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Mayor Bans Disturbed's Belgium Show Over Safety Risks Surrounding David Draiman's Support of Israel
Music

Mayor Bans Disturbed’s Belgium Show Over Safety Risks Surrounding David Draiman’s Support of Israel

by jummy84 October 10, 2025
written by jummy84

Disturbed were set to play the venue Forest National in Brussels, Belgium, on October 15th as part of “The Sickness 25th Anniversary Tour,” but it now appears that show will not take place. A local mayor has ordered a ban on the show over safety concerns tied to frontman David Draiman’s support of Israel.

Charles Spapens, mayor of Forest, a municipality of Brussels, issued the following statement, per The Brussels Times: “My responsibility and priority are the safety of residents, neighbors, demonstrators, spectators and staff at Forest National. Given the police’s negative advice and the venue’s unique location, it was my duty to make this decision.”

His decision came after a police risk assessment warned that Draiman’s appearance could lead to violent demonstrations around the venue. It was also influenced by a national strike set to take place a day earlier in Brussels, as well as the anticipation of other demonstrations that may occur in the area.

Related Video

Draiman, who is Jewish, has been an outspoken supporter of Israel for years, but it appears that it’s the photos of him signing Israel Defense Forces (IDF) missiles he tweeted in June 2024 with the hashtag “#FuckHamas” that raised the most concern for Mayor Spapens and local authorities.

Those photos came to light again earlier this year when Draiman engaged in a war of words with pro-Palestinian UK hip-hop band Kneecap.

As of this posting, the Brussels concert is still listed on Disturbed’s official website, with tickets still being sold via Live Nation Belgium. Disturbed have not made any official statement regarding the status of the show.

October 10, 2025 0 comments
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Pierce the Veil. (All photos by Steve Appleford)
Music

Still Holding On: Pierce the Veil’s Hard-won Victories Follow From Tragedy

by jummy84 October 10, 2025
written by jummy84

Inside the Frolic Room in Hollywood, a small crowd of early drinkers leans up against the bar as an old Rolling Stones song blares overhead. It’s another hot day outside on the boulevard, but in here, it’s all shadowy glamour and laughter as the locals knock back one drink after another.

It’s not where the three members of Pierce the Veil would normally find themselves at lunchtime, on this day-trip to L.A. for meetings from their home base in San Diego. But the 91-year-old landmark tavern, with its classic neon sign above the front entrance, was a convenient spot for a rendezvous. 

The band is gathered around a little cocktail table by the cash machine. A framed picture of Mickey Rourke as a champion boozer in the film Barfly hangs on the wall. But our group is not exactly party central. Singer-guitarist Vic Fuentes and lead guitarist Tony Perry are drinking coffee, and bassist Jaime Preciado just finished a tall glass of ice-water. I’m having a Coke.

Pierce the Veil have been getting their thrills in other ways since the early 2023 release of The Jaws of Life, the band’s fifth album, and a tour that has the SoCal act playing major venues around the country, including three recent nights at the Forum in Los Angeles.

With a new single out from the expanded deluxe version of The Jaws of Life, the lush “Kiss Me Now,” the band were set to return to the road with two shows in Austin, Texas, on October 10 and 11.

The rise of Pierce the Veil, which formed in 2006, might have once seemed an unlikely destiny for a band of punks from San Diego, but Fuentes had high expectations. “I looked up to bands who came up in our genre who were doing it, like Paramore and Green Day—seeing that it is possible,” says the singer-guitarist. “I always hoped that we would find our way organically somehow.”

The members still live within 15 minutes of each other in San Diego, and often rehearse in a studio built at the home of Fuentes’s parents near Mission Bay. The band have expanded their sound in multiple ways since the early days, but they still look like dudes raised on hardcore in their T-shirts, sneakers, Doc Martens, and tattoos.

“I was in bands that played really fast SoCal punk, and really loved Epitaph and Fat Wreck Chords and all those bands back in the day,” says Fuentes, clad in a frayed blue California T-shirt and backward baseball cap, the only band member sans tattoos. “That’s still in our music.”

Pierce the Veil was a guerilla operation in that early period, traveling to far-flung gigs in an RV, learning to be rockers from the ground up. It led not only to this moment of swelling popularity, but also established the resilience to go on after a tragedy within the band’s circle. Fuentes describes this last year as, “The highest highs and the lowest lows.”

On May 22, a crash of a private plane killed several of their close friends and colleagues, including longtime agent and manager Dave Shapiro. It happened after the band’s triumphant headlining concert at New York City’s Madison Square Garden, when Shapiro and the others flew back to San Diego, and crashed barely a mile from the airport. 

“I lost my whole crew, my buddies, and it was awful,” Fuentes says. “We’re still trying to, like, deal with it.”

Continuing to play the scheduled tour was all they could do, and Live Nation provided grief counseling to the band and crew still on the road. Preciado remembers seeing a girl in the crowd at one show holding up a sign. Rather than a song request, it simply read, “I hope you’re okay.”

“I was like, whew. I had to turn around,” he says of the emotional moment. “But that’s the kind of love that we have for our fans and I think they have right back for us. They realize that we’re dealing with this horrible thing that is just super-hard.”

Back in 2007, Pierce the Veil played one of their first-ever shows as a band right down the street from here at the now-defunct Knitting Factory. There was an audience of about a dozen witnesses, mostly friends and family. The band drove up from San Diego for the gig.

At the time, the band already had a record deal, and a debut album about to drop, A Flair for the Dramatic, recorded by Fuentes with his brother, Mike, on drums. Perry and Preciado had just left their own hardcore band to join up. And soon enough, the quartet were opening for other acts at the Whisky, the Troubadour, and other rock nightclubs, slowly building a career.

The true turning point came when they joined the annual Vans Warped Tour, where Pierce the Veil found themselves and their audience. For a band with a punk rock pedigree and few resources, Warped became a nurturing second home.

On their first Warped, Pierce the Veil shared a low-budget tour bus with 3OH!3. “It was the bottom of the barrel, but we treated it like it was a Rolls Royce,” Fuentes recalls with a smile. “At that time it was such a luxury.”

Perry says of that bandwagon, “I remember a cab driver bringing me back to the bus and I was like, ‘It’s that black one.’ He was like, ‘The janky one?’ I was like, ‘Oh, man.’”

The band signed up for four Warped caravans across the country, which Preciado remembers fondly as “a traveling circus.”

“Talk about the school of punk rock—you learn everything,” says Preciado. “Without Warped Tour, a lot of bands would not be where they’re at. That was definitely a jumpstart for the playbook of how to be in a punk rock band at the time. We learned so much from those shows.

“We would look forward to getting the call every summer, ’cause at the time, that was the biggest thing we’ve ever done, playing with some of our favorite bands and learning and trying to figure out who we were as a band. That was a really special time.”

Now that Pierce the Veil are headlining arenas, the Warped Tour is no longer a realistic venue for the band, but when Warped returned to action with three shows this year, Fuentes made a surprise solo appearance on the acoustic stage in Long Beach. “I love Warped Tour,” says the singer. “It’s really deep in us, you know?”

It was during their third Warped Tour that the band first sensed a shift in their fortunes, and they noticed a growing intensity in the crowd, following the 2012 release of their Collide with the Sky album. Their audience soon spread overseas to the U.K. and Australia, and that album has since been increasingly acclaimed as one of the era’s best.

“We were already in that zone of like, this is our third Warped Tour, but something was different that time when we played songs from that album,” Preciado remembers. “The crowds were different, the size, the emotion. It was the energy, you could just feel it. And that was something that we could like latch onto and be like, ‘Something is happening, let’s roll with it.’” 

Adds Fuentes, “One cool thing about Warped is that if growth is happening, you can see it, you can see your crowd growing.”

One song from that album had special resonance: “Hold on Till May,” embraced by fans as a motto for getting through difficult times, and holding on until things get better. It was originally written for a fan who committed suicide. Now, every May 1, the band receives thousands of messages declaring, “I held on till May!”

After 2016’s Misadventures, the road to Pierce the Veil’s fifth studio album, The Jaws of Life, was longer than anyone expected. It was finally recorded in New Orleans with producer Paul Meany, in a rented house in the French Quarter, where the band lived and set up a studio. It was the band’s first album in seven years.

“We always knew we were going to make a new record, but after that pandemic, we had to dust ourselves off and get back in the studio and tackle these songs that we’ve been playing around with for years,” says Fuentes. “We started writing it pre-pandemic and then everything just kind of stopped.

“Once we locked in Paul Meany as producer, it lit a big fire under us. We get to work with this producer who was very exciting and doing amazing things. That really got us super-inspired to continue making the best record we could.” 

For the album, Pierce the Veil recruited drummer Brad Hargreaves of Third Eye Blind. They all rehearsed the new songs together in Los Angeles before heading to New Orleans. Hargreaves wasn’t a random choice, as Third Eye Blind remains Fuentes’s favorite band from his adolescence, and he had already gotten to know the drummer.

Hargreaves even helped Fuentes and frequent collaborator Curtis Peoples write the song “The Divine Zero,” from Misadventures. Once they settled into their temporary house in the Big Easy, daily work typically began by 11:00 a.m., while Meany drove in from home. There was the main space where a control room was set up, and the back house was a secondary studio, plus more gear in the kitchen. The band sometimes worked into the night on their own.

In case things drifted into a mellow direction, they put a sign up that read: “More Teeth.”

“It was a great experience, man,” says Fuentes. “It was just living in that New Orleans world. The weather was perfect at that time. People would be walking by hearing us play and they would leave us little notes, like, ‘I like what I’m hearing guys. What band is this?’ 

The first song recorded for the album was “Pass the Nirvana,” originally just a working title for a track designed to “come out swinging with something aggressive,” says the singer-guitarist. Built on a growling guitar riff, and a hint of the dark undercurrent of the grunge legends, Fuentes rages a biting lyric and name-drops their producer: “Power until the target bleeds / This gun (this gun) will never turn on me / So, Paul Meany, will you drop that beat?”

It’s now one of Fuentes’s fave songs to play live. “It was one of the weirdest songs we’ve ever written,” he says. “It’s a strange tune and it was hard to figure out.”

A very different song on the album is “So Far So Fake,” which has since become a viral TikTok sensation, as fans post videos of themselves dancing to the song, with extra slinky butt moves. “I always thought we would have the sexiest trend in music,” Fuentes jokes. He also knows it’s inevitably brought new listeners into the Pierce the Veil fold.

“It’s very odd,” says Fuentes. “We had a big trend on TikTok with our song ‘King for a Day,’ and it was during a time when we were home, we didn’t have a record, we didn’t have touring. We were just sitting on our asses at home. Then all of a sudden this whole thing started happening. You just gotta sit back and be thankful for the fans doing it and just ride it and see what happens.”

Their experience making and performing The Jaws of Life has already informed how they will approach the next one, not with a second trip to New Orleans, but to another inspiring location.

“We’re already talking about what the experience could look like. I think we’re going to change the process from the last few records,” says Fuentes.

Preciado interjects, “The main thing is we don’t want to take seven years.”

Fuentes agrees and adds, “We want to keep the ball rolling and keep the creativity flowing. Our crew too—everyone around us that we work with is, like, in a great flow-state right now. From our tour manager to our graphic designer, everybody is just firing and we have a good team to create. So it’s a good time to keep things moving.”

October 10, 2025 0 comments
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Clipse Talk Articulating Parents’ Passing In "The Birds Don’t Sing"
Music

Clipse Talk Articulating Parents’ Passing In “The Birds Don’t Sing”

by jummy84 October 10, 2025
written by jummy84

Earlier this month at Pepsi’s Philly Eats Fest, Clipse opened up exclusively to VIBE about the deeply personal video for “The Birds Don’t Sing” — the heartfelt tribute to their late parents.

The Brendan O’Connor-directed visual, from their critically acclaimed album Let God Sort Em Out, finds the brothers revisiting their childhood home in Virginia Beach, articulating their grief through song.

“When asked what it was like being back in the house where they grew up, surrounded by photos and memories of their parents, Pusha T and No Malice didn’t mince words. “I didn’t think I could do it,” Pusha admitted to VIBE. The brothers also confessed to mentally checking out at times while reflecting on the reality that their parents are no longer physically present.

“I think I check out every day. I have that revelation like, ‘Damn. My parents aren’t here. I think about it every day. It’s something that you got to deal with,” Pusha candidly revealed. “I don’t know if it gets easier. It’s just tough. [‘The Birds Don’t Sing’] is a very real song and a reality for a lot of people. It was great to be able to articulate it through video.”

Malice added a spiritual perspective. “That’s the message and the Gospel that Christ rose. So when we get ready to go to the grave you better take the grave robber with you. I have an eternal destiny. I know this is not the end,” he said.

Speaking to how they have been getting through the hard time for the last four years, he added, “We do mourn … but we don’t mourn as those who have no hope. I’m very thankful for my parents… the legacy that they left and the legacy that we get to pass down to our children. So we have to rejoice here right now in the living.”

No Malice and Pusha T of Clipse attend the Louis Vuitton Menswear Spring/Summer 2025 show as part of Paris Fashion Week on June 18, 2024 in Paris, France.

Kevin Winter/Getty Images

Taking a lighthearted turn, the ‘Grindin” duo reflected on their bond outside the studio and stage, sharing some of the things they still do as brothers. “We talk about rapping and who’s not good and how terrible they are and how much better we are than them,” Malice quipped. “That’s something we do. My brother [Pusha] always talks to me about what’s new going on, and with his son Nigel… just brother talk.”

That everyday connection and shared grief translate into the raw vulnerability at the heart of “The Birds Don’t Sing” video. Fans are given an intimate glimpse into their past, from home movies to family photos, culminating with Pusha T’s son placing flowers at his grandparents’ gravesite. While John Legend and Voices of Fire contribute vocals to the track, the visual remains firmly centered on Clipse.

“Lost in emotion, mama’s youngest/ Tryna navigate life without my compass/ Some experience death and feel numbness/ But not me, I felt it all and couldn’t function,” raps Pusha T in the first verse dedicated to their mother. Malice follows with a tribute to their father: “I can hear your voice now, I can feel your presence/ Askin’ ‘Should I rap again?’, you gave me your blessing/ The way you spelled it out, there’s an L in every lesson/ ‘Boy, you owe it to the world, let your mess become your message.’”

See below.

Earlier this summer, the brothers reflected on the emotional toll of writing the song in a conversation with Interview Mag. Pusha T explained, “Man, ‘Birds Don’t Sing’ had to be the hardest verse I’ve ever written.” He also shared that the song took four days of “gut-wrenching reminiscing,” to come together and “putting it all on paper was such a heavy task.”

“It was definitely one of those verses that’s going to go down in history for me, just with really tapping into the emotion and being as honest and as vulnerable as I’ve ever been on a song” he declared.

Malice echoed his brother’s sentiments in the interview, adding, “Yeah, I agree. It was hard for me too, from an emotional standpoint, coming up with verses. It’s our parents, and you want to do them justice in sharing with the world exactly who they were as people and what they meant to us. At the same time, with every line, you’re reminded of your own personal grief while trying to express that to the listener.”

Pusha T and Malice

Pusha T and Malice of Clipse perform onstage during the 2025 ESPY Awards at Dolby Theatre on July 16, 2025 in Hollywood, California.

Kevin Winter/Getty Images

“The Birds Don’t Sing” is the third visual from Let God Sort Em Out, following “Chains & Whips,” which features Kendrick Lamar, and the declarative “So Be It.”

Watch the music video for “The Birds Don’t Sing” above.

October 10, 2025 0 comments
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13 New Albums You Should Listen to Now: PinkPantheress, OsamaSon, and More
Music

13 New Albums You Should Listen to Now: PinkPantheress, OsamaSon, and More

by jummy84 October 10, 2025
written by jummy84

On their steady path from friends making lo-fi freak-folk to bandmates going proggy art-pop, Bruiser and Bicycle always find a calming center at the heart of their otherwise dizzying albums. Deep Country, their third album and follow-up to 2023’s Holy Red Wagon, takes that grounding reassurance to new depths, with shades of jangle pop and vintage progressive folk. Recorded live—a first for the Albany, New York, band—with a 15-song tracklist, the album’s sprawling 75-minute runtime shouldn’t intimidate as much as welcome you to take an edible and get lost. Let pairings like the fingerpicked jitters of the six-minute “Waterfight”—where, yes, the vocal harmonies sound just like Animal Collective—into the airy jazz drumming of “Sinister Sleep Shuffle” remind you what it feels like to stop worrying and just be present.

Listen on Apple Music
Listen on Spotify
Listen on Tidal
Listen on Amazon Music
Listen/Buy at Bandcamp


Feeo: Goodness [AD 93]

Now established as a maestro of London’s experimental underground, Feeo lands at AD 93 with a suite of droning, ambient, and softly psychedelic electronic music on her debut album. The compositions of Goodness warp, buzz, and whirr beneath Feeo’s distracted vocals, which, in contrast to the intricate electronics, seem exhumed from ancient folk song. The record follows her EP Run Over and collaborations with Loraine James and Caius Williams.

Listen on Apple Music
Listen on Spotify
Listen on Tidal
Listen on Amazon Music
Listen/Buy at Bandcamp
Buy at Rough Trade


October 10, 2025 0 comments
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Bob Vylan call out Keir Starmer and “BBC's lies" on defiant new single 'Sick Sad World'
Music

Bob Vylan call out Keir Starmer and “BBC’s lies” on defiant new single ‘Sick Sad World’

by jummy84 October 10, 2025
written by jummy84

Bob Vylan have released a first new single, ‘Sick Sad World’, taking aim at Keir Starmer and the “BBC’s lies”.

  • READ MORE: Bob Vylan: “We’ve been screaming about these topics at the top of our lungs for years. Why has it taken this long?”

The track is the duo’s first release since last year’s album ‘Humble As The Sun’, but it’s also the first song they’ve put out since their controversial Glastonbury 2025 performance, in which vocalist Bobby Vylan lead the crowd in chants of “death, death to the IDF [Israel Defence Forces]”.

The upbeat punk track sees the duo zero in on the state of the nation in 2025. “Keir’s smiling on the news, as if everything is fine/There’s a major malfunction, how’s this whole thing wired?/I got some priors on my name, they said I can’t get hired/I watch the BBC’s liеs, think I’m losing my mind/Hooray, it’s 2025, get a job in the mines,” Vylan raps.

“As many of you are aware, we have been busy recently but we never forgot about the music,” the band wrote on Instagram. “You can support Bob Vylan directly by purchasing the track on Bandcamp (link in bio). Enjoy, and much love, The Bobs. And don’t forget, tour starts in 3 weeks.”

Check out ‘Sick Sad World’ below:

In response to the Glastonbury controversy, the band clarified that they are “not for the death of Jews or Arabs or any other race or group”. In a statement, Glastonbury organisers said they were “appalled by the statements made from the West Holts stage by Bob Vylan”.

As well as being dropped by their agency, Bob Vylan have had their US visas revoked and are currently under criminal investigation over the performance. They were also removed from their headline spot at Manchester’s Radar Festival in July after pressure from venue owners AMG and Live Nation and more bands dropped out in solidarity.

In other Bob Vylan news, an upcoming gig in the Netherlands was cancelled earlier this month after frontman Bobby Vylan was accused of celebrating the assassination of Charlie Kirk.

The band are set to head out on tour soon – check out the full list of dates here, and get tickets here. However, following the  the Manchester synagogue attack last week, MPs and Jewish groups have called for their show at Manchester Academy to be cancelled.

October 10, 2025 0 comments
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Album Review: Madi Diaz, 'Fatal Optimist'
Music

Album Review: Madi Diaz, ‘Fatal Optimist’

by jummy84 October 10, 2025
written by jummy84

Singer-songwriter’s new Fatal Optimist scales back her sound, but not her devastating emotional honesty

Madi Diaz has a talent for brief, yet devastating observations: “Looking at who you are and what I can live with/I can imagine myself as a picture of something different,” she whisper-chokes on “Hope Less,” the situationship-rationalizing opening track to her seventh album. The lyric’s power is heightened by the arrangement surrounding it — just Diaz and her acoustic guitar, in a room so silent its settling is nearly audible. The same goes for much of Fatal Optimist, which largely eschews the more robust instrumentation of 2024’s Weird Faith in favor of stripped-down recordings that thrust her lyrics to the forefront.

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Diaz, a songwriter’s songwriter who has spent time in Harry Styles’ backing band, began working on Fatal Optimist after a post-breakup seclusion on an island, where she immersed herself in writing about the frustrations she’d experienced. That extended catharsis led to acceptance, a journey mirrored by the album’s progression. “Feel Something” seethes with exasperation over a relationship locked in an increasingly anhedonic cycle, Diaz wishing she was “someone who doesn’t know your middle name” as an electric guitar that’s blown out like a bruise shimmers around her. Diaz has a rounded, plainly emotional alto that adds pathos to the more downtrodden lyrics — like those on “Flirting,” a morning-after breakdown of a rupture in trust with a spare voice-and-piano arrangement that has the weight of knowingly receiving the silent treatment. “Heavy Metal,” meanwhile, is a stunner, Diaz unpacking the ways her resilience and her hardness meld together with growing intensity until the song’s end, when she repeats the word “heavy” enough times to make it fold in on itself.

On the closing title track, light begins to filter in even as Diaz keeps her emotions close. She tempers the thrill of meeting somebody with whom spending time “might be hot, and it might be fun” with her “fatal optimist” tendencies of seeing where things could end, and for the first time, a full band comes in to help propel Diaz along the path to openness. Even though she’s wary — “I hate being right,” she sing-songs, repeating it enough times for it to feel like a mantra — she’s letting her doubts fall, and letting the world become just a bit more filled-in. The arc of Fatal Optimist and Diaz’s perceptive, insistent songwriting make that movement, even with its hesitation, feel like a victory. 

October 10, 2025 0 comments
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Top Producers of the 21st Century on Billboard’s Hot Latin Songs Chart
Music

Top Producers of the 21st Century on Billboard’s Hot Latin Songs Chart

by jummy84 October 10, 2025
written by jummy84

Here’s who produced the most No. 1s on Hot Latin Songs in the first quarter of the century, as part of Billboard‘s yearlong retrospective.


10/10/2025

Emilio Estefan

Christopher Polk

The rich breadth and range of Latin music is beautifully laid out in Billboard’s list of the Top Producers of the 21st Century on Billboard’s Hot Latin Songs chart, ranked by their No. 1s on the weekly survey.

This is not just the land of reggaetón. Overwhelmingly, it’s the realm of romance, rhythmic pop and danceable tropical beats, a cornucopia exemplified front and center by producer of the quarter-century Emilio Estefan, whose hits range from pop anthems to tropical fusions. Multi-genre and pan-regional, the top 25 map a sonic evolution that is quite literally a trip that covers the entirety of Latin America to finally land in a U.S. melting pot.

Reflecting the biggest sonic architects in Latin from Y2K to today, check out the top 25 creators on the Top Producers of the 21st Century on the Hot Latin Songs chart below.

The ranking follows the reveals of Billboard’s Top Latin Artists of the 21st Century, Top Latin Albums of the 21st Century and Top Hot Latin Songs of the 21st Century charts — as well as the Top Producers of the 21st Century on the Hot 100, reflecting all genres — with all coverage of Billboard’s 21st Century Charts here.

Billboard’s Top Latin Artists, Top Latin Albums and Top Hot Latin Songs of the 21st Century recaps reflect performance on weekly charts dated Jan. 1, 2000, through Dec. 28, 2024. The Top Latin Artists category ranks the best-performing acts in that span based on activity on Top Latin Albums and Hot Latin Songs. (Titles released prior to mid-1999 are excluded, although such entries that appeared on Top Latin Albums or Hot Latin Songs in that span contribute to the calculation of the Top Latin Artists chart.) The Top Producers of the 21st Century on the Hot Latin Songs chart reflects producers with the most No. 1s on weekly Hot Latin Songs charts dated Jan. 1, 2000, through Dec. 28, 2024, with ties broken by most top 10s and most overall chart entries.

  • Kike Santander

    Trending on Billboard

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    3 No. 1s on Hot Latin Songs as a producer 2000-24

    Like fellow countryman and producer ahead on this list Estéfano Salgado (and coincidentally, also hailing from the city of Cali in Colombia), songwriter/producer Santander understands how to inject commercial sensibility into different genres and voices. He helped give Spain’s David Bisbal his greatest hits and was also the man behind Cristian Castro’s “Azul,” which spent nine weeks at No. 1 on Hot Latin Songs in 2021 and is one of Latin pop’s best songs of all time. —LEILA COBO

  • Ernesto “Neto” Fernández

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    3 No. 1s on Hot Latin Songs as a producer 2000-24

    Ernesto “Neto” Fernández has been at the forefront of the global rise of regional Mexican music for two decades, fusing his deep roots in banda, norteño and mariachi with modern innovation. A veteran of the ‘90s-era quebradita boom, the El Paso, Texas-born, Los Angeles-raised producer has become a trailblazer in the genre’s international expansion. In 2024, Fernández was named Billboard Latin Music Awards’ producer of the year and topped the year-end Hot Latin Songs Producers chart. As Peso Pluma’s musical director and the co-founder of Prajin Parlay Studioz, Fernández played a pivotal role in the groundbreaking success of Peso’s music in 2024, producing hits for the artist including fan-favorites “La People II” and “La Durango.” The same year, Fernández delivered charting hits for rising talents such as Xavi (“La Diabla,” “La Víctima”) and Junior H (“Y Lloro”). —ISABELA RAYGOZA

  • Edgar Barrera

    Edgar Barrera at the "Karol G: Tomorrow Was Beautiful" New York screening held at The Whitby Hotel on May 06, 2025 in New York, New York.
    Image Credit: Steve Eichner

    Trending on Billboard

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    3 No. 1s on Hot Latin Songs as a producer 2000-24

    Edgar Barrera has become one of the most sought-after producers and songwriters in Latin music, crafting a career that bridges his Mexican-American heritage and a forward-thinking approach to sound. A Texas-Mexico border native and founder of BorderKid Records, Barrera has helped drive the rise of artists including Grupo Frontera, guiding its breakthrough into música Mexicana stardom. His ability to blend regional Mexican traditions with global pop influences has solidified his reputation as a genre-blurring innovator. The Grammy-winning hitmaker has collaborated with some of the biggest names in music, including Peso Pluma, Shakira, Bad Bunny, Maluma and Karol G. Among Barrera’s most impactful creations is “Botella Tras Botella” by Gera MX and Christian Nodal. In 2023, Barrera dominated Billboard’s Hot Latin Songs Producers year-end chart, cementing his place at the forefront of the industry, and in 2024 became the first producer to grace Billboard Español’s end-of-year cover. —I.R.

  • Sergio Vallín

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    As Maná’s lead guitarist, Sergio Vallín is the melodic powerhouse behind some of the band’s most enduring hits. His guitar artistry and production work are showcased on Hot Latin Songs hits including “Lluvia al Corazón” (No. 1, 2011) and “El Verdadero Amor Perdona,” featuring Prince Royce. Vallín has also made his mark as a solo recording artist, debuting on Hot Latin Songs with “Solo Tú,” featuring Raquel, in 2009. His co-production extends to projects such as Maná’s 2022 reimagined hit “Te Lloré un Río,” featuring Christian Nodal, demonstrating his ability to blend rock traditions with modern regional Mexican influences. —I.R.

  • Lester Méndez

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    The Grammy-winning songwriter and producer has found success with numerous superstars, including Nelly Furtado, Shakira and Enrique Iglesias. With 13 quarter-century entries on Hot Latin Songs, Méndez is credited on some of Shakira’s biggest hits, including “La Tortura” (featuring Alejandro Sanz), which ruled for 25 weeks. He also appears on this list thanks to Enrique Iglesias’ “Mentiroso,” “Quizás” and “Para Qué La Vida,” also all No. 1s. —GRISELDA FLORES

  • Ricardo Arjona

    Ricardo Arjona at the US Open Women's Semifinals Blue Carpet held at the USTA Billie Jean King National Tennis Center on September 04, 2025 in Queens, New York.
    Image Credit: Adela Loconte

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    Across four decades, Arjona has soundtracked households in Latin America and beyond with romantic ballads that today are considered timeless classics, most of those gems produced or co-produced by the Guatemalan singer-songwriter himself. As a producer, he notched four No. 1s on Hot Latin Songs in 2002-11: “Desnuda,” “Cuando,” “El Problema” (which ruled for a personal-best eight weeks) and “El Amor.” —G.F.

  • Tommy Torres

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    The Puerto Rican singer-songwriter and producer became a leading force in music in the early 2000s at the peak of Latin pop domination. The hitmaker helmed some of Latin music’s classics, such as Ricky Martin’s “Tal Vez,” which ruled Hot Latin Songs for 11 weeks in 2003, and follow-up “Jaleo,” which led for one week, and “Looking for Paradise,” a collab between Alejandro Sanz and Alicia Keys that dominated for three weeks in 2009. —G.F.

  • Jesús Guillen

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    Guillen found success with norteño band Conjunto Primavera in the early 2000s. He placed 25 entries, all alongside Conjunto, on the Hot Latin Songs chart over 2000-24, including four leaders: “Una Vez Más,” “Hoy Como Ayer,” “Ese” and “Basta Ya.” Conjunto’s signature norteño-sax sound landed the band on Billboard’s editorial ranking of the 75 Best Regional Mexican Acts of All Time. —G.F.

  • Sky Rompiendo

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    4 No. 1s on Hot Latin Songs as a producer 2000-24

    In the early 2010s, Sky helped define a new era for reggaetón alongside J Balvin. With 16 top 10s on the Hot Latin Songs chart in the quarter-century measurement period, he scored his first No. 1 in 2015 with Balvin’s “Ay Vamos,” which ruled for one week. Months later, “Ginza” would ratify Sky as a bona fide hitmaker with the single ruling Hot Latin Songs for 22 weeks, his longest commanding performance on the chart. —G.F.

  • Estéfano Salgado

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    5 No. 1s on Hot Latin Songs as a producer 2000-24

    Known simply by his first name, Estéfano, the Colombian hitmaker was first and foremost a songwriter whose phenomenal lyrics and beautiful, soaring melodies made him a go-to for the likes of Marc Anthony, Jennifer López and Paulina Rubio in the heyday of Latin pop. Formerly part of the duo Donato y Estéfano, he pivoted toward songwriting and production, where he found a slew of big, dramatic voices capable of bringing his songs to life. You know the hits: “Ahora quién” performed by Marc Anthony; Chayanne’s “Yo te amo;” Thalia’s “No me enseñaste;” Ricky Martin’s “Y todo queda en nada.” True hits during a golden era of contemporary Latin song. —L.C.

  • Ovy on the Drums

    Ovy On The Drums attends the 24th Annual Latin GRAMMY Awards at FIBES Conference and Exhibition Centre on November 16, 2023 in Seville, Spain.
    Image Credit: Juan Naharro Gimenez/Getty Image

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    5 No. 1s on Hot Latin Songs as a producer 2000-24

    The Colombian reggaetón hitmaker may be best known as Karol G’s producer of choice, but Ovy on the Drums has become one of the most in-demand producers over the past 10 years, branching out to work with Myke Towers, Anuel AA and Piso 21. Among his early hits is Karol G and Nicki Minaj’s “Tusa,” which ruled the Hot Latin Songs chart for four weeks and went on to become a global anthem. His longest-leading entry, “MAMIII,” by Karol and Becky G, claimed 10 weeks at No. 1. —G.F.

  • MAG

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    5 No. 1s on Hot Latin Songs as a producer 2000-24

    Since teaming up with Bad Bunny in 2020, Marco “MAG” Borrero has played an instrumental role in the production of all four of the megastar’s Billboard 200 No. 1 albums — making history for Spanish-language music in the process. The Dominican-Puerto Rican beatmaker first rose to prominence under the mentorship of Max Martin, and co-produced hits for Flo Rida, Imagine Dragons, Demi Lovato and Selena Gomez. His partnership with Benito, beginning with El Último Tour del Mundo in 2020, marked a turning point for both: It became the first all-Spanish-language album to top the Billboard 200. MAG continued pushing boundaries with 2022’s Un Verano Sin Ti and 2023’s Nadie Sabe Lo Que Va a Pasar Mañana. Among his standout productions, “Me Porto Bonito,” featuring Chencho Corleone, spent 20 weeks at No. 1 on Hot Latin Songs. Meanwhile, the Latin Grammy-winning “Tití Me Preguntó” ran up 14 weeks on top, another honor for one of música urbana’s most visionary architects. —I.R.

  • Gustavo Santaolalla

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    6 No. 1s on Hot Latin Songs as a producer 2000-24

    The Argentine producer, composer and musician is widely regarded as one of the builders of Latin alternative music, a genre he helped elevate from the underground to global recognition. His work with Café Tacvba, Julieta Venegas and Juanes helped redefine the landscape of Latin music in the early 21st century, blending rock, folk, electronic and pan-Latin influences into groundbreaking releases. Gustavo Santaolalla’s production on Café Tacvba’s Re, from 1994, is often hailed as one of the greatest Latin albums of all time, while his continued collaborations with the band — including the Grammy-winning Cuatro Caminos (2003) — furthered their role as torchbearers for the genre. Beyond his contributions to Latin alternative music, Santaolalla co-founded Bajofondo, a collective that fuses tango with electronic music, earning acclaim for modernizing one of Argentina’s most revered genres. As a two-time Academy Award-winning composer (Brokeback Mountain, Babel) and a multiple Grammy and Latin Grammy winner, he has bridged the worlds of film scoring, production and performance. On the Billboard charts, Santaolalla’s production on Juanes’ Mi Sangre spawned the timeless hit “La Camisa Negra,” which topped Hot Latin Songs for eight weeks in 2005. —I.R.

  • Sergio George

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    6 No. 1s on Hot Latin Songs as a producer 2000-24

    Sergio George’s impressive portfolio showcases his mastery over a Hot Latin Songs chart career that spans 23 years. He produced Eddie Santiago’s Celebración: Epic Duets, which houses a reimagination of Santiago’s ‘80s hit “Que Locura Enamorarme De Ti,” a collab with Huey Dunbar. George celebrated his first top 10 success on Hot Latin Songs when Dunbar’s “Con Cada Beso” climbed into the top five in 2001. His prolific career encompasses 18 top 10 entries, including six No. 1s. Among those, “Vivir Mi Vida” by Marc Anthony, earned the producer his longest stay at the summit, 17 weeks — the longest domination by a tropical soloist in the history of the 39-year-old tally. —PAMELA BUSTIOS

  • Enrique Iglesias

    Enrique Iglesias attends the red carpet during LOS40 Music Awards Santander at Palau Sant Jordi on November 08, 2024 in Barcelona, Spain.
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    7 No. 1s on Hot Latin Songs as a producer 2000-24

    Enrique Iglesias isn’t just a global Latin pop sensation — he’s also a producer with seven Hot Latin Songs No. 1 hits between 2002 and 2011. From heartfelt, chart-topping ballads “Mentiroso” (2002) and “Quizás” (2003) to the genre-blending pop anthem “Do You Know? (The Ping Pong Song)” (2007), the Spanish pop crooner has shown his versatility both on stage and in the studio. His work behind the scenes on 2008 tracks “Dónde Están Corazón” and “Lloró Por Ti” helped define Latin pop’s sound in the 2000s, burnishing his legacy as a multi-faceted hit savant. —I.R.

  • Juanes

    Juanes of 'Pimpinero: Blood and Oil' poses during the Toronto International Film Festival on September 09, 2024 in Toronto, Ontario.
    Image Credit: Gareth Cattermole/Getty Images

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    7 No. 1s on Hot Latin Songs as a producer 2000-24

    Soon after the start of the 21st century, Juanes earned his first two Hot Latin Songs top 10s and then his first No. 1, “Fotografía.” The Nelly Furtado duet proved a key partnership for Juanes, as the song dominated for five weeks in 2003, becoming his first of eight No. 1s as an artist. With the 2003 release of his second studio album, Un Día Normal, Juanes logged his first of five No. 1s on Top Latin Albums. Latin pop soon found new prominence in the United States, as the pop/rock singer-songwriter added the right touch of Colombian stylings. —P.B.

  • Shakira

    Shakira celebrates the launch of her new Latin-rooted clinically proven haircare line, isima on July 31, 2025 in Los Angeles, California.
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    7 No. 1s on Hot Latin Songs as a producer 2000-24

    A global superstar in her own right, and one of the most consequential artists of all time, Shakira has also co-produced some of her biggest hits. She scored seven Hot Latin Songs No. 1s in the first quarter of the 21st century, including “Suerte,” which she co-produced with Tim Mitchell and which spent seven weeks on top in 2001-02, and her longest-leading smash, “La Tortura,” her runaway hit with Alejandro Sanz, and co-produced by Lester Méndez, that ruled for 25 weeks in 2005. —G.F.

  • Tainy

    Tainy at the Pre-GRAMMY Gala held at The Beverly Hilton on February 3, 2024 in Los Angeles, California.
    Image Credit: Gilbert Flores

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    7 No. 1s on Hot Latin Songs as a producer 2000-24

    Widely celebrated as one of Latin music’s most influential producers, Tainy has spent nearly two decades driving reggaetón’s global ascent and redefining the genre. The Puerto Rican beatmaker emerged in the mid-2000s as a protégé of Luny Tunes (recall Tainy Tunes?) and earned recognition for Wisin y Yandel’s hits including 2006’s “Pam Pam” and 2009’s “Abusadora.” His sonic fingerprint is unmistakable, shaping chart-topping smashes such as Bad Bunny’s 2020 global hit “Dákiti,” featuring Jhayco, and Kali Uchis’ “Telepatía.” Dominating the Hot Latin Songs Producers chart over 2019-21, Tainy has collaborated with genre heavyweights and global stars alike, such as Daddy Yankee, J Balvin, Dua Lipa, Karol G, Shawn Mendes and Rosalía. A true visionary, he has forged his legacy with his ability to fuse reggaetón’s raw edge with pop sophistication, setting the tone for música urbana today and surely beyond. —I.R.

  • Alex González

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    9 No. 1s on Hot Latin Songs as a producer 2000-24

    Nicknamed “El Animal” for his explosive drumming style, Alex González isn’t just the heartbeat of Maná but also a key creative force behind the act’s global success. As co-producer, he shaped the band’s signature rock en Español sound, driving hits such as “En el Muelle de San Blas” and “Clavado en un Bar.” His dynamic rhythms and production expertise powered chart-topping albums including Amar es Combatir (2006) and Drama y Luz (2011). Outside of Maná, he’s collaborated with the likes of Juanes, further growing his reputation as a genre-defining innovator. —I.R.

  • Carlos Paucar

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    9 No. 1s on Hot Latin Songs as a producer 2000-24

    With nine No. 1 hits on Hot Latin Songs in the quarter-century, Carlos Paucar is best known for his work with Enrique Iglesias, helming production on 2014’s enduring “Bailando,” featuring Gente de Zona and Descemer Bueno, and 2016’s “Duele el Corazón,” featuring Wisin. Paucar’s versatility also shines in 2013’s bachata crossover “Loco,” featuring Romeo Santos. Plus, thanks to soulful ballads “El Perdedor,” featuring Marco Antonio Solís, and “¿Dónde Están Corazón?,” Paucar’s production has helped craft many of Latin pop’s most memorable hits. —I.R.

  • Romeo Santos

    Romeo Santos at Billboard Latin Music Week 2022 held at Faena Forum on September 27, 2022 in Miami, Florida.
    Image Credit: Christopher Polk

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    9 No. 1s on Hot Latin Songs as a producer 2000-24

    Santos launched his solo career in 2011, but his musical journey was already well-established, having garnered acclaim as both a singer and producer during his time with Aventura, the group that modernized bachata and redefined its traditional sound in the early 21st century. The “King of Bachata” boasts a Hot Latin Songs history that includes nine No. 1s that held the top spot for a combined 50 weeks. Among these chart-toppers, his collaborations with global superstars Usher and Drake stand out, delivering his longest-running No. 1 hits as both performer and producer: “Promise” dominated for 10 weeks in 2011 and “Odio” reigned for 13 weeks in 2014. —P.B.

  • Fher Olvera

    Trending on Billboard

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    10 No. 1s on Hot Latin Songs as a producer 2000-24

    Widely known as the frontman and producer behind legendary rock en Español band Maná, Fher Olvera played an essential role in driving the group’s global success. Under his production, Maná achieved 10 Hot Latin Songs No. 1s including “Labios Compartidos” and “Bendita Tu Luz,” featuring Juan Luis Guerra. His work elevated Maná to international fame, via such albums as Amar es Combatir in 2006. Pioneering a sound that fused pan-Latin music with rock, Olvera’s contributions to the genre continue to shape its evolution. —I.R.

  • Sebastian Krys

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    10 No. 1s on Hot Latin Songs as a producer 2000-24

    Equal parts rocker and pop lover, Krys also found his footing in tropical music, producing some of Carlos Vives’ greatest hits, including “Déjame entrar” (alongside Emilio Estefan) and the inescapable “Carito,” which never made it to the top spot on Hot Latin Songs but underscores Krys’ capacity to blend vast commercial appeal with regional, rock and alternative sounds. Krys was also the producer behind Luis Fonsi’s massive “Aquí estoy yo,” Gloria Estefan’s “Hoy” (produced with Emilio Estefan) and the hits that launched singer-songwriter Obie Bermúdez’s career, including “Antes.” —L.C.

  • Rudy Pérez

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    11 No. 1s on Hot Latin Songs as a producer 2000-24

    Known for his work with great vocalists, the Cuban-American songwriter and producer helped define the sound of the early 21st century. Pérez is a crossover master in many senses. He produced Christina Aguilera’s Spanish-language debut album, was the producer behind Los Temerarios’ bridging of grupero and Latin pop and produced Christian singer Jaci Velasquez’s foray into pop. Plus, Pérez has excelled in breaking new acts, and names such as Jennifer Peña, Jen Carlos Canela and even Oscar De La Hoya recorded their greatest hits in his studio. Pérez’s credentials additionally include co-founding the Latin Songwriters Hall of Fame —L.C.

  • Emilio Estefan

    Emilio Estefan at the 2025 American Music Awards held at the Fontainebleau Las Vegas on May 26, 2025 in Las Vegas, Nevada.
    Image Credit: Brian Friedman

    Trending on Billboard

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    14 No. 1s on Hot Latin Songs as a producer 2000-24

    It would be impossible to talk about the current apex of Latin music worldwide without Emilio Estefan. Long before reggaetón took over the world in the mid-2000s, Estefan was the most significant, influential captain of Latin music’s journey to mainstream recognition and acceptance, putting his imprint on some of the biggest crossover hits in history.

    Estefan’s versatility and longevity assure him his spot as the top Latin producer of the 21st century so far, placing a remarkable 50 titles on Billboard’s Hot Latin Songs chart from 2000 through 2024, of which 14 hit No. 1. The variance in genres and rhythms is dizzying. Carlos Vives’ “Déjame Entrar” (co-produced with Sebastian Krys) is a signature pop/rock/vallenta that spent four weeks on top of the chart. Who can forget Paulina Rubio’s pop anthem “Te quise tanto,” which ruled for six weeks? And then, of course, there’s the pathos of queen Gloria Estefan, the muse behind much of Emilio’s music, who traverses from salsa (“No me dejes de querer”) to introspective, acoustic balladry (“Tu fotografía”) to zany novelty (“Hotel Nacional”) under one steady production vision.

    Emilio Estefan has not only produced and written hits but also gave first opportunities to the likes of Estéfano, Sebastian Krys and Kike Santander, all of whom worked with him at the beginning of their careers. —L.C.

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Arkansas Traveler Dylan Earl Takes Us for a Ride » PopMatters
Music

Arkansas Traveler Dylan Earl Takes Us for a Ride » PopMatters

by jummy84 October 10, 2025
written by jummy84

Dylan Earl is that friend your parents never wanted you to hang out with. They knew he had a healthy disrespect for authority and would rather drive around smoking than do anything constructive. His love of nature trumped his desire to do chores. He wasn’t lazy; he just didn’t understand what was better than hanging out in the woods or cruising the byways. At least, that’s how he comes across on his latest album, the complacently titled Level-Headed Even Smile. He’s sitting on top of the world on his “Lawn Chair” and invites you to accompany him in the backyard. You can hear him pop a top as he invites one to join him.

The Arkansas traveler wants you to “Get in the Truck”, where the radio and the road take one wherever one’s going. He gets high just being in the Ouachita National Forest in the Natural State. The simple pleasures of mountain life in the “White River Valley” (a Jimmy Driftwood cover) can be found in bird songs and the sighing of pine trees. Earl can be corny and old-fashioned, but his smooth voice bleeds sincerity. There are traces of classic country in his purposeful Merle Haggard-style delivery. Earl never seems to strain to reach a note.

That doesn’t mean the singer-songwriter’s content. Earl sings about hitting rock bottom in Little Rock and clearly enjoys hitting the bottle too much to deal with the pain of heartbreak. “I guess I’ll sober up when I’m dead,” he sings with a smirk. That contrasts with the satisfied persona who finds solace in nature. He needs a dose of wildlife to insulate him from the hurt of daily life. This push and pull keeps the album from sounding too similar from one track to the next.

Something is missing here, and that’s other people. Earl may have friends and family, but they scarcely make an appearance in his lyrics. He claims to be “Two Kinds of Loner”, but we really don’t know why. Sure, hell can be other people, but so can heaven.    

Earl’s sense of humor keeps things from getting too heavy. His take on outlaw country inverts the Charlie Kirk perspective on empathy. He notes “White privilege is real” and rails against the hypocrisy of those with authority and sings with an affected drawl to show his Southern roots. Why, he’s just a good ol’ boy, NOT! He’s funny, but he is serious.

As the title song says, the singer-songwriter aspires to be on even keel. That mostly means being alone while complaining about or celebrating being alone. He can find that mental state somewhere in the Arkansas woods, in the bottom of the bottle, or just taking a drive through the country, but it does seem that he can’t stay levelheaded for long. There is always something to disrupt his inner peace. Dylan Earl needs a friend or more friends or even a lover, but he seems like the character one’s parents warned about. He may waste your time, but he would be a good pal.

October 10, 2025 0 comments
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Moody Blues Legend John Lodge Dead at Age 82
Music

Moody Blues Legend John Lodge Dead at Age 82

by jummy84 October 10, 2025
written by jummy84

Legendary Moody Blues singer-bassist John Lodge has died “suddenly and unexpectedly” at the age of 82. The announcement was made Friday morning by the musician’s family.

A statement posted on Lodge’s official Facebook page, and shared on Moody Blues’ Facebook page, reads as follows:

“It is with the deepest sadness that we have to announce that John Lodge, our darling husband, father, grandfather, father-in-law and brother has been suddenly and unexpectedly taken from us. As anyone who knew this massive hearted man knows, it was his enduring love of his wife, Kirsten, and his family, that was the most important thing to him, followed by his passion for music, and his faith.

He was never happier than being on stage – he was ‘Just a ‘Singer in a Rock and Roll Band’ and he adored performing with his band and son-in-law, Jon [Davison] (vocalist with YES), and being able to continue sharing this music with his fans. It gave him even more joy to be able to work with his daughter Emily and son Kristian and spend time watching his grandson John-Henry play football and dream of him playing for Birmingham City one day!

John peacefully slipped away surrounded by his loved-ones and the sounds of The Everly Brothers and Buddy Holly. We will forever miss his love, smile, kindness, and his absolute and never-ending support. We are heartbroken, but will walk forwards into peace surrounded by the love he had for each of us. As John would always say at the end of the show, thank you for keeping the faith.

Please understand that we are not making any further comments, however we would like to leave you with John’s song ’Whispering Angels’ whilst we take a moment to reflect on this incredible man who touched so many lives.”

Lodge was born in Birmingham, England, on July 20th, 1983. He was a classic member of The Moody Blues, having joined the UK band in 1966, and remained with them until they became inactive in 2018. He appeared on all of their albums aside from their 1965 debut, The Magnificent Moodies.

Related Video

He was the co-lead vocalist of the Moody Blues with Justin Hayward, and sang lead on such hits as “Ride My See-Saw,” “I’m Just a Singer (In a Rock and Roll Band),” and “Candle of Life.” Along with his Moody Blues bandmates, he was inducted into the Rock & Roll Hall of Fame in 2018.

Lodge also released a handful of solo albums, and was actively touring up until August of this year, with his final gig being August 7th in Des Plaines, Illinois, where he performed a set of 17 Moody Blues songs.

Our condolences go out to John Lodge’s family, friends, and bandmates during this difficult time. Revisit a couple of his classic songs with the Moody Blues below.

October 10, 2025 0 comments
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No Doubt Reuniting For Sphere Residency
Music

No Doubt Reuniting For Sphere Residency

by jummy84 October 10, 2025
written by jummy84

No Doubt will reassemble for their first proper run of shows since 2015 with a six-date residency next May at Sphere in Las Vegas. The extravaganza is set for May 6, 8-9, 13, 15-16, with tickets going on sale Oct. 17 to the general public.

The Gwen Stefani-led group reunited for two Coachella sets in 2024 and again earlier this year for the FireAid benefit in Los Angeles. They will become the first female-fronted act at Sphere, which opened last year and has since hosted U2, Dead & Company, Phish, Kenny Chesney and Anyma, among others.

“The opportunity to create a show at Sphere excites me in a new way,” says Stefani, who earlier this week joined Olivia Rodrigo to perform No Doubt’s “Don’t Speak” at Los Angeles’ Kia Forum. “The venue is unique and modern and it opens up a whole new visual palette for us to be creative. Doing it with No Doubt feels like going back in time to relive our history, while also creating something new in a way we never could have imagined.” 

Adds bassist Tony Kanal, “I can’t wait to get on stage again with my bandmates. There is a beautiful energy that happens when we play together, an electricity I have felt through all of our years. To be able to leave it all on the table each night and take our fans on the insane journey that is Sphere is beyond our wildest dreams.”

“Through all the ups and downs, the four of us have always been connected by our music, our shared experiences and lifelong friendship,” opines guitarist Tom Dumont. “When we are on stage together playing these songs, we feel the magic.”

October 10, 2025 0 comments
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