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See Who Won 2025 Best Album, Best Group & More – Hollywood Life
Celebrity News

See Who Won 2025 Best Album, Best Group & More – Hollywood Life

by jummy84 September 8, 2025
written by jummy84

Image Credit: Getty Images

The 2025 MTV Video Music Awards started and ended with a bang! Some of the music industry’s most recognizable names in pop, rock, hip-hop and more genres came together to perform, present and accept their own awards — and we’ve compiled the entire winners list right here. In addition to the annual VMAs categories, including Best Album, Video of the Year and Best Group, MTV also gave special awards out to a select handful of artists.

Receiving the first-ever Latin Icon Award, Ricky Martin dedicated the win to his fans and pointed out how long he’s been chipping away at show biz.

“Thank you so much because it’s been 40 years. I started when I was a baby, and we’re still here,” the “Livin’ lad vida loca” hitmaker said during his speech. “We just want to unite countries, we just want to break boundaries. We just want to keep music alive.”

MTV also bestowed its Rock the Bells Visionary Award to Busta Rhymes and the highly coveted Video Vanguard Award to Mariah Carey. Ariana Grande presented her with the trophy and even bowed before her on stage.

Keep reading to see the entire VMAs 2025 winners list!

Video of the Year

Ariana Grande – “brighter days ahead” – Republic Records

Artist of the Year

Lady Gaga – Interscope Records

Song of the Year

ROSÉ & Bruno Mars – “APT.” – Atlantic Records  

Best New Artist 

Alex Warren – Atlantic Records

Best Pop Artist 

Sabrina Carpenter – Island

MTV Push Performance of the Year 

KATSEYE – “Touch” – HYBE/Geffen Records (Jan 2025)     

Best Collaboration 

Lady Gaga & Bruno Mars – “Die With A Smile” – Interscope Records

Best Pop 

Ariana Grande – “brighter days ahead” – Republic Record 

            

Best Hip-Hop 

Doechii – “Anxiety” – Top Dawg Entertainment/Capitol Records  

Best R&B 

Mariah Carey – “Type Dangerous” – gamma.        

Best Alternative 

sombr – “back to friends” – SMB Music/Warner Records 

Best Rock 

Coldplay – “ALL MY LOVE” – Atlantic Records               

Best Latin 

Shakira – “Soltera“ – Sony Music US Latin

Best Afrobeats 

Tyla – “PUSH 2 START” – FAX Records/Epic Records           

Best K-Pop

LISA ft. Doja Cat & RAYE – “Born Again” – Lloud Co./RCA Records

Best Country 

Megan Moroney – “Am I Okay?” – Columbia Records       

Best Album 

Sabrina Carpenter – Short n’ Sweet – Island           

Best Long Form Video 

Ariana Grande – “brighter days ahead” – Republic Records

Video for Good 

Charli xcx – “Guess featuring Billie Eilish” – Atlantic Records

Best Direction 

Lady Gaga – “Abracadabra” – Interscope Records

Best Cinematography 

Kendrick Lamar – “Not Like Us” – pgLang/Interscope Records

Best Editing 

Tate McRae – “Just Keep Watching (From F1® The Movie)” – Atlantic Records

Best Choreography 

Doechii – “Anxiety” – Top Dawg Entertainment/Capitol Records

Best Visual Effects 

Sabrina Carpenter – “Manchild” – Island

Best Art Direction 

Lady Gaga – “Abracadabra” – Interscope Records

Best Group 

BLACKPINK

Song of the Summer 

Tate McRae – “Just Keep Watching (From F1® The Movie)” – Atlantic Records

September 8, 2025 0 comments
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Taylor Swift‘s New Album, ‘The Life of a Showgirl’: What We Know So Far
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Taylor Swift‘s New Album, ‘The Life of a Showgirl’: What We Know So Far

by jummy84 September 7, 2025
written by jummy84

Taylor Swift’s new album, The Life of a Showgirl is coming! Swift announced plans to release her 12th studio album in a clip from her highly anticipated appearance on her boyfriend Travis Kelce’s podcast, New Heights, posted on August 12 at 12:12 a.m.

Fans were already on high alert yesterday after a number of Easter eggs were dropped (in true Taylor Swift style) by Taylor Nation, her official fan account, which reminded Swifties of the time she said “See you next era” in an August 11 Instagram. The post included several photos of Swift in orange outfits during her Eras Tour.

Adding further fuel to the speculation that something very big was coming, Kelce posted at the exact same time to Instagram, saying there would be a “VERY special guest” coming to the podcast. The teaser image notably featured a sparkly orange background.

Orange you glad we’re so tuned into these little crumbs of evidence?

Of course, particularly observant Swifties quickly noticed that the silhouette was from her Variety Directors on Directors appearance from December 2022. Iiiinteresting. All very compelling.

The Life of a Showgirl will be Swift’s first album since buying back the full rights to her first six albums. In May ,Swift announced the happy news that she had done so, writing in a note shared to her site, “All of the music I ever made…now belongs…to me.”

So how did we finally get the news of Swift’s The Life of a Showgirl and what can we expect from it? Here’s what to know.

John Shearer/TAS23/Getty Images

Image may contain Taylor Swift Blonde Hair Person Clothing Dress Electrical Device Microphone Adult Face and Head

John Shearer/TAS24 / Getty Images

How was Taylor Swift’s The Life of a Showgirl announced?

The Life of a Showgirl announcement landed on Swift’s website following a mysterious timer counting down to 12:12 a.m. Shocking to no one, when the countdown concluded, Swift’s site immediately crashed. When it recovered, it included limited details about her new project.

However, in a clip from her appearance on Kelce’s podcast, we saw Swift dramatically open a cream briefcase with an orange “TS” embellished on it to reveal a blurred-out vinyl. “This is my brand-new album, The Life of a Showgirl,” she said, which was followed by Jason Kelce’s screams. Showmanship at its best.

Has The Life of a Showgirl release date been confirmed?

Yes! During her appearance on the New Heights podcast, Swift revealed that the album will be released on October 3. Preorders will begin shipping on October 13.

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Is there a track list?

Sure is! Here are all 12 songs on the record:

September 7, 2025 0 comments
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Anna Domino: East and West Album Review
Music

Anna Domino: East and West Album Review

by jummy84 September 7, 2025
written by jummy84

If Domino’s world on East and West feels topsy-turvy, maybe it’s because the album was made in a state of intense, nearly paralytic anxiety. In 1983, she met the owner of the small indie label Les Disques du Crépuscule during a night out in New York—or did someone send her demo tape to their office in Brussels?—and the label flew her to Belgium to record with a band of local musicians at an unfinished studio, where Domino realized she was “unprepared, shy and inarticulate with no real way to convey what I heard in my head.” She “mimed, stumbled, and crammed everything I could” into her 10-day session, and returned to New York convinced that the label would deem her a lost cause. A few months later, a test pressing of East and West appeared in her mailbox.

You can’t hear any of that drama in the serene and stoic final product. Her elegiac cover of Aretha Franklin’s “Land of Dreams” saps the original of its desperation and desire; Domino sings that “I imagine you oh so close,” but you get the sense she’s more interested in exploring the “land of this wonderful dream.” On “Review,” Domino’s disaffected take on a breakup banger, the frustration of lyrics like, “I’ve taken all of my time/And spent it on you” is quickly supplanted by thoughts of moving out of their shared apartment: “Busy with my inventory/And the pictures and chairs/Picking up what’s left lying on the stairs.” Halfway through, co-producer Blaine L. Reininger’s mewling violin skates into view and becomes the track’s focus, as if Domino got bored of pretending that she gave a damn about the ex anymore. She’s not one to waste time being didactic, but if there’s a lesson to be taken from these five songs, it’s that one is company. Far from some hard-won realization or proto-men-are-trash platitude, it seems to exist at the core of Domino’s being, like it’s never even crossed her mind that other people might actually prefer the company of others.

This idea isn’t always explicit, and, in fact, I suspect Domino would laugh at the attempt to wring such blunt meaning from songs that are so expansive and explorable. A quiet no-wave hymnal like “Everyday, I Don’t” probably only really makes sense to her; it begins mid-thought, with the curious line “And I don’t,” and ends when another figure enters the frame: “12:44, there’s a knock on my door/You want more.”

In 1986, Domino told Record Mirror that “there is a kind of despair that comes into my music. It’s not like I’m afraid of death or anything… it’s just when you know about something and you’re not able to do something about it.” It’s a typically vague statement that seems to allude to an aspect of dramatic irony Domino sees in her own work. There is a performed, hermetically sealed quality to some of these songs; when she exclaims “Look out!” on “Trust, in Love,” it does feel a little like she’s playing Greek chorus to herself, and in my mind’s eye, she strolls a version of New York that looks more like the set Kubrick made for Eyes Wide Shut. Perhaps Domino was simply describing the twitch of anxiety that follows an especially vivid dream—waking to the suggestion that those rotted teeth and naked speaking engagements hold some deeper meaning that you can’t access.

I don’t hear any despair in Domino’s music, especially not in “Everyday, I Don’t.” To me, “Everyday, I say that I won’t, and I don’t” represents the exact opposite of powerlessness. It’s an ultraquotidian mantra, the perfect encapsulation of the freedom Domino found in New York City: the power to step away from the party, slip into bed, and explore the endless universes inside your head.

September 7, 2025 0 comments
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Slipknot: Slipknot (25th Anniversary Edition) Album Review
Music

Slipknot: Slipknot (25th Anniversary Edition) Album Review

by jummy84 September 6, 2025
written by jummy84

Those two were accomplices more than enemies, though; Robinson amplified the demands Jordison made of his bandmates as nu-metal’s first master technician. Slipknot had sheared off most of the instrumental excess that came with coming up in Des Moines’ death metal scene (home to band names like Modifidious, Vexx, and Inveigh Catharsis), but not Jordison. His kick drum could replicate the sound of a jet engine or an industrial thresher. And then it gets punctuated by the sound of a guy bashing a steel shipping container or a beer keg, a perfect merger of virtuosity and dumb violence; I imagine this is what Lars Ulrich thought he was hearing during the St. Anger recording.

Though Slipknot is a nearly flawless execution of a single idea, Slipknot, the band, were still figuring some things out. “Tattered & Torn” and especially “Prosthetics” are Slipknot’s “experimental tracks,” showcases for Jones and turntablist Sid Wilson that argue for an alternate history living out their earliest dreams of signing to Ipecac and touring with Fantômas or Mr. Bungle. “Spit It Out” lives on the complete opposite end; this is the song that got the interest of Robinson and Roadrunner Records and sounds like Static-X in a Spirit Halloween. When Taylor remembers that Slipknot are a metal band, they sound like the subject of a congressional investigation. When he raps, he sounds like the backpacker you’d avoid in the school cafeteria.

The most revealing document of Slipknot figuring it all out comes not from the bounty of demos and live cuts, but the official video for “Wait and Bleed.” Though Slipknot are playing in front of a dazed, crazed crowd of thousands, it doesn’t look glamorous, because it’s not; the footage is from Mancow’s Lazer Luau II, a 1999 shock-jock radio festival at Ankeny Airfield in Des Moines. The video is overlain by a hazy scrim, like the camera was sitting on the tarmac in the oppressive Iowa summer. Compare that to the live clip for “People = Shit,” off their 2001 follow-up, Iowa. In “Wait and Bleed,” Taylor mutters, “This song is called ‘Wait and Bleed.’” Before the beat drops in “People = Shit” he hollers, “Let me see your fucking hands in the air, London!” They now have higher-end, custom-made gear, they do crowdwork, they headbang in unison instead of flopping all over the stage. Even if you still get them confused with Insane Clown Posse, there’s no denying how incredible it looks.

Yet by 2001, there was a lingering sense that this style of music was on its way out. Korn’s Issues, Limp Bizkit’s Chocolate Starfish and the Hot Dog Flavored Water, “Back to School,” all of it was still doing numbers, but the returns were diminishing; Linkin Park proved that nu-metal was more likely to merge with their TRL competitors than vanquish them. I distinctly remember leafing through an issue of Rolling Stone with Slipknot on the cover and a four-star review of the Strokes’ Is This It, and thinking it could be a cultural turning point à la Guns N’ Roses and Nirvana duking it out at the Video Music Awards. The next issue was their 9/11 tribute; Clear Channel stations banned songs ranging from 311’s “Down” to Drowning Pool’s “Bodies” and Jimmy Eat World had to temporarily self-title their breakthrough album. No one knew what America needed to heal at that time, but it probably wasn’t “People = Shit.”

September 6, 2025 0 comments
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Justin Bieber Releases New Album Swag II: Listen
Music

Justin Bieber Releases New Album Swag II: Listen

by jummy84 September 6, 2025
written by jummy84

After announcing its imminent release yesterday, Justin Bieber has dropped Swag II. Like its July predecessor, Swag, the record features production from the likes of Dijon, Mk.gee, Carter Lang, and Bieber himself. There are features from Lil B, Tems, Bakar, Hurricane Chris, and Eddie Benjamin among the 23 tracks. Check out the album below.

Dylan Wiggins, Daniel Chetrit, Eddie Benjamin, Mike Will, and Camper are also among the new record’s producers. Since the release of Swag, Bieber has shared music videos for “Yukon” and “First Place.” The original album had guest appearances from Druski, 2 Chainz, Gunna, Sexyy Red, Cash Cobain, Lil B, and more.

September 6, 2025 0 comments
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5 Takeaways From Justin Bieber’s New Album SWAG II
Music

5 Takeaways From Justin Bieber’s New Album SWAG II

by jummy84 September 5, 2025
written by jummy84

From the depths of the popstar doldrums, Justin Bieber has risen again. After four years of controversy, a heated financial dispute with his longtime manager, numerous reports of him “crashing out,” and very little new music to distract us from this, Bieber finally silenced critics in July with his blissed-out comeback record SWAG. It’s his best work in a decade, a collection of soulful ballads and rap linkups that has the authentic, homespun charm of a mixtape. Improbably, with less than 24 hours’ notice, we learned this week he’d be releasing a follow-up, SWAG II.

Teased yesterday with some memes and billboards, Bieber officially announced the new album on X: “swag II midnight tonight.” It did not drop at midnight, and many diehard fans (and this writer) stayed up for hours, waiting until it finally popped up on streaming services around 3:30 a.m EST. The sequel’s textures are brighter than the original, but its ethos remains the same: This is the music Bieber loves to make. With more odes to his wife, left-field collaborations, and stylistic risks, it’s the sumptuous second half of one of the most surprising popstar transformations in recent memory. Here are five key takeaways.

Same SWAG, Different Day

This is a proper sequel, not a heavily marketed deluxe. These 23 songs have similar textures (word to Mk.gee and Michael Jackson) as SWAG and sound like they were created during the same intense period of artistic breakthrough for Bieber. I imagine there are hundreds of songs in the vault that could’ve landed on either of these, but the 44 we got across these two records were considered the best. I’m sure fans will have a field day rearranging them to their liking.

It Sounds Pink, Too

Where SWAG felt heavily introspective, SWAG II is brighter and generally more fun. Bieber sticks closer to conventional pop structures on the sequel, attacking them with a looseness that sounds like relief. Songs like “Bad Honey” and “All the Way” still lean heavily towards R&B and gospel, but have much less of an alternative skew. After breaking through what felt like artistic purgatory on SWAG, II feels like a victory lap, a celebration of his newfound freedom.

Surprising Features

Much like SWAG, Bieber’s guest list here does not include your standard copy-paste popstar features. He harmonizes with Tems on “I THINK YOU’RE SPECIAL,” gives a verse to the English singer Bakar on the Michael Jackson-indebted “DON’T WANNA.” and lets his pal Lil B throw some spoken word over “SAFE SPACE.” Dijon also lends a hand on production on six songs. But most surprisingly (and effectively!) Shreveport, Louisiana, rapper Hurricane Chris, who had a moment almost 20 years ago with his hit “A Bay Bay,” joins Bieber on “POPPIN’ MY S***” for a show-stealing verse. I imagine Bieber was deep in a regional rap rabbit hole on YouTube before making the boss call.

Biblical Bieber

In case you haven’t heard, Justin Bieber and his wife, Hailey, recently had a kid. I’ve been told childbirth can bring parents closer to God, and this was touched on in SWAG (“GLORY VOICE MEMO,” “FORGIVENESS”), but taken a step further on SWAG II. “EVERYTHING HALLELUJAH” is an ode to life—its trials, mundanities, and beauty alike. “STORY OF GOD,” though, is a sermon from Bieber himself, who kind of sounds like the nine-year-old in church who is forced to read a long piece of scripture on Easter. He speaks about the story of Adam and Eve, the tree of knowledge, good and evil, the connective tissue between animals and human beings, and how the end is merely the beginning. It’s a long but touching passage, and I much prefer it to the Druski skits we were force-fed on the last album.

September 5, 2025 0 comments
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Justin Bieber releases 2nd surprise album in two months, ‘Swag II’
Celebrity News

Justin Bieber releases 2nd surprise album in two months, ‘Swag II’

by jummy84 September 5, 2025
written by jummy84

Never Say Never because Justin Bieber has surprised fans — again — by releasing his eighth studio album, Swag II, on Friday.

It’s a follow-up to his July release, when the Canadian musician released his seventh studio album, Swag, after he teased it on billboards and in social media posts. Bieber did the same rollout for Swag II.

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The 31-year-old pop star began teasing the artwork Thursday for his new album on Instagram and all across the globe with a baby pink background and the text “Swag II.”

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Bieber also shared an image of himself, his wife Hailey Bieber, and their infant son, Jack Blues Bieber.

The new album features two discs. Disc 1 is the new release, with 23 new songs, including Speed Demon, Better Man and I Think You’re Special, and guest appearances from Tems, Hurricane Chris, Lil B, Eddie Benjamin and Bakar.

The two-time Grammy Award-winning singer produced Swag II alongside Dijon, Carter Lang, Mike Will Made It, Buddy Ross, Daniel Chetrit, Mk.gee and Dylan Wiggins, among others.

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Disc 2 is his previously released album Swag, which explored themes of love, life and fatherhood across 21 tracks. Some of the strongest songs include Daisies, Bieber’s slow-burn alt-R&B performed atop lo-fi guitar; Go Baby, a celebration of his wife; and Devotion, which features rising R&B voice Dijon.

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Justin Bieber drops ‘Swag,’ stuns fans with highly anticipated album


Bieber’s Swag features 21 songs and guest appearances from artists including Gunna, Sexxy Red, Cash Cobain, Druski, Dijon, Lil B, Eddie Benjamin and Marvin Winans.

Before Swag II and Swag, Bieber hadn’t released a new album since 2021’s Justice.

Bieber is best known for his R&B pop lyric tenor, demonstrated on the diamond-selling Baby, Sorry, and Stay with the Kid Laroi. At the beginning of his career and as a tween, Bieber began working with Usher and music manager Scooter Braun.

In 2023, Bieber sold the rights to his music — all six of his albums, including hits like Sorry and Baby — to Hipgnosis, a U.K.-based music investment company. The deal’s financial details were not disclosed, but Billboard Magazine reported that the sale was worth an estimated US$200 million.

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— with files from The Associated Press


&copy 2025 Global News, a division of Corus Entertainment Inc.

September 5, 2025 0 comments
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Tame Impala Preps Fifth Album ‘Deadbeat,’ Shares ‘Loser’ Single
Music

Tame Impala Preps Fifth Album ‘Deadbeat,’ Shares ‘Loser’ Single

by jummy84 September 5, 2025
written by jummy84

Kevin Parker is taking the Deadbeat route.

The celebrated psychedelic pop artist and production wizard is lining up his fifth Tame Impala album, Deadbeat, for a global release Oct. 17th — his first through the Sony Music machine.

Deadbeat is inspired by the “bush doof” culture of his native, Western Australia rave scene, and recasts his ongoing art project as “a kind of future primitive rave act in the process,” reads a statement.

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The second taste from Deadbeat is “Loser,” a track that’s accompanied with a music video directed by Kristofski and starring Stranger Things‘ Joe Keery (aka Djo). It’s the followup to lengthy electronic banger “End of Summer,” which arrived, fully formed, in July of this year.

“Loser” is a departure from those parties in paddock, instead taking us on a magic carpet ride to a funky ‘70s houseparty. And no, it’s not a cover of Beck’s self-deprecating classic from 1994.

Parker “largely galvanized” the new album between his hometown of Fremantle and his studio, Wave House in Injidup, WA in the first half of this year.

Essentially a one-man band (though Parker takes a full unit on the road), Tame Impala has collected ARIA Awards, APRA Awards, a Brit Award, and earlier this year, a Grammy, by way of a collaboration with Justice.

Deadbeat arrives more than half a decade after The Slow Rush, from February 2020, a record that went to No. 1 on Australia’s ARIA Chart, and earned career peak positions on the Billboard 200 and Official U.K. Albums Chart UK, both at No. 3. Its predecessor, 2015’s Currents, topped the Australian chart and crashed the top 5 in the U.S. (at No. 4) and in the U.K. (No. 3), where Parker collected the Brit Award for best international group.

The forthcoming album “sounds like the work of an artist with a leveled-up mastery, crafted with a newfound embrace of spontaneity for the renowned perfectionist,” reads a statement. “How that manifests is a distinct minimalism and crunch, with timbres and textures that add an ineffably new dimension to the sound, as well as a richer, more playful vocal range than ever.”

The new collection is the first through Columbia Records, following a years-long relationship with Modular Recordings and Universal Music.

Although Tame Impala is not currently on tour, Parker will enjoy the southern summer when he takes the stage as a a special guest DJ for Justice’s Australian arena tour in December 2025.

Deadbeat is available for pre-order here, and exclusive vinyl color-variants can be ordered here. 

September 5, 2025 0 comments
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David Byrne Unveils New Album Who Is the Sky?: Stream
Music

David Byrne Unveils New Album Who Is the Sky?: Stream

by jummy84 September 5, 2025
written by jummy84

David Byrne has released his ninth studio album, Who Is the Sky? via Matador Records. Stream the album below.

Who Is the Sky? is Byrne’s first full-length effort since 2018’s highly regarded American Utopia. The new album was produced by Grammy winner Kid Harpoon, with all 12 songs arranged by members of New York-based chamber ensemble, Ghost Train Orchestra. The LP arrives with a slew of guest appearances from the likes of Paramore’s Hayley Williams, St. Vincent, The Smile and Sons of Kemet drummer Tom Skinner, and American Utopia percussionist Mauro Refosco.

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“At my age, at least for me, there’s a ‘don’t give a shit about what people think’ attitude that kicks in,” Byrne said about his new work in a press statement. “I can step outside my comfort zone with the knowledge that I kind of know who I am by now and sort of know what I’m doing. That said, every new set of songs, every song even, is a new adventure.”

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Byrne will celebrate the new release with a multi-leg world tour, which kicks off later this month on September 14th in Pittsburgh, Pennsylvania. After covering North America, the show will head over to Australia, New Zealand, and Europe, wrapping up March 2026 with a two-night stand in Paris. The new shows will feature a band of 13 musicians, singers and dancers, including some members of the American Utopia band. Like that tour, everyone on stage will be fully mobile. See the complete itinerary below, and get tickets here.

The singer released a trio of singles leading up to the release of the new album: “Everybody Laughs,” “She Explains Things to Me,” and ““The Avant Garde.” Just last night, he previewed a fourth song, “What Is the Reason for It,” with a live band performance on The Tonight Show Starring Jimmy Fallon. During the interview with Fallon, he revealed how an autocorrected text helped name his new album.

The world tour will cap an eventful year for the former Talking Heads frontman, which includes getting married to his partner, Mala Gaonka, the same week as the release of Who Is the Sky? Byrne marked the special occasion by sharing the mostly instrumental wedding playlist that spans 42 songs and two-and-a-half hours.

This summer saw Byrne join Olivia Rodrigo at the Governors Ball festival for a surprise performance of Talking Heads’ classic, “Burning Down the House,” complete with synchronized choreography.

In February of this year, he joined Robyn at SNL’s 50th anniversary concert to perform her song, “Dancing on My Own,” as well as Talking Heads’ 1983 single, “This Must Be the Place (Naive Melody).”

Who Is the Sky? Tracklist:
01. Everybody Laughs
02. When We Are Singing
03. My Apartment Is My Friend
04. A Door Called No
05. What Is the Reason for It?
06. I Met the Buddha at a Downtown Party
07. Don’t Be Like That
08. The Avant Garde
09. Moisturizing Thing
10. I’m an Outsider
11. She Explains Things to Me
12. The Truth

David Byrne 2025-2026 Tour Dates:
09/14 – Providence, RI @ Veterans Memorial Auditorium
09/16 – Pittsburgh, PA @ Benedum Center PAC
09/17 – Columbus, OH @ Mershon Auditorium
09/19 – Akron, OH @ Akron Civic Theatre
09/21 – Schenectady, NY @ Proctors
09/23 – Syracuse, NY @ Landmark Theatre
09/25 – Buffalo, NY @ Shea’s Buffalo Theatre
09/27 – Washington, DC @ The Anthem
09/28 – Washington, DC @ The Anthem
09/30 – New York, NY @ Radio City Music Hall
10/01 – New York, NY @ Radio City Music Hall
10/02 – Boston, MA @ Boch Center Wang Theatre
10/03 – Boston, MA @ Boch Center Wang Theatre
10/04 – Boston, MA @ Boch Center Wang Theatre
10/07 – Wallingford, CT @ Toyota Oakdale Theatre
10/08 – Portland, ME @ Merrill Auditorium at City Hall
10/10 – New York, NY @ Radio City Music Hall
10/11 – New York, NY @ Radio City Music Hall
10/14 – Richmond, VA @ Altria Theater
10/16 – Philadelphia, PA @ The Met Philadelphia presented by Highmark
10/17 – Philadelphia, PA @ The Met Philadelphia presented by Highmark
10/18 – Philadelphia, PA @ The Met Philadelphia presented by Highmark
10/21 – Toronto, ON, Canada @ Massey Hall
10/22 – Toronto, ON, Canada @ Massey Hall
10/23 – Toronto, ON, Canada @ Massey Hall
10/25 – Detroit, MI @ Fox Theatre
10/28 – Chicago, IL @ The Auditorium
10/29 – Chicago, IL @ The Auditorium
10/31 – Chicago, IL @ The Auditorium
11/01 – Chicago, IL @ The Auditorium
11/03 – Minneapolis, MN @ Orpheum Theatre
11/04 – Minneapolis, MN @ Orpheum Theatre
11/06 – Denver, CO @ Bellco Theatre
11/07 – Denver, CO @ Bellco Theatre
11/11 – Seattle, WA @ Paramount Theatre
11/12 – Seattle, WA @ Paramount Theatre
11/13 – Seattle, WA @ Paramount Theatre
11/16 – San Francisco, CA @ The Theater at Bill Graham Civic Auditorium
11/17 – San Francisco, CA @ The Theater at Bill Graham Civic Auditorium
11/18 – San Francisco, CA @ The Theater at Bill Graham Civic Auditorium
11/20 – Los Angeles, CA @ Dolby Theatre
11/21 – Los Angeles, CA @ Dolby Theatre
11/25 – Austin, TX @ Bass Concert Hall
11/26 – Austin, TX @ Bass Concert Hall
11/28 – Dallas, TX @ Music Hall at Fair Park
11/29 – Dallas, TX @ Music Hall at Fair Park
12/02 – Atlanta, GA @ Fox Theatre
12/03 – Atlanta, GA @ Fox Theatre
12/05 – Miami, FL @ Fillmore Miami Beach At Jackie Gleason Theatre
12/06 – Miami, FL @ Fillmore Miami Beach At Jackie Gleason Theatre
01/14 – Auckland, NZ @ Spark Arena
01/17 – Brisbane, AU @ Brisbane Entertainment Center
01/21 – Sydney, AU @ ICC Sydney Theatre
01/22 – Melbourne, AU @ Sidney Myer Music Bowl
01/24 – Adelaide, AU @ Adelaide Entertainment Centre Arena
01/27 – Perth, AU @ RAC Arena
02/12 – Berlin, DE @ Tempodrom
02/15 – Amsterdam, NL @ AFAS Live
02/16 – Amsterdam, NL @ AFAS Live
02/18 – Brussels, BE @ Forest National
02/21 – Milan, IT @ Teatro degli Arcimboldi
02/22 – Milan, IT @ Teatro degli Arcimboldi
02/24 – Frankfurt, DE @ Jahrhunderthalle
02/26 – Esch-sur-Alzette, LU @ Rockhal Main Hall
02/27 – Zurich, CH @ The Hall
03/02 – Cardiff, UK @ Utilita Arena
03/03 – London, UK @ Eventim Apollo
03/04 – London, UK @ Eventim Apollo
03/06 – Glasgow, UK @ SEC Armadillo
03/07 – Glasgow, UK @ SEC Armadillo
03/09 – Manchester, UK @ O2 Apollo
03/10 – Manchester, UK @ O2 Apollo
03/13 – Dublin, IE @ 3Arena
03/15 – London, UK @ Eventim Apollo
03/16 – London, UK @ Eventim Apollo
03/18 – Paris, FR @ La Seine Musicale
03/19 – Paris, FR @ La Seine Musicale

September 5, 2025 0 comments
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Tame Impala announce new album 'Deadbeat'
Music

Tame Impala announce new album ‘Deadbeat’

by jummy84 September 5, 2025
written by jummy84

Tame Impala has announced the release date for a forthcoming album, titled ‘Deadbeat’.

The psychedelic music project of instrumentalist Kevin Parker returned in July with the seven-minute, house-inspired track ‘End Of Summer’, which the artist had previously debuted during a DJ set in Barcelona. Shortly before, he had shared a series of photographs on social media – revealing that he had “been busy” in the studio working on new music.

Now, the Tame Impala Instagram account has shared an image with the caption “LP5 – October 17”. The official website confirmed the title of the album as ‘Deadbeat’, as suggested in the post, and the image shared as its cover.

 

The description on the album’s pre-order store describe the fifth LP as “a collection of wickedly potent club-psych explorations as a vehicle for some of his most direct, brain-wormy songwriting to date, recasting Tame Impala as a kind of future primitive rave act in the process.”

It continues: “’Deadbeat’ sounds like the work of an artist with a levelled up mastery and bristles with a revitalized energy for experimentation. 12 songs crafted with a newfound embrace of spontaneity for the renowned perfectionist. How that manifests is a distinct minimalism and crunch to many of the tracks, with a clutch of crucial details, timbres and textures that add an ineffably new dimension to the sound, as well as a richer, more playful vocal range than ever.”

 

The announcement comes just after Tame Impala shared the video for new single ‘Loser’, which features Stranger Things star and Djo singer Joe Keery. The collaboration was teased through a series of posters spotted in New York and Chicago last week alongside a photograph of a younger Kevin Parker.

‘Deadbeat’ will be Tame Impala’s first full album since 2020’s ‘The Slow Rush’. In the time since, the producer and musician contributed to the Barbie soundtrack album, as well as collaborating with Dua Lipa, Thundercat, Diana Ross, Gorillaz and Justice.

In February, Parker won his first Grammy for ‘Neverender’ – one of his collaborations with Justice. Parker also reflected on the creation of his 2015 album ‘Currents’ recently, to mark its 10th anniversary.

September 5, 2025 0 comments
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