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New Alan Partridge series 'How Are You?' launch date revealed with trailer and spoof crowdfunder plea
Music

New Alan Partridge series ‘How Are You?’ launch date revealed with trailer and spoof crowdfunder plea

by jummy84 September 20, 2025
written by jummy84

The release date for the new Alan Partridge series, How Are You? It’s Alan (Partridge), has been confirmed.

The show will see Steve Coogan return as the iconic comedy character as he hosts six episodes that will explore the subject of mental health. After a year living in Saudi Arabia, Partridge has returned to Britain and the show will see him “ask some important questions”.

The series will premiere on BBC One and BBC iPlayer at 9:30pm on Friday 3 October, and all six episodes will be available to watch online from that day.

It was originally announced in 2024 under the title And Did Those Feet… With Alan Partridge, and a synopsis explains: “We follow the beloved and, to be fair, revered broadcaster Alan Partridge as he reintegrates into life in Britain after a year working in Saudi Arabia.”

How are you? It’s Alan (Partridge) pic.twitter.com/5nuXulAXLA

— Neil Gibbons (@neilgibbons) September 20, 2025

“But what begins as a documentary about homecoming soon morphs into something more personal as Alan realises that the happiness he thought he’d feel at being back in Norwich just hasn’t materialised. Something’s missing.”

“It’s a journey through the mental health of himself and the country he loves (the UK including Northern Ireland) to ask: are we mentally unwell, mentally challenged, sad, cross, disturbed or just plain fed up?”

Partridge himself has given fans an insight into how the show came about: “The kingdom of Saudi Arabia enjoys extensive oil and natural gas reserves, but has also seen economic growth in other areas such as agricultural production, retail trade, construction, and transport,” he said. “It directs some $69 billion to military expenditure each year. And yet despite all that, I somehow felt incomplete.”

Ahead of the show’s launch, the BBC have also shared a spoof crowdfunder appeal from Partridge, in which he offers a range of services for fans, including a birthday voicemail for £50 and a dinner at a restaurant of your choosing for £400 (or at one of Alan’s choosing for £200). Watch above.

The inept, awkward broadcaster first appeared in 1991 on the radio show On The Hour, before transitioning to television when he hosted the fictional chat show Knowing Me, Knowing You from 1994-95, followed by the sitcom I’m Alan Partridge from 1997 to 2002. The character has been revived on various platforms including YouTube, podcasts, books, and the 2013 feature film Alpha Papa.

Last year, Coogan said he would like to do more live shows as the character, saying “I’d like to do some other stuff first and I’ll go back to him”. One of those other projects will be a film about footballer Roy Keane, titled Saipan.

September 20, 2025 0 comments
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Dasha Talks 'Cutthroat' Women, Men Who 'Can Do No Wrong' in Country
Music

Dasha Talks ‘Cutthroat’ Women, Men Who ‘Can Do No Wrong’ in Country

by jummy84 September 20, 2025
written by jummy84

When it comes to men and women in country music, the playing field is far from level. During this week’s episode of Rolling Stone‘s Nashville Now podcast, singer-songwriter Dasha shares her firsthand experience with the uneven balance of power in Nashville, especially when it comes to what artists can and cannot say.

“Especially in the country world, men, for the most part, can do no wrong. The more they’re outspoken and the more they express their opinions and go outside the lines, the more someone’s like, ‘Oh, he’s so cool,’” Dasha says.

But were a woman dare to be outspoken, she’d expect blowback, often from the genre’s very fans.

“Women are so cutthroat. If I saw a woman breaking the rules online a bit, in the country world, wearing some shorts that her cheeks are out, I’d be like, ‘Go queen!’ But they’re like, ‘You stupid bitch,’” Dasha says of online commenters.

After some therapy, Dasha says she’s able to better deal with the comments she receives. In the past, she’s read them and tear up. “Now, when I see those comments, I’m like, ‘Thanks, Karen from Minnesota, you’re feeding my algorithm. Appreciate you, girl.’”

Trending Stories

Dasha, who broke out with the viral hit “Austin (Boots Stop Workin’),” is gearing up for the release of her new EP, Anna, on Oct. 10th. On Friday, she dropped the latest track from the project, “Train.”

Download and subscribe to Rolling Stone’s weekly country-music podcast, Nashville Now, hosted by senior music editor Joseph Hudak, on Apple Podcasts or Spotify (or wherever you get your podcasts). New episodes drop every Wednesday and feature interviews with artists and personalities like Charley Crockett, Gavin Adcock, Margo Price, Dusty Slay, Lukas Nelson, Ashley Monroe, Old Crow Medicine Show’s Ketch Secor, and Clever.

September 20, 2025 0 comments
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Sergio George Launches First-Ever Global Doodle & Best Latin News
Music

Sergio George Launches First-Ever Global Doodle & Best Latin News

by jummy84 September 20, 2025
written by jummy84

From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

Sergio George’s Google Doodle

Earlier this week, Google launched its first-ever global Doodle dedicated to salsa, curated by renowned producer, pianist and arranger Sergio George. The initiative marks an “unprecedented recognition of a genre born in Latino communities that went on to conquer stages and celebrations around the world,” according to a press release. The tribute comes just days before George presents his first Salsa Festival, ¡ATACA SERGIO!, at Miami’s Kaseya Center on Sept. 21.

The Doodle debuted as an animated music video honoring Hispanic Heritage Month with a remix of five salsa anthems, including “I Like It” by Pete Rodríguez and “Mi Gente” by Héctor Lavoe. The Doodle also showcases iconic salsa instruments such as the piano, conga, trombone, clave, and güiro. The project was brought to life under the creative direction of Jorge R. Canedo E. and Sergio George.

The Doodle is accompanied by a playlist of salsa hits titled DAME MÁS SALSA, which includes 15 tracks produced by Sergio George.

Karol G’s Con Cora Foundation Initiatives

The Colombian star, who will be headlining Coachella next year, announced two new projects in Colombia for her Con Cora Foundation. Karol G took to social media to unveil the construction of Santa Fe de Icotea College in Maria la Baja, Bolivar and Casa Con Cora in Medellin, a safe space for women and girls in vulnerable situations.

“They’re the kind of achievements that make me feel like everything I do has a purpose because behind them are incredible stories of struggles and hopes that touch me deeply,” she captioned the Instagram post. See the developments here.

BMI Hosts “Las Compositoras+” Songwriting Camp

BMI recently hosted the “Las Compositoras+” song camp as part of its “commitment to supporting its songwriters and amplifying diverse voices in música mexicana,” according to a press statement. The three-day creative retreat was in partnership with songwriter Erika Vidrio, who led the songwriting sessions. Held in Los Angeles, the camp united a lineup of emerging and established talent, including Paulina B, Celimar, Amanda Coronel, Delilah, Lupita Infante, Michelle Maciel, Karen Moon and Ashlee Valenzuela.

“The Las Compositoras+ song camp is about fostering collaboration, supporting our songwriters and building a creative community,” Lilibeth Patron, BMI’s associate director, creative, Latin, said in a statement. “Together, with the support of our sponsors, we were able to provide a platform and create a unique experience for female songwriters and creators in the LGBTQ+ community in música mexicana.”

2025 Latin Music Week Lineup

On Thursday, Billboard unveiled the full lineup for the 2025 Billboard Latin Music Week, returning to The Fillmore Miami Beach from Oct. 20 to 24.

Joining the star-studded roster of the week-long event are Aitana, Christian Alicea, Danny Ocean, Ivy Queen, Lenny Tavárez, Luck Ra, Lupita Infante, Olga Tañón, Rawayana, Silvestre Dangond, Suzette Quintanilla, Tokischa and Yailin, to name a few.

The new additions were announced during a press conference in Miami. “We are thrilled to be back with our biggest Latin Music Week ever — 32 panels, more than 100 guests, including the artists, executives and content creators most relevant,” Leila Cobo, chief content officer of Billboard Latin/Español, said then. “The Fillmore is not just a beautiful theater, but history has been made here. Every artist of note has performed here.”

See the full lineup here.

Regional Mexican GOATs

In honor of Hispanic Heritage Month, which officially kicked off Sept. 15, Billboard Latin and Billboard Español editors rolled out the 75 Best Regional Mexican Acts of All Time, announcing Nos. 75-61.

The following criteria was taken into consideration for the list: vocal prowess, body of work, career longevity, industry achievements, Billboard chart accomplishments, game-changing influence and enduring generational/cultural impact.

Billboard will be unveiling a new round every week until the final 15.

September 20, 2025 0 comments
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My Chemical Romance to Headline 2026 Welcome to Rockville, Sonic Temple, Louder Than Life Fests
Music

My Chemical Romance to Headline 2026 Welcome to Rockville, Sonic Temple, Louder Than Life Fests

by jummy84 September 20, 2025
written by jummy84

My Chemical Romance will be among the headliners at the 2026 Welcome to Rockville, Sonic Temple, and Louder Than Life festivals. The announcement was made by promoter Danny Wimmer Presents on Friday (September 19th) at this year’s Louder Than Life fest currently happening in Louisville, Kentucky.

Welcome to Rockville is set to take place May 7th-10th in Daytona Beach, Florida; Sonic Temple is slated for May 14th-17th in Columbus, Ohio, and has already revealed Coheed and Cambria, Dance Gavin Dance, Chiodos, Atreyu, Senses Fail, and Hawthorne Heights on its 2026 bill, with MCR adding to the emo flavor thus far. The exact dates for next year’s Louder Than Life haven’t been revealed yet, but fans can expect it to be around this same time in September.

The MCR announcement was revealed at Louder Than Life in a hype video of MCR performing, ending with text that read, “YOUR 2026 HEADLINER: MY CHEMICAL ROMANCE,” accompanied by the logos for Louder Than Life, Welcome to Rockville, and Sonic Temple. That was followed by the University of Louisville Cardinal Marching Band performing “Welcome to the Black Parade” on the main stage (see below).

Related Video

In recent days, My Chemical Romance have been teasing fans with billboards and street stencils in New York City, Minneapolis, Detroit, and other towns, suggesting a summer 2026 leg of their “Long Live The Black Parade Tour.” None of those dates have been confirmed as of yet.

Stay tuned as more of MCR’s 2026 tour plans, as well as additional headliners of the aforementioned festivals, are announced in the coming weeks and months.

JUST IN: My Chemical Romance @MCRofficial announced as 2026 headliners of @RockvilleFest, @SonicTempleFest, and @LTLFest. https://t.co/6AD9BSymSx pic.twitter.com/6LppLkOTeJ

— Heavy Consequence (@heavyconsequenc) September 19, 2025

September 20, 2025 0 comments
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Bob Dylan in 1965. (Credit: Michael Ochs Archives/Getty Images)
Music

Deep Cut Friday: ‘Tombstone Blues’ by Bob Dylan

by jummy84 September 20, 2025
written by jummy84

Each week, SPIN digs into the catalogs of great artists and highlights songs you might not know for our Deep Cut Friday series.

Bob Dylan’s sixth album Highway 61 Revisited, which recently celebrated its 60th anniversary, opens with the landmark single “Like a Rolling Stone.” The song that follows it on the album, “Tombstone Blues,” is far less famous, but Dylan himself thought highly of it. Interviewed by Cameron Crowe for the liner notes of the 1985 box set Biograph, Dylan said, “I felt like I’d broken through with this song, that nothing like it had been done before…just a flash really.”

An elliptical song about the escalation of the Vietnam War, “Tombstone Blues” is full of vivid images and characters, best remembered for one of Dylan’s funniest one-liners: “The sun’s not yellow, it’s chicken.” Like many of his songs of the era, Dylan and his backing musicians ran through a dozen takes of “Tombstone Blues” in a single day, choosing the twelth and final performance for the album. A couple of the alternate takes have appeared on archival releases, some a couple minutes shorter or a couple minutes longer than the Highway 61 version, all of them featuring fantastic lead guitar performances by Mike Bloomfield.

“Tombstone Blues” hasn’t been widely covered relative to Dylan’s ’60s output. But one of his old Greenwich Village folk scene contemporaries, Richie Havens, performed the song for the soundtrack to the deconstructed Dylan biopic I’m Not There in 2007. The 1999 live album Sheryl Crow and Friends: Live from Central Park ends with an all-star rendition of “Tombstone Blues,” with Natalie Maines and Chrissie Hynde passionately tearing through some of the song’s verses.

“Tombstone Blues” isn’t a major factor in Dylan’s live repertoire—according to Setlist.fm, he hasn’t played it in concert since 2006, and it’s not among his 100 most performed songs. He has occasionally returned to it on significant occasions, though: “Tombstone Blues” opened Dylan’s 1995 episode of MTV Unplugged, and was dramatically slowed down for the 2021 performance film Shadow Kingdom: The Early Songs of Bob Dylan. 

Three more essential Bob Dylan deep album cuts:

“The Lonesome Death of Hattie Carroll”

The penultimate track on The Times They Are A-Changin’ is, more than most of Dylan’s topical songs, largely a straightforward factual account of a news story, the 1963 death of a Baltimore barmaid: “William Zantzinger killed poor Hattie Caroll with a cane that he twirled around his diamond ring finger at a Baltimore hotel society gathering.” Dylan read about Zantzinger’s paltry six-month sentence for manslaughter on the way home from witnessing Martin Luther King Jr.’s “I Have a Dream” speech, and was moved to write a song that slowly builds up in righteous anger.  

“The Man in Me”

1970’s New Morning was well received at the time, but the song “The Man in Me” was relatively forgotten until Joel and Ethan Coen used it to soundtrack a memorably surreal scene in 1998’s The Big Lebowski.

“Silvio”

“Silvio,” from 1988’s Down in the Groove, is arguably the best song to come out of Dylan’s long association with the Grateful Dead and the band’s lyricist Robert Hunter. Last year President Barack Obama included “Silvio” on his summer playlist and Dylan performed it for the first time in decades.

September 20, 2025 0 comments
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8 Best Songs On Cardi B's 'Am I The Drama?'
Music

8 Best Songs On Cardi B’s ‘Am I The Drama?’

by jummy84 September 20, 2025
written by jummy84

The gap between Cardi B‘s debut album, Invasion Of Privacy, and her long-awaited sophomore album, Am I The Drama?, was so long that the following things have been able to happen: Donald Trump finished his first term as President, unsuccessfully campaigned for reelection against Joe Biden, and then spun back to retake office when it seemed like Kamala Harris would lead this country to a new, better reality. The Philadelphia Eagles won the Super Bowl two months before Invasion, went through a few difficult years, lost to the Kansas City Chiefs in 2023, and then got their lick back this past February. Kanye West and G.O.O.D Music dominated June 2018 with five different albums, one of which was Pusha T’s Daytona, which sparked their feud with Drake—only to lose nearly every affiliate over the next seven years and temporarily reconcile with Drizzy in the meantime.

The point is: people had been waiting a long time. So much had changed within the music industry, in the world, and with Cardi’s perception, that people doubted if she could put together a good album, let alone something that compared to her last. She maintained her presence via features and unfortunate drama, and incessantly told fans that the album was coming. Some reached the point where they said she should never release another project—partially because they feared the sophomore slump was looming, and also because they didn’t want to stress over anticipating something that may never come.

Well, at long last, Am I The Drama? is here. And for all the doubters, people who discredit her ability because of the machine around her, historical revisionists, or any form of naysayers, the 23-track LP delivered. The timing of it—after her difficult public divorce from Offset and new relationship with NFL Pro Bowler Stefon Diggs—couldn’t have been more opportune. The Grammy winner had something big to talk about, and some bubbling feuds with rappers that inspired her to rap with a fervor people may not have believed she possessed.

Most of all, Am I The Drama? is a reminder that she’s more than just a rapper. Invasion helped her to transcend genres, and this album continued that within Hip-Hop’s subgenres and beyond. We won’t touch on all 23 songs, but we do have VIBE’s picks of the eight best tracks from the LP. Hopefully, this sampler encourages you to take the whole, 71-minute journey and listen for yourself.

  • “Hello”

    Cardi B at WWE SummerSlam 2025.
    Image Credit: Elsa/Getty Images

    Cardi B previewed “Hello” at WWE SummerSlam 2025, and the reaction was “What is that record?” The full track did not disappoint in today’s era of snippets that sound better than complete songs. In a way, it had the energy of an intro despite being track two. The Bronx star keeps the hook and verses simple, but it’s the bounce and delivery that make this one a winner.

    She not only flexes all her qualities, but puts the mirror in the face of her detractors. “It be you that’s hella mad/ It be me that’s getting tricked on by somebody’s baby dad/ It be me that’s lookin’ sexy, it be me that’s lookin’ cute/ It be me with body bustin’ out, this Miu Miu bodysuit,” she spits in the second verse. Whether you’re getting ready to go out, in the car with your girls, or at the gym, “Hello” is the quintessential soundtrack for many different environments.

  • “Pick It Up” Feat. Selena Gomez

    Cardi B at Ashi Studio.; Selena Gomez at the Primetime Emmy Awards.Cardi B at Ashi Studio.; Selena Gomez at the Primetime Emmy Awards.
    Image Credit: Dominique Maitre/WWD via Getty Images; Gilbert Flores/Variety via Getty Images

    “Pick It Up” is the album’s early that Cardi has crossover appeal. She tapped Selena Gomez, a major pop star she’s previously worked with, for a record that does not sound outside of either artist’s wheelhouse. Gomez brings the vocals, but her cadences and lyrics lean more toward Hip-Hop. Cardi raps, but utilizes a more refined melodic tone at certain points of the song. The beat utilizes rap drum patterns and pop-like synths for a very pleasing hybrid.

    Both acts, who’ve had publicly chaotic relationships, wholly lean into their emotions in what could be considered a “spin the block” anthem. On the record, their partnerships are hanging in limbo, and neither wants their man to leave things unfinished. Even if someone can’t relate, it’s hard not to empathize with their creative expressions throughout the nearly three-minute song. This has radio hit, playlist monster, and TikTok virality written all over it.

  • “Safe” Feat. Kehlani

    Cardi B and Kehlani in the "Safe" music videoCardi B and Kehlani in the "Safe" music video
    Image Credit: YouTube screenshot

    “Safe,” featuring Kehlani, is an example of perfect A&Ring. Timing-wise, there is no better time to tap the Oakland, Calif. singer, given the creative space she’s in, and with her latest single “Folded” going crazy on the charts. Conceptually, the record is all about what the 30-year-old singer often covers in her music. Additionally, the production mirrors Jordan Adetunji’s “Kehlani,” a sexy drill banger from last year.

    Cardi lands perfectly on this type of production, blending the sensual nature of feeling secure with someone with her Bronx aggression, which may force a man to step up and be her protector even though she clearly does not need one. The only reason this song doesn’t become a hit is if “Pick It Up” takes all the attention, and that will be a fun competition to witness.

    The cherry on top of all of this is the variety of ways they use the word “safe” to create metaphors and similes that relate to comfort within a relationship, and how they weave in and out of each other’s lines on the chorus and verse. “‘Cause I feel safe like I just ran and slid across the plate/ Safe like we playin’ tag and you home base/ Ayy, safe like I got a big dog in a gate, rrr/ Safe like you one of these h*es, play in my face,” they rap. All of that to say, “Safe” is a home run.

  • “Man Of Your Word”

    Cardi B at the 2025 Met Gala.Cardi B at the 2025 Met Gala.
    Image Credit: Michael Buckner/Penske Media via Getty Images

    “Man of Your Word” is an in-depth reflection on her drama-filled marriage with Offset. The production is mostly stripped back, allowing her stream of consciousness to take the forefront. Dougie F opens the record with a moving chorus, but it is Cardi B‘s confessionals that shine the most.

    The best part is that she takes accountability in the areas where she faltered, while also calling out her ex’s mistakes. “Ni**a, I believed you, don’t know if I’m mad at me or you/ Once upon a time, I thought I needed you/ Even though I’m up, I always treat you like we even, dude/ See what special treatment do? Huh, I could’ve cheated too,” she raps.

    There is clearly still love there, as she admits the seven years weren’t all bad despite the negative feelings she experienced. She even says she put her music ahead of checking in on his pain, and how that could have caused them to drift apart. Cardi B is typically very boisterous and assertive, but this tone and cadence remind people that she can be sensitive, making her feelings, the song, and her all the more endearing.

  • “Pretty & Petty”

    Image Credit: Christopher Polk/Variety via Getty Images

    A difficult divorce did not stop Cardi B from being, well, “Pretty & Petty” as the song title conveys. This track has a ’90s bounce to it, and the production elements fall in line. However, her attitude is very similar to that of certain rappers who have taken aim at her. Literally, she opens this song with “Name five BIA songs, gun pointin’ to your head/ Baow, I’m dead/ That melatonin flow puttin’ us to bed/ I’m doing you a favor, Epic, run me my bread.”

    She unloads even more in the second verse, spilling tea about BIA’s life, as the kids say. Evidently, the Boston rapper was kicked out of a condo, hung around Diddy’s house, and her breath stinks. Now, in the spirit of Hip-Hop, these could all be fabricated, but people love lies and truths equally. One thing she did not lie about was the “London” rapper’s lack of commercial success in comparison to hers. And there isn’t much she can say in return.

    This song lands at a perfect time as the Hip-Hop space is obsessed with all forms of rap beef. It will be interesting to see if BIA comes back with anything, but “Pretty & Petty” is great not just for the digs but also the overall song elements.

  • “ErrTime”

    Cardi B at Revolve Festival.Cardi B at Revolve Festival.
    Image Credit: River Callaway/Billboard via Getty Images

    With “ErrTime,” Cardi may be a bigger fan of Southern rap than people may have realized. The production sounds like a 2000s Jeezy beat, but also a 2020s BossMan Dlow beat. She captures the essence of both rappers, dropping sharp liners and a quickly memorable “Oowoo” ad lib in between.

    One of the underrated gems of this song is that she opts for a short verse to start, followed by a refrain, before returning to the chorus. Then she drops a longer second verse, spins back to the refrain, and closes with an outro. This song structure was commonplace in the 2000s, and clearly, Cardi and her team really did their homework on the type of songs that have staying power. You get the Latto bar in the refrain, the Don Julio reference in the chorus, and countless other lines throughout the verses. “ErrTime” is an anthem in every way.

  • “Principal” Feat. Janet Jackson

    Cardi B at the GRAMMY Awards.; Janet Jackson at the American Music Awards.Cardi B at the GRAMMY Awards.; Janet Jackson at the American Music Awards.
    Image Credit: Gilbert Flores/Billboard via Getty Images; Brian Friedman/Penske Media via Getty Images

    Your eyes did not deceive you; Cardi B is on a song with Janet Jackson. “Principal” functions as a double entendre, being spelled like the authority figure in a school to convey both women’s statuses. However, it is used as “principle,” otherwise known as a fundamental truth or belief system. They drive this point home by flipping Janet’s 1986 jam “The Pleasure Principle.”

    The record is all about Cardi ensuring her partner knows the deal: ignore the women chasing him, always be upfront with her, and understand that where she comes from informs who she is and how she operates in the relationship. Though her delivery doesn’t deviate from her beloved grittiness, the production is a bit brighter and dance-friendly. Don’t let the celestial Janet vocals make you miss the point, though.

    “Take me to the trenches (Trenches), I don’t ever panic (No)/ Take me anywhere, just don’t take me for granted (Facts)/ You could spoil me all you want, you ain’t loyal, I don’t care (I don’t)/ My ni**as and my food is just two things I can’t share, bi**h,” she raps. It’s a very modern take on a vintage sound and a tried-and-true concept: loyalty is essential. It’s the principle of it all.

  • “Nice Guy” Feat. Tyla

    Cardi B at Paris Fashion Week.; Tyla at Pandora Talisman Collection Launch EventCardi B at Paris Fashion Week.; Tyla at Pandora Talisman Collection Launch Event
    Image Credit: Aitor Rosas Sune/WWD via Getty Images; Kristina Bumphrey/Variety via Getty Images

    Last, but most certainly not least, “Nice Guy” featuring Tyla. This is another pop-rap hybrid song that has the potential to go to the moon due to its talent, chorus, production, and content. The bubble-gum-esque record covers the progression of an innocent crush up to the paranoia and dismissiveness that come when the honeymoon phase bubble is burst. Both women yearn for their men’s intimacy and attention, but their feelings consume them to where they start to lose trust.

    Eventually, their focus is to flex on someone they once craved and being petty. They’re human, it happens. The standout aspect of this song, though, is the South African artist delivering a full rap verse right before the final chorus. Tyla has demonstrated her versatility throughout her career, but not to this degree. Much like Selena and Cardi on “Pick It Up,” they found a happy medium between their signature sounds and concepts, ultimately creating a potential hit. The ladies will love this one.

September 20, 2025 0 comments
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Wednesday Share New “Townies” Video: Watch
Music

Wednesday Share New “Townies” Video: Watch

by jummy84 September 20, 2025
written by jummy84

Wednesday are celebrating the release of their new album, Bleeds, with the music video for “Townies.” The video, produced and directed by Lance Bangs, opens with bandleader Karly Hartzman handing out flyers for a Wednesday concert, and it culminates with that backyard show. Watch the clip below.

Bleeds is Wednesday’s follow-up to Rat Saw God. The band previewed the album with “Elderberry Wine,” “Wound Up Here (By Holdin On),” “Pick Up That Knife,” and “Bitter Everyday.”

“Townies” is Lance Bangs’ first visual for Wednesday, but he previously made the video for MJ Lenderman’s Manning Fireworks favorite “Wristwatch.” He also produced and directed the video for Horse Jumper of Love’s “Snow Angel,” a track that features vocals from Lenderman and Squirrel Flower’s Ella Williams.

Revisit the 2023 feature “Wednesday’s Curdled Beauty.”

September 20, 2025 0 comments
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Pulp's Mark Webber announces "in conversation" UK book tour
Music

Pulp’s Mark Webber announces “in conversation” UK book tour

by jummy84 September 20, 2025
written by jummy84

Pulp guitarist Mark Webber has announced an “in conversation” UK book tour for I’m With Pulp – Are You?

Published last September, I’m With Pulp, Are You? sees Webber gather his extensive collection of ephemera and objects, accumulated over 40 years with the band, and present it to fans to create a one-of-a-kind insight into the group.

It serves as a visual history of Pulp, as told through photos, flyers, record covers, setlists, badges, posters, press clippings, merchandise and more, and comes with a foreword from frontman Jarvis Cocker, who describes Webber as a “hoarder” as well as the band’s “first fan” and their “first tour manager” before he joined as a member in 1995.

Now, Webber has announced a book tour, set to commence when the band’s current North American tour wraps up at the end of this month.

The tour will also see him celebrate the 30th anniversary of their classic 1995 album ‘Different Class’. It kicks off on October 5 in Lincoln, before heading to St Albans, Hebden Bridge, Manchester, Pontefract, Birmingham, Nottingham, Sheffield, Swansea and Portsmouth. Tickets are now on sale and available here.

When the Pulp tour is over … I’ll be travelling around the UK to talk about my book “I’m With Pulp, Are You?”, the 30th anniversary of “Different Class”, and all things @welovepulp. Info and tickets at https://t.co/6PNl14jk8M pic.twitter.com/YKFJS9mAef

— I’m with Pulp (@imwithpulp) September 19, 2025

NME spoke to Webber following the book’s release, and he reflected on Cocker’s comments that he was the band’s “first fan”, saying: “I don’t think I can claim to the first fan, but definitely one of the few in that period of the mid-to-late ‘80s.”

“There were not many people interested,” he added. “It was around 1991 that the group started to become a bit better organised and function a bit more seriously. Because I had shown some kind of entrepreneurial skills in organising concerts and making fanzines when I was a teenager when I was also carrying equipment around for them, either Russell or the band asked me if I would be the tour manager.

“What teenage fan would refuse that opportunity to hang around with your favourite band and carry their equipment up and down rickety wooden staircases all through the night?”

In June, Pulp released their eighth album ’More’, their first full-length record in 24 years. In a four-star review, NME concluded: “Drenched in synths and strings and aided by producer James Ford’s knack for making the music feel alive and omnipresent, ‘More’ is everything you’d want a Pulp album to be, made richer from some lived experience.

Jarvis Cocker performs with Pulp at Glastonbury 2025. Credit: Andy Ford for NME

“Just as Blur did with ‘The Ballad Of Darren’ and Suede have managed on their immaculate run of post-reunion albums, Pulp have retained their original spirit and flair into a statement of middle age without feeling any less vital. As Cocker pines on the cinematic closer ‘A Sunset’, all things end, so just make the most of the time you have. It’s strangely beautiful, now they’re all fully grown.”

They went on to play a ‘You Deserve More’ UK arena tour this summer, as well as a triumphant and badly-kept “secret” set at Glastonbury 2025.

NME was at the Glastonbury set, awarding it five stars and noting: “With songs for the mis-shapes, a whole lotta ‘L-O-V-E’ and even a Red Arrows fly-past for the glorious crowd-engulfing ‘Common People’, these legends capture the spirit of these hallowed grounds with a little peace, love and joyous wonky-pop hedonism. One for the books? Sure, but as Cocker puts it: ‘History and stuff like that doesn’t matter because it’s all about now and what we can do right now’.”

Elsewhere, they recently announced a reissue of their classic 1995 album ‘Different Class’, including the first ever release of their Glastonbury 1995 performance.

September 20, 2025 0 comments
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Jason Derulo Accuser Re-Files Sexual Harassment Claims in New York
Music

Jason Derulo Accuser Re-Files Sexual Harassment Claims in New York

by jummy84 September 20, 2025
written by jummy84

A singer who claims Jason Derulo sexually harassed her and then turned “deeply hostile” when she rebuffed his advances has resurrected her previously dismissed lawsuit against the platinum-selling artist and Atlantic Records by filing it in New York.

Emaza Gibson, known professionally as Emaza Dilan, first sued Derulo and Atlantic in October 2023 in Los Angeles, but a California judge dismissed the complaint last year, ruling that Gibson had signed artist agreements with clauses agreeing that all legal disputes would be confined to New York courts. Gibson’s new lawsuit, filed Thursday in Manhattan state court, includes the same allegations but now cites New York laws for her claims of discrimination, retaliation, hostile work environment, breach of contract, and intentional infliction of emotional distress.

“This case arises out of a recording deal gone wrong due to egregious sexual harassment, broken promises, and retaliatory career sabotage,” the new 49-page lawsuit obtained by Rolling Stone alleges. “What began as a dream opportunity quickly descended into a nightmare of quid pro quo sexual harassment and intimidation.”

In the new complaint, Gibson, 27, alleges that Derulo reached out to her via direct message in August 2021 and said he wanted to sign her for his new joint venture linking Atlantic Records with his own label, Future History. Gibson claims Derulo, 35, promised he would personally mentor her and collaborate with her on multiple albums, which caused her to feel “over the moon” at the prospect of Derulo “leveraging his star power to boost her introduction to the market.”

Gibson says the professional relationship took an unexpected turn when Derulo allegedly pressured her to drink alcohol with him during late-night meetings and purportedly made sexually explicit comments to her on Nov. 2, 2021. She claims Derulo told her that if she wanted to “make it” in the music industry, she would have to take part in what the lawsuit describes as “ritualistic sex acts.” Gibson says she made it clear she wasn’t interested, and Derulo “became increasingly disinterested and aloof” after that.

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Lawyers for Derulo, Future History, Atlantic, and Derulo’s longtime manager, Frank Harris, did not respond to requests for comment. Derulo previously denied Gibson’s claims against him, stating in an Instagram post that the allegations were “completely false and hurtful.”

With her refiled lawsuit, Gibson clearly is not backing down. “Derulo exploited his power, implying that plaintiff’s success was conditioned on participating in degrading sexual rituals and cocaine use,” the New York complaint states. “When plaintiff resisted Derulo’s advances and later complained about his misconduct, defendants retaliated by withdrawing support, stalling her music releases, and ultimately terminating her contract under pretextual circumstances.”

The lawsuit further alleges Derulo “physically intimidated” Gibson “by lunging at her and screaming in her face without provocation.” Gibson claims Derulo “deliberately sabotaged her dream and career when she didn’t submit to him sexually, an abuse of power that likely any reasonable member of the community would find despicable.”

Speaking with Rolling Stone when she first filed her claims in 2023, Gibson said her alleged experience with Derulo dashed her dreams. “This is super devastating for me. [Professional singing] is something I always wanted to do since I was a little girl. Jason was one of my favorite artists on the pop scene. I accept this amazing offer only to find out the person I looked up to would put me through such a traumatic situation,” she said.

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“We are fully committed to defending Jason’s innocence against these blatantly false and baseless claims. If these false accusations are refiled in New York, we are confident that the New York court will ultimately dismiss the case and prove Jason’s innocence. The court was correct in dismissing the lawsuit in California,” Derulo’s legal team said in a statement to Rolling Stone last year, after the case was fully dismissed in Los Angeles.

In his Instagram statement, Derulo said he stood “against all forms of harassment” and remained “committed to supporting people following their dreams” in the entertainment industry. “I’ve always strived to live my life in a positively impactful way, and that’s why I sit here before you deeply offended by these defamatory claims,” he said.

September 20, 2025 0 comments
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BINI on Coachella 2026, Cosmetic Line Launch After First U.S. Tour
Music

BINI on Coachella 2026, Cosmetic Line Launch After First U.S. Tour

by jummy84 September 20, 2025
written by jummy84

While BINI‘s first U.S. tour dates this summer already felt like a milestone for the Philippines’ biggest girl group, that proved to be only the start of a year filled with crucial crossover moments in music and beyond.

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After the Biniverse World Tour hit major stops from Los Angeles and New York to Toronto, London and Dubai, the eight-piece act once again extended its global footprint by carving out a historic space for themselves on the American festival circuit, launching a complete beauty line and bringing a part of Filipino childhoods to the global-pop market.

Earlier this week, BINI made history as the first Filipino group booked to perform at Coachella — a festival that still functions as a key industry tastemaker and signal of who to watch each year. The announcement follows their newest single “Shagidi” and the launch of BINI Cosmetics, a beauty line the group says was built from the inside out for their fans — affectionately known as Blooms — and arrives at a moment when Filipino culture is gaining new visibility on the global stage. Together, the moves read like proof of intent: BINI now reaches more than 16 million followers across social platforms and they’re using that reach to put Filipino music and aesthetics in new rooms.

“When we were on the Zach Sang Show earlier this year, we said out loud that we dreamed of performing at Coachella and now it’s really happening,” the group says in an exclusive statement to Billboard following the news. “To see that manifestation come true is beyond surreal. Being part of the 2026 lineup isn’t just a milestone for BINI, it’s a moment for Filipino music and for everyone who has believed in us since the beginning. We can’t wait to bring our music and our culture to the desert stage.”

BINI’s latest single, “Shagidi,” is another modern-musical translation of Filipino tradition. Playful and upbeat, the track takes its cue from a children’s game in the Philippines called “Shagidi Shapopo” and reframes it as a pop hit — not so dissimilar from ROSÉ and Bruno Mars‘ massive “APT.,” which turned a Korean drinking game into a hook-heavy Billboard Hot 100 hit. Both songs are accessible cultural touchstones meant to connect new audiences with the singers themselves, but also their backgrounds.

A similarly personal ethos drove BINI Cosmetics. “Our beauty line is more than just colors; it’s our heart showing up,” the group adds. “We were involved in every step, choosing shades, designing packaging, even the naming of each product, because we wanted something that speaks to us and to every Bloom out there. We want people to feel seen, to feel confident doing their own thing, whether you wear makeup every day or just sometimes. It’s for everyone, no filters, no limitations.”

Below, members Jhoanna, Aiah, Gwen, Colet, Stacey, Maloi, Mikha, and Sheena walk us through late-night palette debates, as well as the pressure, joys and creative process behind their first U.S. concerts, and how these milestones fit into a larger plan to bring the Philippines’ pop sound — and Filipino creatives — to new stages around the world.

How did you feel about your first-ever U.S. show being in New York City?

 Sheena: Of course, we felt so blessed, so grateful, and so proud with our first stop in the U.S. in New York because,  honestly, this whole world tour and especially here in North America, was really us taking a risk. We know ourselves that we don’t have that many Blooms here compared to our families in the Philippines. But we have a saying that even if we’re performing in front of a thousand Blooms, hundreds or even just one Bloom, we will always give our best and show and excellence because that’s the show that our Blooms deserve.

It’s interesting that you call it a risk, given the big crowd you had at the Theater at MSG. What were your concerns?

Aiah:  When we learned about the venues, the capacity of each arena, we told our management, “Can we really feel this? Are you sure?” Or even just half of them, we were very doubtful. But like we said, we thought, “Let’s just take the risk,” you know? And perform for our Blooms.

Jhoanna:  And having a sold-out concert, that’s just a bonus for us.

Getting to see your concert showed me how crucial live vocals are to your show. Many times, you’re all singing the choruses, you get to show off some Christina Aguilera ad-libs moments. Why is the vocal aspect important to a BINI show?

Maloi:  I think that is what we trained for. Like we trained for almost — how many years? — two years. And we are still training now. So, I think it’s very important for us to show what we can really do.  Seeing people appreciate what we can do or what we have is so nice to see: to see their comments and even their constructive criticisms for us to be better performers. For me, I enjoy it more if I sing live and if I do make a mistake live, I think that’s the beauty of it — the rawness of our voices. You can hear the beats, the voice cracks and everything. It makes you feel more like, “I’m here and this is life.”

Stacey: Most of the time and most of the performances, we’ll have issues with the technical [aspects], with the sound, our in-ears, our microphones; but we are grateful for the sound engineers because they can fix everything fast.

Aiah: Every show is unpredictable and you won’t always get to have a perfect one. So, sometimes it really is a trial and error because we go to different stages, we have to rehearse it in ways to make sure it’s all good and we’re ready just in case things aren’t working. But when you perform, sometimes, even if you have rehearsed for it, anything can really happen.

Mikha: Especially with the clothes. We don’t wear the same clothes every concert and we don’t really have time to do dress rehearsals [with every outfit], so it’s kind of hectic backstage. We’ll get our sound engineers to help us out, also, even though it’s not their job to do it. People who aren’t supposed to help us or be assistant stylists become assistant stylists because of everything. But that’s good, you know? We’re all all-rounders now. [Laughs] I think people think that we’re a big team, but in reality, it’s so few. We just make it look like a whole crowd is working for us, but it’s really quite intimate and small.

Speaking of clothes, the fashion on tour was really stunning and something I hadn’t seen before. Do you get a say in what you wear?

Maloi: Of course, every time we go out on stage, we always make sure that we show our branding, our true selves like this. The [regular] clothes that we are wearing right now, this is who we are and another representation of who we are, how we style ourselves, and how we want to be perceived by other people. I think it’s love also because our stylist, our visual director at the Ica [Villanueva], is always there for us to make sure that we look good on stage and, as much as she can, wants to make every stage unique. So, we are just so grateful that we have these unique looks that are, at the same time, cohesive. Every girl is different, but cohesive at the same time.

 Colet: When it comes to outfits, our visual director, Ms. Ica, always aims for the top Filipino designers. So, we always have our go-tos like Marian Zara, Iñigo [Villegas], RAFA Worldwide, everyone is Filipino. The New York show included a Filipino designer from here.

Gwen: And  we even do upcycling now, actually. So we’ll use bottles of soda and soft drinks and we put that into our outfits.

There were videos in between concert sections where we saw some elaborate headdresses, gowns and other looks. Was that another way to show your culture?

 Mikha: That was Ms. Ica’s idea, of course. She wanted to add the headdresses because I think it was designed locally.

Maloi:  And it’s very eccentric which is very good. Because we really want to be unique in this industry, not just being the traditional Filipino look, but we want to be something more extra. I think it was  inspired from our Filipino farmer caps. But make it extra, make it fashion.

Mikha: They’re actually heavy, we were struggling. [Laughing] Our gowns were heavy too.

Jhoanna: The gowns were shipped from a province and each of the dresses came in a big, individual box. I think they weighed around, probably, more than two or three kilos [approximately 4.4-6.6 pounds] or something…

Group: More!

These all bring out so many cool messages, but I wonder from all these separate elements, what do you say is BINI’s larger message?

Gwen:  Just like the messages of our songs, we always want to inspire people to embrace their flaws, to be authentic, to love yourself and to celebrate each other’s uniqueness. We strongly believe that everybody is capable of inspiring, so we say let’s be a reason for someone’s confidence.

 How do you arrive at that message? Did you need to find that confidence within yourselves to share it with others?

Mikha:  I think it’s an everyday struggle. Yeah. You know, to be the best version of yourself and also accept your flaws. But I think I wouldn’t want to speak for everyone here, but for me personally, there are times that I don’t feel that great and that’s okay as long as you don’t really affect the people around you in a negative way.

Having a clear message is important when you’re actively crossing over like I see you doing. Do you have a mindset or strategy to approaching your global expansion?

Stacey:  Right now, I would say we are still in our testing of waters, but we really want to tap into people from all over the world and reach a wider audience. That’s also the reason why we collaborated with artists from different parts of the world like Belinda and Agnez Mo.  So, hopefully, in the future we get to tap more artists and that hopefully allows us to reach audiences and get them to like Philippine-pop and know more artists in our country. It’s really hard and pressuring but, well, I think pressure is good and just like our songs, “Zero Pressure” you won’t get  the diamond if you don’t have your pressure. So pressure is good.

Sheena:  Even with these changes, we always make sure to stay true to who we are.

Maloi:  We’re just so grateful that we cross borders through our music. We always try to make music that can capture through generations, from young to old, we’re just so happy that people resonate with our music because we really just want to share our experiences in life, be relatable and someone that you can be with or feel with.

Stacey: And music is a universal language.

Belinda on the “Blink Twice” remix was very cool and really speaks to how you’re reaching out to audiences. Is there any connection you see between Filipino pop and Latin music?

Mikha:  Actually, our management, they’re the ones who set it up with Belinda, but we were so excited because she’s an icon in her country and we listened to her music. It’s really amazing her voice and she can switch her voice depending on what type of song she’s singing. She’s also a good dancer! I guess we were also interested to tap into Latin [music] because there are a lot of similarities with Tagalog and Latin American country languages and Spanish. She was amazing in that song too.  We actually heard a version of just her singing the song and I was like, “You know what? She should just take the song!” [Laughs] Hopefully we can perform it and share the stage together.

Are there other artists you think would fit well on a BINI song?

Colet: “Out of My Head” with Dua Lipa!

Mikha: I was thinking “Zero Pressure” with Dua Lipa.

Sheena: A whole album with Dua Lipa. [Laughs]

Mikha: We actually have a song that hasn’t been released that I think Sabrina Carpenter would actually fit really well on, but that’s just a sneak peak!

How do you describe BINI’s sound?

Colet: On the technical side, I think BINI’s sound right now is diverse and experimental. Yes, we already found the bubblegum pop genre, but I think it’d be nice  if we have a lot of genres for people to listen to and choose whatever they feel at the moment.  But on. On an emotional level, we’re always aiming for uplifting, light and inspirational songs. So, whenever we put out music out there, it should feel like a hug — we hug everyone — it should feel comforting.

I felt that sense of comfort, particularly at the NY concert, when you shouted out Pride Month several times. Why was that important to emphasize?

Jhoanna:  Pride month is something we hold close to our hearts because BINI is all about inclusivity, empowerment and love, and that includes our LGBTQIA+ Blooms. We believe in celebrating everyone for who they are.  We just wanna be welcoming and very accepting of them. So that’s why we are all about that. We support them.

Mikha:  I think women and feminism has come a long way in the past, and I think women and all the LGBTQ community have become united and I think it’s very nice.  I think we’re almost there. You know, there’s still so much to do but I think that we’ve come a long way from how it was before in the past.

Jhoanna:  We want to remind them that they’re valid, that they are feeling our love and using our platform — it’s a really big help for them.

Sheena:  And personally I feel like we have a lot of gay friends or look up to a lot of gay icons and we try our best to protect them.  Because we also feel hurt when people say some things about them that are not true.  Actually, I feel like the RuPaul’s Drag Race really help in the Philippines to love gay people. Even me honestly, I started learning about RuPaul’s Drag Race because of the Philippine branch. And because of that I started watching different branches here in U.S., Australia, everywhere. Right now, it’s very active — we’ll even go to gay bars, we watch the shows, we perform.

Jhoanna:  She’s the Drag Race ambassador. We were supposed to celebrate her 21st birthday and she invited a lot of drag queens to perform for her.

I feel like your cosmetics line aligns with that mindset: you want to accept everyone and share what you love.

Mikha: We were very hands on when involved, it was very draining actually. There are so many ideas, products and colors to choose from — not just the formulas. There was so much going on in that meeting. Thank God though we have a team who are also helping and guiding us on what’s best and everything like that so we could come to an agreement.

Gwen: We made sure the products are easy to use and affordable. Cherry Blush can go on your eyes, cheeks, and lips. It’s not just for girls; it’s for everyone who wants to feel fresh and confident in their own style.

 Stacey: We love products that will stay because it’s very humid in the Philippines. So when we were creating the formulas, we not only thought of what we like, but also for everyone. Like, “Is it going to work with morena?” Morena is like the brown skin of our beautiful Filipinos.

Jhoanna: BINI Cosmetics is us, in color, choices we actually made together from the shade names to the packaging, down to how it should feel when you wear it. We wanted a kit that travels with you: Eye Candy for quick looks, touches like Lip Jelly that make confidence feel easy. If it empowers our Blooms to show up as themselves, that’s the win.

Mikha: We built this line to move the way we move, from rehearsals to show time to rest days. The goal was pigments and textures that play well together, so you can turn it up with Pout Pop and Cloud Lash. It’s not just about looking pretty; it’s about owning your mood and telling your story.

Now that Coachella has happened, are there other goals you want to put out there?

Stacey:  Well, our goal in being is always to improve And in terms of music. We want to hopefully be like a song book wherein whenever they open it, we have various songs that will really hit all their emotions. So hopefully with the future songs that we’ll be producing, we’re not only gonna capture their hearts, but also their ears in a way that it’ll also make them feel seen.  We really aren’t stopping. For whatever opportunities that are there for us, we’re always explorative and on the hunt for whatever it is that will add to our growth.

Jhoanna: Also, more international awards and collaborations.

Sheena: We want to perform on the main KCON stage as a complete eight. And shoutout to ENHYPEN, I miss you.

You’ve filmed TikTok challenges together with the ENHYPEN members at KCON. How was that?

Sheena: So, with ENHYPEN, I feel music-wise that me and Me and Colet really like their sound — when they release “FEVER” back in 2021 is when we started being a fan. Our collaboration was arranged by our managements in LA and  we also did a TikTok together when they had a concert in the Philippines. So, we already have two interactions. One more to go and we’re friends. [Group Laughs] I just need to manifest. I appreciate them.

Any other shoutouts?

Mikha: Hi Dua Lipa. And hi Sabrina. Hi BLACKPINK!

Jhoanna: Everyone, really, all the talented artists.

Sheena: Hi Clairo!

Anything else we can look forward to for what’s next?

Jhoanna: We have a lot tracks to be released soon and it’s all new flavors, new vibes, different feelings. We’re very excited for these songs to be out with both English and Tagalog songs.

Aiah: Thank you so much to our Blooms for always supporting BINI. Expect more songs, more performances, more meet and greets and…what else?

Jhoanna: I hope you don’t get overwhelmed with all the activations and changes for this year with BINI! We are so excited. See you soon!

September 20, 2025 0 comments
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