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Sky's ITV Bid Leaves Industry Perplexed, But There's Logic To Deal
TV & Streaming

Sky’s ITV Bid Leaves Industry Perplexed, But There’s Logic To Deal

by jummy84 November 8, 2025
written by jummy84

Uncertainty over ITV‘s future has been one of the dominant themes of 2025. Famed for launching Downton Abbey, the network has been courting sale interest for well over a year, but for all the industry chatter and press speculation, ITV’s silence has been stony. That all changed on Friday, when the UK broadcaster dropped a bombshell worthy of Love Island: a buyer has entered the villa.

In a 70-word statement, ITV told shareholders that Comcast-owned Sky has made a £1.6B ($2.1B) bid for its media and entertainment division, which houses its TV networks and streaming service. If a deal is completed — and it remains an if — then ITV will be split in two, with shareholders retaining control of ITV Studios, the production and distribution unit behind shows including Fool Me Once and The Voice.

Deadline hears that Sky has been laying the groundwork for this moment for some time. Sky, which is very much leading on the deal with its parent Comcast in the background, has been quietly talking to ITV leaders about the shape of the takeover and why it makes sense for both parties. Work has also been undertaken to examine whether regulatory hurdles can be cleared. A formal deal remains weeks, if not months away, but a source familiar with the talks said there is “goodwill and momentum.”

Maya Jama, host of ‘Love Island’

ITV2

ITV’s much-discussed and notoriously sticky share price (chair Andrew Coslett was heckled over it at ITV’s latest AGM) jumped more than 10% after the bid was announced, but Sky’s move has left some in the industry scratching their heads.

The pay-TV operator is one of the British media’s great success stories, forged when Rupert Murdoch was at his swashbuckling best. But in recent years, the company has been managing decline and has at times felt like an unloved child in the Comcast empire. On a recent earnings call, Comcast chiefs, including Brian L. Roberts, did not mention Sky once — usually because it raises awkward questions about the hefty $39B Comcast paid for Sky in 2018. On the Sky side, there is a view among some at its West London HQ that Comcast has mismanaged its asset. Sky, which has made mass layoffs over the past year but did return to profit, has had its value written down by £1.2B, (nearly a quarter) since it was acquired.

So why is Comcast backing Sky’s pursuit of another contracting business? Or, as one observer dryly put it: “Why would you want to take the bad part of ITV away from the really good part?”

A Scale Play

Those close to the deal will tell you that Sky sees ITV as complementary, bringing together the UK’s biggest free-to-air commercial broadcaster with the top pay-TV platform. There is a belief that this will present a compelling offer for advertisers and help unlock new subscribers for Sky. For both parties, bigger is seen as better in a world in which they are competing for viewers, and therefore revenue, with global giants like YouTube and TikTok. This, of course, mirrors what is happening in the U.S., with buyers circling Warner Bros. Discovery as the ink dries on the Paramount-Skydance merger. “The way the market is looking, a deal like this does make sense,” said a Sky insider.

Industry execs noted that Sky has been mulling a free-to-air acquisition in the UK for some time, given that the pay-TV network took a serious look at Channel 4. Ultimately, the British government abandoned plans to sell Channel 4 in January 2023.

Sky remains the biggest home for Premier League football in the UK.

A former Sky executive said the company is constantly exploring ways to bolster its declining and aging customer base, meaning it could view ITV, and its streaming service ITVX, as another shop window for its content, not least sport. Sky remains the biggest home for Premier League football in the UK. “Not everyone who watches ITV watches Sky, but everyone who watches Sky watches ITV,” said an industry observer.

The former Sky executive pointed to its heavily marketed Essential TV deal — which bundles Sky Atlantic (home to House of the Dragon) with an ad-tier Netflix plan for £15 — as evidence of the company’s efforts to reach new subscribers. They said this sort of offer would have been unthinkable, even five years ago. “Sky is like a massive cruise liner with a small hole. It will sink eventually, but maybe ITV plugs this gap a little longer,” the source said.

While there is crossover between the ITV audience and Sky subscribers, Tom Harrington, Head of Television at Enders Analysis, said the broader audience will be a much better sell to advertisers. “You’d be enormous in a shrinking market,” he added. “If you have a declining business in many ways and combine it with another [declining] business then suddenly you look a lot bigger. That is better, even if putting them together won’t really arrest what they are facing.”

Another well-placed former Sky insider agreed the deal makes sense if Comcast wants to run Sky and ITV for cash, essentially juicing what remains of declining but still lucrative ad businesses. This person, along with numerous other sources, said there would be significant cost-cutting that could be achieved in slamming the businesses together (broadcasting union Bectu quickly voiced alarm that the deal would have “huge implications” for ITV staff). But ultimately, the former Sky insider came back to an analogy often whispered among bankers who are merging weakening businesses: “Two drunks propping each other up at the bar.”

An Ad Monopoly?

Other questions linger. There is no guarantee a Sky takeover of ITV would be cleared by regulators. The deal would need to be approved by Ofcom and the Competition Markets Authority. There is confidence this can be achieved, and the UK government has signaled in recent months that it wants to make it easier for broadcasters to come together.

Nevertheless, Sky and ITV are estimated to cover around 70% of the advertising market, meaning that any deal would certainly raise eyebrows from commercial competitors, not least Paramount-owned 5. “That would be the biggest hurdle,” noted a Sky insider, who said the deal would be the first big test of whether the government will greenlight consolidation.

Ex-ITV chair Peter Bazalgette, an industry doyen, told BBC Radio 4’s Today show that regulators should be flexible, given that ITV is now taking on the likes of Google and Meta in the video advertising space, not just its more immediate rivals like Channel 4. Bazalgette’s argument mirrors the one that ITV has begun making to UK lawmakers and regulators.

There is also the question of the duo’s overlapping news businesses. Both are widely respected, but Sky News has been loss-making for years and its current funding guarantee from Comcast — one of the stipulations of the 2018 deal — expires in 2028. A person close to Sky News suggested that the service could end up producing ITV News, which would get Comcast out of a “really difficult decision in 2028,” but would be bad news for current supplier ITN.

ITV News anchor Tom Bradby

Breaking ITV apart would also lead to questions over the deep ties between its network business and studios arm. “They are so inextricably linked,” said the market observer. “But the terms with which they relate to each other would, of course, become less advantageous and beneficial. So you’re buying something that wouldn’t be as good as it is now.”

The assumption from some of our sources is that ITV CEO Carolyn McCall will seek a buyer for the studios business soon after the sale of networks. Banijay and RedBird IMI have held talks, but interest has cooled in recent months. ITV insiders value it at £3.5B, and there is little doubt that it is an attractive asset in a consolidating market.

ITV, a grand old institution of British broadcasting, recently celebrated its 70th birthday. The company knows better than most that it must adapt to survive. Executives will hope that their courtship with Sky can turn into an enduring union, even if the takeover bid has left some perplexed.

Sky, ITV, and Comcast declined to comment.

November 8, 2025 0 comments
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ITV Targets Extra $46M In Cost Savings Amid "Softening Economy"
TV & Streaming

ITV Targets Extra $46M In Cost Savings Amid “Softening Economy”

by jummy84 November 6, 2025
written by jummy84

UK network ITV is planning to save another £35M ($45.7M) in the coming quarter, despite posting steady year-to-date group revenues.

In a Q3 trading update, the broadcaster and content group said it had identified the additional temporary savings” in its Media & Entertainment division, which houses its linear networks and streamer ITVX.

“UK macro data is showing a softening economy, with increased uncertainty in the lead up to the UK Budget which is impacting the wider advertising market, and we are adjusting our costs to match this current reduction in demand,” said ITV CEO Carolyn McCall in a trading update today. “We do not anticipate these temporary savings to impact our ability to deliver our strategic plan.”

The plan is to move £20M of programming will be moved into 2026 and make an additional £15M of non-content savings, primarily through “reduced discretionary spend” and “reduced marketing spend aligned with the adjusted content slate.” The move means ITV’s total content budget for 2025 is adjusted to around £1.21B.

Overall total year-to-date group revenues for the nine months to end-September at ITV were £2.8B, up 2% from £2.74B a year ago. A strong performance at production and sales division ITV Studios was hailed for offsetting an anticipated drop of 9% in total advertising revenue.

For the full year, ITV said it was “on track to deliver good revenue growth in ITV Studios at a margin of 13-15%,” while warning the “economic outlook in the UK remains uncertain with widespread caution being exercised across business sectors ahead of the Budget in November.”

ITV Studios revenue came in at £1.35B, up 11% on the £1.22B in 2024, with external revenue up 20% thanks to demand for programs from streamers. During the quarter, ITV Studios launched the likes of The Reluctant Traveler Season 3 for Apple TV and Love Island Games for Peacock.

However, internal revenues dropped 7% due to the absence of shows such as Saturday Night Takeaway, sports production and phasing of productions.

The M&E networks arm saw total revenue fall 5% to £1.44B, though digital advertising revenue was up 15% as ITVX viewing grew total streamed hours by 14%. Overall digital revenues were up 13%.

ITV said its overall performance for the nine months to the end of September had been “better than market expectations” thanks to its long-term More Than TV strategy. Full-year revenue and margin outlooks remain unchanged.

“ITV has delivered a good performance in a tough advertising market,” said McCall. “Both our businesses are performing well, reflecting the significant transformation we have delivered. Our strategic initiatives continue to progress well, and we remain confident in delivering good growth in ITV Studios revenue and digital revenue for the full year. This is supported by laser-focused strategic cost management and underpinned by our resilient and highly cash generative linear broadcast business.”

November 6, 2025 0 comments
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'Trigger Point' Season 3 Villain Jason Flemyng Interview on ITV Role
TV & Streaming

‘Trigger Point’ Season 3 Villain Jason Flemyng Interview on ITV Role

by jummy84 October 26, 2025
written by jummy84

You’ve probably seen English actor Jason Flemyng in Guy Ritchie and/or Matthew Vaughn‘s films, such as Lock, Stock and Two Smoking Barrels, Snatch, Layer Cake, Kick-Ass, and X-Men: First Class. You may have seen him in such Hollywood movies as Rob Roy, The League of Extraordinary Gentlemen, Seed of Chucky, The Curious Case of Benjamin Button, Transporter 2 or in small independent films from around the world. Now he is playing the antagonist in one of Britain’s biggest TV dramas, season three of Trigger Point, starring Vicky McClure.

Flemyng stars as Steven Wyles, who is causing the team of Explosives Officer, or Expo, Lana Washington, portrayed by McClure, all sorts of headaches with his sinister vendetta. “Someone is targeting individuals and demanding revenue,” according to a season three plot synopsis. “Working alongside the Police Counter Terrorism Unit, the Bomb Disposal Squad race against time to find the bomber before they claim their next victim.”

Season three of the show, produced by Jed Mercurio’s (Line of Duty, Bodyguard) HTM Television, in association with All3Media International, which distributes the series internationally, starts airing on ITV1 and STV on Sunday and will be available to stream on ITVX and STV Player.

Flemyng talked to THR about his role and why he always seems to get cast as a baddie.

I told to a friend of mine that you got cast in Trigger Point, and he said, “Yes, I recognize him. He must play a bad guy!”

Flemyng [Laughs] Everyone says that. It’s so unfair. I’ve been playing those parts for my whole career, and I think I have been miscast from the very beginning of time until now. But that’s what I do. As soon as you see I’m in it, you know that people are gonna die.

What can you share about your character in season three without spoiling too much?

Initially, we see the victims, we see the explosions, we see the ramifications of his actions, but we don’t see him. It’s a cat-and-mouse game between me and Vicky, which was fun.

Vicky’s someone I’ve admired from a distance for a long time. When you meet people like that, you’re like, “Please, let them be nice.” And Vicky was exactly as I expected her and exactly as I wanted her to be. It was a happy shoot, and it comes from the top.

There are some big dialogue scenes with Vicky that were a joy. In football [aka soccer], if you go on to the pitch with Ronaldo, you look like an idiot, right? But in acting, if you go on to the set with Vicky or Stephen Graham or Brad Pitt or Angelina Jolie, the better the actor, the better you are. Honestly, I’ve been really lucky.

What can you tell us about the dynamic between Vicky’s Lana and your character Steven?

It’s a classic film relationship between the compassionate copper, even though Vicky is not a copper, but, you know, the compassionate protagonist and my character. The story behind this character is that he is a little man. It’s David versus Goliath. He’s been fucked over by the capitalist system. He is a byproduct of profit, and he’s sick and dying, as a lot of his friends are. He has no way of fighting back. So he takes it into his own hands. It’s a sort of Robin Hood story to a degree.

Vicky’s character understands why he’s doing it, but obviously doesn’t agree with the way he’s doing it. But her character is compassionate and left-leaning, you could say. He does it the wrong way, and she understands why he’s doing it, but can’t agree with the way he does it. There are a lot of those head-to-head things where they discuss that, which is great. Her compassion for him is very understated, but we know it because she’s such a great actress.

There are some massive scenes in it, which you definitely don’t get in a film. I have more lines in one scene than I have in whole movies, because there are six-, seven-page scenes. But when you have good dialogue, it’s easy.

The writing was working well, and I hope that the audience will have compassion for him because they understand his predicament, and they understand what’s happened to him. I think in modern society, a lot of people feel voiceless, and a lot of people feel like they’re a byproduct of the capitalist system.

Did you know Trigger Point well? What was your reaction to the opportunity to join the show?

This landed on the desk, and I was like: Brilliant! It’s [shot] in London as well. Double brilliant! I really didn’t have much of an idea about it. I knew Vicky was in it, and I knew that it was Jed’s show. But then when I arrived on it, I knew this was a big deal. Usually, when people ask me what I am doing, I’m like: “I’m making this film about a lesbian sheep farmer in the Czech Republic. And it’s got subtitles in German.” And they’re like, “Oh yeah? Great.” But when I said I’m in Trigger Point, they were like, “Oh my god, yeah, Trigger Point.” It’s probably the most popular thing I’ve ever done.

I’m at an age where my kids are 14, and it’s nice to be on the telly and at home. It sits easy with me that I’m not in Jordan, making a film that not many people are ever going to see. It’s nice to be in London, filming with the people who know exactly what they’re doing in a really tight machine. I have now watched the other seasons, which are great. And I think this year, it’s sort of stepped up another level visually. It looks more cinematic and dramatic. So, I’m really excited to see what people think.

Will your fans get to see more of you on mainstream TV shows then, maybe even as the hero saving the day for once?

I’m with you on that. But the people who are in control need to make those decisions. (Laughs)

October 26, 2025 0 comments
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Coronation Street's Channique Sterling-Brown opens up on ITV soap exit
TV & Streaming

Coronation Street’s Channique Sterling-Brown opens up on ITV soap exit

by jummy84 October 18, 2025
written by jummy84

Fans of Coronation Street were devastated to hear that Channique Sterling-Brown would be stepping down from her role of Dee-Dee Bailey after three years.

The popular character was a fan-favourite, and Sterling-Brown also won the award for Best Newcomer at the British Soap Awards in 2023.

But the decision to leave was Sterling-Brown’s, who explained why to press including RadioTimes.com.

“I made the decision in spring, and it wasn’t a rash decision,” Sterling-Brown explained. “I took a couple of months from being offered my next year’s contract to actually even respond. I felt really torn but I just had the sense that it was time.

“I’m very led by my faith, so I really took my time over it and prayed into it, and I found a real sense that I had done what I’d come to do, I’d achieved what I was sent here to do, so it was time to be brave.”

Speaking about the future, the actress said she wants to explore her career and take on new challenges.

“I’m going in with an open mind because I’m relatively young,” Sterling-Brown said. “I would love to get on the stage again. Telly is amazing, but it’s such a different experience to being on the stage.

“I’d love to do a film, I’d love to do a drama, I’d love to do more comedy. It’s such a big industry out there. I don’t really have a wish list, but I do have private ambitions, which I’ll keep.”

As for beloved Dee-Dee, Sterling-Brown remained tight-lipped on her final storyline, only spilling that “how it ends is right for her journey”.

No air date has been confirmed for Dee-Dee’s final episode.

Read more:

Visit our dedicated Coronation Street page for all the latest news, interviews and spoilers.

Add Coronation Street to your watchlist on the Radio Times: What to Watch app – download now for daily TV recommendations, features and more.

Check out more of our Soaps coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

October 18, 2025 0 comments
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Where was Frauds filmed? Location guide for ITV drama
TV & Streaming

Jodie Whittaker and Suranne Jones on their ‘fresh’ new ITV thriller

by jummy84 October 6, 2025
written by jummy84

If you’re over 55 and want to access the value built up in your home, equity release might be just the thing you need to turn your retirement plans into reality. Each year thousands of homeowners access tax-free cash that’s tied up in their property, and one of the best parts – you don’t need to sell your home to get it!

October 6, 2025 0 comments
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Where was Frauds filmed? Location guide for ITV drama
TV & Streaming

Where was Frauds filmed? Location guide for ITV drama

by jummy84 October 5, 2025
written by jummy84

To secure a life-changing fee, they enlist a heist crew in true genre style, each of whom has their own set of skills – and their own stock of dangerous baggage that could derail the plan entirely.

If the cinematic setting of Frauds has left you dreaming of your own sunny escape, here’s your guide to where the comical ITV thriller is set (and the location where it was actually filmed).

Where is ITV’s Frauds filmed?

Jodie Whittaker and Suranne Jones star in Frauds. ITV / Monumental Television

ITV drama Frauds was filmed in Tenerife, a Spanish island and popular tourist destination located off the coast of northwest Africa.

However, Tenerife is not playing itself in Frauds (so to speak), as the story of the show is set in mainland Spain; specifically, the southern province of Málaga, where co-creator Anne-Marie O’Connor has spent a significant amount of time.

She told press that she was excited by the “spaghetti western feel” that the area can provide, adding that “there’s a real otherness to it, a dry heat and that kind of outlaw feel you get in places like Las Vegas”.

O’Connor continued: “Even in famous places like Marbella, where you turn up and everything’s catered for, actually you just need to scratch the surface and it can be lawless.”

When scouting for shooting locations, executive producer Katie Kelly echoed the need for both a “glistening” outward appearance and a lesser known “underbelly” to tell the story that O’Connor and co-writer Suranne Jones had planned.

“Shooting in Tenerife offered us everything we needed and more,” she added, explaining why the popular Canary Islands destination was used as a substitute for Málaga.

“In a small area you can have a sort of Costa del Sol beachside strip full of clubs… and then suddenly you can find yourself in what looks like an old Spanish town or up in lush, verdant mountains.”

Frauds co-star Jodie Whittaker shared that enthusiasm for Tenerife, telling press that she found it an “incredible” place to work, describing travel for location shoots as one of the “great” things about her job.

Jodie Whittaker in ITV's Frauds; her character is standing on a clifftop with the ocean in the distance behind her

Jodie Whittaker in ITV’s Frauds ITV

“It was stunning,” she recalled. “My house was in a little town called La Laguna up in the north. It is literally gonna be in my top five places in life, I loved it so much.”

Whittaker noted that she had been to Tenerife on family holidays many years ago, but had never spent any significant amount of time in the north of the island, where she found the city of Santa Cruz to be another “brilliant” highlight.

The sub-tropical climate and western-style landscapes certainly give Frauds a distinct look among an occasionally homogenous TV landscape, but for O’Connor “it just felt like a really good place for a load of cons to be hanging out”.

She concluded: “It’s a part of the world that we think we know as British people… but we also don’t know it.”

Frauds premieres ITV1 and ITVX on Sunday 5th October 2025.

Check out more of our Drama coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

Add Frauds to your watchlist on the Radio Times: What to Watch app – download now for daily TV recommendations, features and more.

October 5, 2025 0 comments
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Coldwater location guide: Where was the ITV thriller filmed?
TV & Streaming

Coldwater location guide: Where was the ITV thriller filmed?

by jummy84 September 29, 2025
written by jummy84

While it seems they have hit the jackpot, John soon finds himself entangled in a series of horrific acts that he can’t get himself out of. But the events are made all the more worse by the feel of the warm and inviting village and their friendly locals.

With such an impressive backdrop and so much chaos, just where did all the action take place?

Here’s what you need to know about where Coldwater was filmed.

Where was Coldwater filmed? All the major locations

Indira Varma as Fiona and Andrew Lincoln as John. Sister Pictures

Thankfully, Coldwater is a fictional Scottish town, created just for the show. The location was therefore a composite of areas in and around Glasgow.

Speaking of the decision to set the story there, Ireland explained: “I’ve always loved small towns in Scotland and I’ve always wanted to live in one but never had the chance to.

“I love a lot of small towns in Northern Ireland so Coldwater is my little fantasy. You’ve got the beautiful Church, beautiful coffee shops… it’s an idealised version of rural Scotland.

“Everybody is friendly, and a little bit strange. Everyone knows your business and people don’t seem to judge you, but maybe they do.

“My life bringing up a family in Scotland, I was trying to get away from writing about violence, tribalism and identity and all the issues in my other work, but I couldn’t escape it,” he added.

Eve Myles, who plays John and Fiona’s neighbour Rebecca, also discussed how the setting ties into Ireland’s narrative (via The Mirror).

“I think the lay of the land and the precinct is incredibly important to this because the character John runs away from the hustle and bustle of London and is running away from his problems only to land in the jaw of the biggest monster of his life in this idyllic, beautiful setting that intoxicates us with its beauty and the mystery of it,” she said. “And how ethereal the land is in Scotland, only to find what John and his family find in a tiny, tiny nook of it.

“So it’s about not judging things by its cover but the cover is very enticing and seductive.”

Myles added: “What the show does really well is that it goes against any sorts of expectations and surprises you with those reveals.”

Ewen Bremner, who plays Rebecca’s husband Tommy, went on to talk about the “power” that Scotland holds “in the minds of Southerners, especially in London”, adding: “It has ancient, mythical significance.”

Speaking to The Sunday Post, he said that is was “really pleasurable to see how much Eve, Indira and Andrew fell in love with Glasgow”.

“They just completely fell head over heels,” he continued.

“And we were eating some fantastic food. We’d all very frequently be meeting up after work to have a nice meal.”

Here’s a breakdown of the main areas they used.

Dunlop, East Ayrshire

The cast of Coldwater walking down a Dunlop street

Andrew Lincoln and Indira Varma star in Coldwater. Sister Pictures for ITV

Dunlop is a small village around 20 miles southeast of Glasgow city. It is where the main external scenes were filmed of Coldwater, and is home to the church, which proves central to the community on the show.

The area prides itself on local produce, including its own cheese shop, as well as a selection of independently owned stores, and of course, the local pub, The Smuggler’s Inn.

Director Lee Haven Jones said of the village: “The key thing for me was to make the place as real as possible. We have to understand why John and Fiona want to live in this rather lovely village, because they’ve come from London and they’re in search of a new life.

“So it was really important that this place felt aspirational, that it was beautiful. But at the same time, it felt very real.”

Glen Fruin and Loch Lomond

Ewen Bremner as Tommy in Coldwater – he is holding a rifle and standing near a car parked on the edge of a woods

Ewen Bremner as Tommy in Coldwater. Sister Pictures for ITV

For the more scenic scenes, the team used Glen Fruin to capture the picturesque nature of Scotland, with valleys, streams and woodland.

It is located adjacent to Loch Lomond, a freshwater lake that’s part of the Trossachs National Park.

While on the show it is part of the village, in reality it is northwest of Glasgow, and approximately 40 miles north of Dunlop, where the show films its external village scenes.

Coldwater continues on Sunday 28th September at 9pm on ITV and ITVX.

Check out more of our Drama coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

Add Coldwater to your watchlist on the Radio Times: What to Watch app – download now for daily TV recommendations, features and more.

September 29, 2025 0 comments
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Dominic Cooper joined by Vigil and Heartstopper stars in ITV romantic drama
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Dominic Cooper joined by Vigil and Heartstopper stars in ITV romantic drama

by jummy84 September 19, 2025
written by jummy84

The strength of their children’s feelings is very much echoed in the dynamic between Tom and Beth, who feel an “immediate” connection that spirals into an adulterous relationship, which they attempt to hide from their respective partners.

Shelley Conn (Bridgerton) and Matthew McNulty (The Jetty) co-star as Tom’s wife, Hannah, and Beth’s husband, Neil, respectively, who become the victims of their affair.

The synopsis for ITV’s Adultery teases a “scandalous” and “provocative love story” that “raises questions about class, grief and the effects of social media, as it takes the viewer on a rollercoaster story of passion, parenthood and peril”.

“Tom and Beth embark upon a passionate and intense love affair that threatens to uproot their whole lives,” it continues. “Adultery is naturally authentic and bristling with passion as it focuses upon two ordinary families and messy complications.”

Screenwriter Danny Brocklehurst commented: “It’s a wonderful privilege to assemble such an amazing cast for Adultery.

“The characters in our show have complex emotional lives and we needed the very best acting talent to bring them to the screen. I couldn’t be more thrilled.”

The supporting cast is completed by Andrew Knott (Gavin & Stacey) as Dave, the ex-husband of Beth’s recently deceased best friend, plus James Murray (The Crown) and Charley Webb (The Long Shadow) as Tom’s brother and sister-in-law.

Romola Garai photographed at a screening event (Photo by Lia Toby/Getty Images) Lia Toby/Getty Images

Producer Ben Stephenson added: “I am thrilled that we have assembled such a high calibre cast for Danny’s wonderful scripts.

“Dominic and Romola are two remarkable actors at the peak of their careers and it’s hugely exciting to see what they bring to this juicy gripping and complex show alongside their amazing co-leads Matthew and Shelley.”

Adultery will consist of six hour-long episodes, directed in two blocks by Vera’s Will Sinclair (episodes 1-3) and Stay Close’s Daniel O’Hara (episodes 4-6), with a premiere date to be announced in due course on ITV1 and ITVX.

Adultery is coming soon to ITV and STV.

Check out more of our Drama coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

Add Adultery to your watchlist on the Radio Times: What to Watch app – download now for daily TV recommendations, features and more.

September 19, 2025 0 comments
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Sheridan Smith Interview on Ann Ming, ITV Drama
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Sheridan Smith Interview on Ann Ming, ITV Drama

by jummy84 August 29, 2025
written by jummy84

English actress and singer Sheridan Smith has not only made a name for herself with the role of Ruth “Rudi” Smith in Gavin & Stacey, but also by portraying real-life people. In the TV drama Cilla, she played English singer, actress and TV host Cilla Black. The role won her the best drama performance honor at the National Television Awards and the best actress honor at the TV Choice Awards. And in the TV series Mrs Biggs, she portrayed Charmian Biggs, the wife of the famous train robber Ronnie Biggs, winning the BAFTA TV Award for best actress for her performance.

Now, Smith stars in ITV‘s four-part drama I Fought the Law as Ann Ming, an English woman whose 22-year-old daughter was murdered in 1989. After two unsuccessful trials, the defendant admitted to the murder. But the 800-year-old British double jeopardy law prevented him from further prosecution. After all, the double jeopardy rule prevented people from being tried twice for the same offense.

Ming reacted with 15 years of campaigning to change the law. Thanks to her efforts, the Criminal Justice Act 2003 created an exception, allowing an acquitted defendant to be tried a second time for a serious offense. That opened the way for a retrial and 2006 conviction in the case of Julie’s murder. The man was sentenced to a life term.

Jamie Crichton (All Creatures Great and Small, The Last Kingdom, Grantchester) wrote I Fought the Law, based on Ming’s book For the Love of Julie. Smith stars as Ming in the drama produced by Hera Pictures (What It Feels Like for a Girl, Mary & George, Hamnet), in association with All3Media International.

“The drama follows the tragic, moving and deeply inspiring journey of the Ming family after the murder,” highlights an ITV synopsis of the series. “In the wake of multiple police failings, Ann relentlessly pressures the authorities to uncover the truth and ensure the man responsible is brought to justice — despite initially seeming he will get away with murder.”

I Fought the Law launches on ITV and STV on Sunday, Aug. 31, with the series streaming on ITVX and STV Player, followed by a documentary about Ming’s historic campaign called I Fought the Law: The Ann Ming Story.

Star Smith and writer Crichton talked to THR about creating the drama series and the challenges it provided, working with Ming, and why it never mentions her daughter’s murderer by name.

“She’s not a very well-known name in this country, and yet she should be, and hopefully she will be,” Crichton said about Ming. “The same is true for the double jeopardy law. I think if you stopped someone on the street and said, ‘What’s double jeopardy,’ they probably wouldn’t know.”

He saw a documentary that moved him, though. “It was Ann’s story, and it was such an incredible story. I couldn’t believe I didn’t know it,” he recalled. “So, I took it to Liza Marshall at Hera, and thankfully, she loved it too.”

The question of who should portray Ming in the drama wasn’t really a question for the writer and producer. “We both said the same name,” Crichton told THR. “I feel everybody says, whenever you’re talking about actors, ‘Oh, they were at the top of our list.’ But genuinely, I had three names and said I’m going to start with the first one. And I said, Sheridan Smith. And Liza said: That’s exactly what I’m thinking. Perfect!”

Smith was quickly on board. “Liza gave me Jamie’s brilliant script, episode one, and I read it,” she told THR. “I had the same reaction that they had. ‘How do I not know this story?’ This is incredible. I was thrilled that they wanted me. And I’m very grateful that I got to portray Ann.”

Smith prepared for the role by researching online, watching the documentary, other material and Ming’s book.

“We only met once,” the star says about Ming. “I had watched her so much and studied her that I just started doing mannerisms and things. It was my friend who was on set who noticed it first. ‘You are walking differently.’ I was like: ‘What?’ And she said, ‘You’re doing this twitchy thing with your eye.’ No offense to Ann, but I just try to embody the role.”

Is it easier or harder to portray a real rather than a fictional person? “It is scarier playing a real person, especially someone like Ann, who’s changed this 800-year-old law,” Smith told THR. “I felt such responsibility to do her story justice, because she’s trusted these guys to tell her story. And at the end of the day, it’s her real life. It’s not just a TV show, it’s her life and her family, and it matters.”

That meant extra hard work to get things right. “So I put myself through the wringer and really tried to feel exactly how she would have felt,” the star explained. “I know I can’t, because I haven’t been through that trauma, but I would beat myself up if I didn’t make myself feel at least a fraction of what she went through. So it was quite a tough shoot, but it was amazing, and an amazing team.”

Sheridan Smith and Ann Ming

Courtesy of ITV

That includes a great costume and makeup department, Smith lauded the crew. “I couldn’t even see myself in the mirror,” she recalled. “It just wasn’t me, and I didn’t see where I was. So it was a magic shoot. I’m really pleased. And I hope Ann is pleased. We’ve done well, if Ann’s happy.”

Crichton offered that getting Smith to portray Ming was key. “It’s impossible to speak for Ann, but I don’t know whether she would have let us tell her story if we hadn’t said we got Sheridan Smith on board,” he told THR. “As soon as we said her name, she said that she absolutely adores her.”

How did he, as the writer, pick what parts of Ming’s extended campaign to focus on in the series? “It’s a big span of time, which means you must make editorial decisions, dramatic decisions,” he said. “Ultimately, it’s all about trying to get the emotional story right. Ann’s book is so powerful. It does so much of the work, if you like. When I started really feeling like this is going to work was when I made the decision to tell the whole story from Ann’s point of view.”

Explained Crichton: “So often, especially when you’re dealing with stories that have true crime elements, the story is told through the procedural point of view, from the detective’s point of view. So you’re always going to meet suspects who are being interviewed. I decided, even though it’s quite a challenge, quite tricky, to tell it all from Ann’s point of view as a mother. Obviously, what that means is you’re restricting yourself to a certain extent, you’re not able to see what you would think as an audience of as being the classic interesting scenes. For example, I knew I would have to have police come in and talk to Ann to catch her up” on the status of the case.

His worries vanished soon, though. “I first thought that’s going to be the worst story ever told. But actually it was really liberating, because it’s nothing you normally see,” Crichton said. “And the great thing is that you put Ann in every single scene, or 99 percent of the scenes. And once you make that decision, then it’s about the emotion, and about how you tell a story that conveys the appropriate emotional beats at the appropriate times.”

Being in so many scenes meant that Smith was constantly in action or getting ready for a scene. “I feel that I was going slightly nuts,” she recalled. “But it’s also a gift. I mean, Ann is constantly in a state of anxiety, and no one’s listening to her, and everyone is shutting doors in her face. And what’s brilliant about her story and Jamie’s scripts is that I could get myself panicked sometimes, because it’s just so hard to turn it off. It’s this hamster wheel, and you want to keep going.”

What was Ming’s reaction to what she saw in I Fought the Law? “I think she loved it. I think she really got a buzz,” said Crichton. Smith also had some fun in between all the dramatic scenes, including in a scene that shows Ming barging into a room. “There’s so much trauma in it, but those moments where a strength comes through are great,” the actress shared. “And it’s great fun to play that and have a real release and, after doing lots of crying and internalized emotion or angst, be able to really show how Ann flew in there.”

The murderer of Ming’s daughter never gets mentioned by name in the series, and that was a core choice Crichton made early on. “That was really important to me from day one, because this is Ann’s story,” he told THR. “It was always important to me that this is not about the killer. Not only is he not named, you never hear his name in any of the four episodes, but he’s not even in the credits. The actor who played him, Jack James Ryan, graciously agreed to this. This is not his story.”

Concluded the writer: “So often, especially when you’re watching true crime stories, they’re about the gruesomeness of the killer, and that’s where a fascination comes. That’s the intrigue of the macabre. And it feels so exploitative of some poor family’s grief and trauma to make a piece of entertainment. So, for me, it was just always important that this is not his story. This is Ann’s story. “

Smith also wrapped up with that in mind. “This is a story about a woman who sees something that’s unjust and has been around for 800 years,” she told THR. “She was so horrified, obviously, by the death of Julie, but she was also so determined that this was not right. The strength in her is amazing. She just kept fighting. It’s about this little working-class woman who takes on the establishment amd wins. And I do think that that’s such a powerful story.”

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