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"We Live In A Bully Culture Right Now"
TV & Streaming

We Live In A Bully Culture Right Now

by jummy84 October 22, 2025
written by jummy84

It’s been 40 years since the release of Back to the Future, and somehow, people still resonate with the themes the film touched on.

Reflecting on the lasting impact of the film, stars Michael J. Fox and Christopher Lloyd recently revealed why they believe the movie continues to connect with audiences after four decades.

“We live in a bully culture right now. We have bullies everywhere — you don’t need me to point the finger at who, but there are all these bullies,” Fox said in an interview with Empire. “In this movie, Biff is a bully. Time is a bully.”

Fox continued, “For me personally, Parkinson’s is a bully. And it’s all about how you stand up to them and the resolve that you take into the fight with them. It’s about your resilience and your courage.”

The actor noted that “there’s a lot to that right now,” adding, “I think a lot of people are responding to the movie because it strikes chords they wouldn’t otherwise recognise.”

Lloyd, who played Doc Brown in the trilogy of films, said, “It continues to amaze me how deeply the Back To The Future films affected young people. It still comes up all the time.”

Back to the Future was released on July 3, 1985. The film, directed by Robert Zemeckis, is set in 1985 and follows Fox’s Marty McFly as a teenager who is accidentally sent back to 1955, where he inadvertently prevents his future parents from falling in love, which threatens his own existence.

Following the success of the original film, the sequel Back to the Future Part II was released in 1989, and a third film, Back to the Future Part III, was released in 1990.

October 22, 2025 0 comments
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Culture Club - Karma Chameleon Song Lyics | Glamsham.com
Lifestyle

Culture Club – Karma Chameleon Song Lyics | Glamsham.com

by jummy84 October 16, 2025
written by jummy84

Song Name – Karma Chameleon
Singer – Culture Club

Check out Karma Chameleon Song Lyrics by Culture Club

Desert loving in your eyes all the way
If I listen to your lies, would you say

I’m a man without conviction
I’m a man who doesn’t know
How to sell a contradiction
You come and go, you come and go

Karma, karma, karma, karma, karma chameleon
You come and go, you come and go
Loving would be easy if your colours were like my dream
Red, gold and green, red, gold and green

Didn’t hear your wicked words every day
And you used to be so sweet, I heard you say

That my love was an addiction
When we cling, our love is strong
When you go, you’re gone forever
You string along, you string along

Karma, karma, karma, karma, karma chameleon
You come and go, you come and go
Loving would be easy if your colours were like my dream
Red, gold and green, red, gold and green

Every day is like survival (Survival)
You’re my lover, not my rival
Every day is like survival (Survival)
You’re my lover, not my rival

I’m a man without conviction
I’m a man who doesn’t know
How to sell a contradiction
You come and go, you come and go

Karma, karma, karma, karma, karma chameleon
You come and go, you come and go
Loving would be easy if your colours were like my dream
Red, gold and green, red, gold and green
Karma, karma, karma, karma, karma chameleon
You come and go, you come and go
Loving would be easy if your colours were like my dream

Red gold and green, red gold and green
Karma, karma, karma, karma, karma chameleon
You come and go, you come and go
Loving would be easy if your colours were like my dream
Red, gold and green, red, gold and green
Karma, karma, karma, karma, karma chameleon
You come and go, you come and go
Loving would be easy if your colours were like my dream
Red, gold and green, red, gold and green

October 16, 2025 0 comments
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ALL THAT JAZZ Podcast | Comedy, Cinema & Culture
Hollywood

ALL THAT JAZZ Podcast | Comedy, Cinema & Culture

by jummy84 September 28, 2025
written by jummy84

Podcasts are everywhere these days. They soundtrack commutes, workouts, and late-night scrolling. But every so often one stands out—not because it’s neatly packaged or algorithm-friendly, but because it feels alive. ALL THAT JAZZ, hosted by indie filmmaker Gregory Hatanaka, actress-director Nicole D’Angelo, cultural commentator Warren Hong, and cinephile guest host Jessica Brainard, is one of those rare shows.

It isn’t just about movies, though it dives into them with obsessive energy. It isn’t just about culture, though that’s always in play. And it isn’t just about comedy, though the laughs are constant. Instead, ALL THAT JAZZ thrives on intersections—the unpredictable moments where cult cinema, anthropology, politics, and absurd humor all crash into each other like a jam session gone gloriously off-script.

The Origin Story The seed of ALL THAT JAZZ was planted in off-the-record conversations. Gregory, Nicole, and Warren had spent years talking movies, distribution, and the culture that surrounds them. Jessica, a cinephile with a sharp cultural perspective, joined in naturally. Eventually, the idea hit: why not record it?

What makes the show different is its refusal to over-produce. Episodes unfold the way real conversations do—messy, funny, digressive, surprising. “We’re like one of those hidden mystery shops of wonders,” Gregory says. “You can discover things you never knew existed.”

That sense of stumbling onto something unexpected—like finding a forgotten record in the back of a dusty shop—is exactly what defines the show.

The Vibe Drop in on an episode and you never know where you’ll land. One moment the hosts are swapping stories about why Fast Times at Ridgemont High’s VHS release had the wrong soundtrack. The next, they’re debating the anthropology of endangered languages, unpacking Wade Davis’s TED talk, or explaining the Sapir-Whorf hypothesis. Before you catch your breath, the conversation may have swerved into fragile states like Syria or Haiti, or back into the trenches of indie film contracts and production war stories.

The hosts keep the vibe electric. Gregory brings encyclopedic knowledge and war stories from the indie film frontlines. Nicole anchors the show with warmth, honesty, and philosophical reflections on art and life. Warren adds the sharp edges, mixing pop-culture humor with cultural critique. Jessica bridges cinema and culture, connecting forgotten movies to broader social and historical patterns.

https://www.youtube.com/watch?v=videoseries

Nicole sums it up best: “It means so much to have a place where we can tell the world about adventures—and even spiritual experiences—that shape the way we see life.”

Jessica adds: “I’ve always loved discovering new films and how they connect to the bigger picture of culture. On the podcast, I get to chase that curiosity every week.”

And Warren? He embraces the chaos. “The best part is the chaos—we don’t always know where we’re going, and that’s the thrill.”

The Unexpected The joy of ALL THAT JAZZ lies in its unpredictability. Listeners have tuned in to hear detailed breakdowns of why John Cassavetes’ A Woman Under the Influence plays differently across formats, only to find themselves swept into discussions of white-collar crime and the shocking statistics that show its cost in lives and dollars. What begins as a film conversation might twist into a sociology seminar, complete with reflections on deviance theories and corporate accountability.

And then, just as quickly, the conversation will shift gears again—into the spiritual, the personal, or the absurd. In one episode, the hosts bounced from discussing fragile states like Syria and Haiti to joking about food rituals. The phrase “fried chicken, yeah!” somehow became a mantra. It’s that unpredictability—never knowing if you’re about to learn something, laugh out loud, or both—that gives the show its charm.

Gregory thrives on that wide range. “To me, cinema has always been connected to everything else—politics, history, even spirituality. The podcast just makes those connections visible.”

Why the Range Matters The range of topics isn’t a gimmick; it reflects the way culture really works. Movies aren’t just entertainment—they’re tied to music rights, to the sociology of who gets represented, to the politics of which films get distributed. Anthropology doesn’t live in a classroom—it informs how we think about rituals in movies, why certain languages vanish, or how ancient civilizations like the Hittites understood the world. Even jokes, chants, or surreal tangents are part of culture.

In other words, ALL THAT JAZZ mirrors life: messy, interconnected, and unpredictable.

Meet the Hosts Gregory Hatanaka is best known as the filmmaker and distributor behind Cinema Epoch and Cineridge, labels that have brought everything from cult curiosities to ambitious indie projects to audiences worldwide. On the podcast, he draws on decades of experience in the trenches of indie cinema, mixing war stories with sharp insights.

Nicole D’Angelo has built her reputation as an actress, director, and writer who explores themes of intimacy and identity. On the show, she’s the grounding presence, often guiding the conversation into deeper waters about spirituality, memory, and personal journeys.

Warren Hong is the wildcard—funny, insightful, and unafraid to push the conversation into unexpected directions. His commentary ranges from sharp critiques of politics to surreal one-liners that leave the group in stitches.

Jessica Brainard brings her lifelong cinephilia to bear, connecting forgotten films to bigger cultural narratives. Whether she’s exploring why a VHS edit matters or tracing how a cult movie reflects generational shifts, she brings both passion and clarity.

The Bigger Picture So why does this podcast resonate? Part of it is the eclecticism. But more than that, it’s the sense of community the hosts create with listeners. By diving into subjects as varied as Dario Argento’s Tenebre, the anthropology of endangered languages, the rise and fall of ancient civilizations like the Hittites, or the controversies of corporate crime, ALL THAT JAZZ opens up cultural rabbit holes that most shows wouldn’t dare attempt.

It’s also a reminder that culture isn’t made of neat categories. A discussion of VHS soundtracks isn’t just nostalgia—it’s about economics, law, and how art circulates. A conversation about fragile states isn’t just political—it ties back to stories we tell in movies and the ways we understand identity. The absurdist riffs and surreal humor? That’s culture too, alive and evolving.

At its best, ALL THAT JAZZ feels like a cultural conversation that refuses to stay still. It’s a film school, a comedy club, and a philosophy seminar rolled into one—and then something stranger and funnier still. In an age where most podcasts chase niches, ALL THAT JAZZ dares to be messy, eclectic, and alive. That’s exactly why it works.

September 28, 2025 0 comments
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Steve Harvey Says He Quit Standup Because of Cancel Culture
Music

Steve Harvey Says He Quit Standup Because of Cancel Culture

by jummy84 September 21, 2025
written by jummy84

In a development that hopefully won’t be included in his forthcoming biopic, actor-comedian Steve Harvey has admitted that he retired from stand-up due to “cancel culture.” We sure it wasn’t all those flubs on stage, Mr. Harvey?

Harvey’s comments came during a recent episode of The Pivot Podcast (via Complex). He explained that he saw a significant shift in comedy coming down the cultural pipeline, and dropping stand-up was a necessary reaction to the forthcoming upheaval.

“You remember, I said change is inevitable. You got to react or participate,” Harvey said. “So my participation was to get away from it because the cancel culture started becoming everywhere. Comedy is too hard to do right now. And all you got to do is look now the way the cancel culture works.”

Harvey added that, despite the lucrative nature of his stand-up career, he ultimately chose to step away after more than 30 years on the road. “That’s why I left stand-up in 2012, 2015 — one of them,” he said. “I had so many shows and had built such a catalog of work that I was making money, but I had to let something go. If I toured on the weekends, I wouldn’t even have a family.”

Related Video

This isn’t the first time Harvey has rallied against cancel culture. During a 2022 panel appearance for the Television Critics Association, Harvey said that “no standup [comedian] alive that is sponsor-driven can say anything he wants to,” citing the likes of Chris Rock, Kevin Hart, and D.L. Hughley. At the time, Consequence pointed out that, despite significant backlash for transphobic remarks, the similarly seasoned Dave Chappelle still performed at Netflix’s L.A.-based comedy fest. But then poking holes in these kind of “arguments” isn’t really the point.

No, what Harvey and other denouncers “cancel culture” are really talking about is a kind of artistic/comedic stagnation. These comedians want to be allowed to say what they want and whenever they want, and to counter their claims is somehow an attack on them and free speech itself. Fortunately, not every comic agrees with Harvey and his ilk. In a 2021 appearance on the Joe Budden Podcast, Katt Williams said that “Cancellation doesn’t have its own culture,” and that a lot of this ongoing discourse is really about minority groups policing themselves/their culture. He added that it’s a comedian’s job to adapt to ever-shifting social norms, explaining, “Nobody likes the speed limit, but it’s necessary.” And, of course, Anthony Jeselnik has made regular rants against these “anti-accountability” comedians during his own sets.

Harvey’s latest comments came at a time when comedians are actually being cancelled due to the democracy-busting actions of President Donald Trump. In July, the Late Show with Stephen Colbert was axed due to “financial reasons”; though some critics believe the Trump Administration leveraged a Skydance-Paramount deal to silence the outspoken Colbert. Meanwhile, Jimmy Kimmel Live! was recently suspended (and potentially pulled from the air outright ) after his (mostly innocuous) comments surrounding the recent assassination of alt-right activist Charlie Kirk. And with Trump making thinly-veiled gestures toward the shows of both Jimmy Fallon and Seth Myers, it seems like comedians actually trying to do good work are facing unintended consequences. But I guess comedy’s truly dead if you can no longer make, like, the same dumb jokes about pick-up lines.

Check out Harvey’s Pivot appearance below. The cancel culture comments begin near the 37-minute mark.

September 21, 2025 0 comments
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9 Cuban-American-Owned Brands Serving Beauty, Style & Culture
Fashion

9 Cuban-American-Owned Brands Serving Beauty, Style & Culture

by jummy84 August 25, 2025
written by jummy84

I grew up in Union City, New Jersey, which sometimes gets referred to as “Little Havana on the Hudson.” It’s home to one of the biggest Cuban communities outside of Miami, thanks to waves of Cuban immigrants who settled there over the decades. Walking around, you see it in restaurants like Dos Amigos (where the only thing on the menu is a pan con bistec), the way the Cuban flag flies right below the U.S. one around town, and in the Celia Cruz Plaza on 32nd street. So it’s no wonder that anytime I go home, I have to grab a Cuban sandwich, Cuban links have always been part of my necklace stack, and even my Colombian dad will casually drop an “asere” around his coworkers.
That magnetism is what makes Cuban culture so distinct. With about 1.5 million Cuban Americans across the U.S., their culture quietly (or not so quietly) influences what we see, wear, and experience every day. If you’re looking to support Cuban fashion, try mojo-inspired sauces, or discover more Cuban American-owned businesses worth backing, here are some you should definitely check out.

Clandestina emerged from Havana’s creative underground, blending Cuban humor, tropical vibes, and a commitment to sustainable fashion. Since 2015, the brand has filled a gap showcasing the resilience and everyday joy of Cuba through clothing designed to uplift both community and the planet.
Clandestina Clandestina Denim Dress, $, available at Clandestina
Kathleen Fuentes, aka KathleenLights, is a Cuban-American beauty YouTuber who launched her brand Lights Lacquer in 2019 to bring her passion for color and creativity to nail polish. Inspired by her cultural heritage and the energy of Miami, the brand offers vegan and cruelty-free shades that celebrate self-expression through nail art.
Lights Lacquer Out of Office Nail Polish Trio by Lights Lacquer, $, available at Lights Lacquer
Xio by Ylette is a mystical, magic-infused, Miami-made jewelry brand crafting pieces inspired by symbols of luck and the stars, designed to help you communicate and manifest with the universe. Founded by Ylette Luis, each piece is made with love to bring a little extra power and intention to your everyday life.
XIO by Ylette XIO by Ylette’s Cubana Necklace, $, available at XIO by Ylette
Albisa Candles, founded by first-gen Cuban Americans Isabel and Albert, is a family-run brand that creates hand-poured candles inspired by Cuban culture and heritage. Their cafetera candles capture the nostalgia of seeing a cafetera on the stove during morning coffee, with a warm café con leche scent that feels just as familiar.
Albisa Candles Cafetera Candle by Albisa Candles, $, available at Albisa Candles
Born from a rich family legacy in men’s sportswear, Cubavera was launched in 2000 by Cuban-born George Feldenkris and his team to celebrate Latine culture through clothing. Taking inspiration from the traditional guayabera, the brand reimagines this iconic style with modern fabrics and designs. 
Cubavera Cubavera’s Embroidered Guayabera Shirt, $, available at CUBAVERA
Alamar Cosmetics is named after Gabriela Trujillo’s Cuban hometown, where her story started before her family immigrated to Miami. What began as a teen passion for makeup quickly turned into a career and, now, a brand that celebrates culture, creativity, and the hustle of paving your own path.
Alamar Cosmetics Alamar Cosmetics’ Colorete Blush Trio, $, available at Alamar Cosmetics
Tres Lindas Cubanas Cigars are more than just premium cigars. They’re a celebration of Afro-Cuban heritage and sisterhood. Founded by Yvette and Yvonne Rodriguez, visionaries who honor their grandmother’s legacy, the brand crafts hand-rolled cigars made with Nicaraguan tobacco and aims to bring more diversity to the cigar industry.
Tres Linda Cubanas Tres Linda Cubanas Assorted Heritage Collection, $, available at Tres Linda Cubanas
During a family pig roast on Nochebuena in 2015, Mario Cruz and his son Kevin experimented with their traditional Cuban mojo marinade to create a spicy hot sauce. Since then, Bárbaro Mojo has grown from a homemade favorite to a recognized Cuban hot sauce admired for its authentic flavor. 
Barbaro Mojo Barbaro Mojo Cuban Hot Sauce Gift Pack, $, available at Barbaro Mojo
Starting in a kitchen in the U.S. after emigrating from Cuba, founders Roy and Ines brought a taste of their homeland to their U.S. Latine community with homemade roasted coffee. What began as door-to-door sales has grown into Café Aroma, a family-run business that’s been serving the same traditional espresso blend for more than 60 years.
Café Aroma Café Aroma Espresso Can, $, available at Café Aroma

Like what you see? How about some more R29 goodness, right here?

August 25, 2025 0 comments
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Celebrity News

The Evolution of Sunglasses in Pop Culture – Hollywood Life

by jummy84 August 20, 2025
written by jummy84

Image Credit: Unsplash

In a world where fashion trends come and go, certain accessories transcend time, becoming symbols of style, status, and cultural identity. Sunglasses, particularly iconic brands like Ray-Ban and Oakley, have evolved from mere functional items to powerful fashion statements. Over the years, sunglasses have become more than just a tool for shielding your eyes from the sun, they are now an integral part of how we express ourselves, our lifestyle, and our values. 

For those looking to add a touch of timeless style to their look, you can shop Ray Ban sunglasses at Jomashop.com, a brand synonymous with classic design and cultural influence. 

The Rise of Sunglasses in Pop Culture

The journey of sunglasses from practical eye protection to cultural icons began in the early 20th century. Initially, sunglasses were primarily designed for practical purposes, protecting the eyes from harsh sunlight and dust. But by the mid-20th century, they began to transcend their functional role, becoming a hallmark of style and a symbol of cool. The shift began with the rise of Hollywood, where stars like Audrey Hepburn and James Dean wore sunglasses not only to protect their eyes but also to shield their identity from the prying public. This marked the beginning of sunglasses being seen as more than just an accessory, they became a part of the persona of the stars. 

As cinema evolved, so did the role of sunglasses in storytelling. In the 1986 blockbuster Top Gun, Tom Cruise’s character, Maverick, sported Ray-Ban Aviators, making them synonymous with cool, rebellious energy. This product placement was one of the first of its kind to elevate a pair of sunglasses into a cultural phenomenon. The success of the film led to a surge in Ray-Ban sales, with the brand reporting a 40% increase in 1986 alone. 

Sunglasses, especially from brands like Ray-Ban and Oakley, became synonymous with rebellion, individuality, and effortless cool. They were no longer just fashion accessories, they were markers of identity and resistance to societal norms. 

Sunglasses as Symbols of Identity

Sunglasses, over the years, have become much more than just a fashion statement, they are a reflection of personal identity. What you wear can reveal a lot about who you are, and sunglasses have been one of the most accessible ways for individuals to express their personality, values, and lifestyle. This is especially true for celebrity culture, where sunglasses have often served as a tool to craft and enhance an image. 

For example, in the 1960s and 1970s, Ray-Ban’s Wayfarers became an emblem of the counterculture movement, reflecting an era of rebellion and freedom. Musicians like Bob Dylan, John Lennon, and many others in the rock and roll scene embraced Ray-Ban’s iconic styles, giving the brand its reputation for being the choice of creative and rebellious minds. Similarly, Oakley sunglasses gained popularity in the 1980s due to their association with athletes and outdoor enthusiasts. Their functional design and distinct aesthetic made them the go-to choice for those who valued performance as much as style. 

Sunglasses have also become symbols of success and achievement, particularly in cultures where material items are often linked to personal milestones. A watch, a car, and yes, sunglasses, have long been the symbols that define a certain level of success and the pride that comes with it. Whether it’s a gift from a loved one or a personal purchase to mark a significant achievement, sunglasses are more than just accessories, they are reflective of personal growth and the stories we carry with us. 

If you’re looking for a bold, reliable pair of sunglasses that speak to both function and fashion, buy Oakley sunglasses at Jomashop.com to find an array of styles that blend performance and cutting-edge design. 

The Intersection of Fashion and Function 

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What makes sunglasses so unique is their ability to merge both function and fashion. Unlike many fashion accessories, sunglasses have a clear utilitarian purpose: protecting the eyes from the sun’s harmful UV rays. However, over the years, their role has shifted from simply being a functional item to becoming a crucial element of personal style. 

Ray-Ban and Oakley are two brands that have skillfully combined both aspects, offering eyewear that is not only stylish but also built to last. The Oakley brand, for example, is known for its innovative materials and cutting-edge design, making it a favorite among athletes and outdoor enthusiasts. Their sunglasses are designed to withstand the harshest elements while ensuring superior comfort and performance. 

Ray-Ban, on the other hand, has perfected the art of timeless design, with its signature aviators, Wayfarers, and round frames that have never gone out of style. Their designs have endured decades of trends, remaining as relevant today as they were when they first became iconic. 

Sunglasses are no longer just a practical item but a statement piece, one that blends technology, fashion, and functionality seamlessly. 

Celebrity Endorsements and Cultural Impact

The relationship between celebrities and sunglasses cannot be understated. Celebrities have always played a pivotal role in shaping fashion trends, and sunglasses are no exception. From Audrey Hepburn’s classic look in Breakfast at Tiffany’s to Brad Pitt’s sunglasses in Fight Club, sunglasses have often been part of the iconic image that these stars project. 

In recent years, celebrities like Rihanna, Julia Fox, and Beyoncé have all been seen sporting oversized sunglasses, vintage styles, and unique frames, further pushing the boundaries of what sunglasses can represent. These stars influence fashion and make sunglasses not just a practical item but a cultural statement. For example, Julia Fox recently made waves by pairing oversized Oakley sunglasses with her fashion-forward looks, further cementing the brand’s place in contemporary style. 

Such endorsements have helped shape the public’s perception of sunglasses as more than just a way to protect your eyes. They are a way to express confidence, creativity, and a strong sense of individuality. Sunglasses, especially from brands like Ray-Ban and Oakley, have become integral parts of a celebrity’s overall style. 

The Future of Sunglasses in Pop Culture

As we move further into the digital age, sunglasses continue to evolve, both in style and function. The next wave of sunglasses is not only focused on style but also integrates smart technology, providing users with enhanced functionality. For example, augmented reality (AR) glasses and smart eyewear are becoming increasingly popular, allowing people to access information while still being stylish. 

Brands like Oakley are at the forefront of this innovation, collaborating with tech companies to develop eyewear that blends seamlessly with our digital lives. As the lines between fashion and technology continue to blur, sunglasses are likely to remain a central part of our cultural identity, influencing how we see the world and how we are seen by others. 

Additionally, as sustainability becomes an ever-growing concern in the fashion industry, the next generation of sunglasses will likely see an increased focus on eco-friendly materials and practices. Consumers are now more conscious of the environmental impact of their purchases, and sunglasses brands will need to adapt to this shift by offering more sustainable options without sacrificing style. 

From their humble beginnings as practical eye protection to their iconic status as cultural symbols, sunglasses have undergone a remarkable transformation. Today, brands like Ray-Ban and Oakley not only define what’s cool but have also shaped pop culture and style. Whether you are drawn to the classic look of Ray-Ban or the performance-oriented style of Oakley, sunglasses remain a powerful accessory that speaks to personal identity and cultural pride. 

For more insights into the cultural history and impact of sunglasses, explore this comprehensive timeline provided by Google Arts & Culture: The Evolution of Sunglasses. This resource delves into the origins and development of sunglasses, highlighting key moments and figures that have shaped their place in fashion and culture. 

August 20, 2025 0 comments
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