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Death's Chuck Schuldiner Recorded Madonna's 'Frozen': Listen
Music

Death’s Chuck Schuldiner Recorded Madonna’s ‘Frozen’: Listen

by jummy84 November 11, 2025
written by jummy84

While battling cancer in 1998, Death frontman Chuck Schuldiner recorded an instrumental version of “Frozen”

In 1998, the same year that the pioneering death-metal band Death released their final album, The Sound of Perseverance, Madonna released her ethereal trip-hop pop single, “Frozen.” At some point between Madge’s VH1 dominance and Schuldiner’s cancer-related death in 2001, the death-metal firebrand recorded his own version of the song — unreleased until now.

The track, an instrumental, features Schuldiner playing the song’s Middle Eastern–influenced music and vocal lines on his guitar to a drum machine. It sounds plaintive, understated, and unlike any other music for which Schuldiner is famous.

The recording surfaced when Schuldiner’s nephew, Chris Steele, discovered a CD-R of the song and played it in his car stereo, as seen in an Instagram reel. “Found this today going through some things,” Steele wrote. “Chuck recorded this in the early stages of his battle with cancer, I remember it well. Chuck sitting in his bedroom with his [B.C. Rich Stealth guitar] and a drum machine. I’m not sure how many people outside of the family and a few friends have heard this but it’s all yours: Chuck’s version of Madonna’s 1998 single ‘Frozen.’ 🤘🏻”

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Schuldiner formed his first band, Mantas, in 1983 – the same year Madonna’s self-titled debut was burning up the charts. He and his bandmates drew inspiration from the same New Wave of British Heavy Metal bands that influenced Metallica to invent thrash metal and took the sound a step further with Schuldiner’s demonic, guttural growling. Death’s 1987 debut, Scream Bloody Gore, was a death-metal landmark. Schuldiner and his bandmates fine-tuned and tightened the sound on subsequent albums, hitting a high water mark on 1991’s Human, which landed at Number 70 on Rolling Stone’s list of the 100 Greatest Metal Albums of All Time.

The artist, who also recorded with the groups Voodoocult and Control Denied, was diagnosed with brain cancer in 1999. He died of complications from the disease at age 34 in 2001. A new authorized biography of the artist, Born Human: The Life and Music of Death’s Chuck Schuldiner, by David E. Gehlke will come out this month.

November 11, 2025 0 comments
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Greet Death's Depression Anthems Are Suited to the Times » PopMatters
Music

Greet Death’s Depression Anthems Are Suited to the Times » PopMatters

by jummy84 November 4, 2025
written by jummy84

Finally, there is a chill in the air in the Midwest, and it is Greet Death season. The Flint, Michigan-based band makes perfect music for that time of year when the days get shorter and you pull the hoodies out of the back of the closet. On the first day of winter last year, I saw them play a packed show in Indianapolis, and it was a perfect way to welcome the coldest season.

Their name and imagery might suggest they fall in the lineage of Repulsion, the death metal pioneers also from Vehicle City, but their sound is a swirl of slowcore and shoegaze. Greet Death are on the road now, touring with Nation of Language before some headlining shows in November, promoting their excellent latest release, Die in Love.

It was a little surprising to see Die in Love arrive just as summer kicked off earlier this year, but 2025 has been one day after another of tough times, and that’s when you need Greet Death. Their songs wash over you, offering a sense of solidarity in the solitude.

“Every time we do a record, we say it’s got to be a fall record, but we released this one in summer,” says Harper Boyhtari, singer and guitarist. “It’s a romantic idea that the Midwest is great at describing depression, and there is a certain rustbelt desolation that makes for evocative imagery that we draw on.”

Co-lead singer and guitarist Logan Gaval conceived the title and the concept that unify the songs that comprise Die in Love. “So far, Logan has titled all of our records. His pitch for this record was ‘love songs done our way’. These songs ruminate on heavy concepts. The title sounds harsh, almost a threat, but it’s also a romantic idea. You hope to find someone you can die in love with. For many people, that’s the ultimate goal. The songs cover all sorts of love–friends, family, romantic, and self-love,” Boyhtari explains.

The introduction to the record came about a year ago, and its title perfectly captures the band’s current state. “Same But Different Now” opens with a more insistent rhythm than most of Greet Death’s songs, but retains the vocal and guitar sound they are known for, leading to an explosive, unexpected conclusion.

Gavel also drove the design of the album cover, which is one of the more memorable of the year, created by Olivia Sullivan. Two children, facing each other and praying, but connected by a black substance, perfectly capture the essence of the song. Die in Love was self-produced and recorded in Boyhtari’s childhood home, which turned out to be an excellent choice. “The living room in that house was great for the drums. There was a big, roomy sound there that we wanted,” Boyhtari shares.

On Greet Death’s last record, New Hell, the chilliness of songs like “Circles of Hell” and “Entertainment” was balanced by warmer-sounding tracks like “You’re Gonna Hate What You’ve Done” and “Strange Days”. Greet Death lean harder into that warmer sound this time on songs like “Country Girl” and “Love Me When You Leave”, and the balance on Die in Love comes from the aforementioned “Same But Different Now” and the anthemic title track. This is their strongest, most dynamic collection of songs yet, sure to be remembered on my year-end list.

Another highlight of Die in Love is “Motherfucker”, which Goval calls a “depression anthem” that aims to provide some catharsis for listeners. For both Goval and Boyhtari, the writing process is a way to compartmentalize feelings, to give them voice. “Motherfucker” and “I Hate Everything”, on the band’s New Low EP, share a theme.

“When I channel those feelings of isolation and depression into the song, I memorialize it forever. There is a release in that. Having that song means I’ve dealt with that feeling, and it will always have a place in my heart. There is a fanfare to performing it, where you are releasing it, and you don’t have to deal with it now. It’s a unique position, being able to put a feeling into something like a song. As a listener, I hope it makes people feel less alone, to also have a place for their feelings, too,” Boyhtari explains. “Playing these songs live adds another layer to the catharsis. “Being there at a show with other people, there is the communal experience, and the acknowledgment and sharing of that as the artist is very galvanizing.”

Photo: Kat Nijmeddin / another/side

Unsurprisingly, given the band’s name and a t-shirt featuring an image of Leatherface from Tobe Hooper’s classic The Texas Chain Saw Massacre, the band draws inspiration from horror films. Die in Love‘s highlight “Country Girl” contains references to John Carpenter blended into its midwestern narrative, and the video is an homage to 1980s horror movies. “I came up with the concept with my partner, and we worked with Chromatone Studios in Chicago to shoot it. It was filmed where we recorded Die in Love. It was so cool to pay homage to horror movies. It’s one of my favorite things I’ve done for the band,” Boyhtari shares.

One of the most compelling aspects of Greet Death is how Boyhtari and Gavel effortlessly blend everyday details and even humor into their lyrics. “The title of New Hell came from a coworker at one of Logan’s jobs. We find inspiration in the everyday details of life that vex us. The monotony of having to get up and do jobs and other routines, and having depression and anxiety, can fill us with dread. On New Hell and Dixieland, those were the thoughts we were occupied with. I appreciate that about us,” Boyhtari explains.

“There is beauty to be found and stories to be told in the mundane. And being receptive to that keeps me excited about writing songs,” Boyhtari shares. “We both use humor to cope with the tougher parts of life. I love the contrast of adding something sardonic in a song if it doesn’t sound corny. There’s an underlying message of hope that we want to communicate. We can laugh a little at the hard things in life.”

November 4, 2025 0 comments
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Lazarus ending explained | What does Joel find out about his father and sister’s deaths?
TV & Streaming

Lazarus ending explained | What does Joel find out about his father and sister’s deaths?

by jummy84 October 22, 2025
written by jummy84

*Warning: This article contains spoilers for the final episode of Lazarus.*

After receiving the tragic news that his father (Bill Nighy) had died by suicide, Joel “Laz” Lazarus (Sam Claflin) not only started to obsess over what really happened to his esteemed dad, but also started to literally live through his memories.

The six-part series follows Laz as he struggles to make sense of the events leading up to his father’s death, with all manner of supernatural happenings unfolding once Laz steps foot in his father’s office.

Getting a better idea of his father’s clients and his way of working with them, Laz thought he found the guy who could’ve murdered Dr L in the form of serial killer and former client Arlo Jones (Jack Deam). But one mention of another character by Arlo puts Laz further down the path for answers.

So, what happened to Joel’s father? Read on to find out what unfolded in the final episode of Prime Video’s Lazarus.

Lazarus ending explained: What does Laz find out about his father’s death?

David Fynn as Seth McGovern and Kate Ashfield as Detective Alison Brown in Lazarus. Prime Video

Laz is convinced that something untoward had happened to his father, floating around the theory that he could’ve been murdered. When Laz thinks he’s found all the clues leading back to serial killer Arlo Jones, Arlo actually drops a name that Laz wasn’t expecting: Detective Alison Brown (Kate Ashfield).

Knowing that Alison is Seth’s (David Fynn) boss, Laz takes the information he’s gathered so far on her to him in confidence. He’s found clear lies that she’s told him, such as Alison lying that she knew anything about a cold-case that Laz had information about. In reality, she had actually been the lead detective on the case. Immediately suspicious of her, Laz tells Seth what he’s found and Seth is initially trepidatious to confront his boss, with the pair even getting into a physical altercation. But when he reads the files, the next thing we see is them both waiting to meet Alison.

Laz informs her that both cases of Arlo and murdered Imogen Carswood (Virge Gilchrist) have links to his father, with Arlo being a patient and Imogen being Dr L’s lover. They weren’t the only ones, with Laz explaining that Father Frank (Keith Bartlett) made a video before his death stating his innocence and said that the real killer is still at large. The very video was never released or seen by anyone but was apparently given to Alison.

Laz says that he thinks that Alison was seeking out vulnerable people at Dr L’s practice and scapegoating them for violent crimes, eventually getting into a heated confrontation with Dr L over it and killing him.

When Alison asks Seth to go and get her a glass of water, we don’t see the conversation that unfolds between her and Laz but we do see her knock Laz over then run over and tase Seth. Laz chases her in his car and then it turns to on-foot after she crashes her car. Alison runs out into a road and trips over a bike, but is then run over by an oncoming bus and killed.

Afterwards, we see Laz remembering his final interaction with Alison where she tells Laz to let everything go and presents a cassette tape. At the crime scene, he picked up said tape from her pocket and takes it for himself.

Elsewhere, we see Aidan going to visit Laura (Roisin Gallagher) to speak to her about his father, Laz. He talks about secrets and promises, but we don’t see the extent of their meeting.

Laz returns to his father’s office with the tape and starts to play it, surprised to hear Alison confronting Dr L on it. The scene plays out before us and we see a stressed Alison confronting Dr L about what they’ve done. She feels guilty but Dr L explains that there’s no need to feel guilty, labelling it as a “useless emotion”.

It becomes clear that for years, the pair of them played the system for their own benefits. Dr L believed these patients were violent individuals and as a way of imprisoning them, got Alison to link them to crimes they hadn’t committed.

Alison got lots of awards and acclaim but saw the light and no longer agrees with Dr L’s way of working. She confronts Dr L about his murder of Imogen, which he doesn’t deny and instead, says he loved her but killed her to “end her suffering”. Alison realises that the information that Dr L has been giving her is not only untrue, but only as a way of deflecting attention away from him and his own crimes.

Alison says that she can’t just let all of this go, with it becoming clear that Alison has already arrived with a plan in mind. She hands Dr L a gun, telling him what he could write a suicide note and offering it up as a solution where his secrets die with him. While he does hold up the gun and point it at Alison, he’s unable to pull the trigger and resolves himself to her proposed plan.

He has a vision of Sutton and wonders whether he’ll see her in an afterlife, appearing to make peace with the impromptu suicide plot. While Alison says that she wishes there was another way to end this, Dr L says that there isn’t and asks to be alone. He calls Joel but we see Joel reject the call whilst working so Dr L writes a note and then shoots himself.

In the present, Laz is visited by the ghost of his father and confronts him about his murders. Dr L states that Alison killed him and seems to double down on his own crimes, talking about the ways in which his violent crimes “saved” them. They then share a heart-to-heart about their love for each other, with Dr L saying that there’s always the fear that sons will end up like their fathers. He then says goodbye to Laz for what appears to be the final time.

In a montage of scenes, we see how things have ended up for all the characters who appear resolved but stony faced in their decisions. Laz shows his father’s suicide note to his sister Jenna (Alexandra Roach) and proclaims that it’s over, appearing somewhat lighter as he makes his way to go and see Laura.

Has Laz been imagining things all along?

Sam Claflin as Joel Lazarus in Lazarus holding a file and looking out of a window, with a confused expression.

Sam Claflin as Joel Lazarus in Lazarus. Prime Video

Once Laz leaves the house, Jenna finds multiple boxes of tapes of their father’s in Laz’s room. It’s clear that he’s been listening to them all, with Jenna listening to the tapes of Arlo, Cassandra and more.

So, that begs the question of whether or not everything he had been experiencing had just been in his head all along.

While we know that Laz has obviously been imagining these meetings with his father and former patients, it becomes more apparent that perhaps he’s just been holed up in his room listening to the tapes rather than going to Dr L’s office.

What happens at the end with Laz and Aidan?

Sam Claflin as Joel Lazarus in Lazarus.

Sam Claflin as Joel Lazarus in Lazarus. Prime Video

Making his way to Laura’s home, we then see Laz approaching her house and finding her door unlocked. Once inside, he doesn’t hear Laura after he calls out for her and looks for her.

When he reaches her living room, he sees things looking like an altercation has unfolded and it’s clear something has happened. When he turns around, he sees Aidan standing in the doorway with a curved knife in his hand, looking blankly back at Laz before saying “I’m sorry”.

So, it’s clear that Aidan has attacked Laura but in terms of whether she’s alive or not, that’s left on a cliffhanger.

Lazarus premieres on Prime Video on Wednesday 22nd October – try Amazon Prime Video for free for 30 days. Plus, read our guides to the best Amazon Prime series and the best movies on Amazon Prime.

Add Lazarus to your watchlist on the Radio Times: What to Watch app – download now for daily TV recommendations, features and more.

Check out more of our Drama coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

October 22, 2025 0 comments
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