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Esau Ortiz's 'Discontrol' Album Wins Favorite New Latin Music Poll
Music

Esau Ortiz’s ‘Discontrol’ Album Wins Favorite New Latin Music Poll

by jummy84 October 13, 2025
written by jummy84

Esaú Ortiz’s Discontrol has topped Billboard’s latest new Latin music poll, published on Friday, Oct. 10.

In support of the weekly New Music Latin roundup and playlist, curated by Billboard Latin and Billboard Español editors, music fans voted for the Mexican artist’s new album as their favorite music release of the week. Ortiz came in first place with 60% of the votes for Discontrol. In second place, with nearly 40 percent of the vote, was La Nueva Ola de la Cumbia’s “Lucha Libre.”

Released via Esaú Ortiz Azuara and distributed by Sony Music Latin, the 14-track LP cements Ortiz as a rising force in música mexicana, opening with the title track that is a bona fide party anthem, fusing disco-tinged beats with regional Mexican instrumentation — showcasing the singer-songwriter’s versatility from the get-go. “Discontrol” sets the tone for Ortiz’s experimental essence in the album, dabbling in hip-hop, pop, cumbia and electronica.

The album also includes his global viral hit “Triple Lavada,” which landed in Billboard‘s Best Songs of 2025 (So Far). The song’s remix, featuring Mexican heavy hitters Luis R Conriquez, Oscar Maydon, Alemán and Victor Mendivil, closes Discontrol.

In April, Ortiz signed with Sony Music Latin and said in a statement, “I have the best team to take my music to the next level and to the ears of everyone.” He added, ” I believe we will do great things together, which makes me very happy.”

The poll also included new releases by Nathy Peluso, who teamed up with Rawayana for “Malportada,” Santa Fe Klan’s “Wuare” and Shakira’s “Zoo” for Zootopia 2.

Editor’s Note: The weekly New Music Latin poll results are posted if the poll generates more than 1,000 votes.

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October 13, 2025 0 comments
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Wale Announces New Album 'Everything Is A Lot,' Set To Drop Next Month
Celebrity News

Wale Announces New Album ‘Everything Is A Lot,’ Set To Drop Next Month

by jummy84 October 13, 2025
written by jummy84

Wale


Wale Announces New Album ‘Everything Is A Lot,’ Set To Drop Next Month

Ready for some new Wale?

The rapper is gearing up to release his eighth studio album, Everything Is a Lot, a project that he says is driven by emotional honesty. He explained in an interview with #Billboard that his goal with this album is “to express a certain level of vulnerability,” leaning into soul samples, blues textures, and deeply personal songwriting as he opens up more than ever before.

Throughout the interview, #Wale reflects on his evolution as an artist and emphasizes how this album signals a turning point. He frames Everything Is a Lot as a continuation of his journey toward transparency, aiming to give listeners a clearer window into his life and mindset through his music.

The album is set to drop on Nov. 14.


October 13, 2025 0 comments
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Snooper: Worldwide Album Review | Pitchfork
Music

Snooper: Worldwide Album Review | Pitchfork

by jummy84 October 13, 2025
written by jummy84

Considering the essential role that drum machines play in egg punk, it’s a bit of a shock that Snooper—arguably the genre’s biggest band right now—never used one until the end of last year. While swinging from one tour route to another, all while punching in at their day jobs, the Nashville five-piece suddenly found the beating heart of egg punk sitting in their lap. Singer Blair Tramel and guitarist Connor Cummins started writing songs synced to the hardline rhythms of a vintage Zoom MRT-3, drawn to the propulsive nature of an intentionally repetitive structure. Worldwide, the culmination of those brainstorm sessions, is expectedly jacked up and alert. It’s the beefy older brother to 2023’s slinky art-kid debut Super Snõõper, but Snooper’s unwieldy creativity bends its rigidity into moments of zany malleability.

As if powered by a metronome plugged into a high-voltage outlet, Snooper hit the ground running on Worldwide and never stop across its 28-minute runtime, turning into varsity sprinters with a cross-country runner’s endurance. From the descending, jittery melody in opener “Opt Out” to the gloomy ’80s bass casting a British new-wave shadow over “Worldwide,” each member of Snooper—Tramel, Cummins, guitarist Conner Sullivan, bassist Happy Haugen, and drummer Brad Barteau—vaults through a series of musical high-knees and shuttle lines. If their aerobic endorphins weren’t already infectious, Snooper kick it up a notch with electronics on “Star 69” and “Pom Pom.” “They made me the team captain/And told me, ‘Make it happen,’” Tramel chants during the latter. Her teammates fortify the pep rally: pulling guitar strings across the fretboard, splicing drum beats into lightening-fried stutters, layering dog barks like cymbal hits.

Snooper thrive when locking eyes with the listener and tapping their wristwatch. On “Company Call” and “On Line,” they add gloss to both re-recorded versions from last year’s split 7″ with Prison Affair, letting Haugen and Barteau steer with a thundering bassline and the accoutrements of a full drum kit determined to render the drum machine obsolete. There’s no Pro Tools trickery speeding up the tempo without altering the pitch; Snooper really are playing that fast, and they’ve got the bloody fingers to prove it. The album’s best sprint is an unlikely cover of the Beatles’ “Come Together.” Snooper smash their pointer finger on the fast forward button of a CD player, zipping through the Abbey Road single in highlight reel-style. The all-timer bassline waggles in Haugen’s hands like that old rubber pencil trick, the guitars wait on the sidelines for the riff-ready chorus, and sparse drums more than halve the original’s runtime. It’d be a perplexing cover if not for how well the imagery aligns with the papier-mâché puppets of Snooper’s concerts: juju eyeballs, holy roller getup, hair down to his knee (singular).

October 13, 2025 0 comments
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Meek Mill Jokes He Needs Dvd's Marketing Team for His Next Album Rollout
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Meek Mill Jokes He Needs Dvd’s Marketing Team for His Next Album Rollout

by jummy84 October 13, 2025
written by jummy84

Meek Mill Jokes He Needs Dvd’s Marketing Team for His Next Album Rollout

Meek Mill isn’t lying — he told fans he wants the same promo push D4vd is getting. The Texas-born singer (real name David Anthony Burke) went viral through TikTok with hits like “Romantic Homicide” and dropped his debut album Withered earlier in 2025.

But lately, D4vd’s been making headlines for a darker reason: in September, authorities found the body of a 15-year-old girl in a Tesla registered to him, triggering a major investigation.

Now Meek’s publicly admitting: he needs that kind of buzz — even if it comes wrapped in controversy.


October 13, 2025 0 comments
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Klein: sleep with a cane Album Review
Music

Klein: sleep with a cane Album Review

by jummy84 October 13, 2025
written by jummy84

Klein used to work as a “logger” on a reality TV show, where she would record what cast members were doing in excruciating detail for use in B-roll shots. It’s a detail I can’t get out of my head, because not only is it hilarious, but there’s also something obsessive and mundane about it: Here’s one guy going to sleep, here’s another person starting an argument. In an interview with Pitchfork, Klein noted how easily TV can be manipulated by people willing to distort the narrative, as when her fellow loggers would exclude activities by certain actors to make them look bad.

Klein is the complete opposite. She puts everything out as it comes, raw and unfiltered. It’s obsessive and mundane in a different way, suffused with meaning even at its most impenetrable. After two albums of searing guitar noise, sleep with a cane feels like a retreat into the shroud of her earlier work. She finds solace, and intrigue, in the billowing folds of ambient music, but also in the sounds around her: her family, her house, the street. She’s her own logger, cataloguing moods and feelings with a comprehensiveness that would be exhausting if it weren’t so compelling.

In a quote to HotNewHipHop (she is signed to Roc Nation, after all), Klein calls sleep with a cane a “coming of age” release, and also a mixtape. It’s a mixtape in the sense that it’s not meant as a cohesive album, rather a grab bag of assorted goodies that amounts to “an epic ambient tape,” also her words. The irony is that in its patient, almost tender 91-minute sprawl, sleep with a cane is actually one of her more well-rounded and definitive releases. There is an epic scope to tracks like “it is what it is in d minor,” a 13-minute drone track based around a distant piano that sounds like an exploded version of her modern classical suite Harmattan.

October 13, 2025 0 comments
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Monte Booker Announces Debut Album Noise / Meaning, Shares Video for New Song: Watch
Music

Monte Booker Announces Debut Album Noise / Meaning, Shares Video for New Song: Watch

by jummy84 October 12, 2025
written by jummy84

Last month, Monte Booker released his first solo single, “Balance.” Now, the Los Angeles-via-Chicago producer has announced his debut album. Noise / Meaning arrives October 24 via EQT. Booker has also shared the single “Defense,” featuring the LA-based singer-songwriter Nami. Check out the accompanying video, directed by Naz, and the album trailer below.

“I want this album to be a reflection on what noise means to me, and I want it to be a celebration of my community,” Booker said in a press statement. He recently produced several songs on Doechii’s Alligator Bites Never Heal, which won Best Rap Album at the 2025 Grammy Awards. Booker has also worked with Ravyn Lenae, Smino, Saba, and Noname.

Read about Monte Booker in the 2016 Rising feature “Zero Fatigue: Chicago’s Next Hip-Hop Visionaries.”

October 12, 2025 0 comments
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BamBam Interview on First Thai-Language Album 'HOMETOWN'
Music

BamBam Interview on First Thai-Language Album ‘HOMETOWN’

by jummy84 October 11, 2025
written by jummy84

BamBam’s name comes from the character Bamm-Bamm Rubble in the animated series The Flintstones, a baby with superhuman strength. “I’m the third of four siblings,” he explains. “I’m not sure, but maybe my mom named me that hoping her third son would be strong. In Thailand, it’s actually a pretty common name. It’s used more often for girls than boys, though,” he laughs.

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When BamBam left Bangkok for Seoul in 2010, he was just 14 years old. He began his trainee life at JYP Entertainment, the company that produced 2PM, home to Nichkhun — the first Thai-born K-pop idol. After years of rigorous training, BamBam debuted in 2014 as part of GOT7.

The seven-member GOT7 is a truly multinational group, featuring BamBam, Jackson Wang from Hong Kong and Mark Tuan, who is Taiwanese-American. Perhaps because of this diversity, GOT7 quickly built a global fandom, holding world tours that reached beyond Asia to North and South America, Australia and Europe — faster than most K-pop groups that debuted around the same time. Their 2018 Eyes on You Tour even earned a spot at No. 9 on Billboard’s monthly top 10 Hot Tours list. Since January 2021, all the members of GOT7 have left JYP Entertainment. Yet, even while focusing on their individual careers, they’ve never forgotten to come together for the fans who continue to support them.

BamBam, in particular, has been extremely active. He launched his solo journey with the EP riBBon in summer 2021, followed by two more EPs and a full-length album. He has completed a solo world tour spanning 14 countries, though unfortunately, a North American tour planned for six cities was canceled due to an ankle injury. But BamBam’s impact goes far beyond music.

He became the first K-pop artist to be appointed as a global ambassador for the NBA’s Golden State Warriors and also earned recognition as a House Ambassador for Louis Vuitton. In recent years, he’s made his mark on Korean variety shows. His own online variety show, Bam’s House, ran for two seasons through 2024 and consistently drew impressive viewership — episodes surpassing 2 million views are not hard to find.

Now, BamBam is about to release his first album entirely in his native language. Titled HOMETOWN, the album features five tracks, all of which he participated in writing and composing. The pre-released highlight medley video evokes Thailand’s stunning landscapes through the lens of an old-school analog TV screen. From the skyline and rooftop bar that define Bangkok’s nightscape, to tuk-tuks navigating narrow backstreets, roaming cats, the sparkling sea, vibrant flowers and foliage under the warm sun, bustling night markets, crowded streets, and the Chao Phraya River flowing past Wat Arun temple — every frame feels like a love letter to his homeland. As one fan commented, it’s “so beautiful it could easily serve as a promotional video for the Tourism Authority of Thailand.”

But when we met BamBam, it wasn’t the skyline of Bangkok that stretched outside the window, but Seoul’s night view, visible from an office in the heart of Gangnam. This is the space of ‘HALO’, the new label just founded in April of this year. “There were both good and not-so-good times during my years in Korea — as there are anywhere,” he reflects. “I could have started my solo career in Thailand or even the U.S., but I’m a K-pop artist. I have a sense of ‘Jeong’ — the warm feeling of attachment between people — and respect for this place.”

As you can see, BamBam never forgets his beginnings. Just as the starting point of his music is rooted in Seoul, the starting point of his story — Bangkok — remains in his heart. He was once a small, lean boy with a bright, innocent face, who loved to dance and boarded a plane to a foreign country without knowing what the future would hold. Never in his wildest dreams could he have imagined that one day he would become one of the most famous names representing Thailand. 

HOMETOWN is BamBam’s most honest and intimate story, shared with all of us.

BamBam

BamBam

CHIN SO YEON

Your new album, HOMETOWN is released on October 10. You’ve previously worked on the OST for the Thai film ‘The Con-Heartist’,  but this is your first time releasing a full Thai-language record in 11 years since your debut in 2014. When did you decide to do it?

That’s right. The only Thai song I’ve released before was that OST years ago — I never officially released anything else in Thai. Last year, on my way to Rajamangala Stadium for the encore show of my solo tour ‘AREA 52’, I happened to pass by the area where I was born. It’s actually the only route to the venue, but I hadn’t taken that road in years, so I never realized it. That moment felt so meaningful — it was like everything suddenly clicked. I knew what I wanted to do next. And from that moment on, I already knew the album would be called HOMETOWN.

Many global fans will probably feel closer to Thai culture through this album

I think a lot of people are already familiar with Thailand’s cities, atmosphere, and culture — it’s such a well-known travel destination. But rather than showing Thailand from an outsider’s perspective, I wanted to express the life of real Thai people, and how we see our own country. That’s something only Thais can truly convey.

The title track “WONDERING” stands out with its warm tone and dreamy synths. Compared to “LAST PARADE,” the title track from your 2024 EP BAEMSIS, it feels much more relaxed and at ease. Do you think that’s thanks to returning to your ‘hometown’?

It actually reminds me a bit of my first solo song, “riBBon”, which was released in 2021, in that it’s a track that just makes people feel good when they listen to it. Come to think of it, my solo work kept getting darker over time — even my makeup got heavier. By the time I did “LAST PARADE,” I’d practically turned into a devil. [Laughs]

Watching the “LAST PARADE” music video reminded me of Hieronymus Bosch’s paintings of hell,  actually.

HOMETOWN comes after my first solo world tour anyway, so it really feels like the beginning of a new chapter. I realized there was no need to go for something overly conceptual this time. I just wanted people to see ‘the real BamBam’. That’s why in the “WONDERING” music video, we went for scenes that feel like they could’ve been shot at an actual Thai night market.

The album includes five tracks in total. Aside from “Angel in Disguise (Prod. Pharrell Williams)” and the title track “WONDERING,” the other three songs all feature Thai artists. Tell us about the process

I personally chose every artist I worked with on this album. I wanted to collaborate with people who share a similar mindset with me. TIMETHAI, who’s featured on the pre-release single “Dancing by myself(feat. TIMETHAI), is just really good. He can sing, he can dance — he’s got it all. Jeff Satur, who joined me on “More Than Friend(Feat.Jeff Satur)”, is often called the ‘gifted’ in Thailand. He can handle so many different genres, and from what I know, he even does his own mixing and mastering — plus, he acts too. And he’s just really handsome. [Laughs] INK WARUNTORN, who’s featured on “Greenlight,” is one of the most beloved female singers in Thailand. She has that pure Thai-pop charm that I really wanted to capture on this album. Since I’ve never written lyrics in Thai before, I got a lot of help from others as well. TYTAN and SMEW worked on every track, and Jeaniich helped out with “Greenlight (Feat. INK WARUNTORN).”

For someone who left hometown at 14 to debut as a K-pop idol — now releasing a full album in your native language more than 11 years later feels like a full-circle moment. What does this milestone mean to you, both personally and for the industry?

There was a time when I really wanted to be accepted by people in Korea, so I appeared on a lot of variety shows. I think I’ve achieved that goal to some extent now, and I even completed a world tour as a solo artist. So releasing a Thai-language album just felt like the natural next step. Thai people have always supported me simply because I’m one of them. For example, if I perform in Brazil, even people who aren’t necessarily my fans will say things like, “I’m proud that you’re Thai,” or “I hope you keep doing well.” That kind of support really means a lot to me.

It really feels like cheering for a national athlete. Kind of like how Koreans support Korean baseball players in the MLB or soccer players in overseas leagues.

Exactly. It’s not just me — Lisa, Minnie, Nichkhun, all of us are like national representatives in the music world. And naturally, that makes me want to showcase Thai culture in a way that’s worthy of that title. I wanted to create something that the people supporting me can feel proud of, and I also want to continue being someone worth supporting.

What does the passionate support from Thai fans mean to you? Have you ever felt pressured by it?

I know that any mistake I make could potentially affect Thailand’s reputation. But there’s one thing I’m absolutely certain about — I’m not a bad person. So the support I get from people back home never feels like a burden. What makes me happiest is simply living each day as I am, with my cats by my side.

Honestly, the most exciting thing I do these days is go bowling. [Laughs]

You’ve performed on countless stages throughout your career. Which one stands out to you the most?

The 2022 NBA Halftime Show was definitely one of the best moments. It was during the Golden State Warriors vs. LA Lakers game, and the energy was unreal. Another unforgettable moment was performing solo for the encore of my “AREA 52” tour at Rajamangala Stadium. It was something I had always dreamed about, but honestly, I wasn’t sure if it could really happen. And then it did.

More recently, the ‘Grace for the World’ concert at the Vatican was another truly special experience. It’s such a sacred place where performances rarely happen, so I felt deeply honored. Sharing the stage with artists like John Legend, Andrea Bocelli, and Karol G — everyone was just there to enjoy the moment, no matter how famous they were. Pharrell was there too, and it was so different from his usual cool, stylish vibe at Louis Vuitton shows — that day, he took off his sunglasses and was just having fun. I even went up during rehearsal and said, “You look kinda cute today.” [Laughs] And of course, meeting and shaking hands with Pope Leo XIV — I mean, when would I ever get to experience something like that again?

How do you personally define K-pop? Many people still question why it’s called K-pop when the artist isn’t Korean or the lyrics aren’t in Korean.

I can’t speak for every K-pop artist, but in my view, nationality doesn’t really matter when it comes to calling something K-pop. Still, the “K” stands for “Korea,” and that’s something we should always take pride in. I believe anyone who’s part of this industry should respect the Korean entertainment scene and truly understand the culture and the people behind it.

You debuted with GOT7 at 17 in 2014. While you started your solo career in 2021, releasing your first full-length album Sour & Sweet in 2023 and completing your first solo world tour ‘AREA 52’ really cemented you as a solo artist. Looking back on this journey, when did you feel your musical direction became the clearest?

I’d say it was during the ‘AREA 52’ tour. I’ve experimented with many different styles over the years, but no matter the genre, my own style was always there. Even earlier this year, before it was revealed that I wrote GOT7’s comeback title track “PYTHON,” many people who heard it said, “This sounds like a BamBam song.” It felt rewarding to realize that my style was being recognized. I think it was in that confidence that I started to find the direction I wanted to go musically.

How do you describe ‘hometown’  at this point in your life?

There was a time when I was confused — I was born in Thailand, yet sometimes Korea feels like home. I guess that’s because I’ve now spent more years in Korea than I did in Thailand since I came here at fourteen. Still, every time I go back to Thailand, there’s a certain energy and a sense of comfort that can’t be compared to anything else. Even if I return after a long time, that feeling never changes. If Thailand is my hometown, then Korea is the place that raised me.

It’s impressive and heartwarming to see how much you still value Korea as the starting point of your career. Was it a natural decision to continue building your career based in Seoul?

I think it was the obvious choice. Some Korean fans might worry that I’m slowly “returning home” now that I’m releasing a Thai-language album, but my home, my company are all in Korea. And my cats, of course! [Laughs] The word that just came to mind is that, to me, K-pop represents the ‘beginner’s mindset’ — staying true to your beginnings. The moment you lose that, you can’t really call it K-pop anymore. And my beginner’s mindset? That’s Korea and GOT7.  Staying true to your beginnings and holding your position over time is what really matters.

‘Thai K-pop idols’ are known to have a strong sense of connection and camaraderie — like BLACKPINK’s Lisa, i-dle’s Minnie, CLC’s Sorn, NCT’s Ten, and Kiss of Life’s Natty. When you meet, what do you usually talk about?

We don’t really talk about work. Honestly, we’re all working all the time anyway, so when we meet as friends, no one really wants to talk about it. If anything, it’s more like, “Hey, I just shot a music video — want to take a look?” or asking for opinions. When we hang out, it doesn’t matter who’s in BLACKPINK or i-dle — none of that really comes into play.

You can see Thailand’s growing influence in the entertainment industry just by looking at Netflix or fashion weeks. Do you feel this change yourself?

I’ve only recently started looking more closely at the industry, but yes, I can definitely feel it. Back in 2014, when I debuted, there weren’t many cases of Thai artists or the industry trying to expand internationally. Someone once told me that the spread and popularity of K-pop has given Thai artists and fans more confidence. From styling to performance approach, we’ve picked up a lot from K-pop culture. Overall, I think the industry itself has become bolder and more confident in taking on new challenges.

You’re only 28. After achieving so much at a young age, what’s next for you? 

I have many goals, but now I want to approach them differently. Rather than sacrificing myself to reach them, I want to live my life and gradually move toward those goals at my own pace. Coming to Korea as a trainee meant leaving my life in Thailand behind. Now, I’m learning to move forward gently, sharing each moment with my fans. I’ve shared so many moments already — voice break, silly mistakes — because I started my trainee life so early. But I want to give more. As I get older, I hope my relationship with fans becomes something deeper than just artist and audience, like we’re contributing parts of life together. Maybe one day I’ll even say, “Let’s go out for dinner together!” [Laughs]

Listening to HOMETOWN, what do you hope people take away?

I hope they can feel my beginning — BamBam before I achieved my current success and circumstances, when I had nothing at all. I want them to experience that pure version of me.

BamBam

BamBam

CHIN SO YEON

October 11, 2025 0 comments
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John Lennon / Yoko Ono / Yoko Ono Plastic Ono Band / Elephant’s Memory: Power to the People (The Ultimate Collection) Album Review
Music

John Lennon / Yoko Ono / Yoko Ono Plastic Ono Band / Elephant’s Memory: Power to the People (The Ultimate Collection) Album Review

by jummy84 October 11, 2025
written by jummy84

At the One To One concerts, Lennon displayed a certain nervous energy, which pairs well with the sleazeball boogie of Elephant’s Memory, a local NYC band best known for its contributions to the soundtrack of Midnight Cowboy. Elephant’s Memory served as the backing band for Some Time, but were too slack and lackadaisical to get through the One To One concerts without the reinforcement of drummer Jim Keltner, who helps give the performance a serious, heavy swing.

Frontloading Power to the People with the One To One performances—the two sets are here, along with a hybrid highlights disc—illustrates how Lennon spent the early ’70s wallowing in the pleasures of old-time rock’n’roll. Even when he and Ono are having an improvisatory freak-out with Frank Zappa & the Mothers of Invention, it’s rooted in basic three-chord changes. Almost all of the songs John and Yoko wrote during this period are deliberately simple: “Sisters, O Sisters” is a revved-up girl group number, “Attica State” and “John Sinclair” are straightforward blues, “The Luck of the Irish” is a folk ballad, ”New York City” is high-octane Chuck Berry boogie.

The exception to the rule is the one song of the period that isn’t here: “Woman is the N***** of the World,” an overblown wall-of-sound homage intended as an anthem of feminist solidarity, inspired by a slogan Yoko Ono likely adapted from a line in Zora Neale Hurston’s Their Eyes Were Watching God. The box set ignores that track (despite the fact that Lennon chose it as Some Time’s single), cutting it out of the new mixes of the album and the accompanying concerts. Its absence helps shift the story towards Lennon’s continued return to the big bang of 1950s rock’n’roll during this volatile period. Left to his own devices, he sings oldies: the last song disc here is a “Home Jam,” where he’s sitting around the house strumming Everly Brothers and Buddy Holly tunes. On its cousin “Studio Jam” disc, Lennon leads his band through Jerry Lee Lewis and Elvis Presley rockers. These passages are loose, maybe even to a fault, but they’re charming, capturing one of the greatest rock vocalists singing unencumbered by an audience.

These two discs of informal jams are the ideal coda to Power to the People, which chronicles the era when Lennon was keenly aware that he was performing at all times. It wasn’t just that he was playing his first live shows since the breakup of the Beatles. Lennon and Ono were omnipresent in 1971 and 1972, heading off to Ann Arbor to play a rally to free John Sinclair, strumming songs with Phil Ochs in a hotel room, accepting seemingly any offer to appear on TV, as evidenced by their appearance on the Jerry Lewis Muscular Dystrophy telethon. A rousing reggae-fied version of “Give Peace a Chance,” plucked from the telethon, features Lewis himself as part of the onstage chorus; his appearance crystallizes the essential oddness of this period. Even as he got his hands grimy in the leftist underground, Lennon remained one of the most famous men in the world, using mainstream platforms to preach politics to the masses. The dissonance of this intersection remains intriguing, long after the headlines have faded away.

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John Lennon, Yoko Ono, The Plastic Ono Band & Elephant’s Memory: Power to the People (The Ultimate Collection)

October 11, 2025 0 comments
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Cardi B Passed on BIA Diss Video to Not ‘Bully’ on Her Album Day
Music

Cardi B Passed on BIA Diss Video to Not ‘Bully’ on Her Album Day

by jummy84 October 11, 2025
written by jummy84

Cardi B might be pretty and petty — but she wants to be clear that she is not a bully. During an Instagram Live video Thursday night, the Am I The Drama? rapper revealed she passed on releasing a video for “Pretty & Petty,” her BIA diss track, on the day of her foe’s album release day.

“This is how I work: I know how stressful it is to put an album out. And I know how fucked up you be in the mind when you put an album out. I feel like if I do a video to ‘Pretty and Petty’ this week, or today… I feel like I would be bullying,” Cardi explained on her Live. “And I don’t want to feel like a bully.”

The Instagram Live came as BIA — who’s Cardi’s direct target on “Pretty and Petty” — released her own album, titled Bianca. The album included a collaboration with Becky G, “Hard Way,” which sampled Shakira’s “Hips Don’t Lie,” and featured collabs with Young Miko and Ty Dolla $ign.

Cardi B revealed on her latest IG Live that she initially planned to make a video for “Pretty & Petty,” but changed her mind because she didn’t want to stress BIA on her album release day.

“I don’t wanna appear like a bully cuz I understand the stress of releasing an album” pic.twitter.com/R2XgJQSzkE

— Red Media (@RedMedia_us) October 10, 2025

“When I bully, God takes from me. If the bitch ain’t messing with me, and didn’t sub me in her dusty ass album, I’m not gonna do a video reciting her diss track and shit like that on a day I know she stressed,” Cardi said. “Because then, I know God will punish me.”

Cardi added that she’ll instead choose to make a video for “Pretty and Petty” next week, and select a different video to her songs to post on Friday. “I’mma be nice to you because it’s your album day,” Cardi said. “I don’t want to add to your stress. I’m not that bad person that people think I am.”

On the BIA diss track, Cardi named the singer directly, rapping “Name five BIA songs, gun pointin’ to your head,” “It’s been two years since you put a number on the board,” and “They only book you when they can’t afford Coi [Leray].”

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Cardi previously told The Breakfast Club that their beef started when BIA accused Cardi of copying her style. The Grammy-winning rapper said she decided to fire back at BIA because she mentioned her kids.

“She did her little diss and it was trash… I could’ve [left] it at that, but everything on social media is gonna be seen,” Cardi said. “When my kids grow up one day and they see that you mentioned them, they’re gonna ask me, ‘So what you said? What you did [in response]?’ I’m not gonna tell my kids, ‘I felt like she took the high road cause she lost, cause people wasn’t on her side.’ Naw, I’m not sayin’ that to my kids. I’m [gonna be] like, ‘You see how I violated?”

October 11, 2025 0 comments
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Album Review: Madi Diaz, 'Fatal Optimist'
Music

Album Review: Madi Diaz, ‘Fatal Optimist’

by jummy84 October 10, 2025
written by jummy84

Singer-songwriter’s new Fatal Optimist scales back her sound, but not her devastating emotional honesty

Madi Diaz has a talent for brief, yet devastating observations: “Looking at who you are and what I can live with/I can imagine myself as a picture of something different,” she whisper-chokes on “Hope Less,” the situationship-rationalizing opening track to her seventh album. The lyric’s power is heightened by the arrangement surrounding it — just Diaz and her acoustic guitar, in a room so silent its settling is nearly audible. The same goes for much of Fatal Optimist, which largely eschews the more robust instrumentation of 2024’s Weird Faith in favor of stripped-down recordings that thrust her lyrics to the forefront.

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Diaz, a songwriter’s songwriter who has spent time in Harry Styles’ backing band, began working on Fatal Optimist after a post-breakup seclusion on an island, where she immersed herself in writing about the frustrations she’d experienced. That extended catharsis led to acceptance, a journey mirrored by the album’s progression. “Feel Something” seethes with exasperation over a relationship locked in an increasingly anhedonic cycle, Diaz wishing she was “someone who doesn’t know your middle name” as an electric guitar that’s blown out like a bruise shimmers around her. Diaz has a rounded, plainly emotional alto that adds pathos to the more downtrodden lyrics — like those on “Flirting,” a morning-after breakdown of a rupture in trust with a spare voice-and-piano arrangement that has the weight of knowingly receiving the silent treatment. “Heavy Metal,” meanwhile, is a stunner, Diaz unpacking the ways her resilience and her hardness meld together with growing intensity until the song’s end, when she repeats the word “heavy” enough times to make it fold in on itself.

On the closing title track, light begins to filter in even as Diaz keeps her emotions close. She tempers the thrill of meeting somebody with whom spending time “might be hot, and it might be fun” with her “fatal optimist” tendencies of seeing where things could end, and for the first time, a full band comes in to help propel Diaz along the path to openness. Even though she’s wary — “I hate being right,” she sing-songs, repeating it enough times for it to feel like a mantra — she’s letting her doubts fall, and letting the world become just a bit more filled-in. The arc of Fatal Optimist and Diaz’s perceptive, insistent songwriting make that movement, even with its hesitation, feel like a victory. 

October 10, 2025 0 comments
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