him. And to have him welcome Noah back into his life only to have him once again pull a disappearing act, I think was really re-traumatizing for Wolf in a way that he had only two options: One was to confront that and face it and accept it and lean into it, and the other, which is the choice he makes, I think, is to kind of slam the door on it and say, ‘I’m done. I’ve tried. I have no more to give this person, and I’m going to channel my energy into the people who want and need me, my patients primarily, and my friends and the doctors that I work with,’” he adds.

“Is that the healthiest choice that someone could make for their own mental health? Maybe, maybe not, but considering where we find Wolf at the beginning of the second season, I think we know that the answer is maybe not. And how that’s all going to add up over the course of the season is something that I think audiences will hopefully be invested in,” Quinto teases.

Not only did it seem that “Noah got the message” his son sent by not being around, Grassi says, but we’re also going to see Wolf continuing to ask, as the season progresses and he deals with being left again, “‘Is Dad lying to me? Is he lying just to get back into my life?’ He’s done all these tests and he’s run all these things and he hasn’t found anything yet. So is he getting too close to the truth?”

Even without Noah around, he continues to weigh on Wolf. “So much of Season 1 and Wolf’s life has been processing this grief. What happens when somebody that you’ve grieved comes back and what happens when they leave again? Something tells me that the grief is just as painful, but we’re going to see how Oliver navigates that grief and follow, in 202 and onwards throughout the season, how do you move on and how do you deal with all of the feelings around that?” Grassi previews. “And it’s complicated.”

As for whether we’ll see Patinkin this season, “the story will definitely continue in very surprising ways and I can’t say whether or not we’ll see Mandy again this season yet,” according to the showrunner.

Will Wolf & Josh get back together? Is Josh dating?

Wolf and Josh’s journey to getting and being together was a memorable one in the first season. In the finale, Josh told Wolf he was falling for him, but then Wolf missed a gala where the other doctor was being honored after his father showed up. When Season 2 begins, the two aren’t together. Wolf says if he could, he would, but his house isn’t in order, and Josh gets it but says he can’t wait for something that might not ever happen.

Teddy Sears as Dr. Josh Nichols — 'Brilliant Minds' Season 2 Premiere "Phantom Hook"

Pief Weyman/NBC

Both men “are really complicated” and “have a lot to navigate,” says Grassi. “It’s a bit of a ride with them this season and there are some twists coming. They’re going to go through stuff, but there is a really deep respect there and a love there. And I think you see that in all of their scenes together, even as they’re navigating all of the complexity that they’re going through. I love Zach and Teddy and their chemistry and this relationship is such an important part of the show, and we’ll continue to explore it, but in some surprising ways. The dynamic is going to shift in a way that we don’t see coming.”

Early on in the premiere, Josh comments on Wolf’s black eye (from a patient), and the other doc replies with the expected “you should see the other guy.” But then, when Wolf comments on Josh’s tan, the surgeon says he spent the weekend in the Hamptons … and “you should see the other guy.” Grassi’s not ruling out other love interests, but Sears tells TV Insider that specific remark was just “a swipe, an attempt to make him jealous,” and Josh isn’t out there dating.

“I think he’s trying to bury his pain by having a great time, but I don’t think he’s moved on per se, even for a casual night. I don’t think that Josh would say, ‘I’m falling for you,’ at the end of Season 1, only to resort to something that I think we would probably expect someone far more juvenile or less emotionally informed to do,” Sears explains.

“I think he doesn’t quite know where things stand, and it’s bugging the s**t out of him,” he adds, pointing out that some days, they might only have a quick glance or exchange in the hallway. The key scene was the one in Wolf’s office where they have the aforementioned conversation.

“It’s been six weeks, and he’s still not ready. And six weeks is, I feel like, not an unreasonable amount of time to allow someone time to process the arrival of something so devastating and world-shaking. ‘I’m an adult, you’re an adult, and we do need to talk about this, and if you still need some time, OK, but I have my own life to live, if you will,’” Sears says.

While Wolf made what Quinto says “probably wasn’t the best choice” in the Season 1 finale, what’s great about the two doctors is “they’re adults and they’re able to hold space for themselves and for each other, and they have to work together. Things definitely change in the nature of their working relationship at Bronx General over the course of the first few episodes of the season, so, that’s something they’re going to have to navigate. And I think that question about what they mean to each other and what they want to be to each other is something that will continue to unfold. And I don’t think there are any easy answers or it’s not black and white. It’s like a lot of human relationships, which means that it’s complicated, it’s uncertain, and I think they’re both trying to figure it out, and we’ll definitely watch that unfold as the season progresses.”

Zachary Quinto as Dr. Oliver Wolf, Aury Krebs as Dr. Dana Dang, Ashleigh Lathrop as Dr. Ericka Kinney, Alex MacNicoll as Dr. Van Markus, Brian Altemus as Dr. Charlie Porter — 'Brilliant Minds' Season 2 Premiere "Phantom Hook"

Pief Weyman/NBC

What is Charlie’s motive?

Wolf assumes that his mother, the hospital’s CMO (chief medical officer) Muriel (Donna Murphy), has brought on Charlie to spy on him. Charlie denies it. He visits Wolf in his office to tell him that he asked for the job because of him; he wants to learn from the best. We have a feeling that he is telling the truth about asking for the job because of Wolf but having a hidden agenda as to why.

“You tapped into something,” says Grassi. “Charlie is such a fun character. I love our interns from last season, and we really established an interesting dynamic between our interns where they really opened up to each other, and they would group hug, and they became this surrogate family. Charlie comes in, and he’s kind of like, ‘This isn’t normal. Whatever Wolf created with you guys here, it’s like this is weird.’ He’s going to try to subvert the status quo a little bit and poke at our interns and that dynamic. And at the same time, he pursued this job with Wolf. He applied for it. He wanted this job; he wanted to work with Dr. Oliver Wolf. And I think the big question we’ll be asking ourselves is, ‘Why?’”

Quinto’s take is that Charlie seems to be “really enthusiastic” and “a little bit of an agent of chaos. For Wolf, the jury’s out,” he says. “Their relationship is actually going to be an interesting and unexpected evolution. At least that’s what I’m picking up on so far. We’re only on Episode 8 now, so we still have a long way to go, but my sense is that Charlie represents something to Wolf that he’s going to have to reckon [with] and confront.”

How’s Ericka doing after her building collapsed?

As we learn near the end of the episode, Ericka came back from her trip to Mexico with a suitcase compartment full of meds she’s hiding from roommate Dana (Aury Krebs).

“Ericka is dealing with a lot this year,” the showrunner says of the type A doctor who thinks she can medicate herself. “She really thinks that she can control everything that she went through last season and all of the feelings that she’s carrying with her this season. And as the season goes on, we’ll see it build on her and how her PTSD from what she went through starts to manifest in how she’s a doctor in a weird way and the patients she tries to treat.”

Season 2 will also reveal more about Ericka as well as continue to explore her and Dana’s friendship.

Has Season 2’s recurring patient been introduced?

The first part of Season 1 featured a recurring patient in Roman, who had locked-in syndrome. It appears we’ve met the Season 2 version. Jacob (Spence Moore II) tells Ericka of a 30-year-old man with schizoaffective disorder who complains of daily chest pains and is in all the time.

“We may see more of Sam this season, and we may be learning more about him soon enough,” Grassi confirms.

What did you think of the Brilliant Minds Season 2 premiere? What’s your theory about that flashforward? Let us know in the comments section below.

Brilliant Minds, Mondays, 10/9c, NBC

September 23, 2025 0 comments
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Josh Gad in Alex Winter Movie
TV & Streaming

Josh Gad in Alex Winter Movie

by jummy84 September 12, 2025
written by jummy84

There are only so many ways to hide a body, and there are only so many ways a movie like “Adulthood” turns out. Alex Winter’s amusing but slight film is a wacky romp about intergenerational trauma and cycles of abuse, though that’s pretty obvious from any given promotional image. As crazy as the movie purports to be, there’s never an unexpected moment. Thankfully, this turns out to be less of a problem than it should be. 

“Adulthood” follows Noah and Megan Robles, two siblings whose mother has been left unable to speak after a stroke. While looking through the basement of their childhood home, they notice a leak in the water heater and a terrible smell. Their investigation leads them to the rotting corpse of their old neighbor Patty Metzger (a great name for a character whose moniker will hang over the rest of the film), who disappeared years ago. Instead of calling it into the police, they decide, in order to protect their family’s reputation and finances, to dump the body in a quarry. Of course, the pair’s attempts to bury the past only cascade into further collateral damage and ethical compromise.

Barrio Triste

Over the past 20 years of Black List darlings and Edgar Wright rip-offs, the American film industry has established a new archetype of cinema filled with quippy antiheroes, gory allegories for domestic strife, and character actors rattling off reference humor. The last few years this have seen this subcategory exchange its trendiness for a position as a legitimate niche market with the lower-tier of silly genre programmers. In 2025, a movie like “Adulthood” — i.e., a Whedon-esque morality play where one of the characters wears an Alamo Drafthouse shirt — is no longer cool or remotely notable. It is the standard deviation of every movie to play the Midnight section of a festival. But I like the Midnight section, and I found the movie to be a totally amiable way to spend 97 minutes.

Much of this hinges on a single load-bearing creative decision, one that becomes delightfully obvious only a few scenes in. Unlike similar stories, wherein characters often recoil at the notion of replicating the faults of their parents, the Robles are maniacally insistent that they must, at any cost to their well-being or the lives of others, follow in their parents’ footsteps. It is their duty to protect their mother’s legacy. They barrel recklessly past several oppurtunities to free themselves from the consequences of their own actions out of a stubborn devotion to their own toxicity. This approach is way more fun than the alternative, and gives far more room to explore questions of familial responsibility and the difference between care and self-preservation.

Such thematic complications present themselves, though in a confounding order, with unreliable consistency. Nearly half the film focuses on the extortion effort of the mother’s nurse (Billie Lourd). Her motivations, as someone who resents being dehumanized by those who pay her to do what she believes is a child’s duty of care, are a worthy inclusion, but her scenes feel like a slack waste of time in a story that demands a certain level of propulsion. Anthony Carrigan’s Bodie, the unpredictable cousin brought in by Noah to intimidate her, is similarly leveraged disproportionately. He lays bare the hypocrisy of the siblings’ insistence that they are acting out of some familial obligation and not outright selfishness. But this would perhaps be better highlighted by the character played by Winter himself. As Patty’s vagrant son, he delivers a heartbreaking and immediately commanding performance. Unfortunately, he has a total of about 180 seconds of screentime, the perfect foil to the sibling’s relationship is bizarrely abandoned.

The other performances are uneven, though I’m not sure how much of that is the script and how much is Winter’s direction. On one side is Gad, who fares shockingly well. Noah is a debt-addled, nerdy middle-aged who feels totally emasculated by his inability to get a project off the ground. As someone who has never been swayed by Gad’s particular brand of obnoxiously chipper humor, Noah’s depressive snark finds him in a much more comfortable register. He takes an insufferable caricature and turns it into a convincingly normal guy, even amidst all the hijinx and bloodshed. Scoledeno, however, is ill-served by a script that gives her plenty of detail but no depth. In addition to covering up a murder or six, Megan obsessively monitors her diabetic son’s glucose levels and finds herself stuck at the bad end of a multi-level marketing scheme. Scoledeno is visibly distressed, but Megan’s motivations are frustratingly indecipherible until she finally explains herself in voice-over.

All of this is perhaps explained by the core flaw in “Adulthood”’s construction: every arc is defined by if and when someone chooses to lash out in violence, but said violence is always irrational and inertly dramatized. Carrigan is, as always, a game performer. But Bodie, with his room full of swords and adult braces, is the kind of wacky force that requires a clarity of vision and Winter isn’t up to the task. The ending is not a twist, but it does backfill psychological information about the nature of the sibling dynamic that would have worked infinitely better if Galvn had found a way to seed these tensions sooner, or Winter a way to dredge them up via performance or mise-en-scene. Despite the premise, the movie is without a clear genre. It is not scary, it is not exciting, I do not even know if I would call it a comedy.

Yet I thoroughly enjoyed my time watching “Adulthood.” Whatever you call this type of movie, I find it endearing. I think its snarky faux-nihilism is cute and brings enough energy to the proceedings to paper over its dramatic lurches. I like the eagerness with which every idiosyncratic bit of set design and every minor twist is presented. I like sensing that someone on-screen is about to commit manslaughter and then swear, the way you can tell a rom-com heroine is about to trip by the way she carries a stack of papers.

I like movies like “Adulthood.” There are plenty of better films just like it. But there are plenty of worse ones, too. Plus, this one doesn’t have a single annoying needle drop. That has to count for something!

Grade: C

“Adulthood” premiered at the 2025 Toronto International Film Festival. It is currently seeking U.S. distribution

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September 12, 2025 0 comments
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The Occasionall Group: Strategic Leadership Shift as Managing Director Josh Heyburn takes on Lecturer Role and Natalie Evans’ Contribution is Recognised in Promotion
Events

The Occasionall Group: Strategic Leadership Shift as Managing Director Josh Heyburn takes on Lecturer Role and Natalie Evans’ Contribution is Recognised in Promotion

by jummy84 September 2, 2025
written by jummy84

The Occasionall Group, a leading provider of event staffing solutions, today announces a strategic leadership transition that reflects both its growth and its commitment to people-first values. Managing Director Josh Heyburn will be shifting his focus from daily operations as he begins a new role as Lecturer in Event Management at Buckinghamshire New University, while long-time team leader Natalie Evans is promoted to People & Culture Director. Together, these changes represent both stability and evolution, as the company enters its next chapter with confidence.

Josh’s Message:

“Founding this company and leading it through the past few years has been one of the greatest privileges of my life. It’s been fast-paced, people-driven, and full of growth – and it’s only possible because of the brilliant team around me.

This shift marks a new chapter, not a departure. Becoming Founding Director allows me to focus more intentionally on strategic leadership, while starting a new role as a Lecturer in Event Management – a space where I hope to bring industry insights to the classroom, while also bringing a fresh perspective back into the business.

I’m incredibly proud of everything TOG has become, and proud to see Natalie formally step into the role of People & Culture Director. Her leadership, insight, and commitment have shaped the company in ways that most people don’t even notice – and I can think of no more capable person to take it forward.

With this transition, our clients, partners, and staff can expect more of what they’ve always known from TOG: thoughtful delivery, responsive leadership, and a people-first approach that puts culture at the centre of everything we do.”

Natalie’s Leadership & Continuity
Having worked closely with Josh to build and grow the company, Natalie has been pivotal in shaping TOG’s team-centred culture, developing the systems that underpin its success, and leading operations with consistency and care. Her promotion formally recognises this impact, while also reassuring clients and partners that the same high standard of service will continue seamlessly.

From Natalie:

“I’m honoured to step into the role of People & Culture Director at The Occasionall Group. Working alongside Josh to grow this business has been an incredible journey. My priority now is to ensure that our team and clients continue to feel fully supported – there will be no change to the level of excellence our clients expect from TOG.”

What This Means for the Team & Clients
Josh will continue to support the business strategically, particularly during peak event seasons, while Natalie provides strong, day-to-day leadership. This transition has been designed to be seamless, ensuring clients continue to experience the same reliability, professionalism, and exceptional service TOG is known for.

Looking Ahead
The Occasionall Group remains committed to delivering excellence for clients, staff, and the wider events community. With a leadership transition built on trust, shared values, and continuity, the company is poised for continued growth and success.

September 2, 2025 0 comments
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Josh Hall on Christina Haack Divorce Settlement
Celebrity News

Josh Hall on Christina Haack Divorce Settlement

by jummy84 August 29, 2025
written by jummy84

Josh Hall is glad to be done with his divorce from Christina Haack.

Over a year after the 44-year-old filed to end his two-year marriage with the Christina on the Coast star, he felt elated that the divorce was signed off on by a judge Aug. 26.

In fact, Josh celebrated the official end of his marriage with Christina—who is currently in a relationship with Christopher Larocca—with a scathing message about his ex.

“Excited to spend Labor Day weekend in the real reality,” he wrote on Instagram Aug. 28. “Finally, legally divorced and a free man. I’ve always worked hard, kept what’s mine, and declined hand outs, and I’m keeping it that way.”

The realtor added, “Lesson learned: don’t marry someone who needs constant public validation and will use your personal drama for attention.”

Ultimately, a source close to Josh told E! News that he feels the divorce settlement was very “fair,” saying, “Josh agreed to split everything he and Christina earned together, and they each walked away from the divorce with everything that they had made prior to the marriage.” 

August 29, 2025 0 comments
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