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a darker, more accomplished return
Music

a darker, more accomplished return

by jummy84 October 17, 2025
written by jummy84

If artists’ catalogues are often able to be divided into defined eras, each album distinct from the next, The Last Dinner Party are doing things differently. Their second album, ‘From The Pyre’, is, they say, not so much an about-turn or sea change but an evolution and natural progression from their 2024 debut, ‘Prelude To Ecstasy’. Where that first record introduced the London band as a baroque-pop outfit with a penchant for the theatrical, its follow-up builds on that impression, darker, more dramatic and a little more developed.

Recorded in spring 2025 with Markus Dravs, ‘From The Pyre’ in part captures the aftermath of the five-piece being thrust into the spotlight and the toxic effects of suddenly being some corners of the internet’s most heavily debated topics. “This heart of mine’s a glorified abscess / In high demand, I feel the need / To confess,” Abigail Morris admits, later calling herself “nothing but a shell”.

Rather than let the online comments drag them down, though, The Last Dinner Party have returned renewed and in supremely confident form. Their second album is driven by character-led stories – signalled by the band in different iterations on its artwork, sometimes straddling a motorbike, at others flailing a sword around. ‘This Is The Killer Speaking’ is a murder ballad about being ghosted, while the seething ‘Rifle’ puts the band in the position of a mother whose child has gone on to wage war on the world. The warm piano pop of ‘Hold Your Anger’ positions them in the world of parenthood once more, but this time pondering if they’d be fit for the role.

The personal is still in plentiful supply, even if packaged in these vignettes. The choral pop of ‘Second Best’ was initially inspired by a relationship guitarist Emily Roberts went through, growing with her bandmates’ experiences as they completed it together and built it into a dancing ode to not being someone’s priority. ‘The Scythe’ is ‘From The Pyre’’s most affecting moment, Morris intertwining the twin themes of a breakup and the death of her father. “Don’t cry, we’re bound together / Each life runs its course / I’ll see you in the next one,” she sings solemnly over a gently sparkling chorus.

‘From The Pyre’ arrives just under two years after The Last Dinner Party swirled onto the scene properly with their debut, but never feels as if it’s been hurried to capitalise on momentum. Instead, it’s an accomplished listen – still as deliciously dramatic as ‘Prelude To Ecstasy’, fleshing out their world more and more with daring, dashing songs of true depth.

Details

  • Record label: Island Records
  • Release date: October 17, 2025

October 17, 2025 0 comments
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Watch Ace Frehley Play 'Deuce' and 'New York Groove' During Final Show
Music

Watch Ace Frehley Play ‘Deuce’ and ‘New York Groove’ During Final Show

by jummy84 October 17, 2025
written by jummy84

The rock world is in a state of deep mourning for Kiss guitarist Ace Frehley, who died Oct. 16 following a fall at his home.

“We are devastated by the passing of Ace Frehley,” Gene Simmons and Paul Stanley said in a joint statement. “He was an essential and irreplaceable rock soldier during some of the most formative foundational chapters of the band and its history. He is and will always be a part of KISS’s legacy.

Frehley was a part of Kiss from their earliest shows in 1973 all the way until 1982, when he left due to substance abuse issues, musical differences, and persistent personality clashes with Simmons and Stanley. He rejoined in 1996 for the group’s triumphant reunion run, but left again 2002 following the conclusion of the band’s first farewell tour.

The original four members last stood onstage together when they were inducted into the Rock and Roll Hall of Fame in 2015, but they didn’t perform that night. In 2018, however, Frehley played four songs with the new lineup of the band at a Kiss Kruise on Halloween. It was Frehley’s final appearance with the band. Earlier that year, Simmons and Frehley went on a co-headlining tour of Australia, and wrapped up every night by playing a couple of Kiss songs together.

Over the past two decades, Freely toured all across America with his solo band, hitting a mixture of theaters, casinos, clubs, and fairs. His set focused heavily on tunes from the Kiss catalog, but he did break out a few solo gems like “Cherry Medicine,” “Rock Soldiers,” “Rip It Out,” and his famous cover of Russ Ballard’s “New York Groove.”

His last gig took place Sept. 5, 2025, at the Uptown Theater in Providence, Rhode Island. Check out fan-shot footage of show opener “Deuce,” along with “New York Groove.” Like countless Kiss concerts before it, the night wrapped up with “Rock and Roll All Nite.” “This next song if you haven’t heard, it, you’re probably an alien,” Freely told the crowd, “because everyone has heard this song even if you’re not a Kiss fan or an Ace fan. Check it out.”

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Later that month, Frehley canceled a show at the Antelope Valley Fair in Lancaster, California, after suffering a fall at his home that required a trip to the hospital. About a month later, he pulled all of his remaining dates due to “ongoing medical issues.”

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Kiss are scheduled to make their first live appearance since the conclusion of their 2023 farewell tour at the Kiss Kruise: Landlocked in Vegas event on the weekend of Nov. 14 at Virgin Hotels in Las Vegas. The band hasn’t said exactly what they’ll do at the show, but they won’t be in makeup and they’re promising acoustic and electric tunes.

Fans held out hope that Frehley and Peter Criss would pop up at the event and give the world the proper goodbye they were denied on the second farewell tour. Sadly, that’s now impossible. But odd are high they’ll at least hold a special tribute to Frehley.

October 17, 2025 0 comments
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Taylor Swift’s ‘The Life Of A Showgirl’ Dazzles on ARIA Charts
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Taylor Swift’s ‘The Life Of A Showgirl’ Dazzles on ARIA Charts

by jummy84 October 17, 2025
written by jummy84

Taylor Swift’s The Life Of A Showgirl (via Republic/Universal) isn’t moving from the spotlight on the ARIA Charts.

After snagging the entire top 12 of the national singles chart last week, Taylor dominates once again with eight of the top 10, led by The Fate Of Ophelia which locks up the top spot for a second week.

Meanwhile, The Life Of A Showgirl enters a second week at No. 1 on the ARIA Albums Chart, as Swift completes another chart double.

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Across her career, Swift has accumulated 70 weeks on top of the national albums survey, according to ARIA, an accomplishment that has origins dating back in 2010 with Speak Now, which spent one week at the top.

The top new release on the latest ARIA Albums Chart, published Friday, Oct. 17, is Pete Murray’s independently-released Longing (CMI), at No. 5. Longing is the Queensland singer and songwriter’s seventh full-length studio album and first in eight years, three of which reached No. 1 (Feeler in 2003, See The Sun in 2005, Summer At Eureka in 2008).

Another artist from the Sunshine State, Gold Coast singer, songwriter and producer Lyric, bags a debut top 10 with her second EP, The Art Of Falling First (G.Y.R.O.). It’s new at No. 9, and is one of eight homegrown titles on the survey.

Beloved Indigenous rapper, singer and dancer Baker Boy bags a top 20 appearance with his sophomore album, DJANDJAY, new at No. 13. The winner of six ARIA Awards and the recipient of the Young Australian of the Year in 2019, Baker Boy (real name: Danzal Baker) dropped his debut album Gela in 2021, for a No. 3 best.

Meanwhile, former Noiseworks and INXS frontman Jon Stevens snags a top 40 debut with his 11th solo album, Shimmer (Island/Universal). It’s new at No. 30. With Stevens on the mic, Noiseworks scored four top 10 albums, topping the tally in 1991 with Love Versus Money.

Sheppard founding member Amy Sheppard drops in at No. 45 with her debut full-length album, Born To Be Country (EOS/MGM). The Brisbane artist enjoyed a No. 16 peak with her 2022 EP Nothing But Wild, and landed four top 10 albums with Sheppard, including a No. 1 with 2018’s Watching The Sky.

Over on the ARIA Singles Chart, the highest new entry belongs to BLACKPINK’s Jisoo and former One Direction singer Zayn, as their collaboration “Eyes Closed” (Warner) opens at No. 47. No Australian titles appear in the top 50.

October 17, 2025 0 comments
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Charlie Kaplan 2025
Music

Charlie Kaplan Wrings a Masterpiece Out of Love, Pain, and Loss » PopMatters

by jummy84 October 17, 2025
written by jummy84

The title of Charlie Kaplan’s latest album stems from an episode involving his father, who was being visited in the hospital by a longtime friend. When his friend laid his baseball cap on Charlie‘s father’s bed, the usually polite–but–superstitious elder Kaplan was abruptly shocked. “In old cowboy movies,” he said, in a story recounted by Charlie himself in the press notes, “a hat on the bed is an omen, a premonition that someone will die”.

Indeed, A Hat Upon the Bed is a tribute to Kaplan’s father, who passed away in 2013, as well as to his son, born in 2025. This “fatherless decade” between those two events was a source of love and pain, which Kaplan has used as inspiration for this, perhaps his most personal and brutally honest work. The record’s core band consists of Winston Cook-Wilson (Kaplan’s bandmate in Office Culture) on keyboards, Andrew Daly Frank on lead guitar, Julian Cubillos on bass, and Jason Burger on drums. These are longtime friends and collaborators of Kaplan’s and can navigate his eclectic songs with ease.

A Hat Upon the Bed is, according to Kaplan, about “the line between the knowable and unknowable; truth and superstition; science and magic; natural and supernatural; life and death”. Kaplan may not have the answers, but he enjoys pondering them, and the unknowingness of death and the unshakable bonds of love result in some beautiful, open-ended music. The record begins and ends with brief instrumental tracks: “Seaside” on acoustic guitar and “Sandy” on piano. These songs are small sonic morsels that beautifully bookend the LP.

The title track begins the album proper as an airy, ethereal folk piece on love and loss, supported by Zosha Warpeha on five-string viola and Kristen Drymala on cello, players who appear on several songs and are arranged sublimely by Cook-Wilson. “Begging forgiveness from no one,” Kaplan sings. “And slipping away / Down leafy street corners / There’s always more we can say.” One of Kaplan’s many strengths as a songwriter and arranger is his innate ability to seamlessly transition between different subgenres, making it seem effortless.

“Halley”, inspired by Kaplan’s father’s habit of gazing at the stars on their front stoop, is a gauzy slab of melodic shoegaze, while “Fear of Choking” is a low-key baroque pop gem that brings to mind the sophisticated songcraft of Paul McCartney. The piano-driven “Leading Man” sounds like an earworm straight out of a 1970s AM radio. “Transmission,” meanwhile, amps up the surrealism, with an open-ended, rudderless feel that you want to get lost in long past its five-and-a-half-minute run time.

Kaplan makes numerous excellent choices, often venturing into unique territory. Much like “Mescarole”, on his 2024 album Eternal Repeater, the straightforward “I’m In Love with You” is based around a very brief lyric couplet (“It’s true, I’m in love with you / What am I gonna do?”) as the band swirls around him in an intoxicating Wall of Sound production style. Kaplan is obviously a fan of rock and roll in its purest form. You can almost hear Tom Petty and the Heartbreakers loping their way through the easy groove of “No More Mistakes”, which features more of those irresistible strings.

Elsewhere, Kaplan seems to broach the subject of the climate crisis with the loping, tuneful “Is It Gonna Be Alright”, acknowledging specific fears in the verses, and expressing a quizzical tone in the chorus: “All of this is going away / But it’s alright now / Living for another day / But it’s alright now.” The directness of the hypnotic “No Way Am I” sparks an occasionally angry tone, as he sings “I know you go so far up your own ass / You didn’t know how I grew up so fast.”

One of the record’s emotional high points, however, is probably the sweet, heartfelt “Heaven”, performed by Kaplan on vocals on acoustic guitar. It’s a simple arrangement, but Kaplan’s emotions are elegant and heartfelt in the lyrics, where he acknowledges his deep love for his son, or perhaps his father, or both? “I could never tell you how much I loved you,” Kaplan sings. “Even if I had a million years / So it was just a matter of time before I lost you / If it was a needle in a haystack I’d die trying to find it / Give away all may days in pursuit / I won’t mind it.”

It’s no surprise that A Hat Upon the Bed is a double album. Charlie Kaplan has so much to unload that chronicles that “fatherless decade”. He’s always been a master of creating the perfect arrangement around his engaging, deeply felt compositions, but this time around, he’s at his absolute peak. A Hat Upon the Bed is a towering, emotionally honest work of art.

October 17, 2025 0 comments
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KISS' Paul Stanley and Gene Simmons "Devastated" by Ace Frehley's Passing
Music

KISS’ Paul Stanley and Gene Simmons “Devastated” by Ace Frehley’s Passing

by jummy84 October 17, 2025
written by jummy84

Paul Stanley and Gene Simmons have shared a statement on the passing of fellow KISS co-founder Ace Frehley, who died Thursday at the age of 74 after suffering a brain bleed following a recent fall at his studio.

“We are devastated by the passing of Ace Frehley,” stated Stanley and Simmons in a joint statement provided to Consequence. “He was an essential and irreplaceable rock soldier during some of the most formative foundational chapters of the band and its history. He is and will always be a part of KISS’s legacy. Our thoughts are with Jeanette, Monique and all those who loved him, including our fans around the world.”

Separately, Simmons wrote on X/Twitter, “Our hearts are broken. Ace has passed on. No one can touch Ace’s legacy. I know he loved the fans. He told me many times. Sadder still, Ace didn’t live long enough to be honored at the Kennedy Ctr Honors event in Dec. Ace was the eternal rock soldier. Long may his legacy live on!”

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In the years since Frehley left KISS for good in 2002, the relationship between him and his former bandmates was contentious at times, but, as evidenced by their statements, Stanley and Simmons both held the guitarist’s legacy in the band in high regard.

Fellow KISS co-founder Peter Criss also paid tribute to Frehley, writing on X/Twitter, “I’m shocked!!! My friend… I love you!” Numerous tributes have also poured in from other musicians, including Tom Morello, Pearl Jam’s Mike McCready, and more.

Our hearts are broken. Ace has passed on. No one can touch Ace’s legacy. I know he loved the fans. He told me many times. Sadder still, Ace didn’t live long enough to be honored at the Kennedy Ctr Honors event in Dec. Ace was the eternal rock soldier. Long may his legacy live on!

— Gene Simmons (@genesimmons) October 16, 2025

I’m shocked!!!
My friend… I love you!#KissArmy #AceFrehley #Kiss#Spaceman

😿😿😿😿😿😿 pic.twitter.com/8CfPJKY5aQ

— Peter Criss (@RealPeterCriss) October 16, 2025

October 17, 2025 0 comments
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KISS Guitarist Ace Frehley Dies At 74
Music

KISS Guitarist Ace Frehley Dies At 74

by jummy84 October 17, 2025
written by jummy84

KISS co-founder and guitarist Paul “Ace” Frehley died today (Oct. 16) from head injuries suffered during a recent fall in his recording studio. He was 74.

“We are completely devastated and heartbroken,” his family said. “In his last moments, we were fortunate enough to have been able to surround him with loving, caring, peaceful words, thoughts, prayers and intentions as he left this earth. We cherish all of his finest memories, his laughter and celebrate his strengths and kindness that he bestowed upon others. The magnitude of his passing is of epic proportions, and beyond comprehension. Reflecting on all of his incredible life achievements, Ace’s memory will continue to live on forever!”

Frehley was born on April 27, 1951, in the Bronx section of New York and taught himself how to play guitar as a teenager while listening to Jimi Hendrix and Led Zeppelin records. “Half of my friends are dead now or OD’d,” Frehley told SPIN in 1996. “My best friend hung himself at Rikers Island. It was a rocky road — but music got me away from those people.”

He joined the band that would become the face-painted, fire-breathing, blood-spitting KISS in late 1972 after answering an audition ad in the Village Voice. It wasn’t long before he rose to fame and fortune alongside vocalist/guitarist Paul Stanley, vocalist/bassist Gene Simmons and drummer Peter Criss, with KISS reigning as one of the most popular rock groups of the decade.

“I was in love with Zeppelin from the very first note I heard,” Frehley recalled to SPIN last year. “Jimmy Page is one of my favorite guitar players. I was determined to figure out all his solos. In those days, I had to slow the record down because some of his guitar playing was so fast. I couldn’t figure out the notes. That was a big pain in the ass back then because when you slow the record down, it changes the pitch. Then, I [had] to retune my guitar.”

In KISS, Frehley painted stars over his eyes and dubbed himself The Spaceman, owing to his childhood love for science fiction. He also wore enormous platform boots that often caused him to fall down — so much so that he would play solos while on his knees. Among the songs he either wrote or co-wrote for KISS are “Cold Gin,” “Parasite,” “Rocket Ride” and “Shock Me,” which was inspired by a near-electrocution onstage in Florida in 1976.

Criss was fired from KISS in 1980 and Frehley, who was always the moodiest, most down-to-earth person in the band and never as comfortable in the spotlight as Stanley and Simmons, left in early 1982 to pursue a solo career. He enjoyed a decent hit with his 1987 debut as Frehley’s Comet, but struggled with addiction and to compete with the nascent grunge movement of the early ’90s.

“There were some hard feelings when I left,” he told SPIN in 1996. “I had some substance-abuse problems at that point in my life. I wasn’t thinking straight. I was getting very suicidal, frustrated, the syndrome of too much too soon. The success of my solo album… that kind of planted the seed: ‘Hey, maybe I can do it on my own.’”

A lifeline came in 1996, when KISS’ original quartet reunited in makeup for what at the time was one of the most anticipated tours of all time. He exited KISS permanently in 2002 and only performed with the group once since, in 2018, although he was inducted with Stanley, Simmons and Criss into the Rock & Roll Hall of Fame in 2014.

This is a developing story.

October 17, 2025 0 comments
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Judge Mathis Addresses Judge Joe Brown Comparing His Wife To A "H*e"
Music

Judge Mathis Addresses Judge Joe Brown Comparing His Wife To A “H*e”

by jummy84 October 17, 2025
written by jummy84

The judges are going at it. Judge Greg Mathis recently addressed Judge Joe Brown for the comments he made about his wife, specifically calling her a “h*e.”

He opened his rant gracefully and took accountability. “If Judge Brown felt that I disrespected him when I responded to his attack, I apologize. Because that’s not what I wanted to do. Quite frankly, I don’t want to fight him. I don’t want to go back and forth.” the 65-year-old personality said in an interview with The Art Of Dialogue.

Mathis quickly dropped the politeness and threw some jabs before expressing concern over Brown. “Lions don’t fight monkeys, it’s unfair. And to put it in street vernacular, gangsters don’t fight lames,” he added. “In my case, an OG ain’t fighting a lame. So, I don’t want to fight with him, I want to give him some care! Something is wrong! The man put my wife’s name in his mouth in the context of a h*e when I had mentioned him calling [Kamala Harris] a h*e and I said he better not say it about my wife.”

Mathis reflected on how the very next time Judge Brown had an appearance on television, he challenged his warning. “Something to the effect of ‘Well, I don’t know if his wife is a h*e or not. If she takes money or if she said that then she might be,’” Mathis said.

“Who talks like that and not have any fear? I would have fear of saying that, and as I just told you, I’m fearless. So I think something’s wrong. The man is near 80, which is about the time dementia sets in if you’re going to get it. If you think about it long enough, folks in that age group 80 or more, those that talk crazy, you hear ’em talk crazy all the time.”

Judge Brown made his initial comments about Kamala Harris on The Art Of Dialogue, prompting Judge Mathis to respond and defend the former Vice President. Watch below.

October 17, 2025 0 comments
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Kiss’ Ace Frehley Dies at 74
Music

Kiss’ Ace Frehley Dies at 74

by jummy84 October 17, 2025
written by jummy84

Ace Frehley, the founding lead guitarist of Kiss, has died. A representative told Rolling Stone that Frehley sustained injuries following a recent fall at his home. He had since cancelled the remainder of his scheduled 2025 performances. “In his last moments, we were fortunate enough to have been able to surround him with loving, caring, peaceful words, thoughts, prayers and intentions as he left this earth,” Frehley’s family shared in a statement. “The magnitude of his passing is of epic proportions, and beyond comprehension.” He was 74.

Paul Daniel Frehley grew up in the Bronx. He received his first electric guitar as a Christmas present and was a member of several bands before answering Paul Stanley’s ad in 1972 seeking a lead guitarist. Stanley, Gene Simmons, and Peter Criss hired Frehley as a member of the band following his audition. In addition to providing the band’s iconic early riffs and solos, Frehley designed Kiss’ logo.

Like the rest of the band, Frehley was known not only for his playing, but for his on-stage theatrics and persona. He painted silver stars over his eyes—his persona in the band was “Space Ace” or “the Spaceman.” During solos, his guitar would emit smoke and lights, giving the appearance that it was catching fire. Frehley played on most of Kiss’ most iconic records, including their self-titled debut, Destroyer, and Alive!, though it took until 1997’s Love Gun for him to deliver his first lead vocal turn on “Shock Me.”

In 1978, all four members of the band released solo albums. Frehley’s was the most successful of the bunch, with his version of “New York Groove” landing on the Billboard singles chart. Frehley grew apart from Kiss’ creative direction and ultimately left the band in 1982. He continued making solo records and albums with his band Frehley’s Comet. His most recent solo album, 10,000 Volts, was released last year

Following an appearance on MTV’s Unplugged, the four founding members of Kiss reunited between 1995 and 2002; Frehley appeared on their 1998 album Psycho Circus. In 2001, he released his autobiography No Regrets: A Rock’n’Roll Memoir. In 2014, he and the rest of band’s original members were inducted into the Rock and Roll Hall of Fame. Frehley will become the third person ever to posthumously receive a Kennedy Center Honor when Kiss are recognized at the ceremony this December.

Rage Against the Machine’s Tom Morello, Pearl Jam’s Mike McCready, and members of Rush have all paid tribute to Frehley. “Our hearts are broken,” Gene Simmons wrote in a message posted to X. “No one can touch Ace’s legacy. I know he loved the fans. He told me many times. Sadder still, Ace didn’t live long enough to be honored at the Kennedy Ctr Honors event in Dec. Ace was the eternal rock soldier. Long may his legacy live on!”

October 17, 2025 0 comments
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Gene Simmons and Paul Stanley lead tributes
Music

Gene Simmons and Paul Stanley lead tributes

by jummy84 October 17, 2025
written by jummy84

Iconic KISS guitarist Ace Frehley has died, aged 74.

According to a statement shared by his family, Ace – also known as Spaceman – died “peacefully surrounded by family in Morristown, New Jersey, following a recent fall at his home”. An exact cause of death has yet to be shared.

“We are completely devastated and heartbroken,” Frehley’s family wrote in the statement. “In his last moments, we were fortunate enough to have been able to surround him with loving, caring, peaceful words, thoughts, prayers and intentions as he left this earth. We cherish all of his finest memories, his laughter, and celebrate his strengths and kindness that he bestowed upon others. The magnitude of his passing is of epic proportions, and beyond comprehension. Reflecting on all of his incredible life achievements, Ace’s memory will continue to live on forever!”

Frehley’s former bandmates Gene Simmons and Paul Stanley shared the following statement to Page Six: “We are devastated by the passing of Ace Frehley. He was an essential and irreplaceable rock soldier during some of the most formative foundational chapters of the band and its history. He is and will always be a part of Kiss’s legacy. Our thoughts are with Jeanette, Monique and all those who loved him, including our fans around the world.”

Born Paul Daniel Frehley in New York City in 1951, he co-founded KISS in 1973 with singer Paul Stanley, bassist and part-time singer Gene Simmons and drummer Peter Criss. The members’ identities were famously kept secret until a decade after their debut, by which Frehley had left the band to pursue a solo career, coupled with his struggles with substance abuse and rising tension within the band about their direction.

In the years following his exit from KISS, Frehley formed a new band, Frehley’s Comet. The band released two albums, both of which failed to achieve commercial success. He reverted to using his own name for this 1989 album ‘Trouble Walkin”, which saw former bandmate Peter Criss provide backing vocals.

Frehley would rejoin KISS for their reunion in 1996 and stayed with them until 2002. He did not join them for their farewell world tour in 2022. Frehley and Simmons had a notably rocky relationship, with Simmons in 2019 claiming that Frehley was fired from the band for his substance abuse, while Ace argued that he was 12 years sober by then and quit “of my own free will, because you and Paul [Stanley] are control freaks, untrustworthy and were too difficult to work with”.

Among the songs Ace helped write for KISS were classics like ‘I Was Made For Lovin’ You’, ‘Rock And Roll All Nite’, ‘Detroit Rock City’, ‘Love Gun’ and more.

Earlier this month, Frehley cancelled his remaining solo dates for 2025 due to “some ongoing medical issues,” which has since been confirmed as the fall he suffered.

Other rock and music icons have paid tribute to the late Ace “Spaceman” Frehley since the tragic news of his death. Simmons wrote in a standalone post on X: “Our hearts are broken. Ace has passed on. No one can touch Ace’s legacy. I know he loved the fans. He told me many times. Sadder still, Ace didn’t live long enough to be honored at the Kennedy Ctr Honors event in Dec. Ace was the eternal rock soldier. Long may his legacy live on!”

Our hearts are broken. Ace has passed on. No one can touch Ace’s legacy. I know he loved the fans. He told me many times. Sadder still, Ace didn’t live long enough to be honored at the Kennedy Ctr Honors event in Dec. Ace was the eternal rock soldier. Long may his legacy live on!

— Gene Simmons (@genesimmons) October 16, 2025

Pearl Jam’s Mike McCready paid tribute on behalf of the band, where he credited Frehley for inspiring him to pick up the guitar.

Ace Frehley, Eddie, Me in awe…
📸: Danny Clinch

I heard about Ace Frehley‘s passing from Rick Friel who I played with in a band called Shadow. Rick was also the first guy on the bus in 1977 with a KISS lunchbox to tell me about Ace…just changed my life. I got a guitar in 1978… pic.twitter.com/0oULzn0A5H

— Pearl Jam (@PearlJam) October 16, 2025

Tool’s Maynard Keenan James shared a picture of himself as a child, sporting Ace’s iconic face paint. See more tributes below.

Ace RIP was the 1st person I met when we were forming CHIC!@KISS were playing at a spot called Le Jardin. Without his makeup nobody recognized him as he sat at my table. Only a few minutes before the crowd were losing their shit over him. I learned a lot that night. Truly… pic.twitter.com/ibNCrbt9vP

— Nile Rodgers (@nilerodgers) October 16, 2025

Ace RIP was the 1st person I met when we were forming CHIC!@KISS were playing at a spot called Le Jardin. Without his makeup nobody recognized him as he sat at my table. Only a few minutes before the crowd were losing their shit over him. I learned a lot that night. Truly… pic.twitter.com/ibNCrbt9vP

— Nile Rodgers (@nilerodgers) October 16, 2025

Ace Frehley was the embodiment of rock ’n’ roll attitude — unapologetic, loud, and irresistibly catchy. His riffs had swagger, his tone had bite, and his presence lit up stages like a supernova. The Spaceman has left the stage, but his orbit will shine forever. pic.twitter.com/TDyDvEVA9i

— Steve Vai (@stevevai) October 17, 2025

I am so shocked & saddened that this happened to my hero & my friend. I’ve known Ace since 1988 & we’ve been very close ever since then. Ace Frehley changed the world. He influenced millions of people & changed my life. I will miss you my friend.#RIPAceFrehley #RIPSpaceace pic.twitter.com/AXCTxH41aJ

— John 5 🎸 (@john5guitarist) October 16, 2025

We are so very sad to hear the passing of Ace Frehley 💔 Our sincerest condolences to his family, friends and all who…

Posted by Go-Go’s on Thursday, October 16, 2025

October 17, 2025 0 comments
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Rush Honor Kiss' Guitarist Ace Frehley: ‘An Undeniable Character'
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Rush Honor Kiss’ Guitarist Ace Frehley: ‘An Undeniable Character’

by jummy84 October 17, 2025
written by jummy84

The members of Rush are looking back on their time touring as an opener for Kiss in the Seventies. Following Ace Frehley‘s death on Thursday, Oct. 16, Rush shared a tribute to the Kiss guitarist, calling him an “undeniable character.”

“Absolutely stunned and saddened by the news Ace Frehley has tragically passed away,” the band wrote on Instagram. “Back in 1974, as the opening act for KISS, Alex, Neil and myself spent many a night hanging out together in his hotel room after shows, doing whatever nonsense we could think of, just to make him break out his inimitable and infectious laugh.”

The band added, “He was an undeniable character and an authentic rock star. RIP Ace .. thanks for welcoming us newbies into the rock and roll world.”

Rush‘s Geddy Lee and Alex Lifeson previously shared stories from their tour with Kiss (and especially Frehley) in a documentary, Time Stand Still, back in 2016.  While on the road, Lifeson used to dress as “The Bag” — placing a paper bag over his head and putting his hands through his pants to entertain his bandmates and Frehley.

“Gene was very, very upset with the Bag,” Lifeson recalled in the documentary. “And that made Ace even happier.”

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“Gene was straight,” Lee added at the time. “He wasn’t high like we were. He had a different sense of reality when he came into Ace’s room. We were drinking and smoking and generally being idiots.”

Frehley died in Morristown, New Jersey, at age 74. Lori Lousararian, Frehley’s rep, attributed his death to a “recent fall at his home,” though a specific cause of death was not immediately available. “We are completely devastated and heartbroken,” Frehley’s family said in a statement. “In his last moments, we were fortunate enough to have been able to surround him with loving, caring, peaceful words, thoughts, prayers and intentions as he left this earth.”

October 17, 2025 0 comments
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