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Watch Sombr Perform ’12 to 12,’ ‘Back to Friends’

by jummy84 November 9, 2025
written by jummy84

The NYC native debuts on the late night show with two tracks from his first EP, I Barely Know Her

Singer-songwriter Sombr debuted on Saturday Night Live with two hits from I Barely Know Her, his debut album that he released in August.

The New York City native, who just picked up a Grammy nomination for Best New Artist, opened with “12 to 12,” an MTV Video Music Awards nominee for Song of the Summer.

Sombr returned later at the piano with “Back to Friends,” which he alone wrote and produced.

The lead single from the ten-track LP, “Back to Friends” is one of Rolling Stone‘s Best Songs of 2025 So Far, as it “plays out like an impassioned conversation that bleeds through the walls and captures the melodrama of teenage love.”

Sombr, whose real name is Shane Boose, “performs with a distinct internal confidence and external charm that has been notably absent in the withering releases from many of his male contemporaries in pop,” as Rolling Stone‘s Larisha Paul wrote in a positive review of his first album.

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Sombr’s stop at SNL coincided with the end of the North American leg of The Late Nights & Young Romance Tour, which he sold out. Early next month, he’ll head to New Zealand and Australia before beginning a run of shows in Europe in February.

“It’s hard to step back and be like, ‘Wow, this is amazing’ when everything is happening so fast, but it is the best thing that has ever happened to me,” the 20-year-old revealed to MTV in September, before making his awards show debut at the VMAs. “Being able to meet all these people, go to all these countries, and see all these new faces and beautiful people who connect with my music — it’s all I ever wanted to do in my life, so it’s the best thing ever.”

November 9, 2025 0 comments
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Nine best moments 2025 Rock & Roll Hall of Fame induction ceremony
Music

Nine best moments 2025 Rock & Roll Hall of Fame induction ceremony

by jummy84 November 9, 2025
written by jummy84

The Los Angeles Dodgers weren’t the only winners in town this week. Returning to City of Angels for the first time since 2022, the Rock & Roll Hall of Fame ushered in a new class of inductees during its 40th annual induction ceremony Saturday night (Nov. 8).  

“Welcome to the second-best thing to happen to Los Angeles in the past week,” said John Sykes, chairman of the R&R Hall of Fame, welcoming the audience at the Peacock Theater in downtown Los Angeles.

The Rock & Roll Hall of Fame is officially middle aged and to celebrate the 40th induction ceremony, a 10-minute sizzle reel spanning the four decades played prior to the official start of the proceedings, which, thanks to a more streamlined process when honoring the musical excellence and non-performer categories, came in at a relatively brisk four-and-a-half hours.

Beamed live on Disney +, the Rock Hall honored Bad Company, Chubby Checker, Joe Cocker, Cyndi Lauper, Outkast, Soundgarden and The White Stripes in the performer category, Salt-N-Pepa and Warren Zevon for musical influence; Thom Bell, Nicky Hopkins and Carol Kaye for musical excellence, and longtime Warner Records executive Lenny Waronker with the Ahmet Ertegun Award (named after the Atlantic Records co-founder). A primetime trimmed- down special will air on ABC on Jan. 1, 2026.  

Many of the 2025 honorees were not in attendance: Of course, Zevon, Cocker, Hopkins and Soundgarden’s Chris Cornell were inducted posthumously, and legendary Wrecking Crew bassist Kaye declined in advance to attend. Though the White Stripes’ Jack White referenced her and even dedicated part of his speech to her, his former bandmate, Meg White, did not attend. At 84, Checker was still doing what he does best and passed up his induction to keep a regularly scheduled paying gig, though he delivered his acceptance speech from the show before going into a shortened version of his biggest hit, “The Twist.” After initially hoping to attend and even reunite with his band Bad Company, lead singer Paul Rodgers pulled out for health reasons.  

But there was still a dazzling amount of star power in the room from the honorees who were present and the nearly 40 artists who helped induct them.

Below are nine highlights from the evening.

  • Take Us Higher

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    The evening got off to an electrifying start with a salute not to a current inductee but to 1993 honoree Sly Stone, who died in June. Launching with the undeniable bass-heavy thump of 1967’s “Dance to the Music” courtesy of Red Hot Chili Peppers’ Flea and Stevie Wonder on vocals, the band, which also included Beck, Questlove and Leon Thomas III, then flowed into “Everyday People” with Maxwell, who also sang “Thank you (Falettinme Be Mice Elf Agin),” before Jennifer Hudson coming out for “Higher,” hitting ear-shattering high notes.  It set the bar almost impossibly high for any performance coming afterwards.

  • Fight for Your Rights

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    After an exhilarating performance of their ‘80s and ‘90s hits “Let’s Talk About Sex,” “Whatta Man” (joined by En Vogue”) and “Push It,” during the trio’s acceptance speech, Salt-N-Pepa’s Cheryl “Salt” James brought it back into the present by bringing up the group’s lawsuit, filed in May,  against Universal Music Group to regain control of their masters, alleging that the record company has not honored Salt N’ Pepa’s copyright clawback rights and has punished them by taking their music off streaming. “We’re in a fight for our masters that rightfully belong to us…After 40 years, our streaming music has been taking down from all streaming platforms because the industry doesn’t want to play fair,” she said, as the crowd cheered in support, before adding, “Salt-N- Pepa has never been afraid of a fight.”

  • Olivia Rodrigo Loves Some Old Time Rock & Roll

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    Olivia Rodrigo may only be 22, but she’s proved an old soul when it comes to her love for music made before she was born. In her third time paying tribute to an inducted artist following Carly Simon in 2022 and Sheryl Crow in 2023, she returned this year to honor the White Stripes. In a video, she declared the duo’s “Seven Nation Army” “iconic,” before taking the stage to perform a lovely, harmony-filled version of the pair’s 2001 tune, “I Think We’re Gonna Be Friends” with Feist, trading verses and then singing beautifully together. Once she returned to her seat, she could be seen singing along to almost every performance.

  • Outkast Outshines

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    Outkast’s Big Boi and Andre 3000 shared the stage for their acceptance speech, but, unfortunately, no musical reunion was forthcoming as only Big Boi participated in the musical tribute. But it was gloriously high-octane, nonetheless. Backed by a 13-piece band including a vibrant horn section, Big Boi and guests raised the roof as they ran through a medley of Outkast’s greatest hits, starting with “ATLiens,” where Big Boi was joined by J.I.D. A graceful Doja Cat joined for “Ms. Jackson before Tyler, The Creator bounced around the stage delivering a ferocious “Bombs Over Baghdad.” Janelle Monae turned the segment into a full-on dance party with “Hey Ya,” accompanying herself on an acoustic guitar, before Sleepy Brown joined for a group sing-along for “I Love the Way You Move” that had the crowd on its feet.

  • Sentimental Journey

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    Sly Stone wasn’t the only past honoree given his own segment: Elton John took to the stage for a tender tribute to Brian Wilson, who was inducted in 1988 with his band, The Beach Boys, and who died in June two days after Stone. He recalled meeting Wilson in 1970 when he and songwriting partner Bernie Taupin went to his house. “We were scared sh-tless,” John said. “He was my idol. He influenced me more than anyone else when it came to writing songs on the piano. Throughout my career and my life, we became friends, we sang on each other’s records, we loved each other, and I can’t think of anyone else I’d rather pay tribute to.” Backed by Benmont Tench and Don Was, John then played a delicate, languid version of Wilson’s finest tune, Pet Sounds’ “God Only Knows.”

  • Cyndi Lauper Takes Us to Church

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    After being inducted by Chappell Roan, Cyndi Lauper provided the evening’s most emotional moment during the beginning of her performance. Singing “True Colors,” with the stage bathed in rainbow colors, she stopped the song and simply held her fist in the air in silence for at least 30 seconds in solidarity with the gay community. It as a stirring, heartfelt moment, before she asked everyone to turn on the lights on their phone, adding “there’s a community of light. Don’t forget that if it gets really dark,” before segueing into “Time After Time” with British singer RAYE. Her performance felt the loosest and the most relaxed of the night as she was joined by Avril Lavigne and then Salt-N-Pepa for a jubilant “Girls Just Wanna Have Fun.” In her acceptance speech, she thanked those who came before her. “I know that I stand on the shoulders of the women in the industry that came before me and my shoulders are broad enough to have the women that come after me to stand on mine,” she said, adding, “the little kid in me still believes that rock and roll can save the world.”

  • The Souls of the Departed

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    The presence of the artists inducted posthumously loomed large throughout the night, as David Letterman gave a moving tribute to his friend Warren Zevon and brought with him the blue electric guitar that Zevon gave to him 22 years ago after Zevon’s last appearance on Late Night with David Letterman. Zevon, who knew he was dying of lung cancer, told Letterman, “Take care of this for me,” Letterman recounted, before adding, “By god, tonight, it’s going back to work.” And sure enough it did, with The Killers’ Dave Keuning playing it on a solid version of “Lawyers, Guns and Money.” Jim Carrey, who was close to Cornell and eloquently described his intense affection for the band’s music during his induction of Soundgarden, even talked about not being able to look Cornell directly in his piercing blue eyes. Similarly, the members of Soundgarden sent their love to Cornell, with original bassist Hiro Yamamoto saying, “Chris Cornell, we are so missing you tonight on this stage.” Drummer Matt Cameron accepted the award “on behalf of the fans of our music and also the misfits, the loners and the interlopers who found comfort and solace in the layers and music of my hero and bandmate, Chris Cornell.” Guitarist Kim Thayil gave Cornell credit for his adventurous spirit. “If one of us ever hesitated sharing an idea, Chris would be the first to say, ‘Let’s just try it out.’ I miss him. I love him.” Bryan Adams inducted Joe Cocker with great fondness, recalled drinking “Joe Colas,” with him, a potent mixture of Coca Cola and rum that would quickly end any recording session.  

  • Soundgarden Reimagined

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    The members of Soundgarden were then joined by The Pretty Reckless’s Taylor Momsen, who has performed with the band a number of times over the last six or so years, for a howling, bone-rattling version of “Rusty Cage,” before Brandi Carlile joined for a driving take on their signature hit, “Black Hole Sun.” Like Momsen, Carlile has played with the band several times, including at a Cornell tribute concert in 2019. It wasn’t hard to imagine how great it would be to see the two women trade off lead vocals at a full Soundgarden show.

  • With a Little Help From His Friends

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    Even though Cocker was obviously not in attendance, there was never really any doubt that the evening would conclude with his induction if, for no other reason than to be able to close the night with “With a Little Help from My Friends,” the Beatles’ tune he made famous in 1969. Before the finale though, the Tedeschi Trucks Band were joined by Nathaniel Rateliff and Teddy Swims for rollicking, burly versions of “The Letter” and “Feelin’ Alright.” Then, Lauper, Black Crowes’ Chris Robinson and Bryan Adams (the latter two had taken part in the Bad Company tribute earlier in the evening), returned for the finale, which closed the evening on just the right note.

November 9, 2025 0 comments
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Elton John Sings "God Only Knows" in Tribute to Brian Wilson: Watch
Music

Elton John Sings “God Only Knows” in Tribute to Brian Wilson: Watch

by jummy84 November 9, 2025
written by jummy84

Elton John delivered a lovely tribute performance in honor of the late Beach Boys legend Brian Wilson during the 2025 Rock & Roll Hall of Fame Ceremony.

John spoke before the performance, recalling, “In 1970 when I first came to Los Angeles, Danny Hutton from Three Dog Night took me and Bernie Taupin around to meet Brian Wilson — and I was scared shitless. Because he was my idol, my biggest influence when it came to writing songs on the piano.”

Unfortunately, Elton didn’t play piano during the tribute, but he did sing “God Only Knows.” Behind him was a band that featured Don Was on standup bass and one of the greatest drummers of all time Kenny Aronoff.

Related Video

Wilson passed away on June 11th, 2025, at the age of 82. He was inducted into the Rock & Roll Hall of Fame as a member of The Beach Boys in 1988.

John also previously paid tribute to Wilson in the immediate aftermath of hisDon  passing, writing in a post to Instagram, Brian “Wilson was always so kind to me from the day I met him. He sang ‘Someone Saved My Life Tonight’ at a tribute concert in 2003, and it was an extraordinary moment for me. I played on his solo records, he sang on my album, The Union, and even performed for my AIDS Foundation.”

“I grew to love him as a person, and for me, he was the biggest influence on my songwriting ever; he was a musical genius and revolutionary,” John added. “He changed the goalposts when it came to writing songs and shaped music forever. A true giant.”

November 9, 2025 0 comments
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Atlanta Influences Everything - SPIN
Music

Atlanta Influences Everything – SPIN

by jummy84 November 9, 2025
written by jummy84

When I think about Atlanta, I think about the cultural movement of the early 2000s. In music, a movement represents a total paradigm shift where multiple artists are working together, collaborating, and hat tipping each other until the sum of the whole is worth more than individual parts. That’s when you have a “scene.” 

In that era, the South dominated mainstream music, upending previous hip-hop regimes from New York and Los Angeles. Atlanta became the turn-of-the-century epicenter, with artists like Lil Jon, Ying Yang Twins, Usher, Ludacris, Dem Franchize Boys, T.I. The Rubberband Man, Goodie Mob, and CeeLo Green dominating the airwaves and defining the sound. In 2003, OutKast’s double album Speakerboxxx/The Love Below sold 13 millions copies in the U.S., making it the best-selling rap album of all time and completely changing music as we know it. On November 8, Outkast will reunite on stage for the first time in nearly a decade to receive their honor at the Rock and Roll Hall of Fame. Will it be their last joint appearance? Lord, I hope not. Donald Glover’s introduction is certain to have everyone’s attention and one of the most anticipated components of the ceremony this year. 

Since the early 2000s, many more stars have taken the sound and run with it. From Gucci Mane to Young Jeezy, 2 Chainz to 21 Savage; Future to Lil Yachty; Lil Baby to Young Thug; and Ciara to Latto and now Playboi Carti, tons of talents have shown that this city is not to be trifled with. 

Lil Jon, for his part, has had an unbelievable second rise as a leader in health and wellness. His meditation album is the real deal. Ludadcris can’t be stopped, locking in movie roles and still putting out awesome music. Usher remained at the top of his game on his recent record, killed his Super Bowl performance in 2024, and made waves with his highly coveted Vegas residency.

Then there’s Jermaine Dupri, rated by Billboard in August as the Hip-Hop and R&B Producer of the century. Sure, Babyface (also out of Atlanta) might have him beat in the R&B category—and Dr. Dre might be the ultimate Hip-Hop Producer of their era—but as far as multi-hyphenates go, Billboard got that one right! JD produced for Mariah Carey, Usher, and Janet Jackson while developing artists (Lil Bow Wow, Da Brat, Kriss Kross) from scratch and helping them break through JD designed his track “Welcome To Atlanta” to be the anthem for his city and gave Atlanta’s night life a calling card.

I sat down with Jermaine Dupri on the main stage of Brandweek this week. Brandweek is a massive gathering of brand marketers that is organized by influential advertising industry media publication Adweek. Brandweek always brings together the biggest and most creative brand marketers in the game. 

I believe that every brand needs to think like an artist, and the Southern rap movement of the early 2000s is a good example of how working together in a scene can create something powerful. This phenomena can be emulated in brand marketing. 

Dupri had so many amazing insights and stories. He’s seen it all, been mentored by the best, and delivers every time, whether for a Boost Mobile commercial or when he’s helping launch the next big artist in youth culture. After all of the hits, he remains extremely focused on making novel ideas come to life. He’s a free thinker with a big personality and a lot of talent, and he was the perfect booking for Brandweek this year. If a city could have an executive producer, Jermaine Dupri would be Atlanta’s.

Brand’lanta was the perfect place to hold this year’s big mashup of brands and artists. It’s home to Delta Air Lines, The Coca-Cola Company (which had some amazing things to say about the relaunch of Sprite’s “Obey Your Thirst” campaign), Atmos, the CEO of AG1, Tyler Perry Studios, Chick-fil-A, the Cartoon Network, and many more. Where the Atlanta music and brand scene is going next is really exciting. For one, Brandweek announced it’s coming back to Atlanta next year, which gives this event some continuity and momentum heading into 2026. And musically, it’s still an explosive place. I found some great new music out of here and you can see there is a new generation of stars coming out of the region. 

Check out these young acts that are bubbling up (and really freaking good!) 

ian | Spotify (and this piece on him in the WSJ this week)

Odeal | Spotify (UK act signed to LVRN out of ATL)

Mariah the Scientist | Spotify

Belly Dad Kushington | his Friend Do Remix slaps! 

November 9, 2025 0 comments
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Patti Smith: Horses Album Review
Music

Patti Smith: Horses Album Review

by jummy84 November 9, 2025
written by jummy84

The austere reggae of “Redondo Beach” is like a three-minute film treatment, a story of overcast beachgoers grieving a girl, the narrator’s lover, lost to “sweet suicide”: “You’ll never return into my arms cause you were gone, gone,” she despairs, though the tune’s overall effect is bewilderingly playful. In live shows, Smith would reportedly introduce the song saying it was about “a beach where women love other women.” She rejected Horses’ queerness as autobiography, but the songs still created new paradigms, inventing roles in the schema of rock for women seducing women, women mourning women, women protecting women, women intoning “Ohh, she looks so good, oooh she looks so fine” and “20,000 girls/Called their names out to me,” aware that in its way it was radical.

“Free Money” was the first song Smith and Kaye penned together, and Smith wrote the lyric “Scoop the pearls from the sea, cash them in and buy you all the things you need” with another woman in mind: her mother. Smith had watched her parents struggle all her life. The song’s blazing dream of winning some fantastical lotto and making something from nothing feels rooted intuitively in a working-class consciousness. The steadiness and structure of “Free Money” mirror the relief she longs to deliver; its ecstatic build becomes the voyage she’s desperate to share. As a kid, Smith’s own aesthetic inspiration was free, from trashed issues of Vogue, stolen poetry volumes, and public art museums. That Blondie eventually echoed “Free Money”’s message—dreaming is free—underscores its perfect distillation of an essential punk virtue.

The apotheosis of Smith’s ambition, “Land,” is an epic nine-minute triptych and semi-apocalyptic hero’s journey, a cut-up of angels and ancient wisdom and a band called Twistelletes. The first act weaves three Smith vocal takes into an unnerving inner monologue about “Johnny,” a boy who is viciously assaulted, depicting the stampede of brutal reality as “horses, horses, horses.” Next a hairpin turn takes us suddenly to a dance hall. Smith quotes from the live-wire abandon of Chris Kenner’s 1962 classic “Land of a Thousand Dances,” a parade of teen dance crazes: “Do you know how to Pony like Bony Moronie?” she hollers. “Then you mashed potato!” “Do the alligator!” “Do the Watusi!” “Land” is ultimately an action painting of jaunty keys and single hammered chords and pure corporality, circling the fact that “life is filled with holes,” “full of pain,” Smith sings, but it’s worth living. (A Creem reporter, Tony Glover, was present for the Horses sessions, and after watching Smith spend seven possessed hours mixing “Land,” her fingers at the controls, he wrote, “I had trouble sleeping for several days.”)

November 9, 2025 0 comments
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see every setlist so far
Music

see every setlist so far

by jummy84 November 9, 2025
written by jummy84

Radiohead have kicked off their European comeback tour – see what they’ve played on every night so far below.

Thom Yorke and co announced their first gigs in over seven years back in September, revealing 20 shows across five cities this autumn and winter.

The Oxford art-rock icons also shared their “busking approach” to their setlist, by playing “any order” of songs they wish – whittling down their huge catalogue to “about 70 songs”. The band will also be playing in the round in the centre of the venue throughout the tour.

Guitarist Jonny Greenwood told us there are no plans for new material to be played, while brother and bassist Colin confirmed this in a separate interview: “It’s going to be the first time I think we’ve done shows where we haven’t got new material to play as work in progress.”

However, Colin then mysteriously said: “But you never know, some stuff might come up or not or whatever.”

Now, Radiohead have officially commenced their tour with their first gig at the Movistar Arena in Madrid taking place on Tuesday (November 4). Their 25-song opening night setlist balanced a mix of deep cuts and fan favourites as the band kicked off with ‘Let Down’ – which recently charted in the US after going viral on TikTok, much to their surprise. The setlist leaned most heavily on tracks from 2003’s ‘Hail To The Thief’, which was recently revisited for the Yorke co-created Hamlet To The Thief play and archive live album. This included an outing of ‘Sit Down. Stand Up’ for the first time since 2004.

Meanwhile, their second show (November 5) saw them lean more heavily into their albums ‘In Rainbows’ and ‘The Bends’, as the band performed ‘Jigsaw Falling Into Place’ and ‘Nice Dream’ for the first time since 2009.

On the third night (November 7), they drew mostly from ‘OK Computer’ and ‘Hail To The Thief’, playing ‘Let Down’, ‘Lucky’, ‘No Surprises’ ‘2 + 2 = 5’ and ‘A Wolf at the Door’, among others.

During the encore, they also played ‘Just’ for the first time in 16 years, telling the crowd: “I don’t know if you remember this one”, before breaking into the ‘The Bends’ track.

On the band’s fourth and final night in Madrid (November 8), Radiohead treated fans to a balanced set on tracks performed on previous nights – aside from ‘Kid A’ classic ‘Optimistic’ which made its tour debut.

Take a look at Radiohead’s full setlists for each show of their comeback tour below:

Radiohead’s setlist from their first night in Madrid (November 4) was:

‘Let Down’
‘2 + 2 = 5’
‘Sit Down. Stand Up.’
‘Bloom’
‘Lucky’
‘Ful Stop’
‘The Gloaming’
‘Myxomatosis’
‘No Surprises’
‘Videotape’
‘Weird Fishes/Arpeggi’
‘Everything in Its Right Place’
’15 Step’
‘The National Anthem’
‘Daydreaming’
‘A Wolf at the Door’
‘Bodysnatchers’
‘Idioteque’

Encore:
‘Fake Plastic Trees’
‘Subterranean Homesick Alien’
‘Paranoid Android’
‘How to Disappear Completely’
‘You and Whose Army?’
‘There There’

Radiohead’s setlist from their November 5 Madrid show was:

‘2 + 2 = 5’
‘The Bends’
‘Jigsaw Falling Into Place’
‘All I Need’
‘Ful Stop’
‘Nude’
‘Reckoner’
‘Airbag’
‘Separator’
‘Pyramid Song’
‘You and Whose Army?’
‘Idioteque’
‘(Nice Dream)’
‘There There’
‘Myxomatosis’
‘Exit Music (For A Film)’
‘Street Spirit (Fade Out)’

Encore:
‘Let Down’
‘Weird Fishes/Arpeggi’
‘Planet Telex’
‘Present Tense’
‘The Daily Mail’
‘Paranoid Android’
‘Everything In Its Right Place’

Radiohead’s setlist from their November 7 Madrid show was:

‘Planet Telex’
‘2 + 2 = 5’
‘Sit Down. Stand Up.’
‘Bloom’
‘Lucky’
‘Ful Stop’
‘The Gloaming’
‘There There’
‘No Surprises’
‘Videotape’
‘Weird Fishes/Arpeggi’
‘Everything in Its Right Place’
’15 Step’
‘The National Anthem’
‘Daydreaming’
‘Subterranean Homesick Alien’
‘Bodysnatchers’
‘Idioteque’

Encore:
‘Fake Plastic Trees’
‘Let Down’
‘Paranoid Android’
‘You and Whose Army?’
‘A Wolf at the Door’
‘Just’
‘Karma Police’

Radiohead’s setlist from their November 8 Madrid show was:

‘2 + 2 = 5’
‘Airbag’
‘Jigsaw Falling Into Place’
‘All I Need’
‘Ful Stop’
‘Nude’
‘Reckoner’
‘The Bends’
‘Separator’
‘Pyramid Song’
‘You and Whose Army?’
‘Idioteque’
‘Myxomatosis’
‘No Surprises’
‘Optimistic’
‘There There’
‘Exit Music (for a Film)’
‘Street Spirit (Fade Out)’
Encore:
‘Let Down’
‘Weird Fishes/Arpeggi’
‘(Nice Dream)’
‘Present Tense’
‘The Daily Mail’
‘Paranoid Android’
‘Everything in Its Right Place’

Radiohead’s tour continues with four nights a piece in Bologna, London, Copenhagen and Berlin across November and December.

Since their last album ‘A Moon Shaped Pool’ in 2016, Radiohead’s Yorke and Jonny Greenwood have released three albums with The Smile. Ed O’Brien made his solo debut, drummer Philip Selway has been active under his own name and bassist Colin Greenwood released a book of band photos as well as touring with Nick Cave & The Bad Seeds.

In other news, Radiohead have unveiled their new merch line ahead of their European comeback tour kicking off.

November 9, 2025 0 comments
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White Stripes Celebrated by Olivia Rodrigo, Iggy Pop at Rock Hall
Music

White Stripes Celebrated by Olivia Rodrigo, Iggy Pop at Rock Hall

by jummy84 November 9, 2025
written by jummy84

It’s official: The White Stripes are in the Rock & Roll Hall of Fame. The induction took place on Saturday in Los Angeles, with Jack and Meg White honored for their indelible, decade-long mark on music.

As expected, Meg did not attend the ceremony — she has completely left the music industry and public life in general since the White Stripes broke up in 2011 — but thankfully a handful of artists were on hand to help fill the void left by the essential artist, one of Rolling Stone‘s 100 Greatest Drummers of All Time.

Olivia Rodrigo and Feist teamed up for a rendition of the White Blood Cells classic “We’re Going to Be Friends,” while Twenty One Pilots, themselves a guitar-drums duo like the White Stripes, delivered a rendition of the ultimate stadium rocker “Seven Nation Army.”

Feist and Olivia Rodrigo perform onstage during the 2025 Rock & Roll Hall of Fame Induction Ceremony

Amy Sussman/WireImage

The White Stripes were inducted into the Rock Hall by fellow Motor City rock icon Iggy Pop, who took the stage and led the crowd through a chant of “Seven Nation Army.” He held his speech in his hands and joked, “Let me see if I can read this shit.”

Pop described the duo as “a 21st century Adam and Eve, who had started a rock & roll band,” and praised Meg’s drumming ability, saying it was her support that launched “the rocket of racket that was Jack White.”

Next, Jack himself took the podium for his induction speech, thanking “Uncle Iggy.” Standing in a red suit and white tie, he revealed that he’d been talking to Meg about being honored, and that Meg made “punctuation and corrections” to his speech. “I spoke with Meg White the other day; she said she’s very sorry she couldn’t make it tonight, but she’s very grateful for the folks who have supported her throughout all the years, it really means a lot to her tonight,” he said.

Jack thanked the White Stripes’ musical heroes, and also named other iconic duos in pop culture: Leiber and Stoller, Siegel and Shuster, and Abbott and Costello. “I myself have been in a lot of bands that you’ve probably never heard of,” he said. “But for some reason, people especially connected with this one two-piece duo project that I was in called the White Stripes. We don’t know why these things happen, but when they do, it’s the most beautiful thing you can have as an artist or musician when people are responding and sharing with you.”

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“To young artists, I want to say, get your hands dirty and drop the screens and get out in your garage or your little room and get obsessed,” he added. “Get obsessed with something, get passionate. We all want to share in what you might create.”

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Iggy Pop and Jack White onstage during the 2025 Rock & Roll Hall of Fame Induction Ceremony

Amy Sussman/WireImage

Rodrigo, who was born just two months before the White Stripes released Elephant since April 2003, has long praised the group, saying she grew up listening to the album and especially “The Hardest Button to Button.”

“Meg’s drums really shine on that one, and from there I dove into all their other incredible albums and became a massive fan,” Rodrigo told Elle in 2023. “Meg’s drumming and the White Stripes in general [provided] a huge lesson to me on the value of simplicity in music. They taught me that a truly great song doesn’t need to have crazy production or layers of sound. It just needs to move you.”

November 9, 2025 0 comments
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Hayley Williams Tour Dates for 2026 Announced
Music

Hayley Williams Tour Dates for 2026 Announced

by jummy84 November 9, 2025
written by jummy84

Hayley Williams’ tour dates for 2026 have been added to her official website’s homepage, which currently features a design reminiscent of a ’90s computer desktop.

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An image file titled “oops.jpg” offers a peek at a snapshot of a Macbook screen that shows a tour announcement preview with a “NOT FOR RELEASE” watermark — suggesting that Williams leaked the itinerary early. The picture has a list of 20 cities she’s scheduled to visit on the At a Bachelor Party Tour.

The Paramore frontwoman’s solo trek kicks off in the United States with a concert in Atlanta, Ga., on March 28 and runs through June 29 in Dublin, Ireland. Williams will make it to several U.S. markets — plus Toronto, Canada, and select cities in Europe.

Information about ticket on-sale dates is not yet available.

Williams’ tour will be in support of her latest album, Ego Death at a Bachelorette Party — which arrived unsequenced and scattered across her website, and then on streaming services, in August, but just got a physical CD and vinyl release on Friday, Nov. 7, with an added track (“Showbiz,” embedded below). (Read more about her unique release strategy in Billboard‘s interview with Williams’ co-manager Leah Hodgkiss.)

See the list of Williams’ 2026 tour dates:

March 28 – Atlanta, Ga. (Tabernacle)
March 31 – Toronto, Canada (Massey Hall)
April 3-4 – Boston, Mass. (Citizens House of Blues)
April 6-7 – Philadelphia, Pa. (Franklin Music Hall)
April 9-10 – New York, NY (Hammerstein Ballroom
April 14 – Baltimore, Md. (The Lyric)
April 18 – Minneapolis, Minn. (Fillmore)
April 21-22 – Chicago, Ill. (Chicago Theater)
April 25, 27 – Nashville, Tenn. (Ryman Auditorium)
May 2 – Austin, Texas (ACL Live at the Moody Theater)
May 5 – Phoenix, Ariz. (Van Buren)
May 7, 9 – Oakland, Calif. (Fox Theater)
May 12-13 – Los Angeles, Calif. (The Wiltern)
June 5 – Milan, Italy (Alcatraz)
June 8 – Amsterdam, Netherlands (Paradiso)
June 10 – Cologne, Germany (Live Music Hall)
June 15 – Berlin, Germany (Tempodrom)
June 16 – Copenhagen, Denmark (Poolen)
June 22 – Manchester, U.K. (Academy)
June 26 – Glasgow, Scotland (O2 Academy)
June 29 – Dublin, Ireland (National Stadium)

November 9, 2025 0 comments
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Bad Company's Rock Hall Performance Features Chris Robinson, Bryan Adams, Joe Perry, Nancy Wilson
Music

Bad Company’s Rock Hall Performance Features Chris Robinson, Bryan Adams, Joe Perry, Nancy Wilson

by jummy84 November 9, 2025
written by jummy84

Bad Company were inducted into the Rock & Roll Hall of Fame by Mick Fleetwood on Saturday night at the Peacock Theater in Los Angeles.

After Fleetwood sang the praises of the band during his speech, founding Bad Company drummer Simon Kirke was joined onstage by the Black Crowes’ Chris Robinson, Heart’s Nancy Wilson, and Aerosmith’s Joe Perry for a performance of “Feel Like Makin’ Love” that started out with a little technical glitch.

Bryan Adams then took over the mic for “Can’t Get Enough,” and while Robinson and Adams both gave it their all, it’s hard to match the powerhouse vocals of legendary Bad Company singer Paul Rodgers.

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Unfortunately, Rodgers had to bow out of the ceremony a week ago due to health reasons, stating, “My hope was to be at the Rock & Rock Hall of Fame Induction Ceremony and to perform for the fans, but at this time I have to prioritize my health. I have no problem singing, it’s the stress of everything else.”

Following the performance, Kirke accepted the honor from Fleetwood, and immediately acknowledged Rodgers, calling him one of the greatest singers of all time. The drummer also paid tribute to late member Mick Ralphs, who died earlier this year, and Boz Burrell, who passed away in 2006.

A video message from Rodgers followed, who dedicated the honor to the band’s fans, ending with, “My prayer for us is that we all choose love.

The 2025 Rock & Roll Hall of Fame induction ceremony aired live on Disney+ on Saturday, November 8th, and will be available to stream on-demand following the ceremony. Find our full coverage here.

November 9, 2025 0 comments
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The Church. (Credit: Adam Nicholas)
Music

5 Albums I Can’t Live Without: Steven Kilbey of The Church

by jummy84 November 9, 2025
written by jummy84

Name  Steven John Fucking Kilbey

Best known for  Idiot savant (perhaps more of the former) behind Australian band The Church. A prolific renaissance bloke, knocking out records, paintings, poems, books, and now even comics. Still haven’t choreographed a ballet, but who knows?

Current city  Coogee Beach, Sydney, Australia 2034.

Really want to be in  Bali. Sitting on a deck chair, sipping pineapple juice and trying to forget about being on my phone answering questions like this! (wink emoji)

Excited about  The Church have a new album coming out soonish and I think it’s bloody amazing. Recorded in Austin, TX and it’s a double. Thinking that people are gonna love it and it’ll go to number one and all of that!

My current music collection has a lot of  Prog and glam and a bit of uncategorizable stuff.

And a little bit of  No country or western.

Preferred format  Sadly, I prefer streaming, not because it sounds good but because it’s just easy (damn!).

5 Albums I Can’t Live Without:

1

Diamond Dogs, David Bowie

I love it inexorably even though it’s now 51 years old. It still sounds futuristic. I love the cover. I love “Sweet Thing.” It’s the ultimate Bowie song wherein he delivers on everything he ever implied before. I love his singing and guitar playing and his Mellotron and I love Mike Garson’s theatrical piano flourishes. I love the lyrics. All the songs on this album are right up my alley (except maybe “Rebel Rebel,” which I probably skip now due to overexposure). The last track is brilliant too, showing Bowie always ahead of the pack.

2

Any Album By, Sigur Ros

I love all Sigur Ros. I love the idea of the singing in a non-language. I love the way they’ve tossed all the usual rock clichés out the window and just ebb and flow with the spirit. The most original rock band ever. Real teenage symphonies to God!

3

T. Rex, T. Rex

This album came out in 1970 and it slayed me. It’s rock. It’s pastoral. It’s folk. It’s English whimsy. It’s Tolkien and Lewis. It’s cosmic. It’s fey. It’s studly. It’s still unbelievably new after all these years! 

4

Systems of Romance, Ultravox

Underrated and misunderstood in its day. It still is the sound of the future. Produced by Conny Plank in Germany, it has krautrock wallop. The lyrics are brilliant and John Foxx is a lesson in detachment and modernity. The bass sounds are huge and fat! It’s still a record I listen to a real lot!

5

Together Alone, Crowded House

It has so many beautiful songs on it that are all the last word in lyrical and musical prowess in songwriting terms. A true masterpiece that stands up well after all this time. 

November 9, 2025 0 comments
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