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Blake Lively and Justin Baldoni’s Courtroom Clash Just Got Pushed… and Hollywood Is Holding Its Breath
Hollywood

Blake Lively and Justin Baldoni’s Courtroom Clash Just Got Pushed… and Hollywood Is Holding Its Breath

by jummy84 December 12, 2025
written by jummy84

Hollywood loves a plot twist, but no one expected the Blake Lively vs Justin Baldoni case to turn into the industry’s most-watched slow burn. The highly publicized sexual-harassment lawsuit, which has already fueled countless headlines and think pieces, just hit another dramatic shift: the trial has officially been postponed. Originally scheduled for March 2026, the case will now go to court in May due to scheduling issues with the judge. And trust  the delay is only turning up the heat.

For months, the situation has hovered like a storm cloud over two major careers. Blake Lively, one of Hollywood’s most beloved actresses, is known for carefully protecting her public image. Justin Baldoni, actor and director, has spent years cultivating a reputation around social impact, vulnerability, and emotional intelligence. So the very existence of this lawsuit shocked fans on both sides. And now, with two extra months added to the timeline, the speculation machine is spinning at full speed.

Publicists are scrambling. Studios are whispering. Commentators are analyzing every micro-movement. The delay isn’t just a calendar shift  it’s a new chapter in one of Hollywood’s tensest moments.

Industry insiders say the reschedule could change the entire legal and PR landscape surrounding the case. With awards-season campaigns gearing up and 2026 production schedules starting to lock in, both actors will now have this legal shadow looming over crucial months. That means red carpet appearances might be muted, press junkets may feel colder, and brand partnerships could stay on ice until the courtroom dust settles.

Online, the reaction has been instant. Fans of both stars erupted across social media, with Lively’s supporters calling the delay “torture” and Baldoni’s followers urging everyone to “wait for the facts.” Meanwhile, gossip accounts are treating the news like a season finale cliffhanger. It’s messy. It’s loud. It’s very Hollywood.

What everyone agrees on: this case is bigger than two celebrities. It’s touching the heart of a conversation the industry has been having for years about boundaries, power, and what accountability looks like when both people involved are A-list.

As May approaches, the eyes of the entertainment world will be locked in. The postponed trial hasn’t cooled the fire it’s only made the spotlight hotter. And in a town that thrives on high-stakes drama, this may be the story that defines early 2026.

December 12, 2025 0 comments
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Blake Lively requests $161M in damages amid Justin Baldoni legal battle - National
Celebrity News

Blake Lively requests $161M in damages amid Justin Baldoni legal battle – National

by jummy84 November 7, 2025
written by jummy84

Blake Lively is seeking over US$160 million in damages due to an alleged smear campaign launched against her during the release of the film It Ends With Us.

In a newly unsealed court filing, viewed by People, Lively claimed she lost $56.2 million in past and future earnings from acting, speaking engagements and endorsements.

The documents, originally submitted in July, claim that the 38-year-old actor also suffered $71 million in lost business profits from her haircare line, Blake Brown, and her beverage companies, Betty Buzz and Betty Booze.

Her legal team also alleges Lively has suffered $34 million in reputational harm due to “defamatory statements.”

In her lawsuit, which was first filed on Dec. 31, 2024, Lively’s legal team stated that her damages exceeded $75,000. But in a disclosure provided to the defence in the new documents, her team argued that she has suffered at least $161 million in actual damages.

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Her lawyers will also seek at least three times that in punitive damages, according to Variety.

Lively’s disclosure notes that her damages figure is preliminary and subject to proof via expert testimony at trial, per the filing.

The documents came after a final judgment was entered in her It Ends With Us co-star Justin Baldoni’s $400-million defamation and extortion countersuit against Lively and her husband Ryan Reynolds after Baldoni missed the deadline to file an amended complaint.

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Last Friday, U.S. District Court Judge Lewis Liman signed an order stating that Baldoni, 41, and his production company Wayfarer Studios had let the deadline lapse after the court dismissed the case in June.

Liman said he’d contacted all parties on Oct. 17 to let them know he’d be entering a final judgment to conclude the case.

Lively was the only one to respond, asking the judge to finalize the dismissal and keep her request for legal fees open, which the judge agreed to.


Click to play video: 'Justin Baldoni lawyers deny Blake Lively ‘smear campaign’ after $400M countersuit dropped'

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Justin Baldoni lawyers deny Blake Lively ‘smear campaign’ after $400M countersuit dropped




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Baldoni may still appeal the dismissal after the court decides Lively’s pending motion for legal fees, according to E! News.

Liman previously dismissed Baldoni and production company Wayfarer Studios’ lawsuit on June 9, but allowed him and his legal team to amend the complaint to change the “allegations relevant to the claims of tortious interference with contract and breach of implied covenant.”

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Liman also ruled that Baldoni’s claims that Lively stole creative control of the film didn’t count as extortion under California law.


“The Wayfarer Parties have not alleged that Lively is responsible for any statements other than the statements in her CRD complaint, which are privileged,” Liman wrote in the opinion and order filing. “The Wayfarer Parties have alleged that Reynolds and (publicist Leslie) Sloane made additional statements accusing Baldoni of sexual misconduct and that the Times made additional statements accusing the Wayfarer Parties of engaging in a smear campaign.

“But the Wayfarer Parties have not alleged that Reynolds, Sloane or the Times would have seriously doubted these statements were true based on the information available to them, as is required for them to be liable for defamation under applicable law.

“The Wayfarer Parties’ additional claims also fail. Accordingly, the Amended Complaint must be dismissed in its entirety.”

The judge also dismissed Baldoni’s defamation lawsuit against the New York Times, which had reported on Lively’s sexual harassment allegations.

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Baldoni’s suit was seeking at least $400 million for damages that included lost future income. The lawsuit from Baldoni and production company Wayfarer Studios, which also named Sloane as a defendant, came about two weeks after Lively sued Baldoni and several others tied to the film, alleging harassment and a co-ordinated campaign to attack her reputation for coming forward about her treatment on the set.

Lively sought unspecified damages when she sued Baldoni in late December 2024 for alleged sexual harassment and retaliation. The trial is currently set to take place in March 2026.

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&copy 2025 Global News, a division of Corus Entertainment Inc.

November 7, 2025 0 comments
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Blake Lively & Justin Baldoni’s ‘It Ends With Us’ Lawsuits: Updates – Hollywood Life
Hollywood

Blake Lively & Justin Baldoni’s ‘It Ends With Us’ Lawsuits: Updates – Hollywood Life

by jummy84 November 3, 2025
written by jummy84




View gallery

Blake Lively & Justin Baldoni on the Set of 'It Ends With Us': Photos
Blake Lively & Justin Baldoni on the Set of 'It Ends With Us': Photos
Blake Lively & Justin Baldoni on the Set of 'It Ends With Us': Photos
Image Credit: GC Images

The It Ends With Us cast and crew have been embroiled in a feud since last year. It all started when TikTok users noticed that film star Blake Lively and her co-star and director, Justin Baldoni, didn’t pose for pictures together at the August 6, 2024, New York City premiere. Rumors surfaced claiming that the cast distanced themselves from Justin, and fuel was added to the fire when Justin hired a crisis PR manager. At the end of 2024, Blake filed a lawsuit against Justin for alleged sexual harassment on the set of their movie. In early 2025, Justin responded by suing both Blake and her husband, Ryan Reynolds, but his countersuit was dropped by a judge in November 2025.

Hollywood Life is breaking down the timeline between the drama and the legal battle between Blake and Justin, below.

Rumors of Tension Circulate

On August 14, 2024, TMZ reported that there was discomfort between Blake and Justin while filming a kissing scene. Insiders told the outlet that the A Simple Favor actress felt that the director “lingered” too long while kissing her on camera.

Sources also told the outlet that Blake felt “fat-shamed” by Justin while working on a scene in which his character, Ryle, lifts her character, Lilly, into the air. Justin reportedly has a history of back issues, and after he allegedly asked an on-set trainer how much Blake weighed, she felt that he was fat-shaming her, according to the outlet.

Justin Baldoni and Blake Lively are seen on the set of 'It Ends with Us'
Justin Baldoni and Blake Lively on the set of ‘It Ends with Us’ (Photo: GC Images)

Page Six reported that an eyewitness recalled “tension” visible in Blake on the set of It Ends With Us.

“The tension was so obvious,” the source told the outlet. “Once [Blake] was done with the scene, she was really impatient, said, ‘Am I done? Can I go?’ and as soon as they said, ‘Yes,’ there was like a Blake-size hole in the wall [sic]. She was so outta there.”

Fans were asking whether or not Blake and Justin would work on the sequel, It Starts With Us. However, a source told Variety on August 27, 2024, that there is “no world where these two will work together again.”

“This is uncharted territory, and nobody has any idea of what a sequel could look like,” the insider added.

How Did Blake Lively & Justin Baldoni’s Feud Escalate?

According to The Hollywood Reporter, the filmmakers’ working relationship was impacted during post-production. The publication reported that two different cuts of the film were created, causing an alleged divide in creative differences.

As internet sleuths have noticed, Blake and It Ends With Us book author Colleen Hoover do not follow Justin on Instagram even though he follows them. And the social media activity isn’t the only area where the cast’s relationship allegedly went downhill.

PEOPLE reported on August 13, 2024, that the rumored tension with Justin involves the “principal cast” and Colleen.

“All is not what it seems,” an insider from the set told the publication. “There is much more to this story. The principal cast and Elisabeth McGowan Colleen Hoover will have nothing to do with him.”

Blake Lively Sues Justin Baldoni

On December 21, 2024, TMZ reported that Blake filed a lawsuit against Justin for alleged sexual harassment. The lawsuit stated that an all-hands-on-deck meeting was held on the set of It Ends With Us to address the alleged toxic work environment. According to the outlet, the meeting addressed the following demands: no more showing nude videos or images of other women to Blake; no more comments about Justin’s alleged previous “pornography addiction; no further conversations about sexual experiences in front of Blake and other people; no more mentions of cast and crew’s genitalia; and no more inquiries about Blake’s weight.

Another demand that was mentioned was “no more adding of sex scenes, oral sex or on-camera climaxing by BL outside the scope of the script BL approved when signing onto the project,” per TMZ.

TMZ further reported that It Ends With Us flopped at the box office because Blake and Justin disagreed on how to market the film. According to the outlet, Blake allegedly wanted the her character’s resilience to be the focus, while Justin allegedly wanted to make the focus more serious because the movie addresses domestic violence.

In response to her lawsuit, Justin’s attorney, Bryan Freedman, released a statement to The Hollywood Reporter, calling Blake’s lawsuit “shameful” that she and her representatives “would make such serious and categorically false accusations against Mr. Baldoni, Wayfarer Studios and its representatives, as yet another desperate attempt to ‘fix’ her negative reputation which was garnered from her own remarks and actions during the campaign for the film; interviews and press activities that were observed publicly, in real time and unedited, which allowed for the internet to generate their own views and opinions.”

Justin Baldoni Sues ‘The New York Times’

On December 31, Variety reported that Justin filed a $250 million lawsuit against The New York Times over its published story titled, “We Can Bury Anyone’: Inside a Hollywood Smear Machine.” On behalf of Justin and several other plaintiffs, Bryan filed a complaint alleging that the publication committed promissory fraud and breach of implied-in-fact contract.

In response, a NYT spokesperson said, “The role of an independent news organization is to follow the facts where they lead. Our story was meticulously and responsibly reported. It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article. To date, Wayfarer Studios, Mr. Baldoni, the other subjects of the article and their representatives have not pointed to a single error. We published their full statement in response to the allegations in the article as well. We plan to vigorously defend against the lawsuit.”

Justin Baldoni Sues Blake Lively & Ryan Reynolds

On January 16, 2025, Baldoni filed a lawsuit against Lively and Reynolds, accusing them of hijacking It Ends With Us and destroying his reputation with false allegations of sexual harassment. According to Variety, the complaint read, “This is a case about two of the most powerful stars in the world deploying their enormous power to steal an entire film right out of the hands of its director and production studio … When Plaintiffs have their day in court, the jury will recognize that even the most powerful celebrity cannot bend the truth to her will.”

On January 27, 2025, TMZ released a voice message that Justin shared with Blake, which seems to reference an alleged meetup where a new script was written for a scene with her husband and friend Taylor Swift in attendance. In the voice memo, Justin is heard saying, “I’m really sorry. I f***ed up. I will admit and apologize when I fail. I’m a very flawed man, as my wife will attest.” He also refers to their presence, saying, “We should all have friends like that aside from the fact that they’re two of the most creative people on the planet.” Justin added, “The three of you guys together, it’s unbelievable.”

“I just wanted you to know that I didn’t need that,” he continued. “Because it’s really good.” The actor wrapped up by saying, “I’m excited to go through the whole movie with you.”

Blake Lively & Ryan Reynolds File to Dismiss Lawsuits

According to Variety, Blake and Ryan filed to dismiss Justin’s defamation lawsuit on January 30, 2025.

Blake Lively Winds Judge’s Grant to Protect Sensitive Information

On March 13, 2025, a federal judge granted Blake’s request to safeguard certain information in the case. According to multiple outlets, the motion will only allow sensitive information in the case to be seen by “attorneys eyes only.”

Justin Baldoni Sues His Former Publicist

On March 21, 2025, Justin Baldoni filed a lawsuit against his former publicist, Stephanie Jones, after reports surfaced that she was involved in the feud and drama surrounding the It Ends With Us cast, including Blake Lively and Baldoni himself.

Baldoni’s attorney, Bryan Freedman, stated to Variety, “It is undeniable that Stephanie Jones initiated this catastrophic sequence of events by violating the most basic of privacy rights, as well as any remaining trust her clients held.” He added, “No stranger to stirring up crisis scenarios for departing clients, Ms. Jones maliciously turned over communications from the phone she wrongfully took from her own partner to her cohort, [Lively’s personal publicist] Leslie Sloane, immediately after Jones was terminated for cause by Wayfarer due to her own wrongful behavior.”

Blake Lively’s Emotional Distress Claims Dismissed

In June 2025, a judge overseeing Lively and Baldoni’s case withdrew her claims of emotional distress. According to Variety, Judge Lewis Liman ruled that Baldoni’s motion to compel was denied “based on Plaintiff’s representation that the relevant claims will be withdrawn. Lively’s request that ‘because the parties have agreed to dismiss Ms. Lively’s tenth and eleventh causes of action . . . the Court exercise its inherent authority and authority under Rule 15 to dismiss them without prejudice’ is denied without prejudice to renewal. The parties shall stipulate to whether the dismissal is with or without prejudice, or Lively shall renew her request by formal motion. For avoidance of doubt, if the claims are not dismissed, the Court will preclude Lively from offering any evidence of emotional distress.”

Judge Dismisses Justin Baldoni’s Defamation Lawsuit

On June 9, 2025, Judge Lewis J. Liman of New York dismissed Baldoni’s $400 million countersuit against Lively, her husband, Reynolds, the couple’s publicist, Leslie Sloane, and Baldoni’s defamation allegations against The New York Times. In November 2025, the countersuit was officially dropped when Baldoni failed to file an amended complaint.

November 3, 2025 0 comments
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Justin Baldoni’s $400M lawsuit against Blake Lively officially dismissed - National
Celebrity News

Justin Baldoni’s $400M lawsuit against Blake Lively officially dismissed – National

by jummy84 November 3, 2025
written by jummy84

A final judgment was entered in Justin Baldoni’s US$400-million defamation and extortion countersuit against It Ends With Us co-star Blake Lively and her husband Ryan Reynolds after Baldoni missed the deadline to file an amended complaint.

On Friday, U.S. District Court Judge Lewis Liman signed an order stating that Baldoni, 41, and his production company Wayfarer Studios had let the deadline lapse after the court dismissed the case in June.

Liman said he’d contacted all parties on Oct. 17 to let them know he’d be entering a final judgment to conclude the case.

Lively, 38, was the only one to respond, asking the judge to finalize the dismissal and to keep her request for legal fees open, which the judge agreed to, according to People.

Baldoni may still appeal the dismissal after the court decides Lively’s pending motion for legal fees, according to E! News.

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Liman previously dismissed Baldoni and production company Wayfarer Studios’ lawsuit on June 9, but allowed him and his legal team to amend the complaint to change the “allegations relevant to the claims of tortious interference with contract and breach of implied covenant.”

Liman also ruled that Baldoni’s claims that Lively stole creative control of the film didn’t count as extortion under California law.

“The Wayfarer Parties have not alleged that Lively is responsible for any statements other than the statements in her CRD complaint, which are privileged,” Liman wrote in the opinion and order filing. “The Wayfarer Parties have alleged that Reynolds and (publicist Leslie) Sloane made additional statements accusing Baldoni of sexual misconduct and that the Times made additional statements accusing the Wayfarer Parties of engaging in a smear campaign.


Click to play video: 'Justin Baldoni’s legal team claps back after Blake Lively’s recent court victory'

6:38
Justin Baldoni’s legal team claps back after Blake Lively’s recent court victory




“But the Wayfarer Parties have not alleged that Reynolds, Sloane or the Times would have seriously doubted these statements were true based on the information available to them, as is required for them to be liable for defamation under applicable law.

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“The Wayfarer Parties’ additional claims also fail. Accordingly, the Amended Complaint must be dismissed in its entirety.”

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The judge also dismissed Baldoni’s defamation lawsuit against the New York Times, which had reported on Lively’s sexual harassment allegations.


Lively’s lawyers previously called the dismissal “a total victory and complete vindication for Blake Lively, along with those that Justin Baldoni and the Wayfarer Parties dragged into their retaliatory lawsuit, including Ryan Reynolds, Leslie Sloane and The New York Times.”

“As we have said from day one, this ‘$400 million’ lawsuit was a sham, and the Court saw right through it. We look forward to the next round, which is seeking attorneys’ fees, treble damages and punitive damages against Baldoni, Sarowitz, Nathan, and the other Wayfarer Parties who perpetrated this abusive litigation,” Lively’s lawyers said in a statement.

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Baldoni’s suit was seeking at least $400 million for damages that included lost future income. The lawsuit from Baldoni and production company Wayfarer Studios, which also named Sloane as a defendant, came about two weeks after Lively sued Baldoni and several others tied to the film, alleging harassment and a co-ordinated campaign to attack her reputation for coming forward about her treatment on the set.

In late March, Lively asked a judge to dismiss Baldoni’s countersuit, calling his claims “vengeful and rambling,” after she filed the lawsuit against him for sexual harassment and retaliation.

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Click to play video: 'Justin Baldoni releases behind-the-scenes footage of him and Blake Lively on ‘It Ends with Us’ set'

1:23
Justin Baldoni releases behind-the-scenes footage of him and Blake Lively on ‘It Ends with Us’ set




Lively’s lawyers, Mike Gottlieb and Esra Hudson, wrote in papers filed in Manhattan federal court that Baldoni and his production company’s claims that they were defamed were a “profound abuse of the legal process.”

“The law prohibits weaponizing defamation lawsuits, like this one, to retaliate against individuals who have filed legal claims or have publicly spoken out about sexual harassment and retaliation,” the lawyers said.

“The right to seek legal redress and the right of the press to report on it are sacred principles that are protected by multiple privileges, including the litigation and fair report privileges, which are absolute.”

Lively’s legal team also referred to Baldoni’s lawsuit as part of a “sinister campaign to bury and destroy” her for speaking out about sexual harassment against him.

Lively sought unspecified damages when she sued Baldoni in late December 2024 for alleged sexual harassment and retaliation. The trial is currently set to take place in March 2026.

&copy 2025 Global News, a division of Corus Entertainment Inc.

November 3, 2025 0 comments
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Tim Blake Nelson on His Book 'Superhero,' New Play, and FX's 'Lowdown'
TV & Streaming

Tim Blake Nelson on His Book ‘Superhero,’ New Play, and FX’s ‘Lowdown’

by jummy84 October 16, 2025
written by jummy84

Tim Blake Nelson is a busy man. Suddenly, the 61-year-old actor most folks recognize from Coen brothers movies like “O Brother, Where Art Thou?” and “The Ballad of Buster Scruggs” is hitting screen, stage, and book outlets with a spate of projects within a few months.

Before we sat down in late September for a Zoom conversation (we last spoke about his 2001 holocaust drama “The Grey Zone”), I watched Vincent Grashaw’s well-reviewed boxing indie “Bang Bang“, FX’s scruffy hit series “The Lowdown,” read large chunks of the dead-on accurate Hollywood depiction “Superhero: A Novel” (November 4, The Unnamed Press), and after we spoke, I checked out the La Mama production of his chilling and prescient dystopian play “And Then We Were No More,” starring the commanding Elizabeth Marvel.

Sul Kyung-gu in Good News

This interview has been edited for length and clarity.

Anne Thompson: Why are you suddenly so productive?

Tim Blake Nelson: Oh, it’s an oversubscribed year. I hadn’t planned it like this. I also directed a new movie this year that I wrote that I’m finishing right now.

The romantic prison drama “The Life and Deaths of Wilson Shedd,” starring Amanda Seyfried?

Yes. The performances by Amanda Seyfried and Scoot McNairy are extraordinary. It’s an ambitious movie. It’s not finished. We’ve locked picture, but we have a lot of work to do: sound and score and VFX. We’ll try to sell it next year.

“Superhero” is your second book, after “City of Blows.” What did you want to accomplish with this one that’s different from the first one?

I started writing “Superhero” in 2022. I like the way my wife describes it, because I think she’s right: “City of Blows” was in large part about the venality of the movie industry, whereas so much of “Superhero” is about what I love. It celebrates at the same time, even in its most ridiculously true moments that expose how myopic and selfish we can be [while] doing what we do and making movies. It’s also always loving that process. There’s more of a tenderness to “Superhero.”

The book felt accurate, like you’re trying to give us a sense of what’s going on. You focus on a movie star who accepts a superhero role that changes his life.

There is little in “Superhero” that I haven’t observed personally or heard from reliable sources who experienced it personally.

Was it easy for you to write that book, or hard? You got to do some firsthand research!

“Superhero” was easier to write than “City of Blows,” partly because “Superhero” is my second go at it, so I have more experience. “Superhero” is more of a celebration of moviemaking, and that made it more fun to write. I also knew earlier on where “Superhero” was headed, and so there was less anxiety in the writing of it as to whether or not it was going to amount to a full-fledged cohesive narrative. Also, while writing “Superhero,” I got cast in “Captain America” [“Brave New World”] as the villain [The Leader]. It became two months of paid research, being on that set and spending time with producers on that movie who were eager to share a lot of process stuff, of which, as an actor, I might otherwise have been unaware.

Your comic-book empire Sparta is run by Max Kleiner. Is he a version of Marvel CEO Kevin Feige?

It’s loosely based on my experiences. I don’t know Kevin well enough to have based a character on him. So he’s my own version of somebody running a comic book studio based on what I know of the comic book studios, and I’ve worked for several of them, so it’s not meant to be Marvel, but having worked with Marvel, and having worked on movies at Warner Bros. and all the studios and knowing studio heads, and hearing them talk about their work and studio executives, it’s all a stew.

You’ve written how many plays?

It’s my fifth. It’s directed by Mark Wing-Davey. In the near future, an algorithm has taken over the justice system, in addition to much of life in an unnamed country. The algorithm has determined that anyone who is deemed beyond rehabilitation should be dispatched [via] a machine that executes people in a manner that’s called “without pain.” You walk into this machine, and you’re gone. In the play, Beth Marvel plays a lawyer who’s been summoned to an incarceration facility to represent a young female inmate [debuting Juilliard grad Elizabeth Yeoman] who has elected to change the manner of her execution from “without pain” to “with pain.” The institution doesn’t want to. It was inspired by, not based on, Kafka’s “In the Penal Colony,” which I was reading with one of my sons. I set out to do my own version suited to our moment.

I first met your “Bang Bang” director Vincent Grashaw when he produced “Bellflower.” How did you two connect? He had some fighting background, but you did not?

Oh, I didn’t. I extensively trained, which was great. That’s part of what I love about acting. He had wanted me to [play the title role] in “What Josiah Saw,” and I couldn’t do it. But we had a good back and forth, and they asked a bunch of people to play “Bang Bang,” and actors kept saying no.

You take an irresponsible, drug-loving, down-on-his-luck once-great boxer, and make us care about him anyway.

'Bang Bang'
‘Bang Bang’Tribeca Film Festival

Eventually, they got around to me. It’s exactly the role I want to be playing: challenging, unfamiliar, arduous process in prep, arduous process making it. Why live life if you’re not going to take that kind of thing on? It’s truly what I wake up in the morning and want to do in whatever I’m pursuing, whether it’s writing a book or a play or directing a movie or getting to act in a role. And I said, “Absolutely, so long as the producers are going to support Vince’s vision.” And then the second one was, “I want six months to prepare.” And so they scheduled for that, and I went to work boxing, training five times a week, for several hours a day.

You were 59? It’s harder at that age, right?

Yeah, obviously. And also, I’m a scrawny Jew. I’m not a natural boxer, and I’m not a physically aggressive person. My default position isn’t: How do I take somebody apart? I needed the time to let the character seep in. And there was the Michigan accent and the fact that the guy doesn’t shut up. So it was a lot of lines to learn. When I go do a movie, I learn the whole part before I get on set. It’s something I learned from Daniel Day-Lewis, just a new level of prep that has been much better for me with these movies, especially as I’ve been getting to play larger roles, and the responsibility has increased. When the movies are severely under-resourced, you have to be ready to go in and get it in a couple of takes. I’ve learned that confidence. Vince is a great guy. He’s smart. He directs with no self-importance, no frills. He tells stories in the most beautifully basic way.

The movie felt gritty and authentic. It’s the kind of independent movie I admire. It’s hard to get them made.

The platform for seeing movies of that sort is now more and more the home television screen. So movies are made, you could even say, to a degree responsibly, not with a 14-foot-high screen in mind, but a small screen in mind. That makes for less interesting photography, sound, casting choices. Because the bar for recoupment becomes lower, and so there’s less money spent, but also the aesthetic bar becomes lower. You get fewer wide shots. You get less attention to text or sound design, because it’s all going to be compressed anyway, and it has slowly but surely chipped away at the artistic nature of so many of these films.

Well, “The Lowdown” is a fun example of something that you can get away with on television, right?

O BROTHER, WHERE ART THOU, Musetta Vander, John Turturro, Christy Taylor, George Clooney, Mia Tate, Tim Blake Nelson, 2000 © Buena Vista Pictures/courtesy Everett Collection
‘O Brother, Where Art Thou’©Buena Vista Pictures/Courtesy Everett Collection

I’m delighted to be in “The Lowdown” and happy to work with Ethan [Hawke] and Sterlin Harjo, who is an incredible storyteller, not to mention that he’s loyal to my home city of Tulsa.

Next Up: Rookie filmmaker Ari Selinger’s Montauk true romance “On the End,” which is playing the Hamptons, Woodstock, Newport Beach circuit in search of distribution.

P.S. Like the rest of us, Nelson is rooting for the Coens to get back together. (Joel is currently shooting “Jack of Spades” in Europe with Lesley Manville, Damian Lewis, Frances McDormand, and Josh O’Connor.) The brothers have many unproduced scripts in their trunk. Let them direct one!

October 16, 2025 0 comments
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Is Taylor Swift’s ‘Cancelled’ About Blake Lively? Lyrics Explained – Hollywood Life
Hollywood

Is Taylor Swift’s ‘Cancelled’ About Blake Lively? Lyrics Explained – Hollywood Life

by jummy84 October 4, 2025
written by jummy84

Image Credit: GC Images

Taylor Swift released her 12th studio album on October 3, 2025, and Swifties immediately commenced their normal detective work in breaking down all the songs’ lyrics. From her collab with Sabrina Carpenter to other tracks like “Father Figure,” there’s one hit from The Life of A Showgirl that fans are buzzing about: “Cancelled.” Its lyrics point to a story about a friend who was apparently “cancelled” through a scandal, leading fans to assume the song is about Blake Lively and her legal dispute with Justin Baldoni.

Here, Hollywood Life breaks down the lyrics of “Cancelled” and the song’s meaning.

Are Taylor Swift & Blake Lively Still Friends?

The last time that Taylor and Blake were spotted out together was in 2024. Earlier this year, People reported that the actress and the pop singer weren’t speaking and that their friendship “halted.”

Taylor is the godmother of Blake and Ryan Reynolds‘ daughters.

Is Taylor Swift's 'Cancelled' About Blake Lively? Lyrics Explained
(Photo by Ezra Shaw/Getty Images)

Is ‘Cancelled’ About Blake Lively? Lyrics Explained

Taylor has not confirmed whether she wrote “Cancelled” about Blake, but Swifties think the lyrics point to the Gossip Girl alum.

In the pre-chorus of the track, Taylor asks if a friend “girl bossed” too much, seemingly nodding to a woman who was accused of acting too bossy.

“Did you girlboss too close to the sun? / Did they catch you having far too much fun?” Taylor sings in the pre-chorus. “Come with me, when they see us, they’ll run / Something wicked this way comes.”

In the chorus of the track, Taylor sings, “Good thing I like my friends cancelled / I like ’em cloaked in Gucci and in scandal / Like my whiskey sour / And poison thorny flowers / Welcome to my underworld / Where it gets quite dark / At least you know exactly who your friends are / They’re the ones with matching scars.”

In the past, Taylor has sung about being cancelled herself. Case in point: her hit single “Look What You Made Me Do.”

Is Taylor Swift Part of Blake Lively’s Lawsuit Against Justin Baldoni?

In May 2025, Justin’s legal team subpoenaed Taylor Swift in his lengthy court battle against Blake over their It Ends With Us feud. Despite crafting the song “My Tears Ricochet” for the film, Taylor was not directly involved in the production, her rep said.

“Taylor Swift never set foot on the set of this movie, she was not involved in any casting or creative decisions, she did not score the film, she never saw an edit or made any notes on the film, she did not even see It Ends With Us until weeks after its public release, and was traveling around the globe during 2023 and 2024 headlining the biggest tour in history,” the rep said, per People.

Justin’s legal team dropped their subpoena against Taylor shortly thereafter.

October 4, 2025 0 comments
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Gwen Stefani and Blake Shelton producing 'modern' Wizard of Oz series for Prime Video
Celebrity News

Gwen Stefani and Blake Shelton producing ‘modern’ Wizard of Oz series for Prime Video

by jummy84 August 27, 2025
written by jummy84

27 August 2025

Gwen Stefani and Blake Shelton are producing a new Wizard of Oz series for Amazon Prime Video.

Blake Shelton and Gwen Stefani are producing Dorothy

The husband-and-wife duo are both attached to the new show called Dorothy, which has been created – and will be written by – 13 Going On 30 producer Gina Matthews.

Gina told The Hollywood Reporter in a statement: “I’ve been in love with The Wizard of Oz books since I was a child.

“The story reminds us of the qualities we need to get through hard times, and Dorothy is a symbol of strength who shows us that with a little kindness — and a lot of grit — we can not only achieve great things but also lift up those around us.

“I’m excited to bring that message to the world, now more than ever.”

The series will be a “contemporary, music-infused” young adult retelling of L. Frank Baum’s Wizard of Oz book, with the Yellow Brick Road being used as a metaphor for the challenges currently faced by young people.

As well as Gwen, Lucky Horseshoe’s Blake and Lee Metzger are joined as executive producers by Little Engine’s Grant Scharbo, and Patrick Moran.

Blake said: “We’re really excited about all the possibilities this show brings, and I’m so grateful that Gina shared the idea with me and Lee.

“I knew right away it was something Gwen would connect with. Her creativity and perspective are such a natural fit for this project.”

Meanwhile, his wife described the project as a “modern take on a classic”.

The Don’t Speak hitmaker added: “It’s a creative and modern take on a classic, and being part of something that blends music, emotion, and the character of Dorothy is inspiring to me.”

Patrick said: “I’m really excited to work with this creative team.

“I’m such a fan of everyone involved and couldn’t ask for a more exciting partnership as we reinvent this cherished IP.”

While Grant commented: “We’re thrilled to embark on this journey with Amazon and believe Dorothy will enchant a whole new generation of viewers.”




August 27, 2025 0 comments
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Blake Lively To Star In 'The Survival List' Rom-Com At Lionsgate
TV & Streaming

Blake Lively To Star In ‘The Survival List’ Rom-Com At Lionsgate

by jummy84 August 21, 2025
written by jummy84

After working with Blake Lively on the Another Simple Favor films, Lionsgate has acquired the Tom Melia spec The Survival List as a starring vehicle for the actress, which she’ll also produce, Deadline has confirmed.

An action rom-com, the film follows Annie, a highbrow reality TV producer who against her wishes, is assigned to a new show hosted by famous survival expert Chopper Lane. However, when a shipwreck strands them on a deserted island, Annie discovers Chopper is a fraud and knows nothing about survival, leaving her in charge of figuring out how to keep them alive. Forced to work together, they begin to discover an unlikely chemistry.

Marc Platt, the Oscar nominee behind the Wicked films and the recent live-action How to Train Your Dragon, is in talks to produce alongside Lively. Scott O’Brien will oversee the project for Lionsgate.

Recently caught up in a legal battle with Justin Baldoni surrounding their hit Sony film It Ends with Us that continues to unfold, Lively has just been seen starring in Amazon MGM & Lionsgate’s Another Simple Favor, where she reteamed with director Paul Feig and co-star Anna Kendrick. The sequel premiered on Prime Video in May after premiering at SXSW.

Set to release sequel Wicked: For Good via Universal in November, after seeing Wicked gross over $756M worldwide, Platt’s other recent global hit How to Train Your Dragon made over $626M in thesters.

Melia is a British writer best known for Rye Lane, which premiered at the Sundance Film Festival, and was nominated for Outstanding British Film at the 2024 BAFTAs, also scoring 16 nominations at the British Independent Film Awards. He’s also written for the Sky drama series Brassic, as well as the Sky comedy Bloods.

August 21, 2025 0 comments
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