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Actively Black Turns Runway Into Living Tribute Of Civil Rights Icons
Music

Actively Black Turns Runway Into Living Tribute Of Civil Rights Icons

by jummy84 September 17, 2025
written by jummy84

“This is not a fashion show” became the perfect mantra as Actively Black founder Lanny Smith closed out New York Fashion Week with a cultural statement that stretched far beyond couture.

On Friday (Sept. 12), the brand — in partnership with Mielle Organics — transformed Sony Hall into a living archive of Black history and creativity. What unfolded was part runway, part history lesson and a night filled with emotions, standing ovations, and rare sightings from those who made history and continue the lineage of Civil Rights greats.

The red carpet alone set the tone as Lauryn Hill, Dapper Dan, Tyrese, Ghostface Killah, Naturi Naughton, Dascha Polanco and more attended, adding to the cultural gravity of the evening. Aside from the models rocking athleisure and swim suits that captivated streetwear lovers, it was the Civil rights moment that was the highlight of the night.

Sharing the runway were Dr. Bernice A. King and Ilyasah Shabazz — daughters of Dr. Martin Luther King Jr. and Malcolm X — alongside activists Fred Hampton Jr. and Fredricka Newton, each wearing pieces that paid tribute to their family legacies.

Civil rights photographer Cecil J. Williams followed, striding in a hoodie emblazoned with the historic image of him drinking from a “Whites Only” fountain. Ruby Bridges, the first Black child to desegregate an all-white elementary school, drew a standing ovation with her walk, while Olympic legends Tommie Smith and John Carlos — whose raised fists in 1968 in an enduring symbol of protest — were also honored. Rounding out the moment, Ben Haith, designer of the Juneteenth flag, brought the banner of freedom to the runway.

Other standout moments included appearances by Bob Marley’s grandchildren and Lisane Basquiat, sister of the late Jean-Michel Basquiat, alongside a heartfelt tribute to Michael Jackson. The evening also celebrated Black women through the “Black Women Are Superheroes” collection, featuring trailblazers like Valeisha Butterfield Jones and Bozoma Saint John. Terrence J also took the stage to introduce the HBCU-inspired collection, while fellow 106 & Park alums AJ and Free engaged the crowd. Adding to the energy, the iconic Harlem Globetrotters delivered an electrifying performance, joined by dynamic dancers from both New York City and Los Angeles.

Oh, and Fast Life Yungstaz also gave a special performance of the cultural anthem, “Swag Surf.”

Founder Lanny Smith summed the evening up perfectly: “Me being pro-Black doesn’t mean I’m anti-anything else. Tonight was about honoring our ancestors, uplifting our communities, and reminding the world that our stories, our innovation, and our style are indispensable to the global culture.”

The finale brought it all back to the show’s purpose of love and admiration as Smith and his partner Bianca Winslow revealed they’re expecting a baby boy this December.

Take a look below at photos from Actively Black’s NYFW runway show.

September 17, 2025 0 comments
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Drake, Beyoncé, and Lil Wayne Producer Omen Dies at 49
Music

Drake, Beyoncé, and Lil Wayne Producer Omen Dies at 49

by jummy84 September 17, 2025
written by jummy84

Sidney Brown, the producer and DJ who worked with the likes of Drake, Beyoncé, and Lil Wayne under the name Omen, has died. Brown was found in his Harlem, New York apartment on Saturday, September 13, by his sister, Nicole Iris Brown. “He was holistic and healthy. So we don’t know of him being sick, so this is all pretty sudden,” she said in a statement to NBC News. Brown was 49.

Born in Harlem in 1976, Brown produced for artists in the Roc-A-Fella Records orbit throughout the late ’90s and early ’00s. He worked on Memphis Bleek’s Coming of Age, Mýa’s Moodring, and Fabolous’ Street Dreams, among others. Brown also composed the score for Paper Soldiers, the 2002 rap comedy produced by Roc-A-Fella’s film studio that gave Kevin Hart his big-screen debut.

In 2006, Brown made the beat for “Tell It Like It Is” from Ludacris’ Release Therapy, which won Best Rap Album at the 2007 Grammy Awards. A few years later, he met Drake through Noah “40” Shebib, and ended up co-producing “Shut It Down,” a The-Dream duet off the Canadian rapper’s 2010 debut Thank Me Later. Brown and Shebib would reunite on Lil Wayne’s “I’m Single” and again on “Mine,” Beyoncé’s own Drake duet from her 2013 self-titled album.

Brown’s last credited work as a producer was on Action Bronson’s 2015 LP Mr. Wonderful, though he continued to DJ at local bars and restaurants. “I hope people will remember that he was willing to help the younger generation,” his sister told NBC. “He was always big on helping younger people start their careers and get themselves into the game. It was about just the music, no matter who the artist was.”

September 17, 2025 0 comments
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LimeWire has acquired Fyre Fest but is "not bringing the festival back"
Music

LimeWire has acquired Fyre Fest but is “not bringing the festival back”

by jummy84 September 17, 2025
written by jummy84

LimeWire has acquired the infamous Fyre Festival brand – find out more below.

  • READ MORE: The 10 most WTF moments from Netflix’s jaw-dropping Fyre Festival documentary

In July, Fyre founder Billy McFarland announced that the Fyre Festival brand and all of its IPs had been sold to a bidder on eBay for just under a quarter of a million dollars. McFarland shared at the time that he was working on a “tech platform designed to capture and power the value behind every view online,” and told followers that it’s “coming soon”.

Now, the bidder that purchased Fyre on eBay has been revealed as the revived early 2000s pirating platform, LimeWire. LimeWire initially launched in 2000 as an illegal peer-to-peer file-sharing and pirating platform. It was ultimately shut down, but resurfaced in 2022 as a crypto company.

Fyre Festival founder Billy McFarland rides a jet ski in Netflix’s ‘Fyre’ documentary. Credit: Netflix

LimeWire’s purchase of Fyre was confirmed in a press released per Deadline, which reads: “Once synonymous with disruption in their own very different ways, LimeWire and Fyre are now poised to begin an entirely new chapter – one grounded in technology, transparency, and a sense of humour.”

LimeWire CEO Julian Zehetmayr saying: “LimeWire’s acquisition is not about repeating past mistakes – it’s about saving one of the internet’s most infamous cultural memes from extinction and turning it into something new. Fyre became a symbol of hype gone wrong, but it also made history.”

Zehetmayr also clarified that “we’re not bringing the festival back – we’re bringing the brand and the meme back to life. This time with real experiences, and without the cheese sandwiches.”

Fyre Festival
Fyre Festival (Picture: Netflix)

The tech company’s COO Marcus Feistl added: “Fyre became a symbol of everything that can go wrong. Now it’s our chance to show what happens when you pair cultural relevance with real execution.”

Additionally, it is reported that actor Ryan Reynolds‘ creative agency Maximum Effort also made a bid for the Fyre brand, though the amount it offered remains disclosed. Reynolds said of LimeWire’s winning bid in a statement, per Rolling Stone: “Congrats to LimeWire for their winning bid for Fyre Fest. I look forward to attending their first event but will be bringing my own palette of water.”

The original Fyre Festival was first developed by McFarland eight years ago, and was planned to run over two weekends on a private beach in the Bahamas. That edition in 2017 was reportedly set to include performances from Blink-182, Major Lazer, Disclosure, Migos, Pusha T, Tyga and more.

It made headlines when it was revealed to be fraudulent, with punters arriving on the scene and facing inadequate conditions and a lack of food and water. The ordeal was then captured in the now-iconic Netflix documentary FYRE.

McFarland was sentenced to six years in prison in 2018 for defrauding investors and was released after just four years in 2022. Fyre Fest 2 was originally set to run between May 30 and June 2 on an island in Mexico, before the tourism board and local officials claimed that no such festival existed.

Before it was cancelled, the second edition of Fyre Fest saw tickets sell for between $1,400 and $25,000 (£1,081-£19,305), while premium packages were priced as high as $1.1million (£850,000). Ahead of the planned second instalment, former Fyre Festival investor Andy King warned of “a lot of red flags” over the event’s planned reboot. In May, it was revealed that the Fyre Festival brand was looking to launch a hotel experience later this year, marketed as a Caribbean getaway in Honduras in September.

September 17, 2025 0 comments
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Cuco Covers Cumbia Classics During Homecoming Show in Los Angeles
Music

Cuco Covers Cumbia Classics During Homecoming Show in Los Angeles

by jummy84 September 17, 2025
written by jummy84

The Chicano star is currently on tour in celebration of his album, Ridin’

Cuco turned Mexican Independence Day into a cumbia celebration Monday night at the Greek Theatre. The Chicano soul star lit up the sold-out Los Angeles venue in green, white, and red, as fans swayed and sang along to his unexpected dive into cumbia classics.

Midway through the show, Cuco loosened things up with his cumbia-inspired 2021 one-off “Under the Sun” before surprising the crowd by pulling out the güira for a rendition of “Llorar,” the standard by Los Socios del Ritmo. The energy jumped again when he transitioned into “La Negra Tomasa,” the Caifanes anthem that had the audience on its feet.

“I gotta tell you how many cumbia parties I’ve been to,” Cuco said onstage. “Y’all, I never realized how hard it is to sing that song, ‘Llorar,’ it’s a lot of tongue twisters for me. But that is fun as fuck to play. I hope you guys enjoyed that shit.”

The star took the time to celebrate some of the deluxe standouts on Ridin’, making way for “Sin un Corazón” from the extended project. Earlier in the evening, Cuco welcomed Jean Carter to perform their collab “Bossa No Sé,” and also a rendition of “My 45” from his recent project, Ridin, which Rolling Stone lauded last month.

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“His blissed-out performances flow by perfectly, and the tunes stay with you. More than just historical cosplay, Ridin’ makes an old-school sound feel joyfully present,” read a review of the album.

Cuco just started his Ridin tour last week in Oakland and is set to tour the United States, stopping in cities such as Phoenix, Albuquerque, Denver, Dallas, Nashville, Kansas City, and New York City through the end of October.

September 17, 2025 0 comments
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JADE Talks 'THAT'S SHOWBIZ BABY!' Album, Her Love of Pop & New Tour
Music

JADE Talks ‘THAT’S SHOWBIZ BABY!’ Album, Her Love of Pop & New Tour

by jummy84 September 17, 2025
written by jummy84

It’s no mistake that JADE’s debut solo album THAT’S SHOWBIZ BABY! is a thoroughly poptacular affair. “I live and breathe pop, I always have done,” she tells the Billboard Pop Shop Podcast (listen to her full interview, below). “I just am obsessed with it.”

Billboard has called the album “a distinct, dazzlingly ornate record” that takes sonic cues from divas like Diana Ross, Madonna and Janet Jackson, and demonstrates the breadth of her “taste as a pop student and skills as a wide-ranging vocal dynamo.”

JADE first made her mark on the pop landscape as Jade Thirlwall, a member of the British girl group Little Mix. The ensemble was formed in 2011 on the U.K. reality competition program The X Factor and notched numerous hit albums on both sides of the Atlantic, including a whopping 19 top 10-charted hits on the U.K. Official Singles Chart. In 2022, the act went on hiatus while the individual members explored solo endeavors.

Fast-forward to 2024, and JADE’s debut solo single “Angel of My Dreams” hit No. 7 on the U.K. Official Singles Chart. She followed it with another top 40 hit in “FUFN (F— You For Now)” this past March, and won her first solo BRIT Award for Best Pop Act that same month. Through the summertime, JADE played major festivals including Glastonbury, and opened for Chappell Roan in Edinburgh. Her THAT’S SHOWBIZ BABY! – THE TOUR kicks off Oct. 8 in Dublin and continues on into the U.K. through Oct. 22 in London, which she has “hope” will come to the U.S.

The Billboard Pop Shop Podcast caught up with JADE quite literally a few hours before THAT’S SHOWBIZ BABY! was released on Sept. 12. Here are some excerpts of her chat with the podcast, which you can listen to in full below.

On when the writing process for the album began.

The album writing process started, I think, like three years ago now, right off the back of the Little Mix hiatus. I went straight into the studio, writing nonstop, figuring out what my sound was on my own. And then I think just over, maybe, a year and a half ago was when “Angel of My Dreams” was written. And I think once that happened, that kind of became the catalyst for what the album would be, and everything just fell into place from that point onwards.

How she’s staying in the moment and celebrating the album’s arrival.

In the next few weeks, I just want to be super present with this record. It’s something I’m so proud of and waited a long time for. And I want it to feel like a celebration between me and my fans and see as many of them as possible. And I think in this job, in this music industry, you’re constantly on the move, and you can easily just sort of get swept up in all the politics and the promotion and marketing and all that stuff. And just forget that actually it’s really f—ing cool. And you are able to just make an album, and you should take time to be proud of that and be present for it.

On how SHOWBIZ has an “element of chaos.”

And then I think the album itself has an element of chaos to it, just sonically. And each song is different to the next. I consciously didn’t want it to be a super cohesive or conceptualized album, because the truth is that I was experimenting for this and trying different sounds, figuring out who I am. So I wanted the album to literally sound like that. And with songs like “Angel of My Dreams” or “It Girl,” and, you know, even to “Fantasy,” every song has its own identity. And I guess that’s where the kind of chaos of the record lies. I feel like you can hear it … so that day she was, she was trying this sound, and she was merging these genres. It’s a very sort of experimental pop record, I would say.

On JADE’s love of pop music.

I live and breathe pop. I always have done. I just am obsessed with it. And I’ve done a lot of research. Ever since I was a little girl, it’s always been something I’ve been obsessed with — not just the music, but, like, just every part of it. Like, I’d have the dolls of my favorite artists, and the CDs, and I’d open it up, and I’d look at all the credits and the lyrics and take it all in and study the artwork and the videos. So for me, the best pop artists are the ones that don’t just focus on the music and they see it as a whole brand, I suppose. And so I have a lot of fun with that. And, you know, making a pop record that feels very visual, too. So, yeah, I always knew, and I always will be like a pop girly. But, it was interesting, and it was essential to sort of find out what the JADE sound is. And, like, how do I stand out and make my mark in the pop world?

Did the genesis of SHOWBIZ begin before Little Mix went on hiatus?

I think, like musically, I kind of had an inkling of where I might go. There was a song I wrote for the girls on our fifth album called “Wasabi,” and it kind of became a fan favorite, and it became almost known as like, as my song within the group. And so, I kind of knew that that would be a good starting point. But I think lyrically, it wasn’t until after, I think because I was so used to writing lyrics that were very universal or very relatable for everyone, because in a group you can’t be too personal. It’s not just about you. So, it wasn’t until afterwards, when I was in rooms on my own, and getting more confident and sort of realizing, oh, I actually can just literally write about anything now, and I can be, almost uncomfortably honest at times with, like, my own experience.

On her love of Madonna.

She is one of the best pop stars we will ever get. She reinvents herself with every era, which I find hugely inspiring. As someone that wants a long career, for me, Madonna is the epitome of longevity as a pop artist, and I think that’s when you are so sure of who you are, and you speak up and speak out for things you feel passionate about. I watched her documentaries as a teenager, and I always respected that she wasn’t afraid to be controversial, or afraid to stand up for what she thought was right. So, I’ve took that with me as a solo artist.

On what to expect from her THAT’S SHOWBIZ BABY! tour.

I think my THAT’S SHOWBIZ BABY concert will play on that sort of theatrical theme. And I’m actually really excited to be in theaters, because it means I can really delve into taking advantage of those stages and making it almost feel like a musical theater production or a cabaret show. So I’m very excited for that. And, all the songs are all very different. So it’s going to make for a, well, a show that won’t be boring. (Laughs.) You know, obviously I love to go in with the costumes, and we’ll have the band and the choreography. So, yeah, I’m really working hard with my creative director on how we make this smaller stage feel like you’ve entered my world and you leave there being like, ‘Oh, fuck, you know, she really made that work.’

Could the tour visit America?

I think so. Yeah, I hope so. We hope so. We’re all putting our heads together of how to make this work. Because I really, really want to get over to the U.S. and do shows there and in Europe and just everywhere. You know, it’s always been a dream of mine to be able to say that I’m doing my own headline show, whatever that is.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)  

September 17, 2025 0 comments
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5 Takeaways From the 2026 Lineup
Music

5 Takeaways From the 2026 Lineup

by jummy84 September 17, 2025
written by jummy84

Once upon a time, Coachella used to ring in a new year of festivals and live music by releasing its lineup in January. It arrived in this timeframe with such consistency that those first couple weeks of January were frustratingly slow for the festival’s devotees. But those days, apparently, are over. Following up on last year’s surprise November lineup drop, Coachella pushed the timeline up two months earlier and revealed its 2026 lineup on Monday, September 15th.

The extra early release suggests two things: that organizers would ideally like an even longer runway to sell tickets (not a bad idea), and they’re really confident in their 2026 lineup. When glancing at this upcoming year’s edition, it’s easy to see why. Sabrina Carpenter and Karol G will headline the festival as previously reported, anchoring Friday and Sunday night; Justin Bieber — perhaps the biggest name of the bunch, and the toughest to nail down — will take the reins on Saturday for his very first solo Coachella performance. Also, the Italian DJ and producer Anyma is back post-Sphere residency to debut his new show, Æden.

Get Coachella 2026 Tickets Here

Elsewhere on the lineup are sub-headlining performances from The xx, The Strokes, and Young Thug, plus Nine Inch Noize (Nine Inch Nails + Boys Noize), Turnstile, Disclosure, Iggy Pop, David Byrne, Interpol, Addison Rae, Dijon, Ethel Cain, Wet Leg, Laufey, BIGBANG, FKA twigs, DEVO, Moby, KATSEYE, Sombr, Alex G, and many more.

As festival lineups have been increasingly looking more and more random, it’s a bit challenging to assess the direction that big events like Coachella are taking. Last year’s lineup felt more millennial-coded than usual, and the same could be said about this year. At the same time, Coachella reprises the crucial strategy of nabbing as many ‘acts du jour’ as possible (see: sombr, Addison Rae, KATSEYE, Teddy Swims, and Laufey).

Read on for the five biggest takeaways from the Coachella 2026 lineup.

It All Depends on How You Feel About Justin Bieber

It was hardly 18 months ago when a still-burgeoning Sabrina Carpenter seized the main stage and casually debuted a little song called “espresso” at Coachella. Like her fellow Coachella 2024 breakout Chappell Roan, Carpenter’s rise has been stratospheric of late; she could have so easily taken the entirety of 2026 off following the success of Short ‘n Sweet, but instead she doubled down and put out a great new album, Man’s Best Friend. So, it was a no-brainer to get Carpenter back for next year’s Coachella. She’s at the peak of her powers, she’s got a whole lot of personality and charisma on stage, and her live vocals are excellent.

Karol G’s rise has been less ubiquitous but still undeniably big. The Colombian pop star performed a massively attended 2022 set (complete with a memorable celebration of Latin pop), became the first Latin artist to headline Lollapalooza in 2023, dropped her star-studded fifth album Tropicoqueta this summer, and recently headlined the halftime show for the São Paulo installment of the NFL’s International Series.

Then there’s Anyma, which… look, I’m sure his residency at the Sphere was visually spectacular. I can appreciate an artist who pays as much attention to the visual aspects of a live show as they do for the sonic aspects. But it’s hard to not see Anyma as the odd one out in this group of headliners. Is his music really worth such a prime slot? Not just his visuals, but the songs themselves? I imagine the SoCal electronic heads will have a lot more to say about his booking and performance than I do (though I also suspect that a huge portion of his audience are tech bros).

This brings us to the make or break headliner: Justin Bieber. 10 years ago, even with the rejuvenation he experienced with Purpose, it would have been unthinkable to book Bieber as a central headliner. A lot of the core Coachella crowd, who attended this festival in the first phase of its existence, might be deterred by the choice. But Swag, his latest album, has been a summer hit, and many of the fans who grew up with Bieber are engaging with him again out of nostalgia and because of his “It’s not clocking to you” persona.

Perhaps the album really has worked a miracle and altered the way general public see Bieber; as far as we see it, however, one rather nice album doesn’t really change the fact that his catalog is uneven and a lot of his recent music has been boring, worship-lite wife guy pop. Bieber being the ‘legacy’ superstar is a bit of a bold risk; he has never headlined one of the Big Five of US festivals, he’s scaled back on live shows significantly over the years, his public life has been slightly turbulent of late, and he’s a pretty unique get, all things considered.

At the same time, this is Justin Bieber we’re talking about, not Frank Ocean or Lady Gaga or Taylor Swift. He’s fine. Mid, even.

September 17, 2025 0 comments
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Charm La’Donna Talks Emmy Nominations And Choreography Career
Music

Charm La’Donna Talks Emmy Nominations And Choreography Career

by jummy84 September 17, 2025
written by jummy84

When Charm La’Donna was only a child, she knew her footsteps would leave marks on some of the world’s biggest stages. That reality manifested as a career as a professional dancer, which was launched when she landed a spot in the ensemble for Madonna’s Confessions Tour in 2006 while in high school. Born Charmaine La’Donna Jordan, the 37-year-old brings her Compton-bred spirit to every studio. Guided by mentorship from the legendary choreographer Fatima Robinson, La’Donna’s career continues to expand into new territories. 

At the 2025 Emmy Awards, the California native was literally her own competition. Despite being up against herself in the Outstanding Choreography For Variety or Reality Programming category, for her work in the Netflix Beyoncé Bowl special and Kendrick Lamar’s Super Bowl LIX halftime show, history was made. With the two nominations, she became the fourth Black woman to be recognized in the category, joining the ranks of Robinson, Debbie Allen, and Chloé Arnold. 

“To be one of four, well, first of all, I am beyond blessed and grateful,” she told VIBE last month as she prepared to host a dance class during the Red Bull Dance Your Style U.S. National Championship weekend in San Francisco. 

“When I found out, I did the whole shock face. Just being nominated once for something, but being nominated twice, I really couldn’t believe it. I know it probably sounds crazy, but I couldn’t believe it,” she said. “Again, I am honored and I’m proud to continue on opening the doors and showing and being an inspiration, hopefully, for other young girls who look like me and who want to do what I’m doing, to say, ‘Hey, yo, it’s possible.’ Yeah. I’m just thinking about it, I’m still on a high.”

As the host of Red Bull Dance Your Style, alongside Sway Calloway, Charm La’Donna was tasked with empowering the morale at the competitive event. As later explained by the VMA winner, the space created by the tournament, social media, and digital spaces has opened doors for dancers worldwide. 

“I’m grateful for them,” she elaborated. “I’m not necessarily a freestyler, I don’t battle, but just seeing dancers being put on a platform where they can truly, truly shine, and we truly allow the world to see why we work eight hours a day, and in the mirror and in the street. It’s super awesome, and this is why I’m grateful to be a part of something like Red Bull Dance Your Style and be able to host, because I’m truly inspired by a lot of the videos I’ve seen, even before hosting this. It’s definitely special, and I think it’s allowing dance to be seen and respected in such a great way.”

Although she excels at orchestrating dance routines, La’Donna’s creativity is not limited to rhythmic eight counts. As an all-around creative, many chapters for the acclaimed choreographer are still being written. 

Charm La’Donna at Apple Original Films And A24’s “Highest 2 Lowest” Los Angeles Premiere held at The Academy Museum on August 13, 2025 in Los Angeles, California.

Gilbert Flores/Variety via Getty Images

VIBE: What do you think is the biggest misconception about choreographers, especially when it comes to more entertainment spaces?

Charm La Donna: I just think sometimes people think or could think that choreographers are just simply people who create dance steps, and we are so much more. We’re directors, we’re innovators, we’re creative. We’re, nine times out of 10, so involved in more than just the dance, even though the title doesn’t say that. Give us our props. 

What would you say is the hardest part of your job, and how do you overcome it?

The hardest part about being a choreographer? Those three-hour phone calls, those pre-calls about what… No, I’m just kidding. That’s a good question…Maybe this is not the hardest. For me, personally, [but] there are times where I’m exhausted, physically exhausted or tired, because I’m doing multiple jobs and sometimes you’re on a plane, you’re off a plane straight to a rehearsal. Maybe being tired in the body. 

What are some self-care things that you do to keep yourself together?

I could tell you that right now. [The] gym is a must. I know people think that, ‘You’re dancing all day, you don’t have to work out.’ Guys, yes, we do. We work out. We have to keep the stamina up, keep our bodies healthy. I try, this is a strong try, to eat my best and [go to the] sauna when I can. Massages are key when I can. Having days off when I can. Those are my maintenance things.

How does being from Compton inspire your movement?

It’s so interesting, because when you want to explain stuff like this, I just want to be like, ‘Look, this is where I’m from.’ I don’t know, it’s just how I move. But I could see why one would ask that. I just think that the experiences in dance as an expressive art form, the things that we intake, and the things that I see in the music that I listened to growing up, are all a part of that, and it’s culture. It’s my culture. You know how to brush your teeth every morning, because you do it every day. How I walk, how I talk, how I dance is my culture. It’s in me from where I’m from.

Who I am and where I’m from have inspired everything I do, just as much as the training that I’ve had growing up. Being classically trained, all these art forms, all these experiences, really are what I’m inspired by and continue to be inspired by daily.

I read that you were trained in multiple disciplines. Which one would you say would be your favorite?

There’s a technique. My teacher was the best ever, Don Martin. When I say this, people are going to be like, ‘What, Charm?’ It is the Horton Technique. I love the Horton Technique by Lester Horton. Please, look it up. I love Luigi Jazz (created by Eugene Louis Faccuito). 

Was there any style of dance that was hard for you to capture?

When I got to my teenage years, I was done with ballet. I was so done. 

Does that feel more rigid?

I don’t know. I think it was my body. My curves were starting to happen, and I was just like, ‘I don’t know,’ and then I fell in love with Horton, and I still took ballet class, because it’s just also the form, the technique. I still wanted to take it, but I pivoted my way more towards Horton and modern. It was a rough relationship with ballet for a little bit, but at my big age now, I’m so grateful that I’ve been able to train and study as much as I can with the teachers that I’ve had, because all of that, too, is a part of why my work is the way it is as well. I can’t deny that, you know what I’m saying? I can’t deny that part of me without saying all of this has cultivated Charm La’Donna.

Charm La'Donna in purple

Charm La’Donna attends the 2023 MTV Video Music Awards at Prudential Center on September 12, 2023 in Newark, New Jersey.

Noam Galai/Getty Images for MTV

What do you do differently to prepare for teaching a class versus a choreography job?

I’m about to tell you right now, and you’re going to laugh at this. I’m about to see all the dancers come in here, I’m going to fill the room, I’m going to pick a song, and I’m going to start dancing. That’s what’s going to happen, because I truly get inspired by the bodies in the room, the people in the field. I want to know, ‘How are y’all feeling? Are y’all feeling up? You’re feeling down?’  I do that, and it’s gotten me this far. Sometimes I do prepare, if I don’t have a lot of time for a job and things need to be seen beforehand. But what I’m feeling right now, we’re just going to vibe.

What would be a very specific piece of advice you would give young girls now who are looking to start professional dance and choreography careers?

This may sound vague or not enough, but I would say be yourself. Do things that feel right to you. Follow your morale. Trust your gut, and if you can, walk into every room as if God sent you there, and you’ll be booked.

How do you hope to or plan to continue extending your creative profile beyond dance?

I’ve been able to explore, and that is the most beautiful thing. That’s something else. If I could tell my younger self or anyone else coming up, be open to exploring and wanting to continue to learn. I want to direct and do dance films and shoot dance films differently. Yes, I did music before, because that was definitely a passion that I still have. Maybe one day I’ll score the music I’m directing. The video, the film I’m directing. It’s just all going to come full circle. I’m truly a fan of the arts; I love everything about it. I hope that answers the question.

September 17, 2025 0 comments
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Why Do I Keep Getting Mad at Coachella Lineups? What’s Wrong With Me?
Music

Why Do I Keep Getting Mad at Coachella Lineups? What’s Wrong With Me?

by jummy84 September 16, 2025
written by jummy84

Won’t someone think of the brand activations? Has anyone checked on the Klarna executives? Is there a gas leak at Goldenvoice? Vanessa Hudgens hasn’t even had the chance to swap her summer crochet linens for winter crochet wools, but the California concert promoter has already released the lineup for the 2026 Coachella Valley Music and Arts Festival, the earliest announcement since the event’s inception in 1999. We’re expected to know, before the leaves begin to turn, if we want to snag tickets at the “early bird” “discount” price of $650 (Weekend One) or $550 (Weekend Two) to see Kaskade, the DJ my EDM-curious dad once called “Ajax” by mistake (they’re both cleaning supplies, after all).

But maybe I’m the fool for expecting anything different: For as long as it’s been a tastemaker, Coachella has also been a harbinger of poptimism to come; griping about the festival’s mainstream pulls and corporate sponsorships is one of the last reliable joys music snobs have in an otherwise algorithmic wasteland. And there is a small thrill that remains in trying to parse the “Zendaya-Is-Mechee” verbiage of “The Bunker Debut of Radiohead Kid A Mnesia.” Still, today’s announcement felt especially phoned in, as if the organizers threw darts at SNL musical guests and hoped for the best.

It’s been a bear market for chill vibes at the Indio festival for the past couple of years. Coachella hasn’t sold out since 2023, despite its release dates creeping earlier in the calendar each year. It’s now typical to find resale tickets at vastly lower costs than their face value, as travel plans and weather become more precarious. In 2025, temperatures climbed above 100 degrees, becoming the hottest edition since 2012.

More than half of GA attendees this year paid in “buy-now-pay-later” installments, siphoning small sips of their paycheck each month for the chance to bear witness to Benson Boone (Goldenvoice, in turn, has to wait longer for revenue). Even the would-be headliners are tired: Massive Attack declined to perform at this year’s event, citing the environmental havoc it wreaks on its already strained climate; Kendrick Lamar and Rihanna declined because they were “busy,” which was just a polite way of saying that the festival was officially more cooked than the parched earth beneath its main stage.

And then there’s the lineup itself: Moby billed below Ethel Cain; Laufey billed above Black Flag. Coachella feels like a desperate pitch for connection between a bewildered Gen X father and his brainrotted Gen Z son. There are, contained within, many Coachellas on this poster: The misremembered indie sleaze revival festival, headlined by the XX and the Rapture and Major Lazer; the rockist retirement home with David Byrne and Iggy Pop; the “You just made this guy up” festival starring upcoming sadpop star sombr. There’s plenty of gems buried in tiny letters: Wednesday, PinkPantheress, fakemink, and Oklou all speak to where music is going next. But a festival is defined by the names in the boldest font. Coachella, especially, built its reputation on setting our pop cultural compass with its headliners. This year, they seem content to operate on autopilot.

September 16, 2025 0 comments
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Don Broco share stomping new single 'Disappear'
Music

Don Broco share stomping new single ‘Disappear’

by jummy84 September 16, 2025
written by jummy84

Don Broco have shared their stomping new single ‘Disappear’, the third from their upcoming as-yet-untitled fifth album. Check it out here. 

With thumping drums, hypnotic chanting and a breakdown inspired by drum ‘n’ bass, it’s a track that doesn’t fit neatly into any box, aiming to capture the emotions of leaving a loved one at their lowest.

Discussing the song, Don Broco said: “Disappear is about struggling to love and support someone living through something terrible. When the toll has become too much to bear but is dwarfed by the guilt in knowing what you are feeling is nothing compared to what they are facing themselves.”

The release of ‘Disappear’ follows the nu-metal infused ‘Cellophane’ and energetic ‘Hype Man’, which both arrived earlier this summer as singles from the upcoming album. They’re the four-piece’s first new songs since 2023’s standalone single ‘Birthday Party’.

They last released an album, ‘Amazing Things’, in 2021. Three months later, upon the physical release, it became their first LP to hit Number One.

The Bedford band finished a tour of Australia last week, and they’re set to play When We Were Young in Las Vegas next month before a run of North American dates including stops in Chicago, Toronto and New York City. Find tickets here. 

They’re then set to finish 2025 off with a series of UK shows, including two nights in Manchester and one at London’s Wembley Arena – you can find tickets for the tour here. Next year, they return to the US for more shows across January and February.

Don Broco’s UK tour dates are: 

DECEMBER
1 – Barrowland Ballroom, Glasgow
2 – Motorpoint Arena, Nottingham
3 – Utilita Arena, Cardiff
5 – OVO Arena Wembley, London
6 – Aviva Studios Warehouse, Manchester
7 – Aviva Studios Warehouse, Manchester

September 16, 2025 0 comments
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Beyonce Hard Drives Stolen From Dancer's Car Leads to Atlanta Arrest
Music

Beyonce Hard Drives Stolen From Dancer’s Car Leads to Atlanta Arrest

by jummy84 September 16, 2025
written by jummy84

The materials that the musician’s choreographer and dancer said were stolen from a Jeep Wagoneer rental in Atlanta during the Cowboy Carter tour have not been recovered

The Atlanta Police Department has made an arrest in connection to a car robbery in which hard drives containing unreleased music and tour plans from Beyoncé were reportedly stolen. The theft occurred when the Cowboy Carter tour arrived in the city for four dates in July. Choreographer Christopher Grant and singer Diandre Blue reported having two suitcases stolen from a Jeep Wagoneer rental, which contained “personal sensitive information for the musician Beyonce.”

The suspect, Kelvin Evans, was taken into custody and booked into the Fulton Country Jail on Aug. 26 and charged with Entering Automobile or Other Motor Vehicle With Intent to Commit Theft or Felony. Evans has not yet been released and the Atlanta Police Department reports that “the stolen items have not been recovered at this time.”

In a 911 call released by the Atlanta Police Department, Grant said, “They have my computers, and it’s really, really important information in there. I work with someone who’s like of a high status, and I really need my computer and everything. On July 15, about a week after the incident occurred, a representative for the police department noted that no camera footage pertaining to the theft would be released.

According to the call, Grant and Blue reported that the window to the trunk of the Wagoneer had been smashed. Light fingerprints were lifted from the scene, an incident report revealed, and auto larceny investigators flagged a vehicle in the area based on available information. An arrest warrant for a suspect was issued on July 14.

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Despite the incident, the Cowboy Carter tour continued as planned. Beyoncé completed four sold-out shows at the Mercedes-Benz Stadium. The tour wrapped about two weeks later in Las Vegas. “The three hours of Beyoncé felt nonstop as she ran through almost the entirety of Cowboy Carter during the set,” Rolling Stone wrote in a review of the tour opener. “Everything from the show seemed calculated and measured to perfection, leaving little space for Beyoncé to break from the plan. It was a theatrical spectacle that, once again, put Bey in a league of her own.”

September 16, 2025 0 comments
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