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The Jimmy Kimmel and Disney Drama Has Some Superfans Dumping the Mouse
Fashion

The Jimmy Kimmel and Disney Drama Has Some Superfans Dumping the Mouse

by jummy84 September 20, 2025
written by jummy84

That’s because being a Disney superfan is not simply enjoying the parks, shows, or movies. The term Disney adult has become a meme to be mocked on the internet, but as author AJ Wolfe told USA Today earlier this year, the subculture that has evolved around the corporation is much deeper for those who subscribe to it.

Being a Disney adult, and tapping into the various places to connect with other fans online, provides thousands with not only a community, but also a place to “find your tribe and your community,” she says.

“What it all stems back to for a lot of us as Disney adults is family and emotional connections,” Wolfe, a self-proclaimed Disney adult and the author of a recent book by the same name, told USA Today. “Now, with the world doing what it’s doing and people just being high anxiety and feeling stressed and just regular life, you’re going to want to try to get back to that feeling of safety and predictability and warmth and being taken care of, and so a lot of times people will go back to Disney.”

What do you do when the place that provided you solace and comfort from the world’s ills is now, in your mind, perpetuating them?

For Kim Power, the news has left her conflicted. Her family has gone to Disney World every year to mark the anniversary of her daughter overcoming a serious illness as a toddler, but now she finds herself incredibly disappointed with the company’s leadership.

“I am just blown away that we are watching free speech get taken away from us in real time, and extremely sad that the people who create the things that make us the happiest were in on it,” she tells me.

Power has also been hurting for all the other people that a park boycott will impact, especially the workers who have made their vacations so special.

“I want to remind everybody to treat the cast members with respect and kindness because they have nothing to do with this decision and are probably just as upset as we are, but they still have to show up every day and try to make everyone’s day magical,” she says.

Another place where people risk losing their careers? The Disney internet, which is an ever-expanding machine of creators, some of whom have millions of followers for their content about the company and its parks. Mindy Marzec, or @fairytalemindy, used to be one of them, writing a Disney travel blog that she made income from.

In recent years, her revenue has slowed, and Marzec has pivoted to other ventures, like a crystal business she began on Etsy. One of the reasons she decided to expand, she tells me, is that she decided during the entertainment strikes in 2023 to move away from “building a business on someone else’s business.”

“I tried a few different things before pivoting to selling crystals, minerals, and related products,” she tells me. “What’s happening with Disney right now will probably be a similar moment of reckoning for many other creators.”

September 20, 2025 0 comments
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Cardi B Goes Scorched Earth on Am I the Drama?: Review
Music

Cardi B Goes Scorched Earth on Am I the Drama?: Review

by jummy84 September 19, 2025
written by jummy84

Asking Cardi B to mind her tongue is like asking an oceanic creature to abandon its undersea home. It’s not fucking happening. The Bronx MC lives and breathes controversy, even when she’s not intentionally courting it. Since her 2017 breakthrough single, “Bodak Yellow,” Cardi B has steadily revealed herself to be the high-profile celebrity of our time, a larger-than-life personality who is just as quick to dress down the average Barb as she is to eviscerate her own peers.

Between a messy divorce, babies (babies, and more babies), rap beefs, internet vitriol, and court cases, Cardi B has remained in the public eye. This is all despite the fact that she hadn’t released an album since 2018’s Grammy-winning Invasion of Privacy. Her new album, Am I the Drama?, confirms that yes, Cardi B is the reason for all of the chaotic situations she constantly finds herself in — but is she at fault, or is she just shining too bright? Cardi’s latest project is an offering of proof that she’s a blameless victim of hating-ass bitches and ain’t-shit n****s. It’s up to us to believe her.

In a recent Spotify conversation with Destiny’s Child royalty Kelly Rowland, Cardi shed light on the inspiration behind Am I the Drama? “Sometimes, fans or people will be like, ‘Oh, don’t give them energy,’” Cardi said. “‘They don’t deserve your energy,’ or like, ‘They don’t deserve your clout or your attention.’ And it’s like, nah, you know what? Fuck it. I’mma give it to you. It’s like, fuck it, I’mma give it to you. Because sometimes people be like, ‘Just ignore, ignore, ignore. Take the high road.’ And it’s like, ‘Fuck the high road.’” If you’ve if been paying even a smidgen of attention, you know that Cardi B’s aversion to going high when others go low is unsurprising. This album is her opportunity to get her lick back on everyone who has been praying on her downfall, be it for years or minutes.

The opening track, “Dead,” features R&B diva Summer Walker singing more passionately than we’ve heard her in a while, as Cardi raps about her foremost goal of killing the competition: “They say, ‘Cardi, you tweaking,’ nah, I don’t be tweaking enough/ Bitches be doing shit and I be letting it slide and I don’t be bringing it up/ Bitches be out here telling lies about me and y’all just be eating it up/ But when I drag her to hell, ‘Cardi, you evil as fuck!’” On the BossMan Dlow-inspired “Magnet,” Cardi menacingly sharpens a lyrical machete in a pointed attack against JT of the former Miami rap group City Girls. For nearly a minute straight, Cardi shatters the rapper’s image, without a single care or fuck to give.

“Pretty & Petty” is unexpected sonically, as it bangs like a song that West Coast newcomer AZ Chike would place on his own debut album. But thematically, it’s right on cue, as Cardi uses the entire song to re-escalate her beef with Boston rapper BIA, an artist she’s been targeting since her feature on last year’s “Wanna Be” remix with GloRilla and Megan Thee Stallion. “Name five BIA songs, gun pointing to your head/ Bow, I’m dead,” she raps at the top of the track, before launching into an outright assault based on accomplishments. “You wanna beef with me, are you sure?/ Do she even got a BET Award?” (While a BET Award is a high honor in the Black community, it’s sometimes seen as low on the totem pole of awards across the industry.)

September 19, 2025 0 comments
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Dominic Cooper joined by Vigil and Heartstopper stars in ITV romantic drama
TV & Streaming

Dominic Cooper joined by Vigil and Heartstopper stars in ITV romantic drama

by jummy84 September 19, 2025
written by jummy84

The strength of their children’s feelings is very much echoed in the dynamic between Tom and Beth, who feel an “immediate” connection that spirals into an adulterous relationship, which they attempt to hide from their respective partners.

Shelley Conn (Bridgerton) and Matthew McNulty (The Jetty) co-star as Tom’s wife, Hannah, and Beth’s husband, Neil, respectively, who become the victims of their affair.

The synopsis for ITV’s Adultery teases a “scandalous” and “provocative love story” that “raises questions about class, grief and the effects of social media, as it takes the viewer on a rollercoaster story of passion, parenthood and peril”.

“Tom and Beth embark upon a passionate and intense love affair that threatens to uproot their whole lives,” it continues. “Adultery is naturally authentic and bristling with passion as it focuses upon two ordinary families and messy complications.”

Screenwriter Danny Brocklehurst commented: “It’s a wonderful privilege to assemble such an amazing cast for Adultery.

“The characters in our show have complex emotional lives and we needed the very best acting talent to bring them to the screen. I couldn’t be more thrilled.”

The supporting cast is completed by Andrew Knott (Gavin & Stacey) as Dave, the ex-husband of Beth’s recently deceased best friend, plus James Murray (The Crown) and Charley Webb (The Long Shadow) as Tom’s brother and sister-in-law.

Romola Garai photographed at a screening event (Photo by Lia Toby/Getty Images) Lia Toby/Getty Images

Producer Ben Stephenson added: “I am thrilled that we have assembled such a high calibre cast for Danny’s wonderful scripts.

“Dominic and Romola are two remarkable actors at the peak of their careers and it’s hugely exciting to see what they bring to this juicy gripping and complex show alongside their amazing co-leads Matthew and Shelley.”

Adultery will consist of six hour-long episodes, directed in two blocks by Vera’s Will Sinclair (episodes 1-3) and Stay Close’s Daniel O’Hara (episodes 4-6), with a premiere date to be announced in due course on ITV1 and ITVX.

Adultery is coming soon to ITV and STV.

Check out more of our Drama coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

Add Adultery to your watchlist on the Radio Times: What to Watch app – download now for daily TV recommendations, features and more.

September 19, 2025 0 comments
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Alison Victoria and Donovan Eckhardt
TV & Streaming

What Happened to HGTV’s Alison Victoria and Partner Donovan Eckhardt? Their Legal Drama

by jummy84 September 18, 2025
written by jummy84

Alison Victoria is bringing her talents to Las Vegas on the new show Sin City Rehab, but she previously worked in Chicago for five seasons on Windy City Rehab. HGTV’s Chicago-based show was not without its shortage of drama, especially in the early seasons.

That’s because of legal drama involving Victoria and her former business partner Donovan Eckhardt, whom she no longer works with. Scroll down for a refresh on what happened, including where the two stand today.

What happened to Alison Victoria and Donovan Eckhardt?

Victoria and Eckhardt had a falling out in 2020, which was documented on Season 2 of Windy City Rehab. Victoria officially pulled the plug on her working relationship with the contractor after she found out he mishandled company finances, she revealed on an episode of the show.

At the time of the falling out, Eckhardt’s contractor’s license was suspended (more on that below), but Victoria found that he’d still issued an invoice to his own company. “What are you getting paid for?” she wondered, noting that he couldn’t have done the work due to his suspension. She feared he was also letting other invoices “slip” through for work he hadn’t actually done.

“You got the money off the top,” she ranted. “That means that’s my money too. Those are my houses. That’s my bank loan. And I received zero from those jobs. From most of them, I received zero profit.”

“This is the end with me and Donovan,” Victoria said. “He’s gone, by his own right, by his own doing. I have lost a friend and I have lost a business partner. But I do know this … this happened for a reason, and I know that I am strong, and I know that I will get through this.”

In 2021, Eckhardt sued Discovery Inc. and Big Table Media, Windy City Rehab’s production company, claiming the accusations about how he handled finances were false. While he did not sue Victoria directly, she was inadvertently brought into the lawsuit amid Eckhardt’s claims of “defamation” and “intentional infliction of emotional distress.”

Eckhardt claimed he was painted as the “villain” on Windy City Rehab, leading to “depression, sleeplessness, and loss of appetite,” according to Chicago Sun Times. He said he also lost money because of the drama. The lawsuit was dismissed, per Chicago Sun Times.

Why did Donovan Eckhardt lose his license?

Eckhardt’s contractor license was suspended for 45 days in 2019, according to the Chicago Sun Times. The outlet reported that Eckhardt “violated the law by building three garages and garage decks without permits and endangering workers and the public by removing flooring at properties without putting up safety barriers.”

In defense, Eckhardt claimed that he did not give the direction to complete this work. He said the work was done by people he authorized to work on the properties, though. The city still held him liable since he was still the company owner. Eckhardt was also accused of working at 11 properties without the proper permits.

All of this came amid a bunch of other legal issues for Victoria and Eckhardt. The two were hit with multiple stop-work orders due to building violations in 2019, and we also unable to file new permits at this time. They were also sued by some of the homeowners whose homes they renovated. One particular buyer sued for fraud in 2020, claiming their upstairs shower leaked gallons of water just one day after they closed on the house, with more problems arising from there.

Plus, Eckhardt was sued by a subcontractor, who claimed he did not receive more than $100,000 he was owed for work he did on a project.

Are Alison Victoria and Donovan Eckhardt friends now?

No, Eckhardt and Victoria no longer have a working relationship or a friendship. She told People in 2023 that they’re no longer friends, and reiterated this in another interview with the outlet in 2024.

“Donovan who?” she said. “It is so far behind me that I don’t even look back. But I know it’s so important because when people come up to me, they say, ‘I love your show, I love you and watching you go through that has helped me. Thank you for being vulnerable. Thank you for showing it.’”

Per his Instagram page, Eckhardt still appears to be doing contracting work.

Sin City Rehab, Season 1, Wednesdays, 9/8c, HGTV

September 18, 2025 0 comments
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'Adolescence' & 'Severance' Win At Seoul International Drama Awards
TV & Streaming

‘Adolescence’ & ‘Severance’ Win At Seoul International Drama Awards

by jummy84 September 16, 2025
written by jummy84

Adolescence and Severance have backed up big nights at the Emmys by securing major prizes at the Seoul International Drama Awards.

Netflix’s acclaimed limited series won the Grand Prize, Best Director for Philip Barantini and Best Actor for Owen Cooper, who made history on Sunday by becoming the youngest ever male winner of a Primetime Emmy. Barantini shared his award with Hirokazu Kore-eda, who won for Asura, the Netflix Japan miniseries about four sisters.

Ben Stiller took home the Golden Bird Prize for Apple TV+’s Severance Season 2, which just won eight times at the Emmys. The award goes to shows have significantly made an impact on the drama industry, and Best Screenwriter. Last year, Park Chan-wook won for HBO series The Sympathizer.

The Seoul organizing committee said that despite being just 15 years old (and 13 at the time of filming), Adolescence star Cooper had “showcased extraordinary acting talent, establishing himself as one of the most promising next-generation actors.”

It added that Stiller’s “creative and outstanding direction best reflects the Seoul Drama Awards’ mission of presenting works that deepen understanding of humanity and inspire reflection on the path toward harmony.” Dan Erickson also won Best Screenwriter.

Severance explores what happens to a person when their identity is split between their ‘Innie’ work self and ‘Outie’ personal self at a creepy biotech company Lumen Industries. Made by Red Hour Productions, Fifth Season, Westward and Animals & People, it stars the likes of Adam Scott, Zach Cherry, Britt Lower and Tramell Tillman.

The four-part Adolescence follows the aftermath of the murder of a schoolgirl on the family of the child accused of the crime, with each episode shot as one continuous take. Cooper stars alongside the likes of co-writer Stephen Graham, Christine Tremarco, Ashley Walters and Erin Doherty. Warp Films is the producer for Netflix.

Pachinko Season 2 made it an ever better night for Apple TV+ by taking home the Best Miniseries and Best Actress for Minha Kim. She shared the prize with Cate Blanchett, for Disclaimer, another Apple show. Best on Min Jin Lee’s book, Pachinko explores the generational experiences of a Japanese family from the colonial period to the present, charting their migration journeys. Alfonso Cuarón’s Disclaimer follows a famed documentary journalist, who learns a dark secret of her own is being fictionalized in a novel.

Elsewhere at the Seoul awards last night, Netflix won several K-drama awards, including Outstanding Korean Drama in the K-Drama Competition category for webtoon adaptation The Trauma Code: Heroes on Call and elevated romance When Life Gives You Tangerines. Ji-hoon Ju won Outstanding Korean Actor for his role in Trauma Code, while IU won the Outstanding Korean Actress award for Tangerines.

Turkish drama The Good & The Bad, from Ay Yapim and for free-TV network Show, won Best Series. Starring Aras Bulut Iynemli and Uğur Polat, it follows a genius mathematician struggling to confront his father’s dangerous schemes.

Best TV Movie went to CJ ENM’s The Son, while Outstanding Asia Star went to several actors, including Seonho Kim for The Tyrant and Newtopia, Yu Bair for Bank on Me and Daniel Padilla for Incognito. Youngtak won the song category Outstanding Korean Drama O.S.T. for the contribution to KBS drama For Eagle Brothers.

A ceremony for 20th Seoul International Drama Awards will be held on October 2 via SBS TV and the awards’ official YouTube channel. Jury members this year included CAA agent Nicolas Lafferty, KBA drama producer Sinil Kim, director Yang Leo and TV Globo’s drama exec producer, Luciana Monteiro.

September 16, 2025 0 comments
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Martin Freeman's crime drama with Downton Abbey star leaving Netflix
TV & Streaming

Martin Freeman’s crime drama with Downton Abbey star leaving Netflix

by jummy84 September 15, 2025
written by jummy84

ITV crime drama A Confession is leaving Netflix very soon, meaning viewers have only a matter of weeks left to watch it on the streamer.

The six-part series, which was released in 2019 and is written by Jeff Pope, is based on the real-life murder of Sian O’Callaghan, who went missing in 2011 after a night out.

Martin Freeman (Sherlock) stars as Detective Steve Fulcher, the real-life police officer who went to great lengths in order to get justice to prevail, while Siobhan Finneran (Downton Abbey) appears as Sian’s mother, Elaine Pickford.

Alongside Freeman and Finneran, the drama also stars Imelda Staunton, Joe Absolom, Daniel Betts and Charlie Cooper.

A Confession is leaving Netflix on 30th September 2025, but is still available on ITVX, where it looks set to remain for the foreseeable.

Siobhan Finneran plays Sian’s mother.

Liam O’Callaghan previously opened up to RadioTimes.com about how he worked with writer Jeff Pope to tell the story of his sister Sian’s disappearance and murder.

He said: “As soon as we’d seen what Jeff had produced, we were happy with what was produced. It shows Sian as a person, it doesn’t focus on Sian’s life being taken.”

He added: “Which was important, for us. Because we didn’t really want that to be a focus, we didn’t want to have to envisage that or see it played out. So the fact that it steers away from that and just shows Sian as a person, and then also tackles Steven Fulcher and his actions – it’s a good piece of work.”

Read more:

A Confession is available to stream now on Netflix until 30th September. Sign up for Netflix from £5.99 a month. Netflix is also available on Sky Glass and Virgin Media Stream.

Check out more of our Drama coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more from the biggest stars in TV, listen to The Radio Times Podcast.

September 15, 2025 0 comments
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Katherine LaNasa and Tramell Tillman score supporting drama wins
Celebrity News

Katherine LaNasa and Tramell Tillman score supporting drama wins

by jummy84 September 15, 2025
written by jummy84

15 September 2025

Katherine LaNasa fought back tears as she picked up the Best Supporting Actress in a Drama Series Emmy Award on Sunday (14.09.25).

Catherine LaNasa won an Emmy Award

The 58-year-old actress was a surprise winner in a category that also included Severance star Patricia Arquette, Paradise’s Julianne Nicholson and The White Lotus quartet Carrie Coon, Parker Posey, Natasha Rothwell and Amy Lou Wood and she paid tribute to the real-life nurses who had influenced her performance in The Pitt as Dana Evans.

Speaking on stage at Los Angeles’ Peacock Theater, she grew emotional as she said: “Oh my goodness, I am so proud and honoured to receive this award from the Acadmy. My whole career I wanted to work with John Wells, he elevates everything in his wake. John, I’m so much better when you’re around. Mostly because I don’t want to get fired.

Thank you Scott Gemill and all the writers and the nurses who inspired Dana.

“Noah Wyle, the incomparable Noah Wyle, and the entire Pitt family.”

The night’s host, Nate Bargatze had earlier pledged to donate $100,000 to the Boys + Girls Clubs of America but warned he would deduct $1,000 from the total for “every second” an acceptance speech went over 45 seconds, but would add the money back on for those who ran under time.

And after Katherine’s speech, the organisation lost around $6,000.

Nate quipped: ”Alright, that was an expensive wave.

Meanwhile, Tramell Tillman became the first black star to win the Best Supporting Actor in a Drama Series Emmy for his performance in Severance, taking the honour ahead of co-stars Zach Cherry and John Turturro, Paradise’s James Marsden, and The White Lotus cast members Walton Goggins, Jason Isaacs, and Sam Rockwell.

The 40-year-old actor dedicated his win to his mother, who was seated in the audience, and quoted the advice she had given him as his “first acting coach”.

He said: “You remember what you want to remember. You make time for what you want to make for. Do the work. Show up. And most importantly, for the love of God, don’t embarrass me in public.

“My first acting coach was tough y’all. But all great mothers are.”




September 15, 2025 0 comments
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Carmen Maura Stars in Moroccan Domestic Drama
TV & Streaming

Carmen Maura Stars in Moroccan Domestic Drama

by jummy84 September 14, 2025
written by jummy84

“Calle Malaga” opens with title cards explaining to the audience the history of Tangier’s Spanish population: How, as Spain fell to fascism under Francisco Franco’s rule in the 1930s people fled to the Northwest Moroccan city, and a community of Spanish speakers blossomed and grew over the decades. It’s an overly didactic touch that conveys little beyond what Carmen Maura’s performance as Maria, an elderly woman living alone in Tangier, already tells the audience.

Making her way through the streets of her neighborhood, shopping for groceries and warmly greeting her neighbors, Maura makes it obvious that Maria adores her quiet, content life in this city where she grew up. And, when Maria’s daughter Clara (Marta Etura) arrives to drop a bombshell — that she needs to sell the family home, and Maria must either come with her to Madrid or live the remainder of her life in a nursing community — the way Maura’s face flashes from devastation and horror to anger and steel makes it all too clear how hard she’ll fight to maintain this life.

Driver's Ed

The third feature of director Maryam Touzani, “Calle Malaga” strikes chords similar to her acclaimed sophomore feature “The Blue Caftan” in its exploration of the romantic, domestic life of someone well past middle-age. Touzani based the character of Maria in part on her own Spanish grandmother, and she gives Maura — a great actress best known to American audiences for her work in Pedro Almodóvar movies like “Women on the Verge of a Nervous Breakdown” and “Volver” — a wonderful part to embody. Maria is a wonderfully textured character, at turns flinty and cold and vivacious and funny, and Maura is adept at embodying all sides to this woman. However, the movie around her proves a lot less interesting than it’s main character. Frequently safe and only skimming the surface of the complicated emotions its premise raises, “Calle Malaga” is likable but never quite interesting.

Warmly shot with sun-draped lenses by Virginie Surdej and soundtracked by an overbearingly sentimental score by Freya Arde, “Calle Malaga” introduces the threat on Maria’s house as a tragedy before quickly pivoting to a more cheery, sentimental story, one in which the woman finds community and even love through the hardship. Crafty and resistant, Maria agrees to go to the retirement center and let Clara put the house on the market and return to her family in Madrid. With her daughter off her back, she fakes a trip to see her to leave the center and heads back to squat in her unoccupied former home, eventually teaming up with a young neighbor to host football-viewing parties in the space as a way to scrounge up money. It also helps her buy back her old furniture from handsome antiques dealer Abslam (Ahmed Boulane), with whom she sparks a tentative romance.

The romantic subplot proves the most charming thread “Calle Malaga” has to offer, thanks to Maura and Boulane’s performances. There’s a wistful sense of longing between them even before things turn explicitly romantic, and for a relatively tame and breezy film it does get genuinely hot in its depiction of their relationship. In other areas, however, the script from Touzani and her husband and producer Nabil Ayouch falters in the way it fills out the people surrounding Maria. Her best friend Josefena (María Alfonsa Rosso), a nun who has taken a vow of silence, is more a device through which Maria can spew her feelings and inner thoughts than a fully-formed person. Occasionally their interactions work to funny effect, like when she extolls Abslam’s performance in bed to her silent friend, but the film stumbles when it tries to build real emotional stakes around their bond.

Faring even worse is Clara, thinly rendered as an ungrateful child and an obstacle for her mother. Although she’s introduced with very valid reasons for selling the apartment — she just went through a divorce, she’s struggling financially, she needs the money to buy a new home for her kids — “Calle Malaga” has little interest in giving her real interiority or taking her concerns seriously. Her strained relationship with her mother has little nuance, and the unsatisfying, abrupt ending that leaves the two still at odds proves curiously sour for an otherwise gentle movie.

Lack of nuance plagues “Calle Malaga” in general, and it’s particularly apparent in how thin the neighborhood Maria loves so dearly actually is on screen. The cobblestone step streets are pleasing on the eye, but the people who inhabit this community and rally to help Maria don’t have much character to speak of. There’s little sense of what her life in this city, as a Spanish woman around mostly Moroccans, looks like. Despite the film’s introductory text, most of “Calle Malaga” could happen in any city in the world. Without Maura’s performance, there’d be no specificity to speak of.

Grade: C+

“Calle Malaga” premiered at the Venice Film Festival. It is currently seeking U.S. distribution.

Want to stay up to date on IndieWire’s film reviews and critical thoughts? Subscribe here to our newly launched newsletter, In Review by David Ehrlich, in which our Chief Film Critic and Head Reviews Editor rounds up the best new reviews and streaming picks along with some exclusive musings — all only available to subscribers.

September 14, 2025 0 comments
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Here Are Five Key Takeaways From Jolly LLB 3 Trailer
Bollywood

5 Key Takeaways From Akshay Kumar & Arshad Warsi’s Courtroom Drama That Has Fans Buzzing

by jummy84 September 12, 2025
written by jummy84

Here Are Five Key Takeaways From Jolly LLB 3 Trailer
5 Big Takeaways From Jolly LLB 3 Trailer (Photo Credit – YouTube)

The verdict for the Jolly LLB 3 trailer is here and unanimous! Fans are completely blown over with the glimpse of the courtroom comedy, which is set to hit screens on September 19, 2025. With a perfect mix of humor, drama, and chaos, this third installment promises to raise the stakes like never before. Here are five key takeaways from the trailer that fans can’t stop talking about:

1. Two Jollies & One Epic Showdown

Jolly LLB 3 is set to bring double the drama, fun, and chaos as Akshay Kumar’s Jolly Mishra and Arshad Warsi’s Jolly Tyagi are finally sharing screen space and courtroom floor. The trailer teases a hilarious, high-octane legal face-off, with both Jollies trying to outwit and outtalk each other. Fans are looking forward to unveiling the brand new courtroom chaos, verbal volleys, and a legal duel as funny as it is fierce.

Daleelein hui khatam, faisla has been given.
Verdict आ chuki hai, अब Judge sahab बताएंगे – Kanpur ya Meerut? #JollyLLB3Trailer out on 10th September. #JollyLLB3 in cinemas 19th September. #JollyVsJolly pic.twitter.com/lCw7OFYiOt

— Star Studios (@starstudios_) September 6, 2025

2. Judge Tripathi Caught In Crossfire

Judge Tripathi, played by the ever-brilliant Saurabh Shukla, is also returning alongside the two Jollys, and it is clear from the start that he is not having an easy time. With two loud-mouthed, overzealous Jollies in his courtroom, Judge Tripathi looks more exhausted than ever. His legendary expressions and sarcastic commentary are already stealing scenes in the trailer.

#JollyLLB3Trailer TODAY! 🙌#JollyLLB3 pic.twitter.com/t4LZFnkMmi

— Star Studios (@starstudios_) September 10, 2025

3. Gajraj Rao Goes Full Villain Mode

Gajraj Rao seems to have fully embraced a sinister side, going villain mode in Jolly LLB 3. The trailer only gives us a glimpse of his mysterious, powerful character, but it’s enough to get the speculation going. Who is he and what is his agenda? Amid all the frenzy surrounding his role, it is certain that the character will bring enough drama to the courtroom floor.

AK brings the humour, Arshad matches it, Gajraj villain toh next level 🔥#JollyLLB3 pic.twitter.com/jteM68fRNO

— Rupak Sen (@RupakSen99) September 10, 2025

4. The Ladies Are Back & Better Than Ever

Fans of the franchise are also thrilled to witness a glimpse of Huma Qureshi and Amrita Rao back in action. While their screen time in the trailer is brief, their presence brings a strong emotional layer to the story and provides fans with the right amount of nostalgia amid the courtroom madness.

Akshay Kumar with Huma Qureshi

Arshad Warsi with Amrita Rao.#JollyLLB3 will be back with OG actresses.

Amrita will be back on big screen after a long time.

Excited.

Directed by Subhash kapoor.#Akshaykumar pic.twitter.com/wHslc92l4c

— TA 💫 (@Tirlovesha) June 9, 2024

5. Bigger, Bolder & Funnier Threequel

If the trailer is anything to go by, Jolly LLB 3 is certainly going a notch higher than its predecessors by being bigger, bolder, and funnier. The satire feels sharper, the emotional stakes higher, and the comedy more outrageous. With commentary on the justice system, ego battles, and moral dilemmas wrapped in laugh-out-loud moments, this one is shaping up to be the most entertaining film of the franchise yet.

For more such stories, check out Bollywood News

Must Read: Jolly LLB 3 Trailer X Reactions: Akshay Kumar & Arshad Warsi’s Courtroom Comedy Receives Immense Praise, Netizens Call It “Paisa Vasool”

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September 12, 2025 0 comments
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Brian Cox Directs Scottish Drama
TV & Streaming

Brian Cox Directs Scottish Drama

by jummy84 September 12, 2025
written by jummy84

If you would like to spend time watching Alan Cumming traipse around the Scottish Highlands, I would recommend any season of “The Traitors” on Peacock over the Toronto International Film Festival premiere “Glenrothan.” One of these things has intrigue, murder, thrilling cinematography, and fabulous costumes. The other has a flat script and the tenor of a Hallmark movie. It’s the latter that happens to be getting a glitzy premiere here in Canada. 

This is not just my half-hearted plea for a major cinematic institution to program a “Traitors” marathon. (Put Gabby Windey on a jury! That would be fun!) It’s also a dig at “Glenrothan,” a waste of a talented cast, including Brian Cox, who pulls double duty as director. 

Barrio Triste

In fact, it is because of the promise of Cox stepping behind the camera that eyes are on “Glenrothan” at TIFF, but the venerated performer brings none of the bite of his best performances to this task. One would think a man now most famous for bellowing “fuck off” on “Succession” might have chosen a project with a bit more edge. Instead, “Glenrothan” is a surface-level tale of family drama that isn’t all that dramatic. 

Cox plays Sandy Nairn, the CEO of his family’s prestigious whiskey company in the pristine village of Glenrothan surrounded by rolling green hills. After a blast of discordantly jaunty music, the film opens with Sandy’s voice dictating a letter to his estranged brother Donal (Cumming), encouraging him to return to his homeland. Sandy’s health is failing and he wants to see his kin. Donal, a nightclub owner in Chicago obsessed with the blues, has resisted going back to the land of lochs for reasons that will become only somewhat clear over the course of the run time. Plus, he’s having too much fun singing “One Meat Ball” to an enthusiastic audience.  

Donal eventually relents, however, after his venue burns down in a convenient plot device. So he joins his daughter Amy (Alexandra Shipp) and her young child on their trip. These two visit Sandy regularly, having seemingly established a very close relationship with him despite the fact that Donal has been out of contact for the duration of Amy’s life.

“Glenrothan” is full of puzzling details like these, in which it seems like the script by David Ashton is just finding lazy ways to get its characters all into the same place. There’s a clunkiness that pervades the entire enterprise. The dialogue is particularly wooden and the actors struggle through mixed metaphors like, “Be careful on time, it can creep up on you like a shitstorm.” That line is spoken by Cumming with zero irony. 

The reasons why Donal has avoided this gorgeous place all of these years is teased out over a series of heavy-handed flashbacks where we learn, essentially, that his father was hard on him and he was very close to his mother, who died. There is no shocking trauma in Donal’s past, just a father who put a lot of pressure on him. It all makes his behavior seem petulant rather than rooted in some great pain. Not that the townspeople, who treat him like some sort of true pariah, are much better. 

All the principal actors in the cast appear lost. Shipp is tasked with scolding her father and delivering leaden exposition. Cumming truly only comes alive when he’s singing. Blessedly, there are a couple of moments when the natural showman gets to croon and they are the most enjoyable. Otherwise, Cumming has to externalize all of Donal’s feelings, as the screenplay has him speaking out loud to himself instead of letting him show his strife. Perhaps the performer done dirtiest is Mike Leigh and Kelly Reichardt veteran Shirley Henderson, playing Donal’s former best friend and Sandy’s now right hand. Too often her character requires her to fall into hysterics. 

Perhaps most confusing is Cox’s apparent disinterest in his part, considering he is the one that chose this material. Maybe he was relishing the chance to play someone with far more warmth than Logan Roy, but Sandy is just a vaguely nice guy who Donal resented for many years for reasons that are unclear. Cox at least gets to sneer the word “wastrel” at some point — the only beat where you see a hint of what makes him usually such a thrilling presence. (He also farts. So there’s that.) 

As a director Cox also seems lost. During a sequence in which Donal starts jamming with a band at the local pub, Cox doesn’t know where to place the camera, quick cutting between fingers playing instruments in a harried fashion. Elsewhere the action is statically staged. Cinematographer Jaime Ackroyd certainly captures Scotland’s majesty, but there is no character to the frames, which look like they could be plucked out of a commercial from a tourism bureau. 

By the end of the lugubrious 97 minutes any issues the Nairn family had — as undeveloped as they are — are neatly resolved. There’s far more humanity in display in an episode of “The Traitors.” 

“Glenrothan” premiered at the 2025 Toronto International Film Festival. It is currently seeking U.S. distribution.

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September 12, 2025 0 comments
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