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Ryan Guzman as Eddie, Anirudh Pisharody as Ravi, Kenneth Choi as Chimney, Oliver Stark as Buck, and Elijah M. Cooper as Harry —
TV & Streaming

What Will Molly Burnett’s Return Mean for Chimney?

by jummy84 October 27, 2025
written by jummy84

What To Know

  • Chimney, acting as interim captain, made the difficult decision to amputate a woman’s leg during a crisis, potentially putting his leadership at risk on 9-1-1.
  • Molly Burnett, who plays Lori, confirmed her character will return, which could mean trouble for Chimney.
  • Lori’s return could tie into the future of the captaincy at the 118.

While Athena (Angela Bassett) and Hen (Aisha Hinds) are dealing with quite the emergency in space — it just keeps getting worse — the 118 has been kept busy on the ground from the fallout of the geomagnetic storm on 9-1-1. And it sounds like a decision that Chimney (Kenneth Choi), as interim captain after Bobby’s death, made in Season 9 Episode 3 might end up being a concern.

In “The Sky Is Falling,” Lori (Molly Burnett) was trapped on a train and the only way to save her was to amputate her leg. Eddie (Ryan Guzman) was the one to suggest it — and said he could do it because of his time in Afghanistan — and Chimney, reluctantly, agreed but did it himself (he does have years of experience as a paramedic) when they couldn’t get a surgeon to them due to what was going on in Los Angeles at the time. Chimney was the one to tell Lori’s husband, Cal (Guillermo Alonso), it was his call, to give her “a chance to live.” Cal worried she’d hate him, especially since they had been fighting prior to the incident, and Chimney told him, “Tell her to hate me. I was the one in charge. I’ll be the one to shoulder all the blame.”

On Friday, October 25, the day after the episode aired, Molly Burnett revealed in an Instagram story (below) that she’ll be back. “What’d y’all think so far? See u in a few weeks,” she wrote, along with a winking emoji, on a photo from the episode.

Molly Burnett / Instagram

So, what could bring her back? Read on for three theories about why we’ll be seeing Lori again.

Lori returns to thank Chimney for saving her life

Unfortunately, we can’t help but think this would be too easy. But it is entirely possible that she and Cal stop by the 118 to thank Chimney for making the call he did that ultimately saved her life (and also give us an update on how her recovery — and their marriage — is going).

Lori returns as trouble for Chimney

This does seem to be the most likely. It was Eddie who first raised amputation as a solution, but it was Chimney who made the call and who told Cal to blame him. Chimney also told the rest of the 118, “I’ve been waiting months for this interim captain thing to come to an end. I think this will finally do it.” What if he was right? What if Lori blames Chimney and comes for his job? This could be what sets them on the path to a new, permanent captain at the 118.

The 118 encounters Lori & Cal on another call

The 118 could end up running into the couple on another call, maybe with Cal the one who needs their help this time. That would allow for 9-1-1 to give an update on Lori’s recovery and the pair’s relationship status. And maybe it will come when Chimney needs to hear that he made the right call while in charge (meaning a bit of the first theory above as well).

But what’s your theory? What do you think will bring Molly Burnett’s Lori back? Let us know in the comments section below.

9-1-1, Thursdays, 8/7c, ABC

October 27, 2025 0 comments
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Hugh Jackman, Kate Hudson Neil Diamond Movie
TV & Streaming

Hugh Jackman, Kate Hudson Neil Diamond Movie

by jummy84 October 27, 2025
written by jummy84

The best Neil Diamond songs share a few simple traits: they’re catchy enough to unite the largest crowds on the planet, deeply sentimental, and refuse to make even the slightest effort to be cool. They have a real egalitarian streak to them, making the case that everyone has a voice worth using and the world is a better place when we all sing along at the top of our lungs.

All of the same could be said about Craig Brewer’s “Song Sung Blue,” a soapy film about the stranger than fiction story of Mike and Claire Sardina, a couple whose Neil Diamond tribute band Lightning & Thunder propelled them to the apex of the Milwaukee tribute band circuit in the 1980s and ’90s. Adapted from Greg Kohs’ 2008 documentary of the same name, it treats a middle-aged mechanic and hairdresser who cover “Cracklin’ Rosie” in sequined jumpsuits with all the seriousness that you’ll find in any “Walk Hard”-esque rock and roll biopic. The stakes might be infinitely lower, but the rise, fall, and rise again are all there.

Kris Bowers and Ben Proudfoot of the 'The Last Repair Shop' attend 96th Oscar Week Events: Live Action Short Film, Documentary Short Film, and Documentary Feature Film at Academy Museum of Motion Pictures.

Mike Sardina (Hugh Jackman) has already lived a few full lives by the time we meet him on the 20th anniversary of his sobriety. A former Marine who battled addiction after coming home from Vietnam, he now plays music in any dive bar and county fair that will have him. Whether he’s playing guitar in a Black soul cover band or singing “Eye of the Tiger” under his preferred stage name Lightning, he follows the music wherever it takes him. But he becomes more and more frustrated with the fact that all of his paying gigs seem to require him to impersonate someone else. Everything seems to collapse out from under him when he backs out of playing Don Ho on a tribute act bill organized by a 52-year-old Buddy Holly impersonator (Michael Imperioli), who has been singing “Not Fade Away” for three decades longer than the real Holly ever got a chance to. Mike can’t understand why he can’t just perform as himself for a change, but a beautiful Patsy Cline impersonator points out that “nostalgia sells.”

That wise woman turns out to be Claire (Kate Hudson), who soon becomes Mike’s second wife and first (and only) performing partner. They form a new act called Lightning & Thunder — not a tribute band, they insist, but a Neil Diamond experience. A notable difference from the competition is that Mike never claims to be presenting himself as Diamond (even if his costumes are sparkly enough). They’re simply being themselves, offering interpretations of the music without the pressure to be carbon copies. Bolstered by an elite management team that includes Mike’s dentist (Fisher Stevens) and a local casino tour bus mogul (Jim Belushi), they soon find their local popularity skyrocketing once Mike reluctantly agrees to start opening with “Sweet Caroline.”

But every great music story needs a downfall, and “Song Sung Blue” offers plenty of them. At the risk of spoiling a 30-year-old true story, Claire loses a leg in a freak car accident and spirals into depression as she recovers. Mike also battles his own problems, and the pressure of keeping their blended family together while finding a way to pay their bills as working class performers weighs on them. Music brought them together and gave them the happiest years of their lives, but they’re forced to decide if it’s still enough.

Both Jackman and Hudson pour everything they have into their characters, and “Song Sung Blue” is at its most infectious when we’re watching this couple bask in the dorky pleasures of singing Neil Diamond songs loudly enough to drown out the painful realities of life. At two hours and 11 minutes, the film often feels overstuffed and too melodramatic for its own good — this movie did not need a single dream sequence, let alone multiple — and it touches on so many sensitive topics that its takes on addiction, teen pregnancy, PTSD, health insurance bureaucracy, and other social ills often feel shoehorned in with insufficient time for exploration. But even with those flaws, it’s still hard to look away from the silly sincerity that powers the film.

A dominant theme throughout “Song Sung Blue” is its defense of the kind of life that seems average and unremarkable compared to the other stories you’ll find playing at your local multiplex. “Sobriety makes you confront some hard truths,” Mike says at one point. “I know I’m not a star or a songwriter, I just want to entertain people and make a living.” The rest of the film tries to answer the question of whether someone who, by their own admission, does not have any particularly unique talent has any business pursuing such a dream. Its tensest story beats revolve around Milwaukee casino residencies and karaoke hosting gigs at all-you-can-eat Thai buffets. The biggest opportunity that’s ever at stake is the chance to play a theater show of Neil Diamond covers on the same night the real Neil Diamond is playing a show across town — even at the height of their powers, Mike and Claire are competing for the chance to be the second best opportunity to hear “Sweet Caroline” in a 25-mile radius.

But rather than mock their small-time dealings or direct them to chase brighter lights, “Song Sung Blue” treats Mike and Claire’s pursuit of tribute band glory as a sufficient driving force for a meaningful life. This isn’t a story about how you’re never too old to chase your wildest dreams and play in the big leagues; it’s about how there shouldn’t be any shame in realizing that you are. There’s no real money to be made or legacy to be forged in their line of work, but their love was never stronger than when they were belting out Neil Diamond covers together on stage. The satisfied customers who left the venue smiling each night were just an added bonus.

If that all sounds too sentimental for your tastes, fair enough — though in that case, it’s hard to imagine you were ever particularly moved by a song like “Forever in Blue Jeans,” and thus not the target audience for “Song Sung Blue.” But if the right Diamond song at the right time can turn you into mush, you’re likely to find that Brewer’s film is capable of tugging on the same heartstrings.

At the film’s AFI Fest premiere, Jackman told the audience that he had just finished a FaceTime conversation with the real Diamond (who retired from performing in 2018 due to his battle with Parkinson’s Disease) before taking the stage, and asked the legendary songwriter if he had a message for the crowd. Jackman said that Diamond’s response was simple: “Just keep singing.” Brewer’s film embodies that message to its core, and anyone who wishes they had a little more Neil Diamond in their life now has an excuse to sing a little more.

Grade: B-

“Song Sung Blue” premiered at AFI Fest 2025. Focus Features will release it in theaters on Thursday, December 25.

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October 27, 2025 0 comments
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Demi Lovato Announces 'It's Not That Deep' North American Tour
TV & Streaming

Demi Lovato Announces ‘It’s Not That Deep’ North American Tour

by jummy84 October 27, 2025
written by jummy84

Demi Lovato has announced her “It’s Not That Deep” North American tour, slated for spring 2026.

The singer revealed dates for the 23-city tour on the heels of releasing her ninth album of the same name. The tour, which marks her first major headlining run in three years, kicks off on April 8 at Charlotte, NC’s Spectrum Center. She’s set to make stops at New York City’s Madison Square Garden, Las Vegas’ MGM Grand Garden Arena and Los Angeles’ Kia Forum before wrapping at Houston’s Toyota Center on May 25.

Lovato warmed up for the tour with an intimate performance on Saturday at Los Angeles’ Hollywood Palladium, treating attendees to cuts from her latest dance-pop record as well as hits from her catalog. She plans to bring along special guest Adéla as support for the “It’s Not That Deep” tour.

Presale for the tour begins on Oct. 30 at 10 a.m. local time, and fans can sign up for access on Ticketmaster. General sale starts on Oct. 31 at 10 a.m. local time.

Check out the full tour dates below:

Wed Apr 8 – Charlotte, NC – Spectrum Center
Fri Apr 10 – Orlando, FL – Kia Center
Sun Apr 12 – Atlanta, GA – State Farm Arena
Tue Apr 14 – Nashville, TN – Bridgestone Arena
Thu Apr 16 – Washington, DC – Capital One Arena
Sat Apr 18 – Philadelphia, PA – Xfinity Mobile Arena
Mon Apr 20 – Toronto, ON – Scotiabank Arena
Wed Apr 22 – Boston, MA – TD Garden
Fri Apr 24 – New York, NY – Madison Square Garden Arena
Mon Apr 27 – Columbus, OH – Nationwide Arena
Wed Apr 29 – Detroit, MI – Little Caesars Arena
Fri May 1 – Chicago, IL – United Center
Sat May 2 – Minneapolis, MN – Target Center
Tue May 5 – Denver, CO – Ball Arena
Fri May 8 – Las Vegas, NV – MGM Grand Garden Arena
Sat May 9 – Anaheim, CA – Honda Center
Mon May 11 – San Francisco, CA – Chase Center
Wed May 13 – Seattle, WA – Climate Pledge Arena
Sat May 16 – Los Angeles, CA – The Kia Forum
Tue May 19 – Glendale, AZ – Desert Diamond Arena
Fri May 22 – Dallas, TX – American Airlines Center
Sun May 24 – Austin, TX – Moody Center
Mon May 25 – Houston, TX – Toyota Center

October 27, 2025 0 comments
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CBS News' Jonathan Vigliotti Pens Book On Los Angeles Wildfires
TV & Streaming

CBS News’ Jonathan Vigliotti Pens Book On Los Angeles Wildfires

by jummy84 October 27, 2025
written by jummy84

CBS News Correspondent Jonathan Vigliotti has penned a book on covering the Los Angeles wildfires earlier this year and the implications for the city as it prepares for the Olympic Games.

Torched: How a City Was Left to Burn, and the Olympic Rush to Rebuild L.A. will publish on May 12 from Atria/One Signal.

Per the publisher, Vigliotti “brings readers inside the inferno that devastated Los Angeles, weaving on-the-ground reporting with the deeper story of how a century of unchecked development and political mismanagement set the stage for disaster.” The book also will place the fire within the larger history of Los Angeles, and whether the post-fire rebuild in advance of the 2028 Games will address prevention of similar disasters and the “rampant inequities this blaze brought to global attention.”

Jonathan Vigliotti

Vigliotti, based in Los Angeles, joined CBS News in 2015, and his work has appeared on Sunday Morning, Face the Nation and 48 Hours. He was recognized with an Emmy and an Edward R. Murrow Award, and has covered the Syrian civil war, the Mediterranean refugee crisis and Arctic climate change, among other stories worldwide.

Vigliotti is the author of Before It’s Gone: Stories from the Front Lines of Climate Change in Small-Town America, also published by Atria/One Signal.

MSNBC correspondent Jacob Soboroff also is publishing his account of covering the fires, Firestorm: The Great Los Angeles Fires and America’s New Age of Disaster, set to be published in Janaury.

October 27, 2025 0 comments
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John Oliver Defends Jimmy Kimmel in Wake of Suspension
TV & Streaming

Trump’s White House Demolition, Narco Terrorists

by jummy84 October 27, 2025
written by jummy84

John Oliver took aim at — who else? — President Trump in the opening segment of Sunday’s Last Week Tonight.

The host started out by showing images of the White House demolition project that Trump has ordered on the East Wing so that he can construct a $250 million ballroom.

“Those images are distressing, especially when you know it’s all to build a giant ballroom in a style best described as ‘Med Spa Versailles,’” Oliver quipped. “And yet, the demolition of the White House, a metaphor that, if anything, is too on the nose, was just the tip of Trump’s iceberg this week.”

Oliver then showed a news report about Trump’s push to get paid $230 million from the Justice Department as compensation for federal investigations into his behavior. 

“I should say, Trump has said he’d donate any settlement to, in his words, ‘charity or something,’” Oliver noted. “But incredibly, we’re still not done, because Trump also posted an AI video of himself dumping shit on No Kings protesters, abandoned trade negotiations with Canada after seeing a TV ad he didn’t like and authorized a $20 billion bailout to Argentina to ensure that [their] experiment with libertarianism works out.”

Oliver said the “most shocking” move Trump made in the past week, however, was approving deadly military strikes against boats allegedly smuggling drugs to the United States. So far, 40 “so-called narco terrorists” have been killed, “even though the administration has not provided public evidence for its claims,” Oliver said. “Even if they have some, I’ve watched enough JAG to know [that] the typical approach to drug boats is to intercept them and arrest the suspects, not murder them with no due process, and all of this is bad enough before you learn” that Trump is planning strikes on cartels by land as well.

“Yeah, he apparently plans to launch strikes on suspected drug traffickers in Venezuela without congressional approval, saying, ‘We’re just going to kill people. They’re going to be, like, dead,’” Oliver said, quoting Trump. “You know, the kind of chilling statement you expect to hear from a serial killer or the mastermind behind Panera Bread’s Charged Lemonades, but not ideally the President of the United States.”

Oliver wrapped up his opening segment by noting that his show tapes Saturday, so “who knows what’s happened in the last 24 hours, but this has already been a lot, because between tearing down the White House, trying to use the Justice Department to pay himself and proudly sharing AI footage of him literally shitting on Americans, the president’s now also appointed himself judge, jury and executioner of foreign citizens. And it is infuriating that neither Congress nor the courts seem to be interested in putting a stop to any of this because we are supposed to live in a country of checks and balances.”

October 27, 2025 0 comments
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FM26 wonderkids: Best young players to sign in Football Manager 26
TV & Streaming

FM26 wonderkids: Best young players to sign in Football Manager 26

by jummy84 October 27, 2025
written by jummy84

Whether you’re spending big at Man City or looking for some cheap gems to build your squad, there are plenty of FM26 wonderkids for every budget.

From promising young goalies to hot-shot strikers banging in the goals, we’ve put together a massive list of the very best young players in every position in this year’s game.

So, if you’re looking to deplete that transfer budget on some talent for the future, you can read on for our list of the best wonderkids in Football Manager 26.

Best young goalkeepers in FM26

  • Rome-Jayden Owusu-Oduro: Age 21 | GK | AZ Alkmaar | Netherlands
  • Quenten Attigah: Age 16 | GK | AZ Alkmaar | Netherlands
  • Tommaso Martinelli: Age 19 | GK | Fiorentina | Italy
  • Alessandro Nunziante: Age 18 | GK | Udinese | Italy
  • Dennis Seimen: Age 19 | GK | VfB Stuttgart | Germany
  • Guillaume Restes: Age 20 | GK | Toulouse | France
  • Mike Penders: Age 19 | GK | Chelsea | Belgium
  • Julian Eyestone: Age 19 | GK | Brentford | USA
  • Ante Vuković: Age 20 | GK | Pisa | Croatia
  • Vladyslav Krapyvtsov: Age 20 | GK | Girona | Ukraine

Best young centre-backs in FM26

  • Dean Huijsen: Age 20 | DC | Real Madrid | Netherlands
  • Pau Cubarsí: Age 18 | DC | FC Barcelona | Spain
  • Leny Yoro: Age 19 | DC | Manchester United | France
  • Willy Kambwala: Age 20 | DC | Villareal CF | France
  • Giovanni Leoni: Age 18 | DC | Liverpool | Italy
  • Matteo Palma: Age 17 | DRC | Udinese | Germany
  • Joane Gadou: Age 18 | DC | RB Salzburg | France
  • Luka Vušković: Age 18 | DC | Tottenham Hotspur | Croatia
  • Luca Marianucci: Age 20 | DC | Napoli | Italy
  • Vitor Reis: Age 19 | DC | Manchester City | Brazil

Best young left-backs in FM26

  • Myles Lewis-Skelly: Age 18 | DL, DM, MC | Arsenal | England
  • Saba Kharebashvili: Age 16 | D/WBL, DC | Dinamo Tbilisi | Georgia
  • Jorrel Hato: Age 19 | D/WBL, DC | Chelsea | Netherlands
  • Lewis Hall: Age 20 | D/WBL | Newcastle | England
  • Nico O’Reilly: Age 20 | DL, M/AMC | Manchester City | England
  • Patrick Dorgu: Age 20 | D/WB/ML, AMR | Manchester United | Denmark
  • Jofre Torrents: Age 18 | D/WBL | FC Barcelona | Spain
  • Davinchi: Age 17 | D/WBL | Getafe | Spain
  • Tom Rothe: Age 20 | D/WBL, DC | Union Berlin | Germany
  • Honest Ahanor: Age 17 | D/WB/ML, DC | Atalanta | Italy

Best young right-backs in FM26

  • Rico Lewis: Age 20 | D/WBR, DM, MC | Manchester City | England
  • Álex Jiménez: Age 20 | D/WBRL, MR | AC Milan | Spain
  • Héctor Fort: Age 18 | D/WBRL, DC | FC Barcelona | Spain
  • Jesús Fortea: Age 18 | D/WBR | Real Madrid | Spain
  • Daniel Banjaqui: Age 17 | D/WBR | SL Benfica | Portugal
  • Martim Fernandes: Age 19 | DR, WBRL | FC Porto | Portugal
  • Givairo Read: Age 19 | D/WB/MR, DL | Feyenoord | Netherlands
  • Josh Acheampong: Age 19 | D/WBR, DC | Chelsea | England
  • Marco Palestra: Age 20 | D/WB/MR | Atalanta | Italy
  • Elias Baum: Age 19 | D/WBRL | Eintracht Frankfurt | Germany

Best young defensive midfielders in FM26

  • Andrés Chema: Age 20 | DM, MC | VfB Stuttgart | Spain
  • Marc Bernal: Age 18 | DM, MC | FC Barcelona | Spain
  • Kennet Eichhorn: Age 15 | DM, MC | Hertha BSC | Germany
  • Nathan De Cat: Age 16 | DM, MC | Anderlecht | Belgium
  • Jhon Solís: Age 20 | DM, MC | Girona | Colombia
  • Jack Hinshelwood: Age 20 | DM, D/WBR, MC | Brighton | England
  • Matvey Kislyak: Age 19 | DM, MC | CSKA Moscow | Russia
  • Noah Sadiki: Age 20 | DM, MC | Sunderland | DR Congo
  • Dário Essugo: Age 20 | DM, MC | Chelsea | Portugal
  • Taufik Seidu: Age 17 | DM, MC | Atlético Madrid | Spain

Best young central midfielders in FM26

  • Ayyoub Bouaddi: Age 17 | DM, MC | Lille OSC | France
  • Niccolò Pisilli: Age 20 | DM, M/AMC | AS Roma | Italy
  • Tom Bischof: Age 20 | DM, M/AMC | Bayern Munich | Germany
  • Joāo Neves: Age 20 | DM, MC | Paris Saint-Germain | Portugal
  • Gavi: Age 20 | DM, M/AMC | FC Barcelona | Spain
  • Guille Fernández: Age 17 | M/AMC | FC Barcelona | Spain
  • Sverre Nypan: Age18 |M/AMC | Middlesbrough FC (on loan from Manchester City) | Norway
  • Archie Gray: Age 19 | DM, DR, MC | Tottenham Hotspur | England
  • Kees Smit: Age 19 | DM, M/AMC | AZ Alkmaar | Netherlands
  • Ouazane Abdellah: Age 16 | M/AMC | Ajax | Morocco

Best young attacking midfielders in FM26

  • Nico Paz: Age 20 | MC, AMRC, ST | Como | Argentina
  • Franco Mastantuono: Age 17 | AMRC | Real Madrid | Argentina
  • Rodrigo Mora: Age 18 | AMLC | FC Porto | Portugal
  • Luca Williams-Barnett: Age 16 | AMRLC, ST | Tottenham Hotspur | England
  • Arda Güler: Age 20 | MC, AMRC | Real Madrid | Türkiye
  • Luís Guilherme: Age 19 | AMRC | West Ham | Brazil
  • Dro: Age 17 | M/AMLC | FC Barcelona | Spain
  • Konstantinos Karetsas: Age 17 | AMC | KRC Genk | Greece
  • Facundo Buonanotte: Age 20 | MRC, AMRLC | Brighton | Argentina
  • Claudio Echeverri: Age 19 | MC, AMLC | Manchester City | Argentina

Best young left wingers in FM26

  • Kenan Yıldız: Age 20 | AMRLC, ST | Juventus | Türkiye
  • Jamie Gittens: Age 20 | M/AMRL | Chelsea | England
  • Gabriel Mec: Age 17 | AMRL | Grêmio | Brazil
  • Alejandro Garnacho: Age 21 | AMRL | Chelsea | Argentina
  • Saïd El Mala: Age 18 | ML, AMRLC | 1. FC Köln | Germany
  • Rio Ngumoha: Age 16 | AMRL | Liverpool | England
  • Jeremy Monga: Age 15 | AMLC | Leicester City | England
  • Kerim Alajbegović: Age 17 | ML, AMRLC | RB Salzburg | Bosnia and Herzegovina
  • Assane Diao: Age 19 | AMRL, ST | Como | Senegal
  • Malick Fofana: Age 20 | AMRL | Lyon | Belgium

Best young right wingers in FM26

  • Ethan Nwaneri: Age 18 | MC, AMRLC | Arsenal | England
  • Désiré Doué: Age 20 | AMRLC | Paris Saint-Germain | France
  • Yankuba Minteh: Age 20 | M/AMRL | Brighton | The Gambia
  • Geovany Quenda: Age 18 | M/AMRL | Sporting CP | Portugal
  • Tyler Dibling: Age 19 | AMRC | Everton | England
  • Ibrahim Mbaye: Age 17 | AMRL | Paris Saint-Germain | France
  • Ben Gannon Doak: Age 19 | AMRL | AFC Bournemouth | Scotland
  • José Reyes: Age 17 | AMRL, ST | Real Madrid | Spain
  • Gabriel Veneno: Age 15 | AMR | Atlético Mineiro | Brazil
  • Roony Bardghji: Age 19 | M/AMR | FC Barcelona | Sweden

Best young strikers in FM26

  • Mathys Tel: Age 20 | AMRL, ST | Tottenham Hotspur | France
  • Dastan Satpayev: Age 16 | AMRL, ST | Kairat Almaty | Kazakhstan
  • Vitor Roque: Age 20 | AMRL, ST | Palmeiras | Brazil
  • Sami Bouhoudane: Age 17 | ST | PSV | Netherlands
  • Evan Ferguson: Age 20 | ST | AS Roma (on loan from Brighton) | Ireland
  • Francesco Pio Esposito: Age 20 | ST | Inter Milan | Italy
  • Francesco Camarda: Age 17 | ST | Lecce (on loan from AC Milan) | Italy
  • Eli Junior Kroupi: Age 19 | ST | AFC Bournemouth | France
  • Harry Gray: Age 16 | AMRC, ST | Leeds United | England
  • Álvaro Rodríguez: Age 20 | AML, ST | Elche

Check out more of our Gaming coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more TV recommendations and reviews, listen to The Radio Times Podcast.

October 27, 2025 0 comments
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Nicholas Denton as Guy Anatole and Elizabeth McGovern as Helen —
TV & Streaming

Elizabeth McGovern Breaks Down Helen’s Relationship With Guy and Her Motives

by jummy84 October 27, 2025
written by jummy84

What To Know

  • Elizabeth McGovern portrays Helen, a complex and enigmatic top agent in AMC’s Talamasca: The Secret Order who is deeply involved in the life and recruitment of orphaned genius Guy Anatole for a mysterious mission.
  • McGovern says viewers will constantly question Helen’s motives and whether she genuinely cares for Guy or is willing to sacrifice him for the greater good.
  • Helen’s mysterious past and motivations are set to unfold as the season progresses.

Elizabeth McGovern is chilly.

Not icy, like her mysterious character Helen in AMC’s new Anne Rice’s Immortal Universe entry, Talamasca: The Secret Order. Like legitimately chilly. That’s because it’s a snowy-cold November afternoon in Manchester, England and the doors of the local watering hole being used for the show’s Porkies Pub keep opening as crew members mill about.

Yet she’s also warmly welcoming during our visit to the set. Bundled up in a long puffy parka in between takes, the Downton Abbey vet was chatty and insightful about her role, which viewers just got a taste of in the two-episode premiere. As one of the top agents at the supernatural CIA tasked with monitoring the witches, vampires and werewolves hiding in plain sight around the world, Helen is clearly at the top of her game. She is also deeply invested in recruiting orphaned genius Guy Anatole (Nicholas Denton) to join this covert agency.  Whether that is because he is able to hear peoples’ thoughts or something more personal is what makes Helen so intriguing. She feels maternal, but also malignant. “I think we’ll keep changing our mind about her as we watch the story,” she teases with a laugh. “I hope so anyway.”

David Gennard/AMC

So far, it’s been revealed that Helen has had a hand in almost every aspect of Guy’s life. She arranged for him to be fostered by a loving family (they also allowed the Talamasca access to him throughout the years to “fix” his ability to hear people, which isn’t great), and after that, it was paying for, as Guy says after she admits her curation, “the best public high school in Detroit, a full scholarship to Penn, law degree from NYU…and it was all bulls**t.”

As is, apparently, the story featured in the show’s in-universe version of Interview With the Vampire about Guy’s birth mom being an addict who died when he was nine. Thanks to a fangful cameo by IWTV‘s Daniel Malloy (Eric Bogosian), we learned that he didn’t actually pen the section about her demise in his best seller, “they did.”

So, why all the subterfuge? According to Helen, it’s all to ready Guy for the assignment he’s been recruited for. What that actual mission is won’t become clear until later in the season, but on set that day in Manchester, England, we did get to observe McGovern and Denton film a very informative scene that clears up some confusion. And yes, there may have been some info about “the 752” that Guy heard in Malloy’s head, but they’d feed us to Jasper’s revenants if we went there!

Here, McGovern gives us some intel on Helen’s duality, her sense of duty and what we might expect from her now that Guy has kicked off his mission with a bloody, fatal run-in with a vampire and an ill-fated one-night-stand. And in true Helen style, we’re sure she was holding back some key info.

What Helen has done to Guy is a terrible thing. But having been lingering on the edges of his life for so long, did she grow to care about him over the course of his childhood?

Elizabeth McGovern: I think the thing I find so fascinating about this character is from one scene to the next, you flip back and forth from feeling that you really love and believe her and her motives, and then mistrust her and her motives. You can’t tell from one scene to another if she’s 100% good or not. But I think like everybody, she does intend to be. And I do think that she does care for Guy, but whether or not she’s willing to sacrifice him for her idea of the greater good…

Does she have powers?

She does not personally have powers.

How does she feel about that?

She is fine with that. I don’t think she has any problems with it. I think she knows the situation well enough and people who have a power to know that it is a mixed blessing. I mean, the one power she has is that she does lure Guy into this world. And in some ways, that is the ultimate power.

What is her relationship with the other Talamasca agents?

It’s her life. I don’t think she knows anything beyond this. I think she’s very driven and it’s her entire world.

Elizabeth McGovern as Helen — 'Talamasca' Season 1, Episode 3

David Gennard/AMC

So in her time within the agency, I’m imagining she’s probably seen and done some terrible things?

I think the thing about her is, we don’t know. There’s something about her that’s always shrouded in mystery. I think I do sense that there is a lot of hurt along the way, from the past, that she is somehow being driven by. And a loneliness, a lack of connection.

And that is clearly something she shares with Guy. What did you think when they said, “Oh, it’s a spy series set within the supernatural world”?

I didn’t really have any judgment until I read the script. Then, I immediately loved it. And that’s coming from someone who isn’t, by nature, a vampire person. I think it does appeal to vampire people, but I think it appeals outside of that demographic as well. And I think that’s where I find myself. It’s just so wonderful, the way it’s written.

Was it attractive to you also to play a character who was so almost nebulous as far as ethics?

Oh, very much so. I love this character that is so shrouded in history and I love the idea of the fact that you don’t know from one episode to the next whether she’s someone that you put your faith in or not. And I think Guy feels the same.

Do we see them growing closer over the course of this mission she sends him on?

Like some kind of trust? At times, they seem very close because they have very similar backgrounds and they’re in a similar situation. And then at times, I think Guy just really doesn’t trust Helen. He really doesn’t know. He vacillates all over the place. [Laughs]

Talamasca: The Secret Order, Sundays, 9/8c, AMC

October 27, 2025 0 comments
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Kathryn Bigelow Nuclear Thriller Stuns
TV & Streaming

Kathryn Bigelow Nuclear Thriller Stuns

by jummy84 October 27, 2025
written by jummy84

Editor’s Note: This review originally ran during the 2025 Venice Film Festival. “A House of Dynamite” is now in select theaters and streaming on Netflix.

Eighteen minutes is all we have to save the country (or not) upon news of an impending nuclear missile in Kathryn Bigelow‘s horrifically gripping and cautionary “A House of Dynamite.” If we don’t do something about the lunatics in power globally, and specifically at the helm of nine countries with a nuclear stockpile (including the United States), well then, we’re fucked. Bigelow’s explosively entertaining real-time thriller, told from multiple perspectives at various levels of government from situation room deputies to POTUS (Idris Elba) himself, does not mince on hopelessness.

SPRINGSTEEN: DELIVER ME FROM NOWHERE, (aka DELIVER ME FROM NOWHERE), Jeremy Allen White as Bruce Springsteen, 2025. © Searchlight Pictures / Courtesy Everett Collection
Kris Bowers and Ben Proudfoot of the 'The Last Repair Shop' attend 96th Oscar Week Events: Live Action Short Film, Documentary Short Film, and Documentary Feature Film at Academy Museum of Motion Pictures.

Here is a movie that will ruin your day. You’re welcome.

Noah Oppenheim’s rigorously researched and vividly jargonistic script (he comes from a background in broadcast news at NBC) doesn’t mince, either, on the mundanity of incompetence. The filmmaking team visited the White House Situation Room and the headquarters of U.S. Strategic Command to achieve an almost whiplash-inducing realism: The pile-up of acronyms woven even into the film’s intertitles — the GBIs, the KPAs, the JEEPS, and does it even matter what the hell they mean? — underlines how the United States’ all-scenarios plan of military response to a nuclear attack is crushingly futile in the wake of an actual missile heading toward either Louisville, Chicago, Columbus, or best-guess somewhere else in the Midwest.

Senior situation room duty officer Olivia Walker (Rebecca Ferguson) is having a normal day until U.S. intelligence reveals a likely nuclear object hurtling toward America. The film never identifies the missile’s source, though hotshot deputy national security advisor Jake Baerington (Gabriel Basso) is tasked with brokering peace with Russia and a promise not to retaliate if the U.S. government is forced to attack another nuclear-armed nation preemptively — and on a phone call in which he reveals his wife is six months pregnant. Everyone has something or someone to lose here, including Jared Harris as Secretary of Defense Reid Baker, who’s got an estranged daughter (Kaitlyn Dever) in Chicago who he knows could die.

Then, there’s Elba as the coolly serene president, who is ripped out of a PR-boosting photo opp with schoolchildren by his security details in a moment that eerily recalls George Bush being whispered to while reading “The Pet Goat” to a class of second-graders on September 11. Tracy Letts is having a whale of a time playing an almost somnambulant general who, eyes and spirit glazed over ahead of a wall of monitors displaying only bad news, matter-of-factly tells the president, “This is not insanity. It’s reality.” He says something about the “dual phenomenology” of the attack — whatever that means, but it evidently has something to do with being confirmed by both satellite and ground intelligence before a retaliation rather than with the philosophies of Edmund Husserl — with a sardonic bemusement typical of the actor and playwright. He’s capable of elevating any project he’s in and is a standout here.

Cinematographer Barry Ackroyd’s camera zigs like a documentary rig, with crash zooms on stunted faces and, combined with the talky verisimilitude of a script that amplifies the inherent ridiculousness of red-tape protocol, “A House of Dynamite” sometimes feels like a horror movie version of television’s “Veep.” Bigelow’s work is procedural to its core, and that this film is a speculative what-if is made all the more horrifying because of its banality.

A House of Dynamite
‘A House of Dynamite’Courtesy Netflix

“Surrender or suicide” is basically one of the unfortunate calls to action in a portfolio of doomsday scenarios POTUS likens to a diner menu: There are three options — “rare, medium, and well-done,” Jonah Hauer-King’s naval lieutenant commander Robert Reeves tells him — and none are good. The first lady, meanwhile, is on a safari in Africa and hard to pin down, and a moment where POTUS’ phone call with her drops out as 18 minutes turn into four and even fewer is one of an arsenal of devastating hammers Bigelow drops on you. One attempt to stop the missile spectacularly bombs, like a bullet hitting a bullet, as the military tries to intercept the missile with its own, Baker incensed by the failure of a $50-billion coin toss to land heads up.

“A House of Dynamite” moves at a whirring gradient with an ever-widening ensemble — which includes Greta Lee, Jason Clarke, and Moses Ingram as various cogs — that can be challenging to keep track of. The film essentially takes place entirely within an under-20-minute timeline, showing the same events from a shuffling deck of points of view. Bigelow’s grindingly focused direction is peerless here, with her already established as a frank and fearless chronicler of American political ambiguity in films like “The Hurt Locker” and “Zero Dark Thirty,” and with “A House of Dynamite” seemingly completing a trilogy about the collapse of the American dream in war times.

Both those films wrapped on woundingly open-ended notes, with an Iraq War veteran ambivalently marching off into yet another tour of duty in “The Hurt Locker” and a CIA analyst breaking down in her military transport after leading the manhunt to catch and kill Osama Bin Laden in “Zero Dark Thirty.” “A House of Dynamite” similarly ends without finishing the sentence, not with a bang or “Melancholia”-level explosion, but in silence. What happens if we stay silent?

Hardly mere agitprop due to the stylistic intensity of its filmmaking, this gun-to-your-head engrossing movie — with its eardrum-piercing and death-rattling sound design and a score by Volker Bertelmann so oppressive it could swallow you whole — also wants to shake you out of your slumber with a cataclysmic whisper of an ending. We used to duck under our desks to rehearse surviving a nuclear annihilation; now, we only duck our heads in the sand we keep shoveling over ourselves. You can’t stop what’s coming, and what’s coming is worse than you thought.

Grade: A-

“A House of Dynamite” premiered at the 2025 Venice Film Festival. It’s now streaming on Netflix and playing in select theaters.

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October 27, 2025 0 comments
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Hugh Jackman Leads Neil Diamond Tribute Band
TV & Streaming

Hugh Jackman Leads Neil Diamond Tribute Band

by jummy84 October 27, 2025
written by jummy84

I’ve never been wild about the term “faith-based movie” — or, at least, the idea that it should only be applied to PG-rated calamity-meets-redemption Sunday-school soap operas micro-targeted to Evangelicals. “Song Sung Blue,” in almost every way, is a faith-based movie, though this one is rooted in the holly holy dream of devotion to the church of Neil Diamond. It’s based on the true story of Mike and Claire Sarina (played by Hugh Jackman and Kate Hudson), who in the late ’80s and ’90s formed a Neil Diamond tribute band, performing as Lightning & Thunder (he’s Lightning, she’s Thunder). At first, the movie may strike you as a parable of more kitsch than faith.

The two meet at a performance at a scuzzy casino in their hometown of Milwaukee, where assorted semi-amateurs get up to impersonate dead legends like Elvis and Buddy Holly. She’s dressed as Patsy Cline and does a pretty good rendition of “After Midnight.” He’s supposed to go on as Don Ho and sing the 1966 novelty hit “Tiny Bubbles,” but he’s so tired of singing it that he quits on the spot. As we learn pretty quickly, Mike and Claire are both broken-down middle-aged Middle Americans toting around a private load of sorrow.

Each is divorced with kids. He’s a Vietnam veteran and 20-years-sober alcoholic who works odd jobs as a mechanic and plays in just about any band that will have him. She’s a hairdresser and struggling single mother who isn’t so much thriving as surviving. Together, they hatch an idea: What it they formed a band and sang Neil Diamond songs, not just doing the same old wax-museum versions of old rock stars but tapping into what the people really want?

“Song Sung Blue” was written and directed by Craig Brewer, who has made one amazing movie (“Hustle & Flow”), one good one (“Dolemite Is My Name”), and a few middling ones (“Footloose,” “Coming 2 America”), and the first thing you notice about the film, which Brewer based on a 2009 documentary of the same title, is how unironically it celebrates Karaoke Culture. By that, I don’t just mean what transpires in karaoke bars (though the movie has a number of scenes set in them). I’m talking about the impulse that started in karaoke and carried over to “American Idol” and to something larger: the whole religious dream about pop music that someone who was a nobody could stand up and sing a song made famous by a somebody, and if they did it with enough skill and passion they could channel what was great about that star in a way that turned the very act of channeling into its own sublime expression. Brewer navigates this terrain like a jukebox Jonathan Demme.

Mike worships Neil Diamond, to the point that when he sings, he’s no mere impersonator — he’s closer to a Neil Diamond avatar, coaxing out and dramatizing Diamond’s essence. Hugh Jackman is, of course, a marvelous singer in his own right, and while the film makes the point that Mike isn’t trying to sound exactly like his idol, in “Song Sung Blue” Jackman’s musical performances are transcendent in their ability to signify what we love about Neil Diamond: the low command of his voice, the smooth articulation, the crackling rosiness of it all.

We might look at Mike, in his overcoat of blue glitter, with his long hair cut and styled into a neatly parted Diamond pageboy, and Claire, in her spangled red dress with the gold piping, providing her cascading harmonies, and assume, for a moment, that the movie wants us to see them as some played-straight version of the Culps on “SNL.” But there’s nothing jokey or tacky about their presence, and the actors’ performances do nothing so much as bring the love.

Jackman, with his scuffed fortitude, and Hudson, radiating a stubborn wholesomeness, have an easy-listening camaraderie, to the point that when Mike and Claire fall in love and get married, it feels both casual and inevitable. With a booker (Jim Belushi) who has casino connections all over the Midwest, they start to work the circuit and develop a following. Their ascent becomes complete when they’re in their living room and Mike gets a call from Eddie Vedder, who he’s never heard of (he wonders if Pearl Jam is a fruit preserve). It’s the early ’90s, and grunge hipsters have embraced the pop legends of their youth. When Lightning & Thunder end up opening for Pearl Jam in Milwaukee, and Eddie comes out onstage to sing along with them, they’ve basically just gone to karaoke heaven.

The adversity comes out of nowhere. Literally, as in a bad dream. Claire is standing on her front lawn, and suddenly…a life upended, a body and soul severed, a reality redefined. This is where “Song Sung Blue” flirts, and not so lightly, with becoming that other kind of faith-based movie. I raise the issue because I actually think it has demographic meaning; this is the rare film that feels like it could exert a blue-state-meets-red-state appeal. Or, given how over a certain age Neil Diamond’s nostalgic fan base is, the whole thing could wind up slipping between the cracks. After the calamity occurs, the movie, for a while, loses its pace. Yet Hudson’s anguished performance holds it together. This is let-it-rip acting with the fussiness burned off. And Hudson and Jackman don’t just have chemistry; they have an emotional synergy that grows more moving as Mike and Claire bond together — and fuse, once again, with the power of Neil — to heal themselves.

Mike has physical problems of his own (he keeps having what look like mini-heart attacks, which he ignores since he’s too poor to have health insurance), and on the day of their big reunion show, which is supposed to end with them meeting Neil Diamond at an ice-cream stand, Mike tries to heal a gaping head wound with nail glue. You know he’s in for a hot August night.

As the movie recognizes, there are two kinds of Neil Diamond fans: those who, like Mike, hear the beautiful depths in dozens of his songs (“Cherry, Cherry,” “Brother Love’s Travelling Salvation Show,” “Cracklin’ Rosie”), and the bom bom bom people — the ones Mike can’t stand, who at a Neil Diamond concert experience an epiphany when they pump their fists in the air and sing-shout “bom! bom! bom!” in the middle of the chorus of “Sweet Caroline,” even though it’s not even a lyric. They’re singing along with the trumpet. These are the people who have to enhance the line “Good times never seemed so good!” (“So good! So good! So good!”) until it becomes an existential declaration of the miracle of life.

“Song Sung Blue” is certainly a movie for the bom bom bom crowd. Mostly, though, it’s for the Neil Diamond fans who will listen to Mike and Claire, in their solo show at the Ritz Theater in Milwaukee, in a state of slow-burn bliss. When Mike starts to sing the Arabic chant of “Soolaimon,” Diamond’s single from 1970, it sounds eerie and mysterious, but when the groove kicks in it’s so ecstatic you want to revel in its majesty, the same way Mike does: as a Diamond shining through the darkness.

October 27, 2025 0 comments
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Hugh Jackman, Kate Hudson Find Love & Diamond
TV & Streaming

Hugh Jackman, Kate Hudson Find Love & Diamond

by jummy84 October 27, 2025
written by jummy84

If Song Sung Blue, which had its World Premiere as the Closing Night film of AFI Fest, weren’t a true story no one would ever have the nerve to make it. The unlikely triumphs and unspeakable tragedies of a Milwaukee Neil Diamond tribute band known as Lightning And Thunder may take some dramatic liberties (what true story doesn’t) along the way but the undeniably jaw-dropping realities of their story are so astonishing – and all here – that it isn’t surprising director Craig Brewer (Hustle & Flow) found it irresistible material for a movie.

Based on Greg Koh’s 2008 documentary, the story revolves around a pair of working class wannabe star singers who are basically reduced to being vocal impressionists in dive bars and local clubs where they get up and sing when they aren’t doing their day jobs. Mike Sardina (Hugh Jackman) is a divorced Vietnam vet, recovering alcoholic, and mechanic who believes in his musical mojo. Claire Stengl (Kate Hudson) is a single mom of two, Rachel (Ella Anderson) and Dayna (Hudson Hensley), working as a hairdresser by day, being a good, if struggling single mom, and performing as a Patsy Cline impersonator many nights. She finds joy in the music. Mike is a little more complicated. They discover each other, and at Claire’s suggestion they form a Neil Diamond tribute band with their stage names Lightning and Thunder. Mike really didn’t see this coming but for the love of Claire and maybe a new life he goes along.

Soon he finds he is a damn good substitute for Diamond (Jackman doing a Risky Business-like routine in his underwear seals the deal), their harmony -personally and on stage- clicks with a lovely rendition of “Play Me” , leading to local gigs and increasing notoriety in Milwaukee and environs. Joined by a back up band including Mark Shurilla (Michael Imperioli) who was a Buddy Holly impersonator who plays a mean guitar; and soon a manager, Tom D’Amato (a perfect Jim Belushi), this Diamond tribute act reaches the heights locally, even opening for Pearl Jam’s Wisconsin dates with Mike duetting with Eddie Vedder (John Beckwith) on “Forever In Blue Jeans” (yes, that really happened). They are starting to live their version of the American dream. Life is good, until it isn’t. The movie’s overall joyous tone – the love story of two people finding each other for another shot at happiness and a family coming together -changes tragically for both of them, most urgently for the ever optimistic Claire.

That Brewer never loses the delicate tone of this musical comedy/drama is a miracle itself. You will find yourself asking at more than one point, “could this have really happened?”, but ultimately Song Sung Blue is not just about a tribute to Neil Diamond, but to the resilience of the humans at the center of it all. Fortunately the film also has two ever-appealing and relatable stars knocking it out of the park – musically and dramatically. Jackman, complete with Diamond-style hair, is as good as he has ever been playing a complicated guy who finds his groove in the music of an iconic singer. It isn’t easy being such a recognizable star impersonating a man impersonating an equally recognizable star, but Jackman gives him edge and likability so we are with him all the way. His Diamond vocals are flawless. As for Hudson, she is simply sensational in her best screen role since her Oscar nominated and Golden Globe winning turn as the inimitable Penny Lane in 2000’s Almost Famous. As comfortable musically as she is with the heavy dramatics the role requires, her Claire will break your heart. Anderson and Hensley are ideally cast as the kids, and King Princess as Mike’s daughter Angelina is also fine. Imperioli also scores as that Buddy Holly guy turned key guitarist, and Mustafa Shakir gets smiles as a James Brown doppleganger, Sex Machine.

Song Sung Blue is an apt Diamond tune to title this film that doesn’t shy away from showing the curves life can throw at us, but this story of two good souls finding love and Sweet Caroline together is no mere impersonation itself. It is, in fact, about as real, emotional, and unpredictable as life can sometimes get.

Producers are Brewer, John Davis, and John Fox.

October 27, 2025 0 comments
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