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Tom Holland
Bollywood

Tessa Thompson on Hedda: “Embodying My Character Made Me Interrogate Myself”

by jummy84 November 17, 2025
written by jummy84

Actress Tessa Thompson takes the lead in the film Hedda, a reimagining of Henrik Ibsen’s 1891 classic Hedda Gabler, and also serves as a producer on the film. Directed by Nia DaCosta, the adaptation brings a contemporary lens to the original play and introduces a distinctly queer interpretation. During a global press conference, Thompson reflected on her decade-long creative partnership with DaCosta and spoke about revisiting Hedda Gabler for today’s audience.


About her Relationship with Nia DaCosta

Director Nia and Tessa’s working dynamic evolved over time. Tessa explained, “I first met her at the Sundance Film Labs. She wanted to make her first feature called Little Woods and I was there just donating my time. I didn’t think that we would go on to make a film together. And that began our collaboration, 10 years ago. When she first told me that she wanted to work on an adaptation of Hedda Gabler, I didn’t imagine that she meant she wanted me to play Hedda. It’s a character that’s captivated me. But I didn’t understand what the sort of cinematic imperative was to retell it in this time. And it was only when I read her first draft, I really understood what she wanted to do with it, which is to take it apart and put it back together.”
About the Challenges She Faced as an Actor and Producer
Making the Hedda Gabler adaptation wasn’t easy. The Hollywood writers’ strike made things extra difficult. Tessa said, “Two days before we began shooting, the strike happened (Hollywood strike). And we thought it would just be a couple of weeks, and it ended up being a double strike, which lasted for some time. One of the challenges was to keep it afloat. We had already moved into this incredible estate, and we had wallpapered the place, and brought in a lot of lacquer. Another challenge was to convince our collaborators and the homeowners to keep the house dressed, because otherwise we probably wouldn’t have been able to make the movie. Those were the productional challenges.”

Not just this, but Thompson faced certain challenges as an actor as well, including getting into the dress for her character, which she feels was not kind to her body. She continued, “It was challenging to gain an understanding of the piece. I did that by watching every adaptation I could get my hand on, reading all of the different translations of the work, and trying to understand architecturally why this a piece that has captivated us for so long. Wearing that dress – the boning and construction of 1950s silhouettes, which are not the kindest to a body, was also challenging. But what’s inherent in the design is the idea that Hedda Gabler is confined and constricted, not just by her time but by her choices.”

Playing Hedda Changed Tessa’s Own Persona
Hedda is smart and calculative, a bit different from Thompson, who calls herself naive. But playing this character did have an impact on her. She explained, “I am a bit naive. Even though we work in an industry where you can sometimes feel those dynamics in the rooms we occupy, I try to ignore that and just relate to people as people, not for what they do or what they can do for me. I’ve always been a bit allergic to that way of moving through the world. But I think embodying a woman who isn’t afraid of that kind of manipulation made me interrogate myself.”
Tessa’s Initial Reaction To Nia DaCosta’s Adaptation of 130-Year-Old Material

Adapting a 130-year-old material also meant that they had to be careful about placing it in the modern context so that it finds relatability. Thompson elaborated, “Something that really struck me was obviously this huge fundamental change that Nia’s made by making a character who’s typically a man, Eilert Lovborg, into Eileen Lovborg It makes the piece queer in a way that the original piece isn’t. It also gives Hedda a real foil. Another woman who’s in the world and making very different choices. Our piece wants to explore pathways to personhood and gaining agency over one’s life. In the original piece, you have Hedda saying, “For once, I want to be in control of a man’s destiny.”  And I think in our piece, you see a woman struggling with trying to be in control of her own. Those struggles, even the ones that Eileen are facing of trying to be taken seriously in spaces that are male dominated, is something that I understand.”

hedda
Putting Hedda Into A Modern Context

The Thor: Ragnarok actress added, “We exist now in a time where there’s so much positivity around sisterhood or women in relation to each other and I am grateful for that. And this is a woman [Hedda] isn’t necessarily interested in that. She acts out of jealousy and envy. The idea of a woman being quite jealous of another woman and acting out on does not have a lot of grace in the world that we live in now, which I appreciate. But if these feelings are left unchecked, and we don’t allow ourselves to sit with those feelings, we actually cut off parts of ourselves that are important. That was something interesting to unpack through playing her.  And something that I’m really interested in modern audiences to engage with.”

Hedda is streaming on Amazon Prime Video.


Also Read: Nia DaCosta Explains The Bold Queer Reimagining of Hedda, Talks About Her Bond With Tessa Thompson

November 17, 2025 0 comments
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Prithviraj Sukumaran hails SS Rajamouli, calls Kumbha in Varanasi his most ‘complex and physically demanding’ character
Bollywood

Prithviraj Sukumaran hails SS Rajamouli, calls Kumbha in Varanasi his most ‘complex and physically demanding’ character

by jummy84 November 15, 2025
written by jummy84

Published on: Nov 15, 2025 10:13 pm IST

Prithviraj Sukumaran also teased that working with SS Rajamouli has been a dream for him, and thanked him for the ‘torturous shooting process’ in Varanasi.

Earlier this month, filmmaker SS Rajamouli thrilled fans by unveiling the first look of Prithviraj Sukumaran as Kumbha, the formidable antagonist in his upcoming film Varanasi. Prithviraj was present at the Globe Trotter event in Hyderabad where he spoke at length about his collaboration with Rajamouli and said that his role in the film is ‘physically and emotionally exhausting’. (Also read: Globe Trotter event faces technical glitches, SS Rajamouli apologises to fans ahead of trailer release)

Prithviraj Sukumaran talked about his character Kumbha in SS Rajamouli’s Varanasi.

What Prithviraj said

Talking on stage at the event, the actor shared, “I still have that message when I was in the middle of directing my own film, when Rajamouli sir said that for my next film, the part of the antagonist has been written, and it has come out very well. Would you like to be a part of it? I always wanted to work with him and he offered me Kumbha. Little did I know that he was going to trust me with one of the most complex, most physically and emotionally challenging characters he has thought of.”

‘SS Rajamouli pushing his extremes’

He then added, “Thank you sir for the most torturous shooting process in Varanasi. I wouldn’t have it any other way. This is SS Rajamouli taking Indian cinema to the world, at his most audacious. The scale, the vision, the ambition, it’s SS Rajamouli pushing his extremes to places never seen before.”

In reponse, Rajamouli joked: “Enda mashe, adipoli (What sir, fantastic)!”

Mahesh Babu headlines the film as Kumbha, with Priyanka Chopra playing Mandakini and Prithviraj Sukumaran playing the antagonist. The story follows an adventurous, globe-trotting hero who confronts powerful adversaries while navigating perilous missions across various countries. The film is touted to hit screens in 2027.

News / Entertainment / Telugu Cinema / Prithviraj Sukumaran hails SS Rajamouli, calls Kumbha in Varanasi his most ‘complex and physically demanding’ character

November 15, 2025 0 comments
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Prayer meet of Sulakshana pandit
Bollywood

Ayushmann Khurrana Calls His Character in Sooraj Barjatya’s Film a Green Flag

by jummy84 November 12, 2025
written by jummy84

After the success of his recent film Thamma, Ayushmann Khurrana is preparing for his next big project with Sooraj Barjatya. He recently talked about his upcoming film and shared details about his character, whom he described as “simple, soft, and a green flag.”

 

During an interview with News 18, Ayushmann talked about his character in the film. He said, “You will be actually surprised that in Sooraj Barjatya’s film, the world is simpler and softer. Prem is that character who is simple, soft and a green flag. I would like to explore that part again.” 

Ayushmann Khurrana and Sharvari are set to co-star for the first time in Sooraj Barjatya’s upcoming romantic family entertainer. According to a report from Mid Day, the next phase of filming is scheduled to start this week at Mehboob Studios in Mumbai. The production team anticipates completing principal photography by January 2026. The film, featuring Ayushmann Khurrana and Sharvari, went on floors in Mumbai on November 1. Recently, images of the actors filming at a railway station was circulated on social media. They have since concluded a week-long song shoot in the city. Mid Day reports that Sooraj Barjatya and the film’s crew will now begin a 60-day start-to-finish schedule. This upcoming phase, beginning this week at Mehboob Studios, is primarily dedicated to capturing the dramatic and family-oriented sequences. The report also says that extensive indoor sets have been constructed across three floors of the studio.

 

The film is set to be produced by Rajshri Productions and Mahaveer Jain Films. Previously, in an interview with PTI, Sooraj Barjatya expressed his “nervousness” as the filming of the film approaches. He said, “I’ve this nervousness before the shoot of every film. This has been there even when I made my first film, Maine Pyaar Kiya, it’s still the same. As a creator, it’s not about how much box office it will do, it’s about whether you’re able to connect or not, with that thought or scene. For me, whether it’s a film or a show, everyone should feel that the world that I’m creating is honest, it shouldn’t look fake, like everyone should feel that this is how my house is. That is my biggest challenge. I want to make what I know, it’s important to make every kind of film, but it’s important to make family films.” 


Also Read: 9 Ayushmann Khurrana Films That Are Truly Unmissable

November 12, 2025 0 comments
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Karolina Wydra
TV & Streaming

‘Pluribus’ Breakout Karolina Wydra Unpacks Her Mysterious Character

by jummy84 November 11, 2025
written by jummy84

[This story contains spoilers from the two-episode Pluribus premiere.]

When the audition for Vince Gilligan’s Pluribus came along, Karolina Wydra not only hadn’t acted in five years, she didn’t even have representation. 

Bialy/Thomas & Associates — the same casting directors who cast all of the major players on Gilligan’s previous hit shows, including Breaking Bad and Better Call Saul — searched around the world until they remembered Wydra from a 2016 horror movie they’d assembled. They proceeded to request a tape through her commercial agent, however she was no longer a part of that agency’s roster either. The available information was so outdated that it only appeared as if she was.

As a devoted Breaking Bad fan, the Polish-American actor had been dreaming for years of landing an audition for Gilligan. Her ambition only intensified when she worked opposite Breaking Bad star Bryan Cranston a decade ago on Sneaky Pete, the crime series he co-created after wrapping the 12-time-Emmy-winning juggernaut. But Wydra soon abandoned her hope of working with Gilligan when no opportunities came her way during Better Call Saul.

Then, out of the blue, an audition for a highly secretive new Apple TV series came her way with Gilligan’s name attached. One would think she’d be doing cartwheels in response to this lucky break, but she initially hesitated, despite receiving the very chance she’d long wanted. After some inner back and forth, Wydra took the plunge anyway, later discovering that a familiar face happened to influence the fact that she was now in contention for a series regular role.

“At one point, [Gilligan] said, ‘I just spoke to Bryan Cranston about you.’ I was like, ‘What is happening? Where are the hidden cameras? Is this a joke? Here I am talking to Vince Gilligan, and he’s telling me that he talked to Bryan Cranston about me,’” Wydra tells The Hollywood Reporter.

She soon landed the mysterious role of Zosia opposite Rhea Seehorn’s Carol Sturka, and the two-episode series premiere has already made the case that Wydra is the latest example of Gilligan’s unique ability to turn journeyman actors into stars. “To be where I am today, I get emotional about it,” Wydra says as she begins to cry. “It’s beyond my wildest dreams — being employed by Vince Gilligan, holy shit.”

[Spoiler warning.] The sci-fi series begins with the global outbreak of an extraterrestrial “psychic glue” that forms a hive mind among the worldwide population. Carol, who’s somehow immune, lost her personal and professional partner, Helen (Miriam Shor), during the apocalyptic melee, so she rejects any and all overtures from the people she holds responsible, especially since they still want to try and turn her.

Written and directed by Gilligan, episode two, “Pirate Lady,” begins with Wydra’s Zosia cleaning up a dead body in Morocco. Suddenly, an impulse leads her to get on a motorbike and ride to an airfield so she can then fly a C-130 military aircraft to Albuquerque and serve as liaison to Carol on behalf of the collective known as “the Joined” or “the Others.” The Joined are able to tap into virtually any person’s existing thoughts, memories and know-how in order to achieve a particular task or objective, thus everyone can do everything and everyone knows everything. That includes flying a four-engine turboprop military transport aircraft. (In a previous conversation with THR, Seehorn insisted the series is not meant to be commentary on AI.) 

Carol still doesn’t react too kindly to her unsolicited chaperone, particularly because she sees through the Joined’s attempts to manipulate her by way of Zosia’s purposeful resemblance to an embryonic version of a pirate character she created for her Winds of Wycaro romance book series. Only she and Helen knew that the “haughty corsair” of Raban was originally a female character, leading to the unwelcome revelation that Zosia and the Joined possess all of Helen’s memories. She may have died from complications during the transitional event, but not before she joined long enough to have her innermost thoughts accessed.

Zosia’s offer to speak for Carol’s lost loved one is met with fiery rage, causing Zosia to convulse. This turn of events reveals that Carol’s emotions are the Joined’s kryptonite. If she gets mad enough, she can potentially kill millions of these interlinked people across the globe at the same time, just like the Joined did when their outbreak took the lives of nearly 900 million people worldwide.

With Zosia, Wydra had quite the tall order in playing a character who personifies practically everyone on the planet.

“It’s just too big to imagine playing the whole world,” Wydra says. “We would have conversations of who they are, and then I would tackle what was needed for each scene.”

She also had to maintain composure at all times to represent how serene it is to be among the Joined, thereby creating a contrast to the highly volatile Carol.

“I did a lot of [meditation and] body work to feel content and at peace so that Zosia wasn’t affected by whatever Carol was throwing at her,” Wydra says. “Zosia has to believe so deeply in ‘our’ cause and that our biological imperative needs to be shared. She believes the Joining needs to be experienced because it’s so good and so blissful. Whenever Carol is struggling, Zosia has to have that in mind, so that, in due time, Carol will also experience this, hopefully.”

Actors often feed off each other’s energy, so it was certainly awkward for Wydra to not be able to meet Seehorn’s intensity level at least halfway. “It was really challenging at times to watch somebody have their emotional journey and not be able to go on it,” Wydra admits. “I just had to trust that what I’m doing is not too robotic and find that sweet spot that ‘the Others’ live in.”

Below, during a recent conversation with THR, Wydra also addresses whether she knows who Zosia was before the Joining. 

***

Congratulations on being employed by Vince Gilligan. 

(Laughs.) Thank you for putting it that way. It’s true. 

There’s no question that Zosia is a career-defining role for you. Actors, by nature, have to be an optimistic bunch, but have you always been hopeful that an opportunity like this would come along?

I always had a dream to work with Vince Gilligan, but to think it would ever be a possibility, you have to be delusional. Every actor has to be delusional on some level to go to Hollywood. You have to have blind faith that, someday, it’s going to work out despite millions of other actors trying to work. But I’ve had this dream ever since I saw Breaking Bad. I was a huge, die-hard fan. I begged my team to get me in the room for Vince Gilligan. I didn’t care how big or how small the part was; I just wanted to work with Vince Gilligan. 

When I did Sneaky Pete, I worked with [Breaking Bad star] Bryan Cranston, who’s phenomenal. And as I was working with him, I kept thinking, “My God, I’m so lucky to work with Bryan. He’s incredible. I hope one day I get to have the experience that he got to have with Vince Gilligan.” But I never got an audition for Vince Gilligan during that time [of Breaking Bad and Better Call Saul], so I let go of that dream. But then I got an audition with his name attached, only I didn’t know what the project was. I didn’t know how big the character was. I just got the sides, so I knew nothing. It was one of those things where you get very little, and you have to make it your own. 

When I finally had that moment I’d dreamt of, my first reaction was, “Don’t do it. It’s never going to happen.” And then there was another part of me that said, “Karolina, just do it.” It’s such a funny thing about us humans. You think you’re going to react a certain way to something you’ve always wanted, but then you have another reaction. You just never know.

It also came at a time that I didn’t have an agent or a manager. If it wasn’t for casting [Sharon Bialy, Sherry Thomas, Russell Scott], I wouldn’t be here. They searched me out and contacted me. Vince told me they looked for my character for a very, very long time. They searched the world, and they couldn’t find her. So thank God to casting for remembering me [from 2016’s Incarnate] and getting in touch with my commercial agent that I wasn’t working with at the time to request my tape. I was still somehow on their roster.

So I was like, “You know what? I’m just going to give it a try.” And to be where I am today, I get emotional. [Wydra begins to cry.] “What is happening?” It’s beyond my wildest dreams — being employed by Vince Gilligan, holy shit. 

Wydra’s Zosia (right) with Rhea Seehorn’s Carol.

Courtesy of Apple TV

Do you know if Vince ever asked Bryan about you?

Yes, he did! Before we tested, Vince wanted to have a conversation on Zoom to tell me how the day was going to go and the process of the test and what it was going to look like. I had a million questions after I read the first two scripts. At one point, he said, “I just spoke to Bryan Cranston about you.” So that was another moment where I just was like, “Where are the hidden cameras? Is this a joke? Here I am talking to Vince Gilligan, and he’s telling me that he talked to Bryan Cranston about me.” The whole thing was so surreal, and getting the role was wild. I didn’t think this dream was possible, and even though it happened, I still feel like I’m dreaming in the best way. 

Bryan clearly gave a glowing review. 

He must have. I had so much fun working with him on Sneaky Pete. He’s one of a kind. 

I’ve covered a lot of different shows, and there’s definitely a lasting bond among Vince’s casts and crews that’s unique from most. (Even at the premiere, a lot of faces from each Gilligan show made a point to show up and support the latest endeavor.)

Vince creates that type of environment. Most of the crew has been with him since Breaking Bad and they keep coming back because of who he is. I feel very lucky to be a part of his creative family. No matter how big or how small your part is, you feel supported, welcome and safe. The cast on this show is so close. We genuinely have so much love for one another, and we support each other so much. It starts at the top with Rhea Seehorn. She is on another level, not just as an actress, but as a human being and a woman. She’s the real deal. I adore her and Vince so much. I have such adoration, respect and love for them. 

Rhea’s character, Carol Sturka, is described as the “most miserable person on the planet,” so were you directed to play the most blissfully happy person on the planet? 

Yes, I was. After the virus spreads, the world is utterly at peace. It’s happy, content and unflappable. There is no longer any suffering, prejudice and crime. There’s just pure goodness. They [the Joined] are really good.

Karolina Wydra as Zosia in Pluribus.

Courtesy of Apple TV

Yeah, that’s the thing, you’re not actually playing an individual person. How does one approach playing a character who is really a global collective?

It’s such a big idea and wild concept that you can’t tackle it like that. It’s too big to imagine playing the whole world. We would have conversations of who they are, and then I would tackle what was needed for each scene. 

I also did a lot of meditation in order to go in that state where you feel at one with the world. That’s what meditation does. If you do it long enough, you get into this particular state of being. I also did a lot of body work to feel content and at peace so that Zosia wasn’t affected by whatever Carol was throwing at her. She couldn’t go on the emotional journey with her, and she couldn’t react to what she was experiencing. Zosia has to believe so deeply in “our” cause and that our biological imperative needs to be shared. She believes the Joining needs to be experienced because it’s so good and blissful. Whenever Carol is struggling, Zosia has to have that in mind, so that, in due time, Carol will also experience this, hopefully. 

So it was really challenging at times to watch somebody have their emotional journey and not be able to go on it. I just had to trust that what I’m doing is not too robotic, and find that sweet spot that “the Others” live in.

We meet Zosia while she’s doing cleanup of a dead body in Morocco. Suddenly, someone arrives to replace her, and she motorbikes to an airplane that she herself flies to Albuquerque. From there, she disrobes in the middle of an airport and takes a shower. What was your first reaction upon reading that bonkers introduction on the page? (There’s a cool detail when Zosia enters the bathroom. Someone is curling hair extensions in order to make her look more like Raban.)

I was excited! I’ve never been asked to do anything like that. I thought, “What an epic journey for this character.” When you first meet her, you don’t know her past, but she already has the virus. So you watch her go on this journey, and see the flow and the choreography of how the Others move about the world. It’s a beautiful dance that they do, and it’s all silent because they’re communicating telepathically. So it was wild to read, and wild to shoot it. We did a bunch of rehearsals. 

On top of that, I really got to taxi the C-130 [aircraft]. It was me doing it. Vince asked the pilots if they would let me do it, and the pilots were not sure at first. But on the day of the rehearsal, I learned whatever they threw at me about the plane, and they realized that I am very committed to what I’m doing. So then they felt safe enough to let me do it at the Albuquerque Airport.

You alluded to her unknown past, and I’m very curious about who Zosia was before the Joining. Do you know that answer? Or is it still an open question?

To be honest with you, I didn’t ask Vince who she was, and we didn’t talk about it. I didn’t want it to color my performance because she is not who she was. We, as humans, come with a lot of history, and while that history can be positive or negative, that’s not who she is today. She’s not experiencing her past; she’s experiencing today. So my focus was only on who she is today, and that’s what’s fascinating about the beginning of episode two. So her past is very questionable. 

Vince and Rhea have both said Carol is a hero, which would imply that Zosia and the Joined are the villains. But to the Joined, Carol could easily be the villain since her anger is their kryptonite. She could potentially kill them all if she wanted. How do you view these hero-villain dynamics? 

Well, it’s interesting and very complex. If you ask Zosia, there’s a belief she lives by, and it’s that they have a biological imperative to spread the virus. She wants to have the “Old-Schoolers” come join them. Somebody might think that’s manipulative or villainous, but they really believe what they’re experiencing is worth experiencing. With Carol, Zosia already knows what it’s like to be her, but Carol doesn’t know what it’s like to be them. So the idea of Carol being a hero is based on her belief that fighting for individuality is more important. They both have two great points of view, and the perspective of who is the hero depends on how you are looking at it.

After the summit involving a half-dozen Old-Schoolers fails, why do you think Carol stopped Air Force One to reclaim Zosia from Mr. Diabaté (Samba Schutte)?

She’s in the grieving process. She suffers a great loss as you see in episode one. And if she goes off to be by herself, there’s an incredible loneliness she’ll experience. And Zosia being so kind and loving as her chaperone, she does help her feel less alone. So I think that’s why she decides it’s better to have someone than no one. Zosia is someone who has a familiar enough face to her own [fictional] creation of [Raban]. So that would be my guess.

Karolina Wydra’s Zosia (left) with Samba Schutte’s Mr. Diabaté in Pluribus.

Courtesy of Apple TV

There’s been a lot of questions so far about what the show is truly saying underneath its quirky sci-fi concept. Theories involving AI, political division and religion have all been bandied about, but besides those subjects, I actually glommed onto the idea that it’s Vince commenting on the celebrity he’s attained. Anyway, what themes resonated with you while inside of it?

To be honest, when we asked him those questions, he just said that an idea came to him and he ran with it. He wasn’t trying to think of all these political topics to write about; he just had an idea. So, for me, it’s about human nature. That’s why I love sci-fi. It brings up questions: “How would people behave if this happened, and what would the world look like?”

Are there similarities to AI? Are there similarities to what’s happening politically? Even if the intention is not there, great art brings up these questions for us to go, “Huh, isn’t it interesting how this is on par with what’s happening [in real life]?” Life is imitating art, and art is imitating life. 

So that’s why Vince is so brilliant because he’s created something that brings up so many questions, and they’re all valid questions and interpretations of the show. So all of them are going to be talked about, and you’ll have these conversations just like we had all these conversations on set. 

***
Pluribus’ two-episode series premiere is now streaming on Apple TV, with new episodes available every Friday. Read THR‘s previous interviews with creator Vince Gilligan and star Rhea Seehorn.

November 11, 2025 0 comments
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Samantha Ruth Prabhu
Bollywood

Bobby Deol to Play a Grey Character in Ali Abbas Zafar’s Next Starring Ahaan Panday and Sharvari

by jummy84 November 10, 2025
written by jummy84

Bobby Deol is on a roll recently. After Animal, Aashram and The Ba***ds of Bollywood’s success, the actor is now all set to star in Ali Abbas Zafar’s next. The film stars Ahaan Panday and Sharvari in the lead, and if reports are to be believed, Deol’s character will be in an authoritative position but he will not be the traditional villain.

Mid-Day quoted a source as saying, “It will be incorrect to call him the villain. His character is in an authoritative position in the film, but there is more than meets the eye. As the story progresses, Bobby’s character is shown having grey shades, which influences his dynamics with the hero.”

Deol has recently played negative roles and grey characters in Animal, Aashram and Kanguva and the filmmaker doesn’t want the actor to have a similar kind of a role in this film.
The source further continued, “Ali and producer Aditya Chopra were certain from the start that it can’t be a menacing and an all-black role as Bobby has done such parts. The director crafted a larger-than-life persona, keeping Bobby in mind, but at the same time, gave the character personal motivations and shades of grey. Bobby came on board only a week ago.”

Meanwhile, Ahaan recently unveiled his new look on social media and fans speculate it to be his look from Ali’s film. The Saiyaara star flaunted a rugged and intense look and captioned the photos as, And that’s a cut.”
Ali commented, “Nice look Ahaan Hmmmm”

Take a look at the post:


This yet-untitled project will reportedly go on floors in early 2026 and will mark the fifth collaboration between Aditya Chopra and Ali Abbas Zafar after Mere Brother Ki Dulhan, Gunday, Sultan, and Tiger Zinda Hai.  

Also Read: Preity Zinta Recalls Her Fondest Memories With Bobby And Tanya Deol

November 10, 2025 0 comments
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'Little Amélie or the Character of Rain' Directors Interview
TV & Streaming

‘Little Amélie or the Character of Rain’ Directors Interview

by jummy84 November 8, 2025
written by jummy84

There are too many animated movies to name that star children, but few capture how a child sees the world as well as “Little Amélie or the Character of Rain.” Based on a semi-autobiographical novel by author Amélie Nothomb, the film begins with the birth of the main character, a young Belgian girl whose father works as a diplomat in ’60s Japan, while the nation still had several scars from World War II. Precocious and believing herself to be a god, the young Amélie nonetheless has a child’s understanding of the world in which she lives, grappling with her identity as someone attached to the culture of her adopted home while also confronting death and real complex human feelings for the first time.

FRANKENSTEIN, Jacob Elordi as The Creature, 2025.  ph: Ken Woroner /© Netflix /Courtesy Everett Collection

“Little Amélie” is the feature directorial debut of Maïlys Vallade and Liane-Cho Han, French filmmakers who first met as students studying animation at Gobelins Paris. The two went on to work on several animated films together, most notably 2015’s “The Little Prince” and “Long Way North.” During production on 2018 of “Calamity,” a film by “Long Way North” director Rémi Chayé, Han gave Vallade a copy of the original novel by Nothomb, which he had first read when he was 19. Both directors were attracted to the book’s philosophical look at early childhood, with Vallade describing the novel as short but an “explosion of the senses.”

“I remember the first time I read that book at the end, I think it was the first time I cried while reading a book,” Han said in an interview with IndieWire. “So it had a very, very strong impact on me.”

To adapt the book, Mallade and Han took inspiration from the movies they made under Chayé, which have a simple and impressionistic hand-drawn aesthetic. The resulting work, which premiered at the Cannes Film Festival in May, is a gorgeous 2D animated creation, vibrantly combines colors to create Amélie’s world. For the animation, Mallade took some inspiration from “Japonisme,” a nineteenth-century French artistic movement that saw post-impressionist visual artists in the country take significant inspiration from Japanese artistic tradition.

“It’s one of the biggest references for everything that has to do with color in the movie, and also the simplification [of the art],” Mallade said.

Japanese animation also served as a visual reference during the movie’s production; Han said most of the team grew up during a time when the medium was popular in France, and described the film as a fusion between American, Disney-esque influences and those of Studio Ghibli and Hayao Miyazaki. Mallade, for her own part, describes live action filmmaking as her biggest inspiration, as it influenced the film’s cinematic framing and how she situated the “camera” to represent Amélie’s perspective.

During production, one of the biggest concerns for the team was representing Japan, and the book’s unique cultural mix between the country and Belgium. As Mallade put it, the Japan of the story is an idealized version of the real country, one seen through the precocious main character’s eyes, but they still wanted to pay attention to what Japan would have been like during the ’60s. Artistic director Eddine Noël did much of the research into the time period and the environment of the Kansai region in which the film is set, and built a replica of the house featured in the novel, and the team designed the house with Western furniture to represent the cultural fusion. Some areas, like a beach that plays a major role in the climax, are based on real places and drew from the plants and fish that are there in real life.

Although “Little Amélie” is a very grounded story of a girl’s coming-of-age, it contains several scenes in which the animators bent reality to represent Amélie’s point of view. Early in the film, she responds to the taste of a white Belgian chocolate bar as an almost nirvana-like awakening; when she experiences her first Spring, the flowers grow and expand into a limitless field. During the beach scene where she nearly drowns, the ocean parts for her in a symbolic moment. Han, who said the beach moment came from how he pictured the scene from the book as a kid, said these moments were intended to represent Amélie’s evolution, from a nearly mute baby in the beginning to a more mature girl by the end.

“We always tried to find some ideas that meet her emotional state,” Han told IndieWire. “You really feel that something happened to her brain, by connecting her neurons together, so she’s a bit more conscious about herself.”

Mallade described the process of putting the audience in the brain of Amélie as the most challenging part of making the entire film, as it was key to making the very simple story feel universal and emotionally resonant. Narration from Amélie, in which she conveyed her innocent worldview, helped to situate the audience in her perspective. As part of the process, Mallade and Han asked their team for memories they had from their childhood to pepper throughout the film. For example, a key scene where Amélie’s nanny Nishio creates and spins two tops, as a metaphor for their powerful soulmate connection, came from a memory a color artist offered. Mallade said these moments helped make the film both more specific and more universal, something that’s heavily rooted in its time and place while resonating with all audiences.

“We really want audiences to remember how things where when they were young, and that love can exist without barriers,” Mallade said. “Just remember the world when you were a kid, and you really cling to one’s memories.”

“Little Amélie or the Character of Rain” is now playing in theaters nationwide.

November 8, 2025 0 comments
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Emmerdale airs huge twist as character 'returns back from the dead'
TV & Streaming

Emmerdale airs huge twist as character ‘returns back from the dead’

by jummy84 November 6, 2025
written by jummy84

This article contains references to child sexual exploitation that some readers may find distressing.

An Emmerdale character who seemingly died last week is actually very much alive.

As viewers of the ITV soap have witnessed, April Windsor (Amelia Flanagan) and her boyfriend Dylan Penders (Fred Kettle) have been groomed into a life of drug and sex trafficking by twisted Celia Daniels (Jaye Griffiths) and Ray Walters (Joe Absolom).

They planned to flee the village and start afresh, but were soon caught on the outskirts of Leeds and ordered to return home.

Celia sent April to meet another client. ITV

With their ‘debt’ towards the pair worsening, April was told that another client had been booked for her to sleep with, and this time she had no option but to go through with it.

The youngster headed to a house in Hotten, where client Callum (Max Lohan) reminded her that although the door was open and she could leave at any time, he had booked her services for the entire evening and he’d have to alert Celia to the matter.

As he began to make his advances, a fearful Amelia whacked him around the head with a vodka bottle – apparently to his death.

With nobody she could turn to for help, she was forced to admit all to her groomers. Celia agreed to cover the tracks so that they wouldn’t be implicated, and Ray headed off to deal with the grizzly crime scene.

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Celia warned April that should she cause anymore trouble for their scheme, she’d play ‘Burn, Stab, Drown’ with grandad Bob (Tony Audenshaw), dad Marlon (Mark Charnock) and Dylan.

In tonight’s episode, the teen sat alone in the village, knowing it was only a matter of time before Ray gave her another job.

Sure enough, he soon pulled up and told her that he was needing drug dealers in Newcastle, and April saw this as an opportunity to escape his clutches for a while.

Ray sits in his car with Callum - whose head is bandaged - in Emmerdale

Callum is very much alive! ITV

After telling Marlon that she was staying with a friend’s sister at Newcastle Uni, she said her goodbyes to brother Leo and prepared to go.
On the outskirts of the village, Ray was having a secret meeting with none other than Callum, the man she supposedly killed.
Will April find out the truth?

Read more:

Emmerdale airs weeknights at 7:30pm on ITV1. Stream on ITVX.

Add Emmerdale to your watchlist on the Radio Times: What to Watch app – download now for daily TV recommendations, features and more.

Check out more of our Soaps coverage or visit our TV Guide and Streaming Guideto find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

November 6, 2025 0 comments
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Isabelle Tate
Hollywood

Nashville’? Her ABC Character – Hollywood Life

by jummy84 October 25, 2025
written by jummy84

Image Credit: Isabelle Tate/Instagram

Isabelle Tate was just 23 when she died. Best known for appearing in the series premiere of ABC’s 9-1-1: Nashville, the young actress’ life, career and health history quickly made headlines when news of her death broke in October 2025. Isabelle may have had a brief role on the show, but her neuromuscular and Charcot-Marie-Tooth diagnoses inspired many to learn more about the illnesses.

“She was also an aspiring actress, and was most recently even featured in a TV show,” Isabelle’s obituary read. “Isabelle loved volunteering her time to all things, particularly animals — her idea of a fun outing was visiting an animal shelter and doling out lots of love. Isabelle was full of fire, a fighter, never once making excuses for the fact that she might have a disability relative to others. She was also quite musically inclined, often spending hours writing and recording songs with friends and even publishing a few.”

Below, find out which character Isabelle played in 9-1-1: Nashville.

Who Did Isabelle Tate Play in 9-1-1: Nashville?

Isabelle played a bachelorette party attendee in the series premiere of 9-1-1: Nashville. Her character receives a dance from stripped-turned-firefighter Blue (played by Hunter McVey).

What Is Charcot-Marie-Tooth Disease? Isabelle Tate’s Illness

Isabelle’s talent agency, The McCray Agency, revealed in an October 2025 Instagram Story that she died of “a rare form of Charcot-Marie-Tooth disease.” The agency further noted that she died “peacefully,” but her death was still “sudden” and “shocking” for all.

According to the Charcot-Marie-Tooth Association (CMTA), the disease is “a rare multi-system, multi-organ disease that causes life-long, progressive symptoms, including muscle weakness and atrophy in the arms and legs, sensory loss, and other complications. These symptoms often lead to challenges with balance, walking, hand use, and other daily activities.”

Isabelle was battling an illness known as neuromuscular disease. However, her official cause of death was revealed by her talent agency, The McCray Agency, as “a rare form of Charcot-Marie-Tooth disease.” The agency noted in an Instagram Story that Isabelle died “peacefully,” but her death was “sudden” and “shocking” for all close to her.

What Is Neuromuscular Disease?

Neuromuscular disorders are a range of conditions that involve the dysfunction of one’s “peripheral nerves, muscles or the communication between them,” according to the Cleveland Clinic. The illness causes muscle weakness, muscle atrophy and numbness and/or tingling in the body.

Isabelle was diagnosed with neuromuscular disease when she was 13, as seen in a December 2022 Instagram post from her unverified account.

“This has been a difficult journey for me because having to accept help and surrender to the progression of this condition has been extremely hard,” Isabelle wrote at the time. “While I was trying to come to terms with this, I really did find that I lost myself in certain ways. I hated that it was not only breaking me down physically, but I was allowing it to also break down my spirit.”

October 25, 2025 0 comments
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Rush Honor Kiss' Guitarist Ace Frehley: ‘An Undeniable Character'
Music

Rush Honor Kiss’ Guitarist Ace Frehley: ‘An Undeniable Character’

by jummy84 October 17, 2025
written by jummy84

The members of Rush are looking back on their time touring as an opener for Kiss in the Seventies. Following Ace Frehley‘s death on Thursday, Oct. 16, Rush shared a tribute to the Kiss guitarist, calling him an “undeniable character.”

“Absolutely stunned and saddened by the news Ace Frehley has tragically passed away,” the band wrote on Instagram. “Back in 1974, as the opening act for KISS, Alex, Neil and myself spent many a night hanging out together in his hotel room after shows, doing whatever nonsense we could think of, just to make him break out his inimitable and infectious laugh.”

The band added, “He was an undeniable character and an authentic rock star. RIP Ace .. thanks for welcoming us newbies into the rock and roll world.”

Rush‘s Geddy Lee and Alex Lifeson previously shared stories from their tour with Kiss (and especially Frehley) in a documentary, Time Stand Still, back in 2016.  While on the road, Lifeson used to dress as “The Bag” — placing a paper bag over his head and putting his hands through his pants to entertain his bandmates and Frehley.

“Gene was very, very upset with the Bag,” Lifeson recalled in the documentary. “And that made Ace even happier.”

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“Gene was straight,” Lee added at the time. “He wasn’t high like we were. He had a different sense of reality when he came into Ace’s room. We were drinking and smoking and generally being idiots.”

Frehley died in Morristown, New Jersey, at age 74. Lori Lousararian, Frehley’s rep, attributed his death to a “recent fall at his home,” though a specific cause of death was not immediately available. “We are completely devastated and heartbroken,” Frehley’s family said in a statement. “In his last moments, we were fortunate enough to have been able to surround him with loving, caring, peaceful words, thoughts, prayers and intentions as he left this earth.”

October 17, 2025 0 comments
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Locations are the third character in my films: Rakeysh Omprakash Mehra
Bollywood

Locations are the third character in my films: Rakeysh Omprakash Mehra

by jummy84 September 26, 2025
written by jummy84

Updated on: Sept 27, 2025 02:29 am IST

The filmmaker looks back at iconic locations that became cinematic landmarks

It’s World tourism day today and filmmaker Rakeysh Omprakash Mehra revisits some of the locations featured in iconic scenes from his filmography.

Bhaag milkha bhaag

He says, “Locations emerge from the script. When I write my scripts I also write the location. After that I visit the place, spend time there and rewrite as per the feeling I had at the location. Locations are definitely the third character in my films”

If we had to film a protest it had to be at the heart of the nation’

For Rang De Basanti, India Gate is where the boys salute, it’s also where the candle light protest against corruption was held. Being a Delhi boy, that’s the first place that came to mind. If we had to film a protest it had to be at the heart of the nation. India Gate has the symbolism of martyrs who died in the world war and it was important that we shoot the film there. There was another sequence in RDB where we filmed at the Golden temple right before the documentary shoot portion began. Ours was one of the first films to be shot there. Nahargarh fort where the song Masti Ki Paathshala was shot now has a RDB point.

‘Old Delhi had a huge impact on me growing up’

Old Delhi is where I spent my growing up years. Chandni chowk, has a Gauri Shakar temple, diagonally opposite there is a church, opposite which is a Gurudwara and hospital, right in front of it is a Masjid. You turn around and you have the tricolour flying on the Red Fort. That’s where we used to play cricket. The place had a huge impact on me growing up. The idea was to explore these nuances through Delhi 6.

‘Ladakh has a point named Bhaag Milkha Bhaag point’

For Bhaag Milkha Bhaag we had to recreate places that existed during the 50s. We found some old places in Haryana, that had mud tracks not synthetic ones. As someone who is into sports myself, I knew that training at a high altitude helps expand the lungs. Once you come down to sea level, training is easier. Which is why we filmed at Ladakh. Now Ladakh has a point named Bhaag Milkha Bhaag point.

For the pre-partition scenes I filmed at a village near Fateh Pur, Pakistan. The authenticity of the locations reflects in the film.

News / Entertainment / Locations are the third character in my films: Rakeysh Omprakash Mehra

September 26, 2025 0 comments
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